The Arrow of Gold Part 3

I listened open-mouthed to these things into which my West-Indian experiences could not have given me an insight. But Mills checked himself and ended in a changed tone.

"It's not easy to know what she would be at, either, in any given instance. For the rest, spotlessly honourable. A delightful, aristocratic old lady. Only poor."

A b.u.mp at the door silenced him and immediately Mr. John Blunt, Captain of Cavalry in the Army of Legitimity, first-rate cook (as to one dish at least), and generous host, entered clutching the necks of four more bottles between the fingers of his hand.

"I stumbled and nearly smashed the lot," he remarked casually. But even I, with all my innocence, never for a moment believed he had stumbled accidentally. During the uncorking and the filling up of gla.s.ses a profound silence reigned; but neither of us took it seriously-any more than his stumble.

"One day," he went on again in that curiously flavoured voice of his, "my mother took a heroic decision and made up her mind to get up in the middle of the night. You must understand my mother's phraseology. It meant that she would be up and dressed by nine o'clock. This time it was not Versoy that was commanded for attendance, but I. You may imagine how delighted I was... ."

It was very plain to me that Blunt was addressing himself exclusively to Mills: Mills the mind, even more than Mills the man. It was as if Mills represented something initiated and to be reckoned with. I, of course, could have no such pretensions. If I represented anything it was a perfect freshness of sensations and a refreshing ignorance, not so much of what life may give one (as to that I had some ideas at least) but of what it really contains. I knew very well that I was utterly insignificant in these men's eyes. Yet my attention was not checked by that knowledge. It's true they were talking of a woman, but I was yet at the age when this subject by itself is not of overwhelming interest. My imagination would have been more stimulated probably by the adventures and fortunes of a man. What kept my interest from flagging was Mr. Blunt himself. The play of the white gleams of his smile round the suspicion of grimness of his tone fascinated me like a moral incongruity.

So at the age when one sleeps well indeed but does feel sometimes as if the need of sleep were a mere weakness of a distant old age, I kept easily awake; and in my freshness I was kept amused by the contrast of personalities, of the disclosed facts and moral outlook with the rough initiations of my West-Indian experience. And all these things were dominated by a feminine figure which to my imagination had only a floating outline, now invested with the grace of girlhood, now with the prestige of a woman; and indistinct in both these characters. For these two men had _seen_ her, while to me she was only being "presented,"

elusively, in vanishing words, in the shifting tones of an unfamiliar voice.

She was being presented to me now in the Bois de Boulogne at the early hour of the ultra-fashionable world (so I understood), on a light bay "bit of blood" attended on the off side by that Henry Allegre mounted on a dark brown powerful weight carrier; and on the other by one of Allegre's acquaintances (the man had no real friends), distinguished frequenters of that mysterious Pavilion. And so that side of the frame in which that woman appeared to one down the perspective of the great Allee was not permanent. That morning when Mr. Blunt had to escort his mother there for the gratification of her irresistible curiosity (of which he highly disapproved) there appeared in succession, at that woman's or girl's bridle-hand, a cavalry general in red breeches, on whom she was smiling; a rising politician in a grey suit, who talked to her with great animation but left her side abruptly to join a personage in a red fez and mounted on a white horse; and then, some time afterwards, the vexed Mr. Blunt and his indiscreet mother (though I really couldn't see where the harm was) had one more chance of a good stare. The third party that time was the Royal Pretender (Allegre had been painting his portrait lately), whose hearty, sonorous laugh was heard long before the mounted trio came riding very slowly abreast of the Blunts. There was colour in the girl's face. She was not laughing. Her expression was serious and her eyes thoughtfully downcast. Blunt admitted that on that occasion the charm, brilliance, and force of her personality was adequately framed between those magnificently mounted, paladin-like attendants, one older than the other but the two composing together admirably in the different stages of their manhood. Mr. Blunt had never before seen Henry Allegre so close. Allegre was riding nearest to the path on which Blunt was dutifully giving his arm to his mother (they had got out of their fiacre) and wondering if that confounded fellow would have the impudence to take off his hat. But he did not. Perhaps he didn't notice. Allegre was not a man of wandering glances. There were silver hairs in his beard but he looked as solid as a statue. Less than three months afterwards he was gone.

