The Camp Fire Girls Across the Seas Part 12

So the two girls talked on fitfully while the train carried them swiftly onward toward the great German city.

The concert was to be held in a small opera house close to one of the more fashionable avenues. It was an old building, but was considered a particularly fine one for musical purposes. And immediately upon their arrival Mrs. Ashton and Betty went with Esther to remain in her dressing room until a short time before her appearance.

d.i.c.k Ashton, Miss Adams and Polly had a box reserved for them near the stage, where Betty and Mrs. Ashton were to join them. But before they appeared Anthony Graham in immaculate evening clothes came around to the box door to extend his greetings to Polly, and d.i.c.k insisted that he be one of their party. And five minutes afterwards Lieutenant von Reuter also joined them, Betty having invited him several days before.

The concert was to be a serious musical affair commencing with the playing of a stringed orchestra led by the great Professor Hecksher himself. And as Polly had never seen him before, she amused herself while waiting for Betty's return and fighting off her own apprehensions about Esther by never taking her eyes from the great man's face. He must have weighed two hundred and fifty pounds and yet had the face of a glorified cherub. His hair was long and light, hanging down to his shoulders and he wore spectacles over his burning, heavy-lidded brown eyes.

The first singer on the program was supposed to be the famous teacher's star pupil. But because she seemed old and ugly to Polly O'Neill and because the girl could hardly wait for her own friend to be heard, she took little interest in the really remarkable solo and was almost vexed with Miss Adams and with Carl von Reuter for their evident admiration of a stranger. It was a comfort to her to observe that Richard Ashton seemed to be feeling just as she did and that he spent the greater part of his time studying the audience, trying to discover just how many important musical critics were present.

Anthony Graham also had the air of waiting for something or some one.

A quartette followed, and then a violin solo, and afterwards Betty and Mrs. Ashton stole quietly in, taking the two chairs left vacant for them. Polly and Miss Adams were in the front row with d.i.c.k Ashton at one side of them, near the back of the box and yet facing the stage. In the second row Betty had the outside seat and she kept her elbow resting on the plush railing with her chin in her hand, entirely unconscious of the large crowd about her. Next her Carl von Reuter had arranged his chair, leaving Mrs. Ashton and Anthony in the rear.

A young man sang before the time for Esther's appearance, but Betty never recalled having seen or heard him. She had left her sister composed and not especially nervous; but there was no way of guessing what a surge of feeling might since have overtaken her.

And then Esther's moment came.

Notwithstanding that Betty had dressed her, fixed her hair and kissed her only a few moments before, she hardly recognized her own sister as she walked slowly to the front of the stage. For had they not always thought of Esther as the homeliest of their group of Camp Fire girls?

What had happened to her, what wonderful transformation had taken place?

Polly O'Neill almost gasped aloud. Of course every one of her friends had appreciated how much Esther had improved in appearance in the past two years, but it was hardly credible that she could look and behave like this, a girl brought up in an orphan asylum with no friends and no opportunities for so long a time! Well, one should understand that into each life certain wonderful hours may come when one seems to transcend one's self. And tonight such an hour had come to Esther.

She was to sing Elizabeth's farewell song from the opera of Tannhauser.

And though the concert was not to be sung in costume, so far as possible in selecting and arranging Esther's dress Betty had been mindful of the character and the circ.u.mstances of her song.

In the opera there is seen a wayside shrine where the Princess Elizabeth appears each day to pray for the soul of her lover, the knight Tannhauser, who has gone on a pilgrimage to Rome to ask that his sins may be forgiven him. On this last day the pilgrims have pa.s.sed on their journey homeward and among them Elizabeth sees no sign of her lost lover, so that she knows he must be unforgiven. She then sings this final song, asking that peace may come to her at last.

Esther wore a long white gown of _crepe de chine_ made in simple cla.s.sic lines, with the draped tunic which is a modern fashion copied after a far older model. Ordinarily she was too tall and angular in every-day clothes, but this toilette seemed to give her just the grace and dignity her figure and character needed. Her red hair, which had grown a little darker as she grew older, was tonight a crown of glory, so that the pallor of her long grave face did not matter, for her always beautiful mouth had a look both of power and of wistfulness that surprised the strangers in the audience.

"The girl is far too young for the song her teacher has chosen for her,"

the critics whispered among themselves. It is not fair to make such an experiment, for this song of Elizabeth's is one of the favorites among the great prima donnas. What would this young girl do with it? Would she be too theatrical, too showy, or fail altogether?

