The Collected Short Stories of Louis L'Amour: Vol 3 Part 43

"I'll have to be lucky," he admitted. "Mighty lucky. But there aren't many trails across this country from Santa Fe, and I don't believe he ever brought the wagons on much further than that. He may have burned them, and if he did, they may still be there, or the rims may. I'll have a look, anyway."

"But why? What's to be gained?"

"I don't know," he confessed. "Maybe nothing. I'd like to get something on Dunning, though. Something definite. And there might be a clue."

She nodded, looking out past the screen of pines toward the distant hills. Then suddenly, almost as she turned her head, he was gone from the rock! She stared, then started to her feet. Where in the world ...

"Lona!" She whirled. It was Gordon Flynn. "What in the world are you doin' way back here?" he asked. He was sitting a dun pony that he often rode, and he looked around wonderingly.

"An' how did you ever find this place? I'd never have guessed it was here."

"I found it." Kilkenny stepped from behind a clump of pinon, and Flynn gulped. "You ... you're Kilkenny?"

Lena's eyes flew open and she gasped, "Kilkenny!"

"Yes, ma'am," he replied, "that's my name."

CHAPTER 4.

The hamlet of Aztec Crossing was born of a broken axle and weaned and reared on Indian whiskey. For three weeks the town was a covered wagon and three barrels of whiskey, but by that time "Hungry" Hayes, onetime buffalo hunter and freighter, had built a dugout roofed with poles and earth. With those three barrels of Indian whiskey to prime the pump of prosperity, and a Winchester to back the priming, Hayes turned his broken axle and the river crossing into a comfortable fortune.

Indian whiskey is a simple concoction of river water, not strained, straight alcohol (roughly two gallons to the barrel), three plugs of chewing tobacco, five or six bars of soap (very strong lye soap), one half pound of red pepper, and a liberal dose of sagebrush leaves. To this is added two ounces of strychnine, and the resulting brew is something to make a mummy rear on his hind legs and let out a regular Comanche yell.

This recipe was not, of course, original with Hungry Hayes. He merely adopted the formula in use throughout the Indian country, the ingredients varying but little. The first two settlers of Aztec Crossing halted because of proximity to the source of supply, yet neither proved as hardy as the durable Hayes. The first to pa.s.s on was helping Hayes mix the whiskey and decided that he preferred it straight, without the addition of the river water. The following morning Hayes planted him on the bank of the river with due ceremony.

The second settler departed this world after a brief but emphatic altercation with four Apaches. His mistake was entirely due to a youthful disdain for mathematics, for having slain three Apaches, he straightened up from his protecting buffalo wallow to leave, and took an arrow through his chest. He was buried, after an interval of sunshine and buzzards, by Hayes, taking with him a surplus of arrows but considerably less hair.

Yet, as time pa.s.sed, Aztec Crossing grew. Ranching began, and the town acquired a general store, four saloons, a livery stable, a bank, and various other odds and ends of business enterprise. Hungry Hayes, fat with money, departed for the East and settled down in a comfortable Kentucky homestead, where people forever after regarded him as a liar for telling what was actually less than the truth.

The latest inst.i.tution, and from Frank Mailer's viewpoint, the most interesting, was the Aztec City Bank. With a dozen ranches nearer to Aztec than any other town, the bank was at times fairly bulging with coin. This fact had not gone unnoticed, and the five hard-bitten gentlemen who drifted into Aztec on the bright and sunny morning in question had decided to give some attention to this money.

Aztec was drowsing in the sun. The weather-beaten boards of the walk in front of the Aztec Saloon supported the posteriors of four old settlers, talking of great deeds against the warlike Comanche. In front of the livery stable, half-asleep, old Pete chewed tobacco in drowsy content. In the store, his gla.s.ses as far down on his nose as possible, Storekeeper Worth studied a month-old newspaper. A dun pony flicked a casual tail at a fly who buzzed in deep ba.s.s, and the morning was warm, pleasant, and sleepy.

