The American Claimant Part 11

"Prodigious conception! I never saw such ahead for seeing with a lightning glance all the outlying ramifications and possibilities of a central idea."

"It is nothing; it comes natural to me. When his time is out in one jail he goes to the next and the next, and we shall have nothing to do but collect the rewards as he goes along. It is a perfectly steady income as long as we live, Hawkins. And much better than other kinds of investments, because he is indestructible."

"It looks--it really does look the way you say; it does indeed."

"Look?--why it is. It will not be denied that I have had a pretty wide and comprehensive financial experience, and I do not hesitate to say that I consider this one of the most valuable properties I have ever controlled."

"Do you really think so?"

"I do, indeed."

"O, Colonel, the wasting grind and grief of poverty! If we could realize immediately. I don't mean sell it all, but sell part--enough, you know, to--"

"See how you tremble with excitement. That comes of lack of experience. My boy, when you have been familiar with vast operations as long as I have, you'll be different. Look at me; is my eye dilated? do you notice a quiver anywhere? Feel my pulse: plunk-plunk-plunk--same as if I were asleep. And yet, what is pa.s.sing through my calm cold mind? A procession of figures which would make a financial novice drunk just the sight of them. Now it is by keeping cool, and looking at a thing all around, that a man sees what's really in it, and saves himself from the novice's unfailing mistake--the one you've just suggested--eagerness to realize. Listen to me. Your idea is to sell a part of him for ready cash. Now mine is--guess."

"I haven't an idea. What is it?"

"Stock him--of course."

"Well, I should never have thought of that."

"Because you are not a financier. Say he has committed a thousand crimes. Certainly that's a low estimate. By the look of him, even in his unfinished condition, he has committed all of a million. But call it only a thousand to be perfectly safe; five thousand reward, multiplied by a thousand, gives us a dead sure cash basis of--what? Five million dollars!"

"Wait--let me get my breath."

"And the property indestructible. Perpetually fruitful--perpetually; for a property with his disposition will go on committing crimes and winning rewards."

"You daze me, you make my head whirl!"

"Let it whirl, it won't do it any harm. Now that matter is all fixed-- leave it alone. I'll get up the company and issue the stock, all in good time. Just leave it in my hands. I judge you don't doubt my ability to work it up for all it is worth."

"Indeed I don't. I can say that with truth."

"All right, then. That's disposed of. Everything in its turn. We old operators, go by order and system--no helter-skelter business with us. What's the next thing on the docket? The carrying on of the materialization--the bringing it down to date. I will begin on that at once. I think-- "Look here, Rossmore. You didn't lock It in. A hundred to one it has escaped!"

"Calm yourself, as to that; don't give yourself any uneasiness."

"But why shouldn't it escape?"

"Let it, if it wants to? What of it?"

"Well, I should consider it a pretty serious calamity."

"Why, my dear boy, once in my power, always in my power. It may go and come freely. I can produce it here whenever I want it, just by the exercise of my will."

"Well, I am truly glad to hear that, I do a.s.sure you."

"Yes, I shall give it all the painting it wants to do, and we and the family will make it as comfortable and contented as we can. No occasion to restrain its movements. I hope to persuade it to remain pretty quiet, though, because a materialization which is in a state of arrested development must of necessity be pretty soft and flabby and substanceless, and--er--by the way, I wonder where It comes from?"

"How? What do you mean?"

The earl pointed significantly--and interrogatively toward the sky. Hawkins started; then settled into deep reflection; finally shook his head sorrowfully and pointed downwards.

"What makes you think so, Washington?"

"Well, I hardly know, but really you can see, yourself, that he doesn't seem to be pining for his last place."

"It's well thought! Soundly deduced. We've done that Thing a favor. But I believe I will pump it a little, in a quiet way, and find out if we are right."

"How long is it going to take to finish him off and fetch him down to date, Colonel?"

"I wish I knew, but I don't. I am clear knocked out by this new detail-- this unforeseen necessity of working a subject down gradually from his condition of ancestor to his ultimate result as posterity. But I'll make him hump himself, anyway."

