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Then, with full sleep, he slipped across that sunrise and found the old-world Garden. He held the eternal pa.s.sword.
"I can but try...!"
XLV
And here the crowded, muddled notebooks come to an end. The rest was action--and inevitable disaster.
The brief history of O'Malley's mad campaign may be imagined. To a writer who found interest in the study of forlorn hopes and their leaders, a detailed record of this particular one might seem worth while. For me personally it is too sad and too pathetic. I cannot bring myself to tell, much less to a.n.a.lyze the story of a broken heart, when that heart and story are those of a close and deeply admired intimate, a man who gave me genuine love and held my own.
Besides, although a curious chapter in uncommon human nature, it is not by any means a new one. It is the true story of many a poet and dreamer since the world began, though perhaps not often told nor even guessed. And only the poets themselves, especially the little poets who cannot utter half the fire that consumes them, may know the searing pain and pa.s.sion and the true inwardness of it all.
Most of those months it chanced I was away, and only fragments of the foolish enterprise could reach me. But nothing, I think, could have stopped him, nor any worldly selfish wisdom made him even pause.
The thing possessed him utterly; it had to flame its way out as best it could. To high and low, he preached by every means in his power the Simple Life; he preached the mystical life as well--that the true knowledge and the true progress are within, that they both pertain to the inner being and have no chief concern with external things. He preached it wildly, lopsidedly, in or out of season, knowing no half measures. His enthusiasm obscured his sense of proportion and the extravagance hid the germ of truth that undeniably lay in his message.
To put the movement on its feet at first he realized every possession that he had. It left him penniless, if he was not almost so already, and in the end it left him smothered beneath the glory of his blinding and unutterable Dream. He never understood that suggestion is more effective than a sledge-hammer. His faith was no mere little seed of mustard, but a full-fledged forest singing its message in a wind of thunder. He shouted it aloud to the world.
I think the acid disappointment that lies beneath that trite old phrase "a broken heart" was never really his; for indeed it seemed that his cruel, ludicrous failure merely served to strengthen hope and purpose by making him seek for a better method of imparting what he had to say.
In the end he learned the bitter lesson to the full. But faith never trailed a single feather. Those jeering audiences in the Park; those empty benches in many a public hall, those brief, ignoring paragraphs in the few newspapers that filled a vacant corner by labeling him crank and long-haired prophet; even the silence that greeted his pamphlets, his letters to the Press, and all the rest, hurt him for others rather than for himself. His pain was altruistic, never personal. His dream and motive, his huge, unwieldy compa.s.sion, his genuine love for humanity, all were big enough for that.
And so, I think, he missed the personal mortification that disappointment so deep might bring to dreamers with an aim less unadulteratedly pure. His eye was single to the end. He attributed only the highest motives to all who offered help. The very quacks and fools who flocked to his banner, eager to exploit their smaller fads by joining them to his own, he welcomed, only regretting that, as Stahl had warned him, he could not attract a better cla.s.s of mind. He did not even see through the manoeuvres of the occasional women of wealth and t.i.tle who sought to conceal their own mediocrity by advertising in their drawing-rooms the eccentricities of men like himself. And to the end he had the courage of his glorious convictions.
The change of method that he learned at last, moreover, was characteristic of this faith and courage.
"I've begun at the wrong end," he said; "I shall never reach men through their intellects. Their brains today are occupied by the machine-made G.o.ds of civilization. I cannot change the direction of their thoughts and l.u.s.ts from outside; the momentum is too great to stop that way. I must get at them from within. To reach their hearts, the new ideas must rise up _from within_. I see the truer way. I must do it _from the other side_. It must come to them--in Beauty."
For he was to the last convinced that death would merge him in the being of the Earth's Collective Consciousness, and that, lost in her deep eternal beauty, he thus might reach the hearts of men in some stray glimpse of nature's loveliness, and register his flaming message. He loved to quote from Adonais:
"He is made one with Nature: there is heard His voice in all her music, from the moan Of thunder, to the song of night's sweet bird; He is a presence to be felt and known In darkness and in light, from herb and stone, Spreading itself where'er that Power may move Which has withdrawn his being to its own.
He is a portion of the loveliness Which once he made more lovely: he doth bear His part, while the one Spirit's plastic stress Sweeps through the dull dense world..."
And this thought, phrased in a dozen different ways, was always on his lips. To dream was right and useful, even to dream alone, because the beauty of the dream must add to the beauty of the Whole of which it is a part and an interpretation. It was not really lost or vain. All must come back in time to feed the world. He had known gracious thoughts of Earth too big to utter, almost too big to hold. Such thoughts could not ever be really told; they were incommunicable. For the mystical revelation is incommunicable. It has authority only for him who feels it. A corporate revelation is impossible. Only those among men could know, in whose hearts it rose intuitively and made its presence felt as innate ideas.