While the orchestra played the opening chords Esther waited with her hands clasped lightly together in front of her, but not moving them with her old nervous gesture. Neither did she seem to be looking at anything or anybody. Not once did she even glance toward the box where her sister and friends were watching her, though in a kind of subconscious fashion she was aware of the white intensity in Betty's pretty face and the look of grave strength and helpfulness in Richard Ashton's.

Then Esther began to sing--and Betty, d.i.c.k, Polly, Mrs. Ashton and indeed all her friends, both new and old, had a sudden sensation of bitter disappointment. The tears came into Betty's eyes, rolling unheeded down her cheeks, though Polly slipped her hand back through the opening in her chair to press it sympathetically. However, Richard Ashton only set his lips, hardly breathing for the s.p.a.ce of half a moment. Did he not recall a similar beginning on Esther's part some years before, when she had sung the Indian Love Song before a group of their Woodford acquaintances, which he had at first believed would end in a failure? Esther would not find this audience so ready to forgive or admire should she take too long a time before winning their attention.

"O blessed Virgin, hear my prayer!

Thou star of glory, look on me!"

These lines were whispered in so low a tone that they were almost inaudible except to the persons nearest the stage and Esther's voice trembled with nervousness. Was she frightened as she had expected to be?

It was difficult to decide, because she stood so still.

"Here in the dust I bend before thee, Now from this earth oh set me free!

Let me a maiden pure and white, Enter into thy kingdom bright!"

Betty's tension relaxed. "Bravo," Miss Adams whispered under her breath.

Richard Ashton felt a glow which was oddly commingled of pleasure, pride and sorrow. Yet one could not think, could not feel any other emotion now except wonder and delight as the beautiful voice in perfect sympathy with the music and its theme filled every shadowy s.p.a.ce in the opera house with harmony.

Betty witnessed the expressions on several previously bored faces near them changing first to surprise, then interest and finally frank pleasure. Small wonder that the old German music master had allowed this young American girl to appear unheralded before them! She could only be twenty-one or twenty-two years old at the most. What a future lay before her!

Still Esther sang on:

"If vain desires and earthy longing Have turn'd my heart from thee away, The sinful hopes within me thronging Before thy blessed feet I lay.

I'll wrestle with the love I cherished, Until in death its flame hath perish'd.

If of my sin thou wilt not shrive me, Yet in this hour, oh grant thy aid!

Till thy eternal peace thou give me, And on thy bounty I will call, That heav'nly grace on him may fall."

And with the closing words of her song Esther suddenly seemed to have reached the realization of all her worst fears. Surely she had failed abjectly, for was there not a silence everywhere about her, chilling and cruel? Would not a single pair of hands applaud? She dared not try to find the face of her master, for she hoped never to have to see Professor Hecksher again so long as she lived. Yet here miraculously enough he had appeared on the stage standing next her, with one of his powerful hands holding tight to her cold one, bowing and smiling, while the noise of many bravos and of almost a tumult of applause shook the house. Esther then wondered why she only felt dreadfully tired and had a childish disposition to cry as the great maestro led her off the stage.

But when the girl returned for her encore she was smiling, and her cheeks were more flushed than ever in her life. And in her hands she held a great bunch of pink roses which had mysteriously appeared in her dressing room. And this time she allowed herself to glance smilingly at Betty and Polly and Mrs. Ashton and even to exchange a single quiet glance with Richard Ashton.

Then to the surprise, to the mystification and yet to the pleasure of her listeners, Esther sang the verses which had first touched Betty Ashton's heart and inspired her ardor on that day long ago, the song that is to remain an inspiration to many thousands of women for many years to come, the Camp Fire song of "The Soul's Desire."

"Lay me to sleep in sheltering flame, O Master of the Hidden Fire.

Wash pure my heart, and cleanse for me My soul's desire.

"In flame of sunrise bathe my mind, O Master of the Hidden Fire, That, when I wake, clear-eyed may be My soul's desire."

And ten minutes after the finishing of this second song Esther, Betty and Richard Ashton were driving to their old pension where the entire party was to spend the night, Mrs. Ashton, Polly and Miss Adams meaning to join them when the concert was over.

And in the carriage, again it was Esther who seemed quiet and composed, while between tears and laughter Betty poured forth her joy and pride in her sister's wonderful success.

CHAPTER XIX

Tea at the Castle

Several days after Esther's concert Lieutenant von Reuter persuaded Mrs.