"Rossmore!"

"Yes, dear. We're in the laboratory. Come--Hawkins is here. Mind, now Hawkins--he's a sound, living, human being to all the family--don't forget that. Here she comes."

"Keep your seats, I'm not coming in. I just wanted to ask, who is it that's painting down there?"

"That? Oh, that's a young artist; young Englishman, named Tracy; very promising--favorite pupil of Hans Christian Andersen or one of the other old masters--Andersen I'm pretty sure it is; he's going to half-sole some of our old Italian masterpieces. Been talking to him?"

"Well, only a word. I stumbled right in on him without expecting anybody was there. I tried to be polite to him; offered him a snack"--(Sellers delivered a large wink to Hawkins from behind his hand), "but he declined, and said he wasn't hungry" (another sarcastic wink); "so I brought some apples" (doublewink), "and he ate a couple of--"

"What!" and the colonel sprang some yards toward the ceiling and came down quaking with astonishment.

Lady Rossmore was smitten dumb with amazement. She gazed at the sheepish relic of Cherokee Strip, then at her husband, and then at the guest again. Finally she said: "What is the matter with you, Mulberry?"

He did not answer immediately. His back was turned; he was bending over his chair, feeling the seat of it. But he answered next moment, and said: "Ah, there it is; it was a tack."

The lady contemplated him doubtfully a moment, then said, pretty snappishly: "All that for a tack! Praise goodness it wasn't a shingle nail, it would have landed you in the Milky Way. I do hate to have my nerves shook up so." And she turned on her heel and went her way.

As soon as she was safely out, the Colonel said, in a suppressed voice: "Come--we must see for ourselves. It must be a mistake."

They hurried softly down and peeped in. Sellers whispered, in a sort of despair-- It is eating! What a grisly spectacle! Hawkins it's horrible! Take me away--I can't stand-- They tottered back to the laboratory.

CHAPTER XX.

Tracy made slow progress with his work, for his mind wandered a good deal. Many things were puzzling him. Finally a light burst upon him all of a sudden--seemed to, at any rate--and he said to himself, "I've got the clew at last--this man's mind is off its balance; I don't know how much, but it's off a point or two, sure; off enough to explain this mess of perplexities, anyway. These dreadful chromos which he takes for old masters; these villainous portraits--which to his frantic mind represent Rossmores; the hatchments; the pompous name of this ramshackle old crib-- Rossmore Towers; and that odd a.s.sertion of his, that I was expected. How could I be expected? that is, Lord Berkeley. He knows by the papers that that person was burned up in the New Gadsby. Why, hang it, he really doesn't know who he was expecting; for his talk showed that he was not expecting an Englishman, or yet an artist, yet I answer his requirements notwithstanding. He seems sufficiently satisfied with me. Yes, he is a little off; in fact I am afraid he is a good deal off, poor old gentleman. But he's interesting--all people in about his condition are, I suppose. I hope he'll like my work; I would like to come every day and study him. And when I write my father--ah, that hurts! I mustn't get on that subject; it isn't good for my spirits. Somebody coming--I must get to work. It's the old gentleman again. He looks bothered. Maybe my clothes are suspicious; and they are--for an artist. If my conscience would allow me to make a change, but that is out of the question. I wonder what he's making those pa.s.ses in the air for, with his hands. I seem to be the object of them. Can he be trying to mesmerize me? I don't quite like it. There's something uncanny about it."

The colonel muttered to himself, "It has an effect on him, I can see it myself. That's enough for one time, I reckon. He's not very solid, yet, I suppose, and I might disintegrate him. I'll just put a sly question or two at him, now, and see if I can find out what his condition is, and where he's from."

He approached and said affably: "Don't let me disturb you, Mr. Tracy; I only want to take a little glimpse of your work. Ah, that's fine--that's very fine indeed. You are doing it elegantly. My daughter will be charmed with this. May I sit down by you?"

"Oh, do; I shall be glad."