Frank Mailer, mounted on a blood bay, walked his horse down the main street with the saturnine Socorro beside him. Reining in at the bank hitching rail, he swung down, and Socorro did likewise, and stayed between the horses, fussing with some saddle gear, his carbine close at hand. Geslin and Starr came down from the opposite direction, and Geslin drew up, taking time to light a smoke while his slate-gray eyes studied the street with a cold, practiced gaze. Starr chewed tobacco, and sat his horse, his thick thighs bulging the cloth of his jeans. Ethridge walked up from behind the bank and stopped at the corner of the building. He carried a Henry rifle, and with Socorro faced one way and he another, they could cover the street with ease.

Mailer, his face swollen and ugly, jerked his head at Geslin. Starr followed. Geslin was worried, for he had never seen Mailer as he was today. Always brutal, the man was now in a vicious mood, his whole manner changed. The beating he had taken had aroused all the ferocity innate in his being. He pushed open the door and walked in and toward the office of the president.

Geslin went to one window, and Starr to the other. Starr took the man who was standing there and spun him sharply, smashing a Colt down over the man's skull. "All right," he said, "sack it up!"

The cashier looked, paled, gulped, and reached for a sack. Mailer had the president out, and with three men under their guns and the fourth on the floor out cold, they proceeded to strip the bank. Across the street Johnny Mulhaven was coming out of the saloon, and Johnny Mulhaven had more nerve than brains. He saw the sudden collection of horses, he saw two men facing the street with rifles, and he let out a shrill Texas yell and went for his gun. Ethridge dropped the rifle on him and fired ... the shot was too quick and too high. It hit Johnny in the shoulder and he dropped his gun, but caught it in the air with his left hand and snapped a quick shot at Ethridge. His shot was quick but lucky. Ethridge caught the bullet where his ribs parted and dropped his rifle.

The old Comanche fighters dove for shelter, two of them under the walk, one behind a watering trough; another dashed for the saloon. Without doubt he was headed for a drink to ballast his shocked nerves, but he was doomed to die thirsty. He caught a slug from Socorro's rifle and went down on the very step of his goal, and in a matter of seconds the street was laced with gunfire, stabbing, darting flames.

Young Johnny Mulhaven was still on his feet, carrying enough lead for three men to die, and he was still firing left-handed. Scar Ethridge had made one attempt to get up, but Johnny made sure of him with a bullet through the skull. One of the horses sprang away, and then the bank door burst open and three men charged into the street.

Mulhaven took the full blast of their fire and went down hard, blood staining the gray boards of the walk. A rifle spoke from the livery stable, another from the store. Three men were unlimbering guns from within the saloon. Old Pete, at the first shot, had come erect with a lunge, swallowed his chewing tobacco, and methodically pulled his old pistol, aimed, shot, and put a slug into Kane Geslin. And then, suddenly as it had begun, it was over. Five men had come into town, and four rode out. Two of them were wounded. It was only then that the full story was known.

Within the bank, the slugged man told it. He had come out of it just in time to see Mailer strike the banker down, then unlimber his pistol and kill all three of the men within the bank. Wisely, he lay still and lived.

Four men were dead, but Johnny Mulhaven, miraculously, was still alive, but with nine wounds. Headed east and riding fast were the four remaining outlaws. Geslin had a flesh wound and Socorro had come out of it with a b.l.o.o.d.y but merely burned shoulder. All four were ugly, despite the success of their venture, and three of them were worried. They had known Mailer for a long time, but not the Mailer in the bank. They were all men who had killed and would kill again, yet those three killings were cold-blooded, unnecessary, and dangerous to their safety. Dangerous because while many a Western town might overlook a bank robbery, they would never overlook a cold-blooded killing.

They swung north, leaving the trail for the rough country, and circled west, heading for a crossing above White Canyon. They had good horses, and doubted if a pursuit would immediately get under way. Silent, brooding, and b.l.o.o.d.y, the four men crossed the Rio Grande and headed up Pajarito Canyon, crossed to Valle de los Posos, and headed for the Rio Puerco. n.o.body talked. Geslin had lost blood and felt sick and sore. The movement of the horse hurt him. Sweat smarted the burn on Socorro's arm and his mood became vile.