Ashton and Miss Adams to bring Betty and Polly with them to afternoon tea at the castle with his father. And as Anthony Graham, not knowing their plans, had come from Berlin for a farewell visit on the same day, he of course was included in the little company. Esther had been urged and had almost promised to be one of them, but when the morning of the party arrived she had pleaded to be excused. Immediately then Polly and Betty had both insisted that she change her mind and had tried coaxing and scolding and almost every possible form of influence until at last Mrs. Ashton had come to her rescue. For Esther had been extremely tired since her _debut_ and very unlike herself both girls considered. Indeed, they even went further in thinking that she failed in proper appreciation and grat.i.tude for her own success. However, Esther naturally believed that her friends were overestimating her achievement, yet she had recently scarcely understood herself. For it was odd and stupid of her not to feel more elation and more interest in her own future. Had not Professor Hecksher himself written her that she had sung better than he expected? And this from the master was praise indeed!

However, he had also written that she was to allow herself a complete rest before they had a talk about her future plans. So with this defense and Mrs. Ashton's additional authority Esther was finally allowed the privilege of staying at home alone except for their maid.

"d.i.c.k may be back a little earlier this afternoon, dear," Betty said as she kissed her sister good-by. "He has not so much to do in Berlin now that he has finished his lectures and is just closing up his affairs.

Keep him with you if you feel like talking to him, but if not, ask him to come over to the castle and drive back home with us. It is absurd for d.i.c.k to be so prejudiced against Lieutenant von Reuter and dreadfully embarra.s.sing to me. For I am sure he hasn't a reason in the world, and yet it is plain enough to everybody."

And as Betty walked away after this final speech Esther had a momentary pang of regret that she had not conquered her own disinclination and gone along with them. For they and Mrs. Ashton were leaving the country for Berlin as soon as the others sailed, and this might prove an excellent chance for the young foreigner to declare his feeling for Betty, _if_ his admiration really was serious. Also Esther regretted that she had failed in asking Polly to keep a careful watch upon them, although this she understood that Polly was more than inclined to do without further suggestion.

After Betty and her mother had climbed into the carriage, Anthony Graham accompanying them, and Betty had waved her hand in farewell, Esther, who was standing on the porch watching them depart, suddenly recalled Richard Ashton's half-jesting wish that their sister Betty were not quite so pretty. And this afternoon for the first time Esther believed that she agreed with him. It was absurd to send a girl looking like the Princess did at this present moment into a young man's home with the hope that he would cease to feel an interest in her.

Because it was cold Betty wore a long white cloak over a china blue silk dress of her favorite shade and a white felt hat with a band of the same material about it. No costume could have been simpler, and yet excitement or pleasure or some unusual emotion had made the girl's color brighter in her eyes, her cheeks and even her hair, so that there seemed a kind of mysterious shining about her like a star--a glow which Polly O'Neill recognized instantly as she took her place beside her in the carriage with Anthony Graham in front with the driver and Miss Adams and Mrs. Ashton together on the back seat. Indeed, it inspired Polly to give her friend rather a malicious pinch which actually hurt a little and yet for which she would neither apologize nor explain. Betty presumed that it must have something to do with Anthony Graham's presence, since Polly immediately began making herself more than usually agreeable to him, insisting that he give them his impressions of Germany and the Germans, when Anthony would much have preferred remaining silent. Polly hoped that thus she might be enabled to make her friend realize how much cleverer and more worth while an American fellow was than any blond Siegfried whom she might have met by accident in a foreign land.

Carl von Reuter's old feudal estate, however, was picturesque enough to excite even Polly's undivided admiration, as they drove along an avenue of oak trees, some of them more than a century old, and crossed a drawbridge over a moat, which now formed the bed of a stream flowing down from the hills.

Outside in the garden in front of the house the visitors found Lieutenant von Reuter, his cousin Frederick and his father walking about in the afternoon sunshine waiting to receive their guests. And the young count wore his full dress uniform as an officer in one of the Kaiser's regiments. He was undeniably handsome, and there was no doubt but that he and Betty made a striking picture as they stood side by side for a moment before entering the house, while the young man showed the girl the view of their hunting forests over to the right where she had had her accident.

Tea was served in the most splendid apartment that either the two American girls or Anthony Graham had ever seen before in their lives.

Perhaps there was some motive in their host's inviting them into the big banqueting hall in an upper part of the castle rather than in the shabby drawing rooms on the first floor, where the poverty of the family was so much more apparent. But even if this were true, the selection was a happy one, for which his guests were unfeignedly thankful. The great room was fifty feet long and about two-thirds as broad. It had heavy black oak paneling midway to the ceiling, which was formed of heavy beams and rafters of the same wood. And along the ledge of the wainscoting were old tankards of silver and pewter, plates hammered deep with the armorial bearings of different branches of the family.

Shields hung against the walls and battered helmets, while standing in groups or in solemn solitary dignity were the "iron men" or the "knights in armor," who had fought for their war lords long before Germany was an empire.