The Brownings Part 29

"On the earth the broken arcs; in the heaven, a perfect round."

"O thou soul of my soul! I shall clasp thee again, And with G.o.d be the rest!"

"ASOLANDO"--LAST DAYS IN DEVERE GARDENS--LETTERS OF BROWNING AND TENNYSON--VENETIAN LINGERINGS AND FRIENDS--MRS. BRONSON'S CHOICE CIRCLE--BROWNING'S LETTERS TO MRS. BRONSON--ASOLO--"IN RUBY, EMERALD, CHRYSOPRAS"--LAST MEETING OF BROWNING AND STORY--IN PALAZZO REZZONICO--LAST MEETING WITH DR. CORSON--HONORED BY WESTMINSTER ABBEY--A CROSS OF VIOLETS--CHORAL MUSIC TO MRS. BROWNING'S POEM, "THE SLEEP"--"AND WITH G.o.d BE THE REST."

In the winter of 1887-1888 Mr. Browning wrote "Rosny," which follows the "Prologue" in "Asolando," and soon after the "Beatrice Signorini" and "Flute Music." He also completely revised his poems for the new edition which his publishers were issuing in monthly volumes, the works completed in July. "Parleyings," which had appeared in 1887, had, gloriously or perilously as may be, apparently taken all the provinces of learning, if not all the kingdoms of earth, for its own; for its themes ranged over Philosophy, Politics, Love, and Art, as well as Alchemy, and one knows not what; but its power and vigor reveal that there had been no fading of the divine fire. The poet made a few minor changes in "The Inn Alb.u.m," but with that exception he agreed with his friend and publisher, that no further alterations of any importance were required. Mr. Browning's relations with his publishers were always harmonious and mutually gratifying. Such a relation is, to any author, certainly not the least among the factors of his happiness or of his power of work, and to Browning, George Murray Smith was his highly prized friend and counselor, as well as publisher, whose generous courtesies and admirable judgment had more than once even served him in ways quite outside those of literature.

In the late summer of 1888 Browning and his sister fared forth for Primiero, to join the Barrett Brownings, with whom the poet concurred in regarding this little hill-town as one of the most beautiful of places, his favorite Asolo always excepted. "Primiero is far more beautiful than Gressoney, far more than Saint-Pierre de Chartreuse," he wrote to a friend: "with the magnificence of the mountains that, morning and evening, are literally trans.m.u.ted to gold." In letters or conversation, as well as in his verse, Browning's love of color was always in evidence. "He dazzles us with scarlet, and crimson, and rubies, and the poppy's 'red effrontery,'" said an English critic; "with topaz, amethyst, and the glory of gold, and makes the sonnet ache with the l.u.s.ter of blue." When, in the haunting imagery of memory pictures, after leaving Florence, he reverted to the gardens of Isa Blagden, on Bellosguardo, the vision before him was of "the herbs in red flower, and the b.u.t.terflies on the wall under the olive trees." For Browning was the poet of every thrill and intensity of life--the poet and prophet of the dawn, not of the dark; the herald who announced the force of the positive truth and ultimate greatness; never the interpreter of the mere negations of life. The splendor of color particularly appealed to him, thrilling every nerve; and when driving with Mrs. Bronson in Asolo he would beg that the coachman would hasten, if there were fear of missing the sunset pageant from the loggia of "La Mura." In "Pippa Pa.s.ses," how he painted the splendor of sunrise pouring into her chamber, and in numberless other of his poems is this fascination of color for him revealed.

[Ill.u.s.tration: PORTRAIT OF ROBERT BROWNING IN 1865.

Painted by George Frederick Watts, R.A.

In the possession of the National Portrait Gallery, London.]

Under the date of August, 1888, the poet writes to Mrs. Bronson:

DEAREST,--We have at last, only yesterday, fully determined on joining the couple at Primiero, and, when the heats abate, going on to Venice for a short stay. May the stay be with you as heretofore? I don't feel as if I could go elsewhere, or do otherwise, although in case of any arrangements having been made that stand in the way, there is the obvious Hotel Suisse. I suppose at need there could be found a messenger to poor Guiseppina, whose misfortunes I commiserate. You know exactly how much and how little we want. But if I am to get any good out of my visit I must lead the quietest of lives....

