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The Club of Queer Trades Part 12

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The old gentleman started, lifted his eyes with a bland bewilderment, picked up the ferret by the neck, stuffed it alive into his trousers pocket, smiled apologetically, and said:

"Sir."

"You are a house-agent, are you not?" asked Rupert.

To the delight of that criminal investigator, Mr Montmorency's eyes wandered unquietly towards Lieutenant Keith, the only man present that he knew.

"A house-agent," cried Rupert again, bringing out the word as if it were "burglar'.

"Yes... oh, yes," said the man, with a quavering and almost coquettish smile. "I am a house-agent... oh, yes."

"Well, I think," said Rupert, with a sardonic sleekness, "that Lieutenant Keith wants to speak to you. We have come in by his request."

Lieutenant Keith was lowering gloomily, and now he spoke.

"I have come, Mr Montmorency, about that house of mine."

"Yes, sir," said Montmorency, spreading his fingers on the flat counter.

"It's all ready, sir. I've attended to all your suggestions er--about the br--"

"Right," cried Keith, cutting the word short with the startling neatness of a gunshot. "We needn't bother about all that. If you've done what I told you, all right."

And he turned sharply towards the door.

Mr Montmorency, House-Agent, presented a picture of pathos. After stammering a moment he said: "Excuse me... Mr Keith... there was another matter... about which I wasn't quite sure. I tried to get all the heating apparatus possible under the circ.u.mstances ... but in winter...

at that elevation..."

"Can't expect much, eh?" said the lieutenant, cutting in with the same sudden skill. "No, of course not. That's all right, Montmorency. There can't be any more difficulties," and he put his hand on the handle of the door.

"I think," said Rupert Grant, with a satanic suavity, "that Mr Montmorency has something further to say to you, lieutenant."

"Only," said the house-agent, in desperation, "what about the birds?"

"I beg your pardon," said Rupert, in a general blank.

"What about the birds?" said the house-agent doggedly.

Basil, who had remained throughout the proceedings in a state of Napoleonic calm, which might be more accurately described as a state of Napoleonic stupidity, suddenly lifted his leonine head.

"Before you go, Lieutenant Keith," he said. "Come now. Really, what about the birds?"

"I'll take care of them," said Lieutenant Keith, still with his long back turned to us; "they shan't suffer."

"Thank you, sir, thank you," cried the incomprehensible house-agent, with an air of ecstasy. "You'll excuse my concern, sir. You know I'm wild on wild animals. I'm as wild as any of them on that. Thank you, sir. But there's another thing..."

The lieutenant, with his back turned to us, exploded with an indescribable laugh and swung round to face us. It was a laugh, the purport of which was direct and essential, and yet which one cannot exactly express. As near as it said anything, verbally speaking, it said: "Well, if you must spoil it, you must. But you don't know what you're spoiling."

"There is another thing," continued Mr Montmorency weakly. "Of course, if you don't want to be visited you'll paint the house green, but--"

"Green!" shouted Keith. "Green! Let it be green or nothing. I won't have a house of another colour. Green!" and before we could realize anything the door had banged between us and the street.

Rupert Grant seemed to take a little time to collect himself; but he spoke before the echoes of the door died away.

"Your client, Lieutenant Keith, appears somewhat excited," he said.

"What is the matter with him? Is he unwell?"

"Oh, I should think not," said Mr Montmorency, in some confusion. "The negotiations have been somewhat difficult--the house is rather--"

"Green," said Rupert calmly. "That appears to be a very important point.

It must be rather green. May I ask you, Mr Montmorency, before I rejoin my companion outside, whether, in your business, it is usual to ask for houses by their colour? Do clients write to a house-agent asking for a pink house or a blue house? Or, to take another instance, for a green house?"

"Only," said Montmorency, trembling, "only to be inconspicuous."

Rupert had his ruthless smile. "Can you tell me any place on earth in which a green house would be inconspicuous?"

The house-agent was fidgeting nervously in his pocket. Slowly drawing out a couple of lizards and leaving them to run on the counter, he said:

"No; I can't."

"You can't suggest an explanation?"

"No," said Mr Montmorency, rising slowly and yet in such a way as to suggest a sudden situation, "I can't. And may I, as a busy man, be excused if I ask you, gentlemen, if you have any demand to make of me in connection with my business. What kind of house would you desire me to get for you, sir?"

He opened his blank blue eyes on Rupert, who seemed for the second staggered. Then he recovered himself with perfect common sense and answered:

"I am sorry, Mr Montmorency. The fascination of your remarks has unduly delayed us from joining our friend outside. Pray excuse my apparent impertinence."

"Not at all, sir," said the house-agent, taking a South American spider idly from his waistcoat pocket and letting it climb up the slope of his desk. "Not at all, sir. I hope you will favour me again."

Rupert Grant dashed out of the office in a gust of anger, anxious to face Lieutenant Keith. He was gone. The dull, starlit street was deserted.

"What do you say now?" cried Rupert to his brother. His brother said nothing now.

We all three strode down the street in silence, Rupert feverish, myself dazed, Basil, to all appearance, merely dull. We walked through grey street after grey street, turning corners, traversing squares, scarcely meeting anyone, except occasional drunken knots of two or three.

In one small street, however, the knots of two or three began abruptly to thicken into knots of five or six and then into great groups and then into a crowd. The crowd was stirring very slightly. But anyone with a knowledge of the eternal populace knows that if the outside rim of a crowd stirs ever so slightly it means that there is madness in the heart and core of the mob. It soon became evident that something really important had happened in the centre of this excitement. We wormed our way to the front, with the cunning which is known only to c.o.c.kneys, and once there we soon learned the nature of the difficulty. There had been a brawl concerned with some six men, and one of them lay almost dead on the stones of the street. Of the other four, all interesting matters were, as far as we were concerned, swallowed up in one stupendous fact.

One of the four survivors of the brutal and perhaps fatal scuffle was the immaculate Lieutenant Keith, his clothes torn to ribbons, his eyes blazing, blood on his knuckles. One other thing, however, pointed at him in a worse manner. A short sword, or very long knife, had been drawn out of his elegant walking-stick, and lay in front of him upon the stones.

It did not, however, appear to be b.l.o.o.d.y.

The police had already pushed into the centre with their ponderous omnipotence, and even as they did so, Rupert Grant sprang forward with his incontrollable and intolerable secret.

"That is the man, constable," he shouted, pointing at the battered lieutenant. "He is a suspicious character. He did the murder."

"There's been no murder done, sir," said the policeman, with his automatic civility. "The poor man's only hurt. I shall only be able to take the names and addresses of the men in the scuffle and have a good eye kept on them."

"Have a good eye kept on that one," said Rupert, pale to the lips, and pointing to the ragged Keith.

"All right, sir," said the policeman unemotionally, and went the round of the people present, collecting the addresses. When he had completed his task the dusk had fallen and most of the people not immediately connected with the examination had gone away. He still found, however, one eager-faced stranger lingering on the outskirts of the affair. It was Rupert Grant.

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The Club of Queer Trades Part 12 summary

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