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"I, with a gran' signora, a great lady! You are crazy, Don Ciccio!"
"Crazy or not--tell me to-morrow whether your heart does not beat every time she looks at you. As for her being a great lady--we are men, and they are women."
The chemist had socialistic ideas of his own.
"To please you," said Ruggiero, "I will go and see her now, and I will be back in an hour to tell you that you do not understand your business.
My brother is to go there at twelve and I will go with him. Of course I shall see her."
He turned to go, but stopped suddenly on the threshold and came back.
"There!" he cried triumphantly. "There it is again, but not so hard this time. Is the lady here, now?" He pushed his chest against the old man's ear.
"Madonna mia! What a machine!" exclaimed the latter, after listening a moment. "If I had a heart like that!"
"Now you see for yourself," said Ruggiero. "I want the best medicine."
But again the chemist broke into a laugh.
"Medicine! A medicine for love! Do you not see that it began to beat at the thought of seeing her? Go and try it, as you proposed. Then you will understand."
"I understand that you are crazy. But I will try it all the same."
Thereupon Ruggiero strode out of the shop without further words, considerably disappointed and displeased with the result of the interview. The chemist apparently took him for a fool. It was absurd to suppose that the sight of any woman, or the mention of any woman, could make a man's heart behave in such a way, and yet he was obliged to admit that the coincidence was undeniable.
He found his brother just coming out of the house in which they lodged, arrayed at all points exactly like himself. Sebastiano's young beard was not quite so thick, his eyes were a little softer, his movements a trifle less energetically direct than Ruggiero's, and he was, perhaps, an inch shorter; but the resemblance was extraordinary and would have struck any one.
They were admitted to the presence of the Marchesa di Mola in due time.
She lay in a deep chair under the arches of her terrace, shaded by brown linen curtains, languid, idle, indifferent as ever.
"Beatrice!" she called in a lazy tone, as the two men stood still at a respectful distance, waiting to be addressed.
But instead of Beatrice, a maid appeared at a door at the other end of the terrace--a fresh young thing with rosy cheeks, brown hair, sparkling black eyes and a pretty figure.
"Call Donna Beatrice," said the Marchesa. Then, as though exhausted by the effort of speaking she closed her eyes and waited.
The maid cast a quick glance at the two handsome sailors and disappeared again. Ruggiero and Sebastiano stood motionless, only their eyes turning from side to side and examining everything with the curiosity habitual in seamen.
Presently Beatrice entered, looked at them both for a moment and then went up to her mother.
"It is for the boat, mamma," she said. "Do you wish me to arrange about it?"
"Of course," answered the Marchesa opening her eyes and immediately shutting them again.
Beatrice stepped aside and beckoned the two men to her. To Ruggiero's infinite surprise, he again felt the blood rushing to his face, and his heart began to pound his ribs like a fuller's hammer. He glanced at his brother and saw that he was perfectly self-possessed. Beatrice looked from one to the other in perplexity.
"You are so much alike!" she exclaimed. "With which of you did I speak this morning?"
"With me, Eccellenza," said Ruggiero, whose own voice sounded strangely in his ears. "And this is my brother," he added.
The arrangement was soon made, but during the short interchange of questions and answers Ruggiero could not take his eyes from Beatrice's face. Possibly he was not even aware that it was rude to stare at a lady, for his education had not been got in places where ladies are often seen, or manners frequently discussed. But Beatrice did not seem at all disturbed by the scrutiny, though she was quite aware of its pertinacity. A woman who has beauty in any degree rarely resents the genuine and unconcealed admiration of the vulgar. On the contrary, as the young girl dismissed the men, she smiled graciously upon them both, and perhaps a little the more upon Ruggiero, though there was not much to choose.
Neither of them spoke as they descended the stairs of the hotel, and went out through the garden to the gate. When they were in the square beyond Ruggiero stopped. Sebastiano stood still also and looked at him.
"Does your heart ever jump and turn somersaults and get into your mouth, when you look at a woman, Bastianello?" he asked.
"No. Does yours?"
"Yes. Just now."
"I saw her, too," answered Sebastiano. "It is true that she is very fresh and pretty, and uncommonly clean. Eh--the devil! If you like her, ask for her. The maid of a Marchesa is sure to have money and to be a respectable girl."
Ruggiero was silent for a moment and looked at his brother with an odd expression, as though he were going to say something. Unfortunately for him, for Sebastiano, for the maid, for Beatrice, and for the count of San Miniato, too, he said nothing. Instead, he produced half a cigar from his cap, and two sulphur matches, and incontinently began to smoke.