Steadily, they pushed on under a baking sun, their shirts stained with blood and sweat, their horses plodding more wearily. Behind them there might be pursuit, and they could easily be followed. There were Indian trackers at Aztec Crossing.

No clouds marred the faint blue of the sky where the sun hung bra.s.sy and broiling. Nothing moved but the sage, and there was no wind, only a heavy, stifling heat. Sam Starr alone seemed unaffected, but from time to time his eyes turned toward the huge sullen figure of Frank Mailer. Mentally, he told himself he was through. When I get mine, he told himself, I'm pullin' stakes.

Alkali dust lifted in soft clouds and dusted a film over their clothing. Socorro cursed monotonously and Geslin stared ahead with bleak, desperate eyes, his lips dry, his body aching for rest and water. Frank Mailer, indomitable and grim, rode on ahead. Starr stared phlegmatically before them, his eyes squinting against the intense white glare of the sun. He watched his horse carefully, keeping it to good ground whenever possible, knowing how much depended on it.

At last the night came and shadows reached out and touched them with coolness. In a tiny glade on the Rio Puerco, the men swung stiffly from their horses. Starr eyed the sacks thoughtfully, and Socorro with greedy, eager eyes, watchful eyes, too, for they shifted vaguely to the night, and then with more intentness on the men close by. Bulking black against the starry sky, looming almost above them, were the rugged San Pedro Mountains.

Starr got some food together, and n.o.body talked. Geslin bathed his wound and bandaged it; Socorro did likewise. Mailer stared into the flames, hulking and dangerous. "Will we make it back tomorrow?" Socorro asked suddenly.

"No," Geslin replied, "there isn't a chance."

"Let's split the money now," Socorro suggested. Starr wanted nothing more than that, but he was hesitant to agree. His eyes shifted to Mailer and they all waited for him to speak, but he said nothing. Starr had seen men like this before when killing was on them. There was only one end to it. Death. They killed and killed until they themselves were slain. He wanted no part of it. He wanted to get away. He also wanted his money.

Dawn found them pushing northeast, heading up Capulin Creek. With the San Pedros to the south and the bulk of Mesa Prieta to the north, there was no way to see if there was any pursuit or not. Geslin was willing to bet there was, and Starr agreed. They told each other as much during a moment when they had fallen behind.

It was dusk when they drew up at a spring and slid from their horses. "We'd better stop," Geslin said. "My arm's givin' me h.e.l.l!"

Mailer turned on him. "What's the matter?" He sneered. "You turnin' into an old woman?"

Geslin's face whitened and for an instant they stared at each other.

"Go ahead!" Mailer taunted. "Reach for it!" Sam Starr stepped back, his eyes watchful. Geslin was in no shape for this. The man's nerves were shot, he was weakened from loss of blood, and beaten by the endless riding.

"What's the matter?" Mailer said. "You a quitter? You yellow?"

Geslin's hand flashed for his gun, and Frank Mailer swung his pistol up with incredible speed. An instant it held, then the shot bellowed, thundering between the cliffs. Geslin went down, his gun spouting fire into the dirt, shot through the heart. Socorro touched his lips with his tongue, and Sam Starr stood very still, staring at Mailer. The man was fast; he was chained lightning.

Mailer's eyes went to Socorro, then sought Starr, but Sam had his back to darkness and shooting at him would have been a poor gamble. "Anybody sayin' anything?" Mailer demanded. He waited while one might have counted five, and neither man spoke. Then he turned away. "No time for loaf in'. We're ridin' on."

Three days before, Lance Kilkenny had set out on the trail of what he suspected was a thirteen-year-old murder. Following Lena's vague memories of the journey to the Blue Hill ranch and his own knowledge of the best route to that area from Santa Fe, Kilkenny cut across country to a spot he hoped would intersect the path the Markham wagon had taken. By morning he was in Canyon Largo, headed west, with the sun at his back.