"What was it?" asked Mills, who had not changed his pose for a very long time.

"Oh, an accident. But he lingered. They were on their way to Corsica.

A yearly pilgrimage. Sentimental perhaps. It was to Corsica that he carried her off-I mean first of all."

There was the slightest contraction of Mr. Blunt's facial muscles. Very slight; but I, staring at the narrator after the manner of all simple souls, noticed it; the twitch of a pain which surely must have been mental. There was also a suggestion of effort before he went on: "I suppose you know how he got hold of her?" in a tone of ease which was astonishingly ill-a.s.sumed for such a worldly, self-controlled, drawing-room person.

Mills changed his att.i.tude to look at him fixedly for a moment. Then he leaned back in his chair and with interest-I don't mean curiosity, I mean interest: "Does anybody know besides the two parties concerned?" he asked, with something as it were renewed (or was it refreshed?) in his unmoved quietness. "I ask because one has never heard any tales. I remember one evening in a restaurant seeing a man come in with a lady-a beautiful lady-very particularly beautiful, as though she had been stolen out of Mahomet's paradise. With Dona Rita it can't be anything as definite as that. But speaking of her in the same strain, I've always felt that she looked as though Allegre had caught her in the precincts of some temple ... in the mountains."

I was delighted. I had never heard before a woman spoken about in that way, a real live woman that is, not a woman in a book. For this was no poetry and yet it seemed to put her in the category of visions. And I would have lost myself in it if Mr. Blunt had not, most unexpectedly, addressed himself to me.

"I told you that man was as fine as a needle."

And then to Mills: "Out of a temple? We know what that means." His dark eyes flashed: "And must it be really in the mountains?" he added.

"Or in a desert," conceded Mills, "if you prefer that. There have been temples in deserts, you know."

Blunt had calmed down suddenly and a.s.sumed a nonchalant pose.

"As a matter of fact, Henry Allegre caught her very early one morning in his own old garden full of thrushes and other small birds. She was sitting on a stone, a fragment of some old bal.u.s.trade, with her feet in the damp gra.s.s, and reading a tattered book of some kind. She had on a short, black, two-penny frock (_une pet.i.te robe de deux sous_) and there was a hole in one of her stockings. She raised her eyes and saw him looking down at her thoughtfully over that ambrosian beard of his, like Jove at a mortal. They exchanged a good long stare, for at first she was too startled to move; and then he murmured, "_Restez donc_." She lowered her eyes again on her book and after a while heard him walk away on the path. Her heart thumped while she listened to the little birds filling the air with their noise. She was not frightened. I am telling you this positively because she has told me the tale herself. What better authority can you have ...?" Blunt paused.

"That's true. She's not the sort of person to lie about her own sensations," murmured Mills above his clasped hands.

"Nothing can escape his penetration," Blunt remarked to me with that equivocal urbanity which made me always feel uncomfortable on Mills'

account. "Positively nothing." He turned to Mills again. "After some minutes of immobility-she told me-she arose from her stone and walked slowly on the track of that apparition. Allegre was nowhere to be seen by that time. Under the gateway of the extremely ugly tenement house, which hides the Pavilion and the garden from the street, the wife of the porter was waiting with her arms akimbo. At once she cried out to Rita: 'You were caught by our gentleman.'

"As a matter of fact, that old woman, being a friend of Rita's aunt, allowed the girl to come into the garden whenever Allegre was away. But Allegre's goings and comings were sudden and unannounced; and that morning, Rita, crossing the narrow, thronged street, had slipped in through the gateway in ignorance of Allegre's return and unseen by the porter's wife.

"The child, she was but little more than that then, expressed her regret of having perhaps got the kind porter's wife into trouble.

"The old woman said with a peculiar smile: 'Your face is not of the sort that gets other people into trouble. My gentleman wasn't angry. He says you may come in any morning you like.'

"Rita, without saying anything to this, crossed the street back again to the warehouse full of oranges where she spent most of her waking hours.