"It won't disturb you? I mean, won't dissipate your inspirations?"

Tracy laughed and said they were not ethereal enough to be very easily discommoded.

The colonel asked a number of cautious and well-considered questions-- questions which seemed pretty odd and flighty to Tracy--but the answers conveyed the information desired, apparently, for the colonel said to himself, with mixed pride and gratification: "It's a good job as far as I've got, with it. He's solid. Solid and going to last, solid as the real thing."

"It's wonderful--wonderful. I believe I could--petrify him." After a little he asked, warily "Do you prefer being here, or--or there?"

"There? Where?"

"Why--er--where you've been?"

Tracy's thought flew to his boarding-house, and he answered with decision.

"Oh, here, much!"

The colonel was startled, and said to himself, "There's no uncertain ring about that. It indicates where he's been to, poor fellow. Well, I am satisfied, now. I'm glad I got him out."

He sat thinking, and thinking, and watching the brush go. At length he said to himself, "Yes, it certainly seems to account for the failure of my endeavors in poor Berkeley's case. He went in the other direction. Well, it's all right. He's better off."

Sally Sellers entered from the street, now, looking her divinest, and the artist was introduced to her. It was a violent case of mutual love at first sight, though neither party was entirely aware of the fact, perhaps. The Englishman made this irrelevant remark to himself, "Perhaps he is not insane, after all." Sally sat down, and showed an interest in Tracy's work which greatly pleased him, and a benevolent forgiveness of it which convinced him that the girl's nature was cast in a large mould. Sellers was anxious to report his discoveries to Hawkins; so he took his leave, saying that if the two "young devotees of the colored Muse" thought they could manage without him, he would go and look after his affairs. The artist said to himself, "I think he is a little eccentric, perhaps, but that is all." He reproached himself for having injuriously judged a man without giving him any fair chance to show what he really was.

Of course the stranger was very soon at his ease and chatting along comfortably. The average American girl possesses the valuable qualities of naturalness, honesty, and inoffensive straightforwardness; she is nearly barren of troublesome conventions and artificialities, consequently her presence and her ways are unembarra.s.sing, and one is acquainted with her and on the pleasantest terms with her before he knows how it came about. This new acquaintanceship--friendship, indeed-- progressed swiftly; and the unusual swiftness of it, and the thoroughness of it are sufficiently evidenced and established by one noteworthy fact-- that within the first half hour both parties had ceased to be conscious of Tracy's clothes. Later this consciousness was re-awakened; it was then apparent to Gwendolen that she was almost reconciled to them, and it was apparent to Tracy that he wasn't. The re-awakening was brought about by Gwendolen's inviting the artist to stay to dinner. He had to decline, because he wanted to live, now--that is, now that there was something to live for--and he could not survive in those clothes at a gentleman's table. He thought he knew that. But he went away happy, for he saw that Gwendolen was disappointed.

And whither did he go? He went straight to a slopshop and bought as neat and reasonably well-fitting a suit of clothes as an Englishman could be persuaded to wear. He said--to himself, but at his conscience--"I know it's wrong; but it would be wrong not to do it; and two wrongs do not make a right."

This satisfied him, and made his heart light. Perhaps it will also satisfy the reader--if he can make out what it means.

The old people were troubled about Gwendolen at dinner, because she was so distraught and silent. If they had noticed, they would have found that she was sufficiently alert and interested whenever the talk stumbled upon the artist and his work; but they didn't notice, and so the chat would swap around to some other subject, and then somebody would presently be privately worrying about Gwendolen again, and wondering if she were not well, or if something had gone wrong in the millinery line. Her mother offered her various reputable patent medicines, and tonics with iron and other hardware in them, and her father even proposed to send out for wine, relentless prohibitionist and head of the order in the District of Columbia as he was, but these kindnesses were all declined-- thankfully, but with decision. At bedtime, when the family were breaking up for the night, she privately looted one of the brushes, saying to herself, "It's the one he has used, the most."