Lona had told him that she had gone on only one more day after she'd been told that her father had traveled on ahead. That meant that the site of that last camp and possibly the site of the killing was relatively close to the ranch. By going a good sixty miles farther east than would seem necessary, Kilkenny hoped to follow the best path for a wagon and therefore have some hope that he might discover the exact way that Markham, Lona, and Poke Dunning had approached the ranch.

He was covering ground faster than any wagon could have, not bothering to look for any true clues of the Markham family's pa.s.sing, just getting a feel for the slope of the land, watching for deep arroyos and trying to think like a man would when driving with a heavy load. By noon he had stopped at a place where the stream had eddied back on itself and made a good watering hole. From the growth of trees and brush, Kilkenny figured that it was a place that had remained unchanged for many years and was not the creation of some recent alteration in the flow of water.

He got down and, leaving Buck to graze on whatever gra.s.s he could find, scouted around on foot. In twenty minutes he had discovered nothing, so he mounted up and headed off again figuring that he'd cross and head on out north of Angel's Peak. He had not gone a score of yards when he saw it.

He drew up staring at a crude drawing scratched on the rock wall of Largo Canyon. It was scarcely three feet from the ground and was a crude, childish representation of a girl with stick legs and arms. An Indian drawing? he wondered. But no Indian had ever made a drawing like that! He rode straight up now, his eyes searching the canyon walls and the sandy bed. Although he had found no campsite, and Lona had not mentioned making this drawing, he was sure that he had stumbled onto their route.

The following morning, scarcely ten miles from the ranch, he watered his horse and rested on the east side of Thieving Rock. Idly wandering about, Lance Kilkenny suddenly saw a charred wheel, then some bolts. Near a sheltering overhang, half-hidden by brush, were the old remains of a large fire. Here a few stones had been huddled together and blackened with soot. He dropped to his knees and dug in the sand, feeling around to see what he might turn up.

At the bottom of the inner wall, the water or wind of some bygone age had scoured out a small crevice in the stone. It was partly covered, but his eye caught a glimpse of something more than sand, and stopping, he prodded at it with a stick. It moved and he saw that it was an iron box! Kneeling, he grabbed the corner, and brushing away the sand, he pulled out the box. It was ancient and badly rusted, so picking up a stone he struck at the lock. Another blow and the box broke open.

Within it were a few silver pieces, black with age, and a handful of papers. Carefully, he picked them up. A birth certificate for Lona! Markham's marriage certificate! A last will and testament! And the deed to the ranch, placing it in Lona's name, along with the old original deed given him when he himself acquired the ranch!

Probably he had been afraid of Dunning and had concealed this box each night to prevent it being found by him if anything happened. That evening Kilkenny had ridden down the Old Mormon Trail to Blue Hill. Rusty Gates was mending a bridle and he glanced up at him as he rode in. Gordon Flynn was working around the corral and Lona saw him coming and smiled nervously as he swung down.

"I'm hunting Poke Markham," Kilkenny said loudly. "Is he around?"

Dunning appeared in the door. He was wearing two guns, Kilkenny noticed, whereas he had worn but one heretofore.

"Come on in!" Poke said, and turned and walked back into the room. Lance followed him across the porch, then stopped, closing his eyes for an instant so he would see better inside away from the sunlight. He took in the room with one quick glance. A glance that gauged the distance to all the doors and placed the main articles of furniture. A lot might happen before he left this room. "You wanted to see me?"

Poke Dunning looked up from under s.h.a.ggy gray brows. His eyes were hard, measuring. "You're Kilkenny?"

"That's right."

"You whipped Frank Mailer the other evening. You reckon he will take it lyin' down?"

"He can take it as he chooses."

"He'll meet you with a gun, Kilkenny, and he's fast as greased lightnin'."

Kilkenny waited, saying nothing. This old man wore his guns with the b.u.t.ts well forward. Some gunmen liked them that way. "You can't get away from meeting him unless you run, an' you don't set up like a running man. I want you to meet him right away. Soon as he comes back."

"Where's he gone?"

