The Bars of Iron Part 20

"Whom do you mean, sir?" he said. "What woman?"

"You know very well who I mean," snarled Sir Beverley. "Come, I'll have none of your d.a.m.n' nonsense. Never have stood it and never will. Who was that white-faced cat that got in my way this afternoon and helped you to a thrashing? Eh, Piers? Who was she, I say? Who was she?"

Piers made a sharp involuntary movement of the hands, and as swiftly restrained himself. He looked his grandfather full in the face.

"Ask me after dinner, sir," he said, speaking with something of an effort, "and I'll tell you all I know."

"You'll tell me now!" declared Sir Beverley, shaking the shoulder he gripped with savage impatience.

But Piers put up a quick hand and stopped him. "No, sir, not now. Come and dine first! I've no mind to go dinnerless to bed. Come, sir, don't badger me!" He smiled suddenly and very winningly into the stern grey eyes. "There's all the evening before us, and I shan't shirk."

He drew the bony old hand away from his shoulder, and pulled it through his arm.

"I suppose you think you're irresistible," grumbled Sir Beverley. "I don't know why I put up with you; on my soul, I don't, you impudent young dog!"

Piers laughed. "Let's do one thing at a time anyway, and I'm ravenous for dinner. So must you be. Come along! Let's trot in and have it!"

He had his way. Sir Beverley went with him, though half against his will.

They entered the dining-room still linked together, and a woman's face smiled down upon them from a picture-frame on the wall with a smile half-sad, half-mocking--such a smile as even at that moment curved Piers'

lips, belying the reckless gaiety of his eyes.

They dined in complete amicability. Piers had plenty to say at all times, and he showed himself completely at his ease. He was the only person in the world who ever was so in Sir Beverley's presence. He even now and then succeeded in provoking a sardonic laugh from his grandfather. His own laughter was boyishly spontaneous.

But at the end of the meal, when wine was placed upon the table, he suddenly ceased his careless chatter, and leaned forward with his dark eyes full upon Sir Beverley's face.

"Now, sir, you want to know the name of the girl who wasn't afraid of you this afternoon, I mentioned her to you once before. Her name is Avery Denys. She is a widow; and she calls herself the mother's help at the Vicarage."

He gave his information with absolute steadiness. His voice was wholly free from emotion of any sort, but it rang a trifle stern, and his mouth--that sensitive, clean-cut mouth of his--had the grimness of an iron resolution about it. Sir Beverley looked at him frowningly over his wine.

"The woman who threw a pail of water over you once, eh?" he said, after a moment. "I suppose she has become a very special friend in consequence."

"I doubt if she would call herself so," said Piers.

The old man's mouth took a bitter, downward curve. "You see, you're rather young," he observed.

Piers' eyes fell away from his abruptly. "Yes, I know," he said, in a tone that seemed to hide more than it expressed.

Sir Beverley continued to stare at him, but he did not lift his eyes again. They were fixed steadily upon the ruby light that shone in the wine in front of him.

The silence lengthened and became oppressive. Sir Beverley still watched Piers' intent face. His lips moved soundlessly, while behind his silence the storm of his wrath gathered.

What did the boy mean by treating him like this? Did he think he would endure to be set aside thus deliberately as one whose words had no weight? Did he think--confound him!--did he think that he had reached his dotage?

A sudden oath escaped him; he banged a furious fist upon the table. He would make himself heard at least.

In the same instant quite unexpectedly Piers leaped to his feet with uplifted hand. "What's that?"

"What do you mean?" thundered Sir Beverley.

Piers' hand descended, gripping his arm. "That, sir, that! Don't you hear?"

Voice and gesture compelled. Sir Beverley stopped dead, arrested in full career by his grandson's insistence, and listened with pent breath, as Piers was listening.

For a moment or two he heard nothing, then, close outside the window, there arose the sound of children's voices. They were singing a hymn, but not in the customary untuneful yell of the village school. The voices were clear and sweet and true, and the words came distinct and pure to the two men standing at the table.

"He comes, the prisoners to release In Satan's bondage held, The gates of bra.s.s before Him burst, The iron fetters yield."

Piers' hand tightened all-unconsciously upon Sir Beverley's arm. His face was very white. In his eyes there shone a curious hunger--such a look as might have gleamed in the eyes of the prisoners behind the gates.

Again came the words, triumphantly repeated:

"The gates of bra.s.s before Him burst, The iron fetters yield."

And an odd sound that was almost a sob broke from Piers.

Sir Beverley looked at him sharply; but in the same moment he drew back, relinquishing his hold, and stepped lightly across the room to the window.

There was a decided pause before the next verse. Piers stood with his face to the blind, making no movement. At last, tentatively, like the song of a very shy angel, a single boy's voice took up the melody.

"He comes, the broken heart to bind, The bleeding soul to cure, And with the treasures of His grace To bless the humble poor."

Sir Beverley sat down again at the table. Half mechanically his eyes turned to the pictured face on the wall, the face that smiled so enigmatically. Not once in a year did his eyes turn that way. To-night he regarded it with half-ironical interest. He had no pity to spare for broken hearts. He did not believe in them. No man could have endured more than he had had to endure. He had been dragged through h.e.l.l itself. But it had hardened, not broken his heart. Save in one respect he knew that he could never be made to suffer any more. Save for that charred remnant, there was nothing left for the flame to consume.

And so through all the bitter years he had borne that smiling face upon his wall, cynically indifferent to the beauty which had been the rapture and the agony of his life,--a man released from the place of his torment because his capacity for suffering was almost gone.

Again there were two children's voices singing, and that of the shy angel gathered confidence. With a species of scoffing humour Sir Beverley's stony eyes travelled to the window. They rested upon his boy standing there with bent head--a mute, waiting figure with a curious touch of pathos in its pose. Sir Beverley's sudden frown drew his forehead. What ailed the youngster? Why did he stand as if the whole world were resting on his shoulders?

He made an impatient movement. "For Heaven's sake," he said testily, "tell those squalling children to go!"

Piers did not stir. "In a moment, sir!" he said.

And so, clear through the night air, the last verse came unhindered to an end.

"Our glad hosannas, Prince of peace, Thy welcome shall proclaim; And Heaven's eternal arches ring With Thy beloved Name.

And Heaven's eternal arches ring With Thy beloved Name."

Piers threw up his head with a sudden, spasmodic movement as of a drowning man. And then without pause he s.n.a.t.c.hed up the blind and flung the window wide.

"Hi, you kiddies! Where are you? Don't run away! Gracie, is that you?"

There was a brief silence, then chirpily came the answer. "Pat did the solo; but he's gone. He would have gone sooner--when we saw your shadow on the blind--only I held him so that he couldn't."

Piers broke into a laugh. "Well, come in now you are here! You're not afraid anyhow, what?"

"Oh no!" laughed Gracie. "I'm not a bit afraid. But I'm supposed to be in bed; and if Father finds out I'm not--" She paused with her customary sense of the dramatic.

"Well?" laughed Piers. "What'll happen then?"

"I shall cop it," said Gracie elegantly.