We propose setting out next Monday, the 13th,--Basle, Milan, Padua, Treviso, Primiero, by the week's end.

I have been nearly eleven weeks in town, with an exceptional four days' visit to Oxford; and hard social work all the time, indeed, up to the latest, when, three weeks ago, I found it impossible to keep going. Don't think that the kindness which sometimes oppresses me while in town, forgets me afterward; I have pouring invitations to the most attractive places in England, Ireland, Scotland,--but "c'est admirable, mais ce n'est pas la paix." May I count on the "paix" where I so much enjoyed it? I hear with delight that Edith will be with you again,--that completes the otherwise incompleteness. Yes, the Rezzonico is what you Americans call a "big thing."... But the interest I take in its acquisition is different altogether from what accompanied the earlier attempt. At most, I look on approvingly, as by all accounts I am warranted in doing, but there an end....

... So, dearest friend, "a rivederci!" Give my love to Edith and tell her I hope in her keeping her kindness for me, spite of the claims on it of all the others. And my sister, not one word of her? Somehow you must know her more thoroughly than poor, battered me, tugged at and torn to pieces, metaphorically, by so many sympathizers, real or pretended. She wants change, probably more than I do. And, but for her, I believe I should continue here, with the gardens for my place of healing. How she will enjoy the sight of you, if it may be! Tell me what is to be hoped, or feared, or despaired of, at Pen's address, whatever it may be. And remember me as ever most affectionately yours,

ROBERT BROWNING.

The succeeding letter, written from Albergo Gille, Primiero, tells the story of a rather trying journey, what with the heat and his indisposition, but on finding himself bestowed at Primiero he is "absolutely well again," and antic.i.p.ating his Venice: "what a Venice it would be," he says, "if I went elsewhere than to the beloved friend who calls me so kindly!" And he adds:

"My stay will be short, but sweet in every sense of the word if I find her in good health, and in all other respects just as I left her; 'no change' meaning what it does to me who remember her goodness so well.

It will be delightful to meet Edith again, if only it may be that she arrives while we are yet with you, even before, perhaps.

"Can I tell you anything about my journey except that it was so agreeable an one? On the first evening as I stepped outside our carriage for a moment, I caught sight of a well-known face. 'Dr.

Butler, surely.' You have heard of his marriage the other day to a learnedest of young ladies, who beat all the men last year at Greek.

He insisted on introducing me to her; I had seen her once before without undergoing that formality and willingly I shook hands with a sprightly young person ... pretty, and grand-daughterly, she is, however, only twenty-six years his junior. Then, this happened; the little train from Montebelluna to Feltre was crowded--we could find no room except in a smoking carriage--wherein I observed a good-natured, elderly gentleman, an Italian, I took for granted. Presently he said, 'Can I offer you an English paper?' 'What, are you English?' 'Oh, yes, and I know you,--who are going to see your son at Primiero.' 'Why, who can you be?' 'One who has seen you often.' 'Not surely, Mr.

Malcolm?' 'Well, n.o.body else.' So ensued an affectionate greeting, he having been the guardian angel of Pen in all his chafferings about the purchase of the palazzo. He gave me abundance of information, and satisfied me on many points. I had been anxious to write and thank him as he deserved, but this provided an earlier and more graceful way, for a beginning at least.

"Pen is at work on a pretty picture, a peasant girl whom he picked up in the neighborhood, and his literal treatment stands him in good stead; he is reproducing her cleverly, at any rate, he takes pains enough."

Towards the end of September they joined in Venice the "beloved friend,"

whose genius for friendship only made each sojourn with her more beautiful than the preceding, if that which was perfect could receive an added degree. "It was curious to see," wrote Mrs. Bronson, "how on each of his arrivals in Venice he took up his life precisely as he had left it."

Browning and his sister frequently went on Sundays to the Waldensian chapel, where in this autumn there was a preacher of great eloquence.