The next morning Tracy went forth wearing his new suit, and equipped with a pink in his b.u.t.ton-hole--a daily attention from Puss. His whole soul was full of Gwendolen Sellers, and this condition was an inspiration, art-wise. All the morning his brush pawed nimbly away at the canvases, almost without his awarity--awarity, in this sense being the sense of being aware, though disputed by some authorities--turning out marvel upon marvel, in the way of decorative accessories to the portraits, with a felicity and celerity which amazed the veterans of the firm and fetched out of them continuous explosions of applause.

Meantime Gwendolen was losing her morning, and many dollars. She supposed Tracy was coming in the forenoon--a conclusion which she had jumped to without outside help. So she tripped down stairs every little while from her work-parlor to arrange the brushes and things over again, and see if he had arrived. And when she was in her work-parlor it was not profitable, but just the other way--as she found out to her sorrow.

She had put in her idle moments during the last little while back, in designing a particularly rare and capable gown for herself, and this morning she set about making it up; but she was absent minded, and made an irremediable botch of it. When she saw what she had done, she knew the reason of it and the meaning of it; and she put her work away from her and said she would accept the sign. And from that time forth she came no more away from the Audience Chamber, but remained there and waited. After luncheon she waited again. A whole hour. Then a great joy welled up in her heart, for she saw him coming. So she flew back up stairs thankful, and could hardly wait for him to miss the princ.i.p.al brush, which she had mislaid down there, but knew where she had mislaid it. However, all in good time the others were called in and couldn't find the brush, and then she was sent for, and she couldn't find it herself for some little time; but then she found it when the others had gone away to hunt in the kitchen and down cellar and in the woodshed, and all those other places where people look for things whose ways they are not familiar with. So she gave him the brush, and remarked that she ought to have seen that everything was ready for him, but it hadn't seemed necessary, because it was so early that she wasn't expecting--but she stopped there, surprised at herself for what she was saying; and he felt caught and ashamed, and said to himself, "I knew my impatience would drag me here before I was expected, and betray me, and that is just what it has done; she sees straight through me--and is laughing at me, inside, of course."

Gwendolen was very much pleased, on one account, and a little the other way in another; pleased with the new clothes and the improvement which they had achieved; less pleased by the pink in the b.u.t.tonhole. Yesterday's pink had hardly interested her; this one was just like it, but somehow it had got her immediate attention, and kept it. She wished she could think of some way of getting at its history in a properly colorless and indifferent way. Presently she made a venture. She said: "Whatever a man's age may be, he can reduce it several years by putting a bright-colored flower in his b.u.t.ton-hole. I have often noticed that. Is that your s.e.x's reason for wearing a boutonniere?"

"I fancy not, but certainly that reason would be a sufficient one. I've never heard of the idea before."

"You seem to prefer pinks. Is it on account of the color, or the form?"

"Oh no," he said, simply, "they are given to me. I don't think I have any preference."

"They are given to him," she said to herself, and she felt a coldness toward that pink. "I wonder who it is, and what she is like." The flower began to take up a good deal of room; it obtruded itself everywhere, it intercepted all views, and marred them; it was becoming exceedingly annoying and conspicuous for a little thing. "I wonder if he cares for her." That thought gave her a quite definite pain.

CHAPTER XXI.

She had made everything comfortable for the artist; there was no further pretext for staying. So she said she would go, now, and asked him to summon the servants in case he should need anything. She went away unhappy; and she left unhappiness behind her; for she carried away all the sunshine. The time dragged heavily for both, now. He couldn't paint for thinking of her; she couldn't design or millinerize with any heart, for thinking of him. Never before had painting seemed so empty to him, never before had millinerizing seemed so void of interest to her. She had gone without repeating that dinner-invitation--an almost unendurable disappointment to him. On her part-well, she was suffering, too; for she had found she couldn't invite him. It was not hard yesterday, but it was impossible to-day. A thousand innocent privileges seemed to have been filched from her unawares in the past twenty-four hours. To-day she felt strangely hampered, restrained of her liberty. To-day she couldn't propose to herself to do anything or say anything concerning this young man without being instantly paralyzed into non-action by the fear that he might "suspect." Invite him to dinner to-day? It made her shiver to think of it.

