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"Do nothing of the kind. They are invaluable."
"But undignified."
"Let me feel your biceps, Mr. Winfield," said Mrs. Porter. She nodded approvingly. "Like iron." She poised a finger and ran a meditative glance over his form. Kirk eyed her apprehensively. The finger darted forward and struck home in the region of the third waistcoat b.u.t.ton.
"Wonderful!" she exclaimed. "Ruth!"
"Yes, aunt."
"Prod Mr. Winfield where my finger is pointing. He is extraordinarily muscular."
"I say, really!" protested Kirk. He was a modest young man, and this exploration of his more intimate anatomy by the finger-tips of the girl he loved was not to be contemplated.
"Just as you please," said Mrs. Porter. "If I were a man of your physique, I should be proud of it."
"Wouldn't you like to go up and see George?" asked Kirk. It was hard on George, but it was imperative that this woman be removed somehow.
"Very well. I have brought him a little book to read, which will do him good. It is called 'Elementary Rules for the Preservation of the Body'."
"He has learned one of them, all right, since yesterday," said Kirk.
"Not to walk about in front of automobiles."
"The rules I refer to are mainly concerned with diet and wholesome exercise," explained Mrs. Porter. "Careful attention to them may yet save him. His case is not hopeless. Ruth, let Mr. Winfield show you his pictures. They are poor in many respects, but not entirely without merit."
Ruth, meanwhile, had been sitting on the couch, listening to the conversation without really hearing it. She was in a dreamy, contented mood. She found herself curiously soothed by the atmosphere of the studio, with its shaded lights and its atmosphere of peace. That was the keynote of the place, peace.
From outside came the rumble of an elevated train, subdued and softened, like faintly heard thunder. Somebody pa.s.sed the window, whistling. A barrier seemed to separate her from these noises of the city. New York was very far away.
"I believe I could be wonderfully happy in a place like this," she thought.
She became suddenly aware, in the midst of her meditations, of eyes watching her intently. She looked up and met Kirk's.
She could read the message in them as clearly as if he had spoken it, and she was conscious of a little thrill of annoyance at the thought of all the tiresome formalities which must be gone through before he could speak it. They seemed absurd.
It was all so simple. He wanted her; she wanted him. She had known it from the moment of their meeting. The man had found his woman, the woman her man. Nature had settled the whole affair in an instant. And now civilization, propriety, etiquette, whatever one cared to call it, must needs step in with the rules and regulations and precedents.
The goal was there, clear in sight, but it must be reached by the winding road appointed. She, being a woman and, by virtue of her s.e.x, primeval, scorned the road, and would have ignored it. But she knew men, and especially, at that moment as their eyes met, she knew Kirk; and she understood that to him the road was a thing that could not be ignored. The mere idea of doing so would seem grotesque and impossible, probably even shocking, to him. Men were odd, formal creatures, slaves to precedent.
He must have time, it was the prerogative of the male; time to reveal himself to her, to strut before her, to go through the solemn comedy of proving to her, by the exhibition of his virtues and the careful suppression of his defects, what had been clear to her from the first instant, that here was her mate, the man nature had set apart for her.
He would begin by putting on a new suit of clothes and having his hair cut.
She smiled. It was silly and tiresome, but it was funny.
"Will you show me your pictures, Mr. Winfield?" she asked.
"If you'd really care to see them. I'm afraid they're pretty bad."
"Exhibit A. Modesty," thought Ruth.
The journey had begun.
Chapter IV
Troubled Waters
It is not easy in this world to take any definite step without annoying somebody, and Kirk, in embarking on his wooing of Ruth Bannister, failed signally to do so. Lora Delane Porter beamed graciously upon him, like a pleased Providence, but the rest of his circle of acquaintances were ill at ease.
The statement does not include Hank Jardine, for Hank was out of New York; but the others--Shanklyn, the actor; Wren, the newspaper-man; Bryce, Johnson, Willis, Appleton, and the rest--sensed impending change in the air, and were uneasy, like cattle before a thunder-storm. The fact that the visits of Mrs. Porter and Ruth to inquire after George, now of daily occurrence, took place in the afternoon, while they, Kirk's dependents, seldom or never appeared in the studio till drawn there by the scent of the evening meal, it being understood that during the daytime Kirk liked to work undisturbed, kept them ignorant of the new development.
All they knew was that during the last two weeks a subtle change had taken place in Kirk. He was less genial, more p.r.o.ne to irritability than of old. He had developed fits of absent-mindedness, and was frequently to be found staring pensively at nothing. To slap him on the back at such moments, as Wren ventured to do on one occasion, Wren belonging to the jovial school of thought which holds that nature gave us hands in order to slap backs, was to bring forth a new and unexpected Kirk, a Kirk who scowled and snarled and was hardly to be appeased with apology. Stranger still, this new Kirk could be summoned into existence by precisely the type of story at which, but a few weeks back, he would have been the first to laugh.