"How'd I know? Don't care, neither. He's a bad hombre, that one, and he's got to be killed. You got to kill him, anyway, but if you hunt him down or kill him as soon as he gets back, any way you like, I'll give you five hundred dollars!"

The way he said it made the sum sound big ... but was it big enough? What were the stakes to Poke Dunning?

"No. I'll meet him when I have to. I won't hunt him down." Kilkenny pulled out his tobacco and began to build a smoke. "Nice place you've got here. Had it long?"

Dunning tightened up inside. The old fear was always on him. "Quite a spell," he replied. "Been some changes made."

"I heard it belonged to your daughter, to Lona."

"Well, you're right. I gave it to her when she was just a child."

"You going to start another place someday?" Kilkenny touched the tip of his tongue to his cigarette, then placed it in his mouth. He dug out a match and lit up, glancing through the first smoke at Dunning. "Let her have her inheritance?"

"Maybe," Poke said flatly. "Someday."

Poke Dunning stared at Kilkenny. What was this, anyway? He had the man out here to try to hire him, and now he was asking questions. Too many questions.

"I was wondering. . . . Why is it that they call you 'Poke,' Mr. Markham? What was your given name?"

He faced Kilkenny. "What's it to you?"

"Just curious."

"Too durned curious! You ain't takin' me up on Mailer?" Poke wanted to change the subject.

"No." Kilkenny moved a step toward the door. "But I'll be back to see you, 'Poke.' " He stopped at the door. "You see, Ike Markham was a friend of mine!" As he spoke he stepped quickly back into the shadows, dropped a hand to the porch rail, and vaulted it neatly. "Buck!" he called. The horse came to him, holding his head high and to one side so as not to step on the trailing bridle reins. Catching them up, Lance Kilkenny wheeled the horse and vanished into the darkness. He need not have hurried. In the big room of the old ranch house, Poke Dunning was standing where Kilkenny had left him, his face ashen, his cheeks sunken and old. For all these years he had been afraid of just this.

A dozen times he had thought of what he might do if ever faced with somebody who knew Markham, and now the moment had come and gone, and he had let the man get away. He should have killed him! But why, if someone had to come, did it have to be Kilkenny, of all people? Alone in his room, he paced the floor. After all these years! Why, there had to be a way out! There had to be! There was no justice in it! Mailer! If he could only steer Mailer into Kilkenny! They might kill each other off, or at least make it easy for him to kill the survivor. In that case, there might still be a chance.

He paced the floor, cursing Mailer's absence as once he had blessed it, eager for the man to return. It was this fear that had caused him to keep the gunmen on the payroll even after he had given up banditry and rustling. This fear that someday, someone would come over the Old Mormon Trail who knew the truth. He had made a bold play, that long-ago night in the dark shadow of Thieving Rock. . .. Markham had been a friendly man when they met, and he had talked cheerfully of the ranch he had for his young daughter, and little by little Poke had worked the information out of him, that his wife was dead, that he had no near relatives but Lona. Poke Dunning could see his big chance, and in the following nights he sat across the fire from the man who was carrying him west, and waited for his chance.

It came, finally, only a day's drive from the ranch itself. It came when he was growing desperate with anxiety, and he knew that Markham had begun to suspect him, that the man moved his bed at times, shifting it from one place to another after they had turned in. Yet, in the accomplishment, it had been easy. He had tossed a stone into the darkness near the horses, and Markham, seeing him lying there, apparently asleep, had risen and walked out to the horses, fearful that a mountain lion might come down on them. Poke Dunning had slid out of his blankets and followed him in his sock feet.

He had used a pick handle, and it was only after the third and last blow had fallen that little Lona called from her blankets and he had replied that everything was all right, keeping his voice low. The next day he told the child her father had gone on ahead to make ready for them. Later he told her that he was off doing business for the ranch and made arrangements to send her to school.