And so her afternoon was one long fret. Broken at intervals. Three times she had to go down stairs on errands--that is, she thought she had to go down stairs on errands. Thus, going and coming, she had six glimpses of him, in the aggregate, without seeming to look in his direction; and she tried to endure these electric ecstasies without showing any sign, but they fluttered her up a good deal, and she felt that the naturalness she was putting on was overdone and quite too frantically sober and hysterically calm to deceive.

The painter had his share of the rapture; he had his six glimpses, and they smote him with waves of pleasure that a.s.saulted him, beat upon him, washed over him deliciously, and drowned out all consciousness of what he was doing with his brush. So there were six places in his canvas which had to be done over again.

At last Gwendolen got some peace of mind by sending word to the Thompsons, in the neighborhood, that she was coming there to dinner. She wouldn't be reminded, at that table, that there was an absentee who ought to be a presentee--a word which she meant to look out in the dictionary at a calmer time.

About this time the old earl dropped in for a chat with the artist, and invited him to stay to dinner. Tracy cramped down his joy and grat.i.tude by a sudden and powerful exercise of all his forces; and he felt that now that he was going to be close to Gwendolen, and hear her voice and watch her face during several precious hours, earth had nothing valuable to add to his life for the present.

The earl said to himself, "This spectre can eat apples, apparently. We shall find out, now, if that is a specialty. I think, myself, it's a specialty. Apples, without doubt, const.i.tute the spectral limit. It was the case with our first parents. No, I am wrong--at least only partly right. The line was drawn at apples, just as in the present case, but it was from the other direction." The new clothes gave him a thrill of pleasure and pride. He said to himself, "I've got part of him down to date, anyway."

Sellers said he was pleased with Tracy's work; and he went on and engaged him to restore his old masters, and said he should also want him to paint his portrait and his wife's and possibly his daughter's. The tide of the artist's happiness was at flood, now. The chat flowed pleasantly along while Tracy painted and Sellers carefully unpacked a picture which he had brought with him. It was a chromo; a new one, just out. It was the smirking, self-satisfied portrait of a man who was inundating the Union with advertis.e.m.e.nts inviting everybody to buy his specialty, which was a three-dollar shoe or a dress-suit or something of that kind. The old gentleman rested the chromo flat upon his lap and gazed down tenderly upon it, and became silent and meditative. Presently Tracy noticed that he was dripping tears on it. This touched the young fellow's sympathetic nature, and at the same time gave him the painful sense of being an intruder upon a sacred privacy, an observer of emotions which a stranger ought not to witness. But his pity rose superior to other considerations, and compelled him to try to comfort the old mourner with kindly words and a show of friendly interest. He said: "I am very sorry--is it a friend whom--"

"Ah, more than that, far more than that--a relative, the dearest I had on earth, although I was never permitted to see him. Yes, it is young Lord Berkeley, who perished so heroically in the awful conflagration, what is the matter?"

"Oh, nothing, nothing."

"It was a little startling to be so suddenly brought face to face, so to speak, with a person one has heard so much talk about. Is it a good likeness?"

"Without doubt, yes. I never saw him, but you can easily see the resemblance to his father," said Sellers, holding up the chromo and glancing from it to the chromo misrepresenting the Usurping Earl and back again with an approving eye.

"Well, no--I am not sure that I make out the likeness. It is plain that the Usurping Earl there has a great deal of character and a long face like a horse's, whereas his heir here is smirky, moon-faced and characterless."

"We are all that way in the beginning--all the line," said Sellers, undisturbed. "We all start as moonfaced fools, then later we tadpole along into horse-faced marvels of intellect and character. It is by that sign and by that fact that I detect the resemblance here and know this portrait to be genuine and perfect. Yes, all our family are fools at first."

"This young man seems to meet the hereditary requirement, certainly."