"It is lucky that both boats are engaged on the same day," observed Sebastiano. "The Greek will be pleased. He will play all the numbers at the lottery."
"And get very drunk to-night," added Ruggiero with contempt.
"Of course. But he is a good padrone, everybody says, and does not cheat his men."
"I hope not."
By and by the two went down to the beach again, and Sebastiano looked about him for a crew. The Marchesa wanted four men in her boat, or even five, and Sebastiano picked out at once the Gull, the Son of the American, Black Rag--otherwise known as Saint Peter from his resemblance to the pictures of the Apostle as a fisherman--and the Deaf Man. The latter is a fellow of strange ways, who lost his hearing from falling into the water in winter when overheated, and who has almost lost the power of speech in consequence, but a good sailor withal, tough, untiring, and patient.
They all set to work with a good will, and before four o'clock that day the two boats were launched, ballasted and rigged, the sails were bent to the yards and the bra.s.ses polished, so that Ruggiero and Sebastiano went up to their respective masters to ask if there were any orders for the afternoon.
CHAPTER IV.
Ruggiero found out before long that his master for the summer was eccentric in his habits, judging from the Sorrentine point of view in regard to order and punctuality. Ruggiero's experience of fine gentlemen was limited indeed, but he could not believe that they all behaved like San Miniato, whose temper was apparently as changeable as his tastes.
Sometimes he went to bed at nine o'clock and rose at dawn. Sometimes on the other hand he got up at seven in the evening and went to bed by daylight. Sometimes everything Ruggiero did was right, and sometimes everything was wrong. There were days when the Count could not be induced to move from the Marchesa di Mola's terrace between noon and midnight or later, and again there were days when he went off in his boat in the morning and did not return until the last stragglers on the terrace of the hotel were ready to go to bed. He was irregular even in playing, which was after all his chief pastime. Possibly he knew of reasons why it should be good to gamble on one day and not upon another. Then he had his fits of amateur seamanship, when he would insist upon taking the tiller from Ruggiero's hand. The latter, on such occasions, remained perched upon the stern in case of an emergency. San Miniato was a thorough landsman and never understood why the wind always seemed to change, or die away, or do something unexpected so soon as he began to steer the boat. From time to time Ruggiero, by way of a mild hint, held up his palm to the breeze, but San Miniato did not know what the action meant. Ruggiero trimmed the sails to suit the course chosen by his master as well as possible, but straightway the boat was up in the wind again if she had been going free, or was falling off if the tacks were down and the sheets well aft. San Miniato was one of those men who seem quite incapable of doing anything sensible from the moment they leave the land till they touch it again, when their normal common sense returns, and they once more become human beings.
On the other hand nothing frightened him, though he could not swim a stroke. More than once Ruggiero allowed him almost to upset the boat in a squall, and more than once, when, steering himself, and when there was a fresh breeze, drove her till the seas broke over the bows, and the green water came in over the lee gunwale--just to see whether the Count would change colour. In this, however, he was disappointed. San Miniato's temper might change and his tastes might be as variable as the moon, or the weather, but his face rarely expressed anything of what he felt, and if he felt anything at such times it was a.s.suredly not fear.
He had good qualities, and courage was one of them, if courage may be called a quality at all. Ruggiero was not at all sure that his new master liked the sea, and it is possible that the Count was not sure of the fact himself; but for the time, it suited him to sail as much as possible, because Beatrice Granmichele was fond of it, and would therefore amuse herself with excursions. .h.i.ther and thither during the summer. As her mother rarely accompanied her, San Miniato could not, according to the customs of the country, join her in her boat, and the next best thing was to keep one for himself and to be as often as possible alongside of her, and ready to go ash.o.r.e with her if she took a fancy to land in some quiet spot.
The Marchesa di Mola, having quite made up her mind that her daughter should marry San Miniato, and being almost too indolent about minor matters to care for appearances, would have allowed the two to be together from morning till night under the very least shadow of a chaperon's supervision, if Beatrice herself had shown a greater inclination for San Miniato's society than she actually did. But Beatrice was the only one of the party who had arrived at no distinct determination in the matter. San Miniato attracted her, and was very well in his way, but that was all. Amidst the shoals of migratory Neapolitans with magnificent t.i.tles and slender purses, who appeared, disported themselves and disappeared again, at the summer resort, it was quite possible that one might be found with more to recommend him than San Miniato could boast. Most of them were livelier than he, and certainly all were noisier. Many of them had very bright black eyes, which Beatrice liked, and they were all dressed a little beyond the extreme of the fashion, a fact of which she was too young to understand the psychological value in judging of men. Some of them sang very prettily, and San Miniato did not possess any similar accomplishment.