Every morning, after their early coffee, the poet was off for a brisk walk, and after returning he busied himself with his letters and newspapers, his mail always containing more or less letters from strangers and admirers, some of whom solicited autographs, which, so far as possible, he always granted. Mrs. Bronson has somewhere noted that when asked, _viva voce_, for an autograph, he would look puzzled, and say "I don't like to always write the same verse, but I can only remember one,"

and he would then proceed to copy "All that I know of a certain star,"

which, however it "dartles red and blue," he knew nothing of save that it had "opened its soul" to him. Arthur Rogers, delivering the Bohlen lectures for 1909, compared Browning with Isaiah, in his lecture on "Poetry and Prophecy," and he instanced this "star" which "opened its soul" to the poet, as attesting that Browning, like Isaiah, could do no more than search depths of life.

The Palazzo Giustiniani-Recanti was a fitting haunt for a poet. Casa Alvisi, adjoining, in which Mrs. Bronson lived, looked out, as has been noted, on Santa Maria della Salute, which was on the opposite side of the Grand Ca.n.a.l; but the Giustiniani palace, dating to the fifteenth century, had its outlook through Gothic windows to the south, on a court and garden of romantic loveliness. The perfect tact of their hostess left the poet and his sister entirely free to come and go as they pleased, and at midday they took their dejeuner together, ordering by preference Italian dishes, as rissotto, macaroni, and fruits, especially figs and grapes. They enjoyed these _tete-a-tete_ repasts, talking and laughing all the while, and then, about three every afternoon they joined Mrs. Bronson and her daughter for the gondola trip. The hostess records that the poet's invariable response to the question as to where they should go would be: "Anywhere, all is beautiful, only let it be toward the Lido." While both the poet and his sister were scrupulously prompt in returning all calls of ceremony, they were glad to evade formal visits so far as possible; and the absolute freedom with which their hostess surrounded them was grateful beyond words. "The thought deeply impressed me," said Mrs. Bronson, "that one who had lifted so many souls above the mere necessity for living in a troublesome world deserved from those permitted to approach him their best efforts to brighten his personal life.... The little studies for his comfort, the small cares entailed upon me during the too brief days and weeks when his precious life was partly entrusted to my care, might seem to count for little in an existence far removed from that of an ordinary man; yet, as a fact, he was glad and grateful for the smallest attention.

He was appreciative of all things. He never regarded grat.i.tude as a burden, as less generous minds are apt to do," continued Mrs. Bronson.

[Ill.u.s.tration: MRS. ARTHUR BRONSON

From a painting by Ellen Montalba, in Asolo

In the possession of Editta, Contessa Rucellai (_nee_ Bronson), Palazzo Rucellai, Florence.]

One of his greatest enjoyments in Venice was to wander with Edith Bronson through the Venetian _calli_. "Edith is the best cicerone in the world,"

he would remark; "she knows everything and teaches me all she knows. There never was such a guide." The young girl indeed knew her Venice as a devotee knows his illuminated missal, and her lovely vivacity and sweetness must have invested her presence with the same charm that is felt to-day in the Contessa Rucellai, in her Florentine palace, for Miss Bronson, it may be said _en pa.s.sant_, became the wife of one of the most eminent Italian n.o.bles, the Rucellai holding peculiar claim to distinction even among the princely houses of Florence.

From these gondola excursions they always returned about five, and sometimes the poet would join the group around Mrs. Bronson's tea-table, conversing with equal facility in French, German, or Italian, and to their delight would say, "Edith, dear, you may give me a cup of tea." But as a rule he considered this beverage as too unhygienic at that hour, and whenever with an "Excuse me, please," he sought his own apartments, he was never questioned for his reasons. "It was enough that he wished it," said his hostess. He and Miss Browning always appeared promptly for dinner, which was at half-past seven in Casa Alvisi. The poet was scrupulous about his evening dress; and Miss Browning, Mrs. Bronson relates, was habitually clad "in rich gowns of a somber tint, with quaint, antique jewels, and each day with a different French cap of daintiest make."