Once she was gone, he had gambled that she would not remember after the years. He had even gone so far as to change his own ways, to use gestures and mannerisms the father had used, and even grow a beard in the same style as her father. It had been a bad moment when she returned on her first holiday, but after eleven years the memory had dimmed, and although he saw doubt in her eyes, he soon managed to make her forget those doubts. When she finally came home after many years, the memories from when she was five or almost five had been erased but for a few moments. The rest was a shadowland where memory and fantasy mingled, where the face of her father was never quite distinct.

Poke Dunning had made his big gamble, and he had won. Now he might lose. He would lose if something was not done. For years he had built up the ranch. Though Lona was the actual owner, in his mind the ranch was his and his alone. And now he was threatened. When she had first returned from school, Poke had been worried and he had started planning how to take back control without raising a lot of questions.

Frank Mailer had been his first hope. He had hoped that Frank Mailer, the outlaw that owed him for so much, would be a fitting partner in the ranch. But now he was increasingly sure that Frank had his own plans and that Poke Dunning did not figure in them. Mailer could be handled, but somehow he must stall him on marrying Lona until after Kilkenny was out of the way. Then he could take care of big Frank, and he would enjoy doing it. He was going to make sure that Mailer died. He was going to make sure that Kilkenny died. And now that his long-held plan to legally wrest ownership of the ranch from Lona had fallen apart, he would kill her, too. If she died, wouldn't he, as her only surviving relative, inherit the ranch? After all, wasn't he supposed to have given it to her? Only Lona's death had to look like an accident.

Gunmen like Kilkenny and outlaws like Mailer were always dying violently. He could shoot Mailer himself, and if he carefully revealed what he knew about the big man's outlaw past and various aliases, no one would think twice about it. But killing a woman, a girl, was another thing entirely.

As if his murderous fantasy was echoing in his mind, Dunning suddenly heard her voice. She was in the kitchen talking to old Betts, and something was said about coffee.

At this hour on nearly every night Dave Betts made coffee for the two of them. Dunning suddenly heard a new voice, Flynn's, making some laughing comment. Poke's eyes narrowed. What was going on here? What was Flynn doing in the house so late at night? The hands rarely came for coffee this late unless working cattle close by, and they were not now. He turned and started for the kitchen. Voices suddenly stilled as he opened the door. He glanced at Lona, her face bright with laughter, the light catching in her auburn hair, and then at Flynn. Dave had drawn back near the big cooking range, his face drawn .

"What's goin' on here?" Dunning demanded. "Flynn, you should be in bed asleep. Ain't nothin' for you at the house this time of night."

"I was just palaverin'," Flynn replied.

"We was havin' coffee," Betts offered. "You want a cup?"

"Yes, won't you have some?" Lona looked up at him, and there was something level and hard in her eyes that he had never seen there before. "I like to talk to Gordon."

"So it's Gordon, is it?" He glared balefully at the puncher. "Get out!" he growled.

Flynn hesitated, and Dunning's gun flashed in his hand. He was thinking that something else had been going on behind his back, that this Flynn . . . "Get out!" he said quickly.

Gordon Flynn backed to the door. Never before had he seen the old man go for a gun, and on his best day he could not have come within twice the time to match that draw. He was no gunfighter. On the other hand, his eyes met Lona's.

"Go, Gordon. I'm all right." She spoke softly and he opened the door and backed out, his face white.

Poke Dunning stood very still, first glaring at Dave, then at Lona. "You come in here!" he said. "I want to talk to you!"

"All right." Lona got to her feet. She felt a queer, frightened sensation inside her, yet in another sense she was perfectly calm, her thoughts working carefully. Kilkenny had come to see Dunning. The man might know his secret, kept for so long, was now about to be exposed. What would he do? What would he try? She stepped past him into the big room and walked past the long dining-room table in the huge old parlor of the ranch house. She crossed to the fireplace, and stood there straight and looking suddenly taller than she was as she awaited him.

Poke Dunning slammed the door behind him and crossed the room. He dug his pipe into a can of tobacco and tamped it home. Then he looked up, his eyes bitter and hard, like flecks of steel under his s.h.a.ggy brows. "We've got to have a talk. Sorry I got sore out there. Don't like to think of you wastin' time on those cowhands. You're too good for them."