Percy Shanklyn, whose conversation consisted of equal parts of autobiography and of stories of the type alluded to, was the one to discover this. His latest, which he had counted on to set the table in a roar, produced from Kirk criticism so adverse and so crisply delivered that he refrained from telling his latest but one and spent the rest of the evening wondering, like his fellow visitors, what had happened to Kirk and whether he was sickening for something.
Not one of them had the faintest suspicion that these symptoms indicated that Kirk, for the first time in his easy-going life, was in love. They had never contemplated such a prospect. It was not till his conscientious and laborious courtship had been in progress for over two weeks and was nearing the stage when he felt that the possibility of revealing his state of mind to Ruth was not so remote as it had been, that a chance visit of Percy Shanklyn to the studio during the afternoon solved the mystery.
One calls it a chance visit because Percy had not been meaning to borrow twenty dollars from Kirk that day at all. The man slated for the loan was one Burrows, a kindly member of the Lambs Club. But fate and a telegram from a manager removed Burrows to Chicago, while Percy was actually circling preparatory to the swoop, and the only other man in New York who seemed to Percy good for the necessary sum at that precise moment was Kirk.
He flew to Kirk and found him with Ruth. Kirk's utter absence of any enthusiasm at the sight of him, the reluctance with which he made the introduction, the glumness with which he bore his share of the three-cornered conversation--all these things convinced Percy that this was no ordinary visitor.
Many years of living by his wits had developed in Percy highly sensitive powers of observation. Brief as his visit was, he came away as certain that Kirk was in love with this girl, and the girl was in love with Kirk, as he had ever been of anything in his life.
As he walked slowly down-town he was thinking hard. The subject occupying his mind was the problem of how this thing was to be stopped.
Percy Shanklyn was a sleek, suave, unpleasant youth who had been imported by a theatrical manager two years before to play the part of an English dude in a new comedy. The comedy had been what its enthusiastic backer had described in the newspaper advertis.e.m.e.nts as a "rousing live-wire success." That is to say, it had staggered along for six weeks on Broadway to extremely poor houses, and after three weeks on the road, had perished for all time, leaving Percy out of work.
Since then, no other English dude part having happened along, he had rested, living in the mysterious way in which out-of-work actors do live.
He had a number of acquaintances, such as the amiable Burrows, who were good for occasional loans, but Kirk Winfield was the king of them all.
There was something princely about the careless open-handedness of Kirk's methods, and Percy's whole soul rose in revolt against the prospect of being deprived of this source of revenue, as something, possibly Ruth's determined chin, told him that he would be, should Kirk marry this girl.
He had placed Ruth at once, directly he had heard her name. He remembered having seen her photograph in the society section of the Sunday paper which he borrowed each week. This was the daughter of old John Bannister. There was no doubt about that. How she had found her way to Kirk's studio he could not understand; but there she certainly was, and Percy was willing to bet the twenty dollars which, despite the excitement of the moment, he had not forgotten to extract from Kirk in a hurried conversation at the door, that her presence there was not known and approved by her father.
The only reasonable explanation that Kirk was painting her portrait he dismissed. There had been no signs of any portrait, and Kirk's embarra.s.sment had been so obvious that, if there had been any such explanation, he would certainly have given it. No, Ruth had been there for other reasons than those of art.
"Unchaperoned, too, by Jove!" thought Percy virtuously, ignorant of Mrs. Lora Delane Porter, who at the time of his call, had been busily occupied in a back room instilling into George Pennicut the gospel of the fit body. For George, now restored to health, had ceased to be a mere student of "Elementary Rules for the Preservation of the Body" and had become an active, though unwilling, practiser of its precepts.
Every morning Mrs. Porter called and, having shepherded him into the back room, put him relentlessly through his exercises. George's groans, as he moved his stout limbs along the dotted lines indicated in the book's ill.u.s.trated plates, might have stirred a faint heart to pity.
But Lora Delane Porter was made of sterner stuff. If George so much as bent his knees while touching his toes he heard of it instantly, in no uncertain voice.
Thus, in her decisive way, did Mrs. Porter spread light and sweetness with both hands, achieving the bodily salvation of George while, at the same time, furthering the loves of Ruth and Kirk by leaving them alone together to make each other's better acquaintance in the romantic dimness of the studio.
Percy proceeded down-town, pondering. His first impulse, I regret to say, was to send Ruth's father an anonymous letter. This plan he abandoned from motives of fear rather than of self-respect. Anonymous letters are too frequently traced to their writers, and the prospect of facing Kirk in such an event did not appeal to him.