The evenings seem to have been idyllic. Browning would often read aloud, and he loved to improvise on an old spinnet standing in a dim recess in one of the salons. The great Venetian families were usually in _villeggiatura_ at the time when Browning was in Venice, so that he met comparatively few of them; it was this freedom from social obligations that contributed so much to the restful character of his sojourns, and enabled him to give himself up to that ineffable enchantment of Venice. He made a few friends, however, among Mrs. Bronson's brilliant circle, and one of the notable figures among these was the old Russian n.o.ble and diplomat, Prince Gagarin, who, born in Rome, had been educated in his own country, and had represented Russia at the courts of Athens, Constantinople, and Turin. Mrs. Bronson has told the story of one evening when the poet and the old diplomat indulged in a mutual tournament of music; "first one would sing, and then the other," Browning recalling folk-songs of Russia which he had caught up in his visit to that country fifty years before.

Another of Mrs. Bronson's inner circle, which included the Principessa Montenegro, the mother of Queen Elena, and other notable figures, was the Contessa Marcello, whom both the poet and his sister greatly liked; and one radiant day they all accepted an invitation to visit the Contessa at her villa at Mogliano, a short railway trip from Venice. The poet seemed to much enjoy the brief journey, and at the station was the Contessa with her landau, in which Mrs. Bronson, the poet, and his sister were seated, while Miss Bronson rode one of the ponies on which some of the young people had come down to greet the guests. After luncheon the Contessa, with her young daughter, the Contessina, led their guests out in the grounds to a pergola where coffee was served, and which commanded a vista of a magnificent avenue of copper beeches, whose great branches met and interlaced overhead. The Contessa was the favorite lady of honor at the court of Queen Margherita, and she interested Mr. Browning very much by speaking of her beloved royal mistress, and showing him some of the handwriting of the Queen, which he thought characteristically graceful and forcible. The Contessina and Miss Bronson, with others of the younger people, seated themselves in rustic chairs to listen to every word from the poet; and a Venetian sculptor, who was there, concealed himself in the shrubbery and made a sketch of Browning. The Contessina, who, like all the young Italian girls of high breeding and culture, kept an alb.u.m of foreign poetry, brought hers, and pleadingly asked Mr. Browning if he would write in it for her. As usual, for the reasons already given, he (perforce) wrote "My Star," and when the girl looked at it she exclaimed that it was one of her old favorites, and showed him where she had already copied it into the book.

At the station, when they drove down again to take the returning train, one of the young _literati_ of Italy was there, and the Contessa introduced him to Browning, saying that the young man had already achieved distinction in letters. Mr. Browning talked with him most cordially, and after they were on their way he said that the young writer "seemed to be a youth of promise, and that he hoped he should meet him again." But when they did hear of him again it was as the lecturer of a series of talks on Zola, "which, as may be supposed," notes Mrs. Bronson, "the poet expressed no desire to attend." The marvelous days of that unearthly loveliness of Venice in the early autumn flew by, and Mrs. Bronson's guest returned to DeVere Gardens. To his hostess the poet wrote, under date of DeVere Gardens, December 15, 1888:

DEAREST FRIEND,--I may just say that and no more; for what can I say?

I shall never have your kindness out of my thoughts,--and you never will forget me, I know. We shall please you by telling you our journey was quite prosperous, and wonderfully fine weather, till it ended in grim London, and its fog and cold. (At Basle there was cold, but the sun made up for everything.) We altered our plans so far as to sleep and to stay through a long day at Basle, visiting the museum, cathedral, etc., and went on by night train in a sleeping-car, of which we were the sole occupants, to Calais, directly. At Dover the officials were prepared for us, would not look at the luggage, and were very helpful as well as courteous; and at London orders had been given to treat us with all possible good nature. They wouldn't let us open any box but that where the lamp was packed; offered to take our word for its weight, and finally asked me, "since there were the three portions, would I accept the weight of the little vessel at bottom as that of the other two?" "Rather," as Pen says, so they declined to weigh the whole lamp, charging less than a quarter of what it does weigh, and even then requiring a.s.surance that I was "quite satisfied."

We were to be looked after first of all the pa.s.sengers, and so got away early enough to find things at home in excellent order.... I send a hasty line to try to express the impossible,--how much I love you, and how deeply I feel all your great kindness. Every hour of the day I miss you, and wish I were with you and dear Edith again, in beloved Casa Alvisi.