Inspiration brings it, and beauty is the vehicle. Their hearts must change before their minds could be reached.
"I can work it better from the other side--from that old, old Garden which is the Mother's heart. In this way I can help at any rate...!"
XLVI
It was at the close of a wet and foggy autumn that we met again, winter in the air, all London desolate; and his wasted, forlorn appearance told me the truth at once. Only the pa.s.sionate eagerness of voice and manner were there to prove that the spirit had not weakened. There glowed within a fire that showed itself in the translucent shining of the eyes and face.
"I've made one great discovery, old man," he exclaimed with old, familiar, high enthusiasm, "one great discovery at least."
"You've made so many," I answered cheerfully, while my real thoughts were busy with his bodily state of health. For his appearance shocked me. He stood among a litter of papers, books, neckties, nailed boots, knapsacks, maps and what-not, that rolled upon the floor from the mouth of the Willesden canvas sack. His old grey flannel suit hung literally upon a bag of bones; all the life there was seemed concentrated in his face and eyes--those far-seeing, light blue eyes. They were darker than usual now, eyes like the sea, I thought. His hair, long and disordered, tumbled over his forehead. He was pale, and at the same time flushed. It was almost a disembodied spirit that I saw.
"You've made so many. I love to hear them. Is this one finer than the others?"
He looked a moment at me through and through, almost uncannily. He looked in reality beyond me. It was something else he saw, and in the dusk I turned involuntarily.
"Simpler," he said quickly, "much simpler."
He moved up close beside me, whispering. Was it all imagination that a breath of flowers came with him? There was certainly a curious fragrance in the air, wild and sweet like orchards in the spring.
"And it is--?"
"That the Garden's _everywhere!_ You needn't go to the distant Caucasus to find it. It's all about this old London town, and in these foggy streets and dingy pavements. It's even in this cramped, undusted room.
Now at this moment, while that lamp flickers and the thousands go to sleep. The gates of horn and ivory are here," he tapped his breast. "And here the flowers, the long, clean open hills, the giant herd, the nymphs, the sunshine and the G.o.ds!"
So attached was he now to that little room in Paddington where his books and papers lay, that when the curious illness that had caught him grew so much worse, and the attacks of the nameless fever that afflicted him turned serious, I hired a bedroom for him in the same house. And it was in that poky, cage-like den he breathed his last.
His illness I called curious, his fever nameless, because they really were so and puzzled every one. He simply faded out of life, it seemed; there was no pain, no sleeplessness, no suffering of any physical kind.
He uttered no complaint, nor were there symptoms of any known disorder.
"Your friend is sound organically," the doctor told me when I pressed him for the truth there on the stairs, "sound as a bell. He wants the open air and plenty of wholesome food, that's all. His body is ill-nourished.
His trouble is mental--some deep and heavy disappointment doubtless. If you can change the current of his thoughts, awaken interest in common things, and give him change of scene, perhaps--" He shrugged his shoulders and looked very grave.
"You think he's dying?"
"I think, yes, he is dying."
"From--?"
"From lack of living pure and simple," was the answer. "He has lost all hold on life."
"He has abundant vitality still."
"Full of it. But it all goes--elsewhere. The physical organism gets none of it."
"Yet mentally," I asked, "there's nothing actually wrong?"
"Not in the ordinary sense. The mind is clear and active. So far as I can test it, the process of thought is healthy and undamaged. It seems to me--"
He hesitated a moment on the doorstep while the driver wound the motor handle. I waited with a sinking heart for the rest of the sentence.
"...like certain cases of nostalgia I have known--very rare and very difficult to deal with. Acute and vehement nostalgia, yes, sometimes called a broken heart," he added, pausing another instant at the carriage door, "in which the entire stream of a man's inner life flows to some distant place, or person, or--or to some imagined yearning that he craves to satisfy."
"To a dream?"
"It _might_ be even that," he answered slowly, stepping in. "It might be spiritual. The religious and poetic temperament are most open to it, _and_ the most difficult to deal with when afflicted." He emphasized the little word as though the doubt he felt was far less strong than the conviction he only half concealed. "If you would save him, try to change the direction of his thoughts. There is nothing--in all honesty I must say it--nothing that I can do to help."
And then, pulling at the grey tuft on his chin and looking keenly at me a moment over his gla.s.ses,--"Those flowers," he said hesitatingly, "you might move those flowers from the room, perhaps. Their perfume is a trifle strong ... It might be better." Again he looked sharply at me.
There was an odd expression in his eyes. And in my heart there was an odd sensation too, so odd that I found myself bereft a moment of any speech at all, and when my tongue became untied, the carriage was already disappearing down the street. For in that dingy sick-room there were no flowers at all, yet the perfume of woods and fields and open s.p.a.ces had reached the doctor too, and obviously perplexed him.