Her dreaming, empty, idle, thoughtless, unperturbed hours, she calls them. She crossed the street with a hole in her stocking. She had a hole in her stocking not because her uncle and aunt were poor (they had around them never less than eight thousand oranges, mostly in cases) but because she was then careless and untidy and totally unconscious of her personal appearance. She told me herself that she was not even conscious then of her personal existence. She was a mere adjunct in the twilight life of her aunt, a Frenchwoman, and her uncle, the orange merchant, a Basque peasant, to whom her other uncle, the great man of the family, the priest of some parish in the hills near Tolosa, had sent her up at the age of thirteen or thereabouts for safe keeping. She is of peasant stock, you know. This is the true origin of the 'Girl in the Hat' and of the 'Byzantine Empress' which excited my dear mother so much; of the mysterious girl that the privileged personalities great in art, in letters, in politics, or simply in the world, could see on the big sofa during the gatherings in Allegre's exclusive Pavilion: the Dona Rita of their respectful addresses, manifest and mysterious, like an object of art from some unknown period; the Dona Rita of the initiated Paris. Dona Rita and nothing more-unique and indefinable." He stopped with a disagreeable smile.

"And of peasant stock?" I exclaimed in the strangely conscious silence that fell between Mills and Blunt.

"Oh! All these Basques have been enn.o.bled by Don Sanche II," said Captain Blunt moodily. "You see coats of arms carved over the doorways of the most miserable _caserios_. As far as that goes she's Dona Rita right enough whatever else she is or is not in herself or in the eyes of others. In your eyes, for instance, Mills. Eh?"

For a time Mills preserved that conscious silence.

"Why think about it at all?" he murmured coldly at last. "A strange bird is hatched sometimes in a nest in an unaccountable way and then the fate of such a bird is bound to be ill-defined, uncertain, questionable. And so that is how Henry Allegre saw her first? And what happened next?"

"What happened next?" repeated Mr. Blunt, with an affected surprise in his tone. "Is it necessary to ask that question? If you had asked _how_ the next happened... But as you may imagine she hasn't told me anything about that. She didn't," he continued with polite sarcasm, "enlarge upon the facts. That confounded Allegre, with his impudent a.s.sumption of princely airs, must have (I shouldn't wonder) made the fact of his notice appear as a sort of favour dropped from Olympus. I really can't tell how the minds and the imaginations of such aunts and uncles are affected by such rare visitations. Mythology may give us a hint.

There is the story of Danae, for instance."

"There is," remarked Mills calmly, "but I don't remember any aunt or uncle in that connection."

"And there are also certain stories of the discovery and acquisition of some unique objects of art. The sly approaches, the astute negotiations, the lying and the circ.u.mventing ... for the love of beauty, you know."

With his dark face and with the perpetual smiles playing about his grimness, Mr. Blunt appeared to me positively satanic. Mills' hand was toying absently with an empty gla.s.s. Again they had forgotten my existence altogether.

"I don't know how an object of art would feel," went on Blunt, in an unexpectedly grating voice, which, however, recovered its tone immediately. "I don't know. But I do know that Rita herself was not a Danae, never, not at any time of her life. She didn't mind the holes in her stockings. She wouldn't mind holes in her stockings now... That is if she manages to keep any stockings at all," he added, with a sort of suppressed fury so funnily unexpected that I would have burst into a laugh if I hadn't been lost in astonishment of the simplest kind.

"No-really!" There was a flash of interest from the quiet Mills.

"Yes, really," Blunt nodded and knitted his brows very devilishly indeed. "She may yet be left without a single pair of stockings."

"The world's a thief," declared Mills, with the utmost composure. "It wouldn't mind robbing a lonely traveller."

"He is so subtle." Blunt remembered my existence for the purpose of that remark and as usual it made me very uncomfortable. "Perfectly true. A lonely traveller. They are all in the scramble from the lowest to the highest. Heavens! What a gang! There was even an Archbishop in it."

"_Vous plaisantez_," said Mills, but without any marked show of incredulity.

"I joke very seldom," Blunt protested earnestly. "That's why I haven't mentioned His Majesty-whom G.o.d preserve. That would have been an exaggeration... However, the end is not yet. We were talking about the beginning. I have heard that some dealers in fine objects, quite mercenary people of course (my mother has an experience in that world), show sometimes an astonishing reluctance to part with some specimens, even at a good price. It must be very funny. It's just possible that the uncle and the aunt have been rolling in tears on the floor, amongst their oranges, or beating their heads against the walls from rage and despair. But I doubt it. And in any case Allegre is not the sort of person that gets into any vulgar trouble. And it's just possible that those people stood open-mouthed at all that magnificence. They weren't poor, you know; therefore it wasn't inc.u.mbent on them to be honest. They are still there in the old respectable warehouse, I understand. They have kept their position in their _quartier_, I believe. But they didn't keep their niece. It might have been an act of sacrifice! For I seem to remember hearing that after attending for a while some school round the corner the child had been set to keep the books of that orange business.