These letters to Mrs. Bronson reveal Browning the man as do no other records in literature. The consciousness of being perfectly understood, and the realization of the delicacy and beauty of the character of Mrs.

Bronson made this choice companionship one of the greatest joys in Browning's life. It may, perhaps, as well be interpolated here that a large package of the fascinating letters from Robert Browning to Mrs.

Bronson, from which these extracts are made, were placed at the disposal of the writer of this volume by the generous kindness of Mrs. Bronson's daughter, the Contessa Rucellai, and with the slight exception of a few paragraphs used by Mrs. Bronson herself (in two charming papers that she wrote on Browning), they have never before been drawn upon for publication.

Under the date of January 4, 1889, the poet writes to Mrs. Bronson:

No, dearest friend, I can well believe you think of me sometimes, even oft-times, for in what place, or hour, or hour of the day, can you fail to be reminded of some piece of kindness done by you and received by me during those memorable three months when you cared for me and my sister constantly, and were so successful in your endeavor to make us perfectly happy. Depend on it, neither I nor she move about this house (which has got to be less familiar to us through our intimate acquaintance with yours),--neither of us forget you for a moment, nor are we without your name on our lips much longer, when we sit quietly down at home of an evening, and talk over the pleasantest of pleasant days....

The sole invitation I can but accept this morning is to the Farewell dinner about to be given by the Lord Mayor to Mr. Phelps; that I am bound to attend. I have not seen him or Mrs. Phelps yet; but they receive this afternoon, and if I am able I shall go. You will wish to know that all our articles have arrived safely, and more expeditiously than we had expected. The tables, lanterns, etc., are very decidedly approved of, and fit into the proper corners very comfortably; so that everywhere will be an object reminding us, however unnecessarily, of Venice. Your ink-stand brightens the table by my hand; the lamp will probably stand beside it; while Ta.s.sini tempts me to dip into him every time I pa.s.s the book-case. I may never see the loved city again, but where in the house will not some little incident of the then unparalleled months, wake up memories of the gondola, and the stopping, here and there, and the fun at Morchio's; the festive return home, behind broad-backed Luigi; then the tea, and the dinner, and Gargarin's crusty old port flavor, and the Dyers, and Ralph Curtis, and O, the delightful times! Of Edith I say nothing because she has herself, the darling! written to me, the surprise and joy of that! And I mean to have a talk with her on paper, alas! my very self, and induce her not to let me have the last word. Oh, my two beloveds I must see Venice again; it would be heart-breaking to believe otherwise. Of course I entered into all your doings, the pretty things you got, and prettier, I am sure, you gave. And I was sorry, so sorry, to hear that naughty Edith, no darling, for half a second, now I think of it,--did not figure in the tableaux. I hope and believe, however, she did dance in the New Year. Bid her avoid this cold-catching and consequent headache. Do write, dearest friend, keep me _au courant_ of everything. No minutest of your doings but is full of interest to me and Sarianna. But I am at the paper's extreme edge. Were it elephant folio (is there such a size?) it would not hold all I have in my heart, and head, too, of love for you and "our Edie;" so, simply, G.o.d bless you, my beloveds!

ROBERT BROWNING.

Princess Montenegro sent me by way of a New Year's card,--what do you think? A pretty photograph of the Rezzonico. The young lady was equally mindful of Sarianna.

R. B.

To Miss Edith Bronson the poet wrote, as follows:

DEAREST EDIE,--I did not reply to your letter at once for this reason; an immediate answer might seem to imply I expected such a delightful surprise every day, or week, or even month; and it was wise economy to let you know that I can go on without a second piece of kindness till you again have such a good impulse and yield to it--by no means binding yourself to give me regularly such a pleasure. You shall owe me nothing, but be as generous as is consistent with justice to other people.... I did not go out except to the complimentary farewell dinner our Lord Mayor gave to Mr. Phelps which n.o.body could be excused from attending. We all grieved at the loss, especially of Mrs. Phelps, who endeared herself to everybody. Both of them were sorry to go from us....