Indeed, in the young girl's opinion, he approached dangerously near to being a "serious" man, as the Italians express it, and but for his known love of gambling he might have seemed to her altogether too dull a personage to be thought of as a possible husband. It is not easy to define exactly what is meant in Italian by a "serious" man. The word does not exactly translate the French equivalent, still less the English one. It means something in the nature of a Philistine with a little admixture of Ciceronism--pa.s.s the word--and a dash of Cato Censor to sour the whole--a delight to school-masterly spirits, a terror to lively damsels, the laughing-stock of the worldly wise and only just too wise to find a congenial atmosphere in the every-day world. However, as San Miniato just escaped the application of the adjective I have been trying to translate, it is enough to say that he was not exactly a "serious man," being excluded from that variety of the species by his pa.s.sion for play, which was dominant, and by the incidents of his past history, which had not been dull.
It is true that a liking for cards and a reputation for success gained in former love affairs are not in any sense a subst.i.tute for the outward and attractive expressions of a genuine and present pa.s.sion, but they are better than nothing when they serve to combat such a formidable imputation as that of "seriousness." Anything is better than that, and as Beatrice Granmichele was inclined to like the man without knowing why, she made the most of the few stories about him which reached her maiden ears, and of his taste for gaming, in order to render him interesting in her own eyes. He did, indeed, make more or less pretty speeches to her from time to time, of a cheerfully complimentary character when he had won money, of a gracefully melancholy nature when he had lost, but she was far too womanly not to miss something very essential in what he said and in his way of saying it. A woman may love flattery ever so much and have ever so strong a moral absorbent system with which to digest it; she does not hate ba.n.a.lity the less. There is no such word as ba.n.a.lity in the English tongue, but there might be, and if there were, it would mean that peculiarly tasteless and saltless nature of actions and speeches done and delivered by persons who are born dull, or who are mentally exhausted, or are absent-minded, or very shy, but who, in spite of natural or accidental disadvantages are determined to make themselves agreeable. The standard of ba.n.a.lity differs indeed for every woman, and with every woman for almost every hour of the day, and men of the world who husband their worldly resources are aware of the fact. Angelina at three in the afternoon, fresh from rest and luncheon--if both agree with her--is wreathed in smiles at a little speech of Edwin's which would taste like sweet camomile tea after dry champagne, at three in the morning, when the Hungarian music is ringing madly in her ears and there are only two more waltzes on the programme. Music, dancing, lights and heat are to a woman of the world what strong drinks are to a normal man; they may not intoxicate, but they change the humour. Fortunately for San Miniato the young lady whom he wished to marry was not just at present exposed to the action of those stimulants, and her moods were tolerably even. If he had been at all eloquent, the same style of eloquence would have done almost as well after dinner as after breakfast. But the secret springs of love speech were dried up in his brain by the haunting consciousness that much was expected of him. He had never before thought of marrying and had not yet in his life found himself for any length of time constantly face to face in conversation with a young girl, with limitations of propriety and the fear of failure before his eyes. The situation was new and uncomfortable. He felt like a man who has got a hat which does not belong to him, which does not fit him and which will not stay on his head in a high wind. The consequence was that his talk lacked interest, and that he often did not talk at all. Nevertheless, he managed to show enough a.s.siduity to keep himself continually in the foreground of Beatrice's thoughts. Being almost constantly present she could not easily forget him, and he held his ground with a determination which kept other men away. When a man can make a woman think of him half-a-dozen times a day and can prevent other men from taking his place when he is beside her, he is in a fair way to success.
On a certain evening San Miniato had a final interview with the Marchesa di Mola in which he expressed all that he felt for Beatrice, including a little more, and in which he described his not very prosperous financial condition with mitigated frankness. The Marchesa listened dreamily in the darkness on the terrace while her daughter played soft dance music in the dimly lighted room behind her. Beatrice probably had an idea of what was going on outside, upon the terrace, and was trying to make up her own mind. She played waltzes very prettily, as women who dance well generally do, if they play at all.
When San Miniato had finished, the Marchesa was silent for a few seconds. Then she tapped her companion twice upon the arm with her fan, in a way which would have seemed lazy in any one else, but which, for her, was unusually energetic.