However it might have been, the first fact in Rita's and Allegre's common history is a journey to Italy, and then to Corsica. You know Allegre had a house in Corsica somewhere. She has it now as she has everything he ever had; and that Corsican palace is the portion that will stick the longest to Dona Rita, I imagine. Who would want to buy a place like that? I suppose n.o.body would take it for a gift. The fellow was having houses built all over the place. This very house where we are sitting belonged to him. Dona Rita has given it to her sister, I understand. Or at any rate the sister runs it. She is my landlady ..."

"Her sister here!" I exclaimed. "Her sister!"

Blunt turned to me politely, but only for a long mute gaze. His eyes were in deep shadow and it struck me for the first time then that there was something fatal in that man's aspect as soon as he fell silent. I think the effect was purely physical, but in consequence whatever he said seemed inadequate and as if produced by a commonplace, if uneasy, soul.

"Dona Rita brought her down from her mountains on purpose. She is asleep somewhere in this house, in one of the vacant rooms. She lets them, you know, at extortionate prices, that is, if people will pay them, for she is easily intimidated. You see, she has never seen such an enormous town before in her life, nor yet so many strange people. She has been keeping house for the uncle-priest in some mountain gorge for years and years.

It's extraordinary he should have let her go. There is something mysterious there, some reason or other. It's either theology or Family.

The saintly uncle in his wild parish would know nothing of any other reasons. She wears a rosary at her waist. Directly she had seen some real money she developed a love of it. If you stay with me long enough, and I hope you will (I really can't sleep), you will see her going out to ma.s.s at half-past six; but there is nothing remarkable in her; just a peasant woman of thirty-four or so. A rustic nun... ."

I may as well say at once that we didn't stay as long as that. It was not that morning that I saw for the first time Therese of the whispering lips and downcast eyes slipping out to an early ma.s.s from the house of iniquity into the early winter murk of the city of perdition, in a world steeped in sin. No. It was not on that morning that I saw Dona Rita's incredible sister with her brown, dry face, her gliding motion, and her really nun-like dress, with a black handkerchief enfolding her head tightly, with the two pointed ends hanging down her back. Yes, nun-like enough. And yet not altogether. People would have turned round after her if those dartings out to the half-past six ma.s.s hadn't been the only occasion on which she ventured into the impious streets. She was frightened of the streets, but in a particular way, not as if of a danger but as if of a contamination. Yet she didn't fly back to her mountains because at bottom she had an indomitable character, a peasant tenacity of purpose, predatory instincts... .

No, we didn't remain long enough with Mr. Blunt to see even as much as her back glide out of the house on her prayerful errand. She was prayerful. She was terrible. Her one-idead peasant mind was as inaccessible as a closed iron safe. She was fatal... It's perfectly ridiculous to confess that they all seem fatal to me now; but writing to you like this in all sincerity I don't mind appearing ridiculous. I suppose fatality must be expressed, embodied, like other forces of this earth; and if so why not in such people as well as in other more glorious or more frightful figures?

We remained, however, long enough to let Mr. Blunt's half-hidden acrimony develop itself or prey on itself in further talk about the man Allegre and the girl Rita. Mr. Blunt, still addressing Mills with that story, pa.s.sed on to what he called the second act, the disclosure, with, what he called, the characteristic Allegre impudence-which surpa.s.sed the impudence of kings, millionaires, or tramps, by many degrees-the revelation of Rita's existence to the world at large. It wasn't a very large world, but then it was most choicely composed. How is one to describe it shortly? In a sentence it was the world that rides in the morning in the Bois.

In something less than a year and a half from the time he found her sitting on a broken fragment of stone work buried in the gra.s.s of his wild garden, full of thrushes, starlings, and other innocent creatures of the air, he had given her amongst other accomplishments the art of sitting admirably on a horse, and directly they returned to Paris he took her out with him for their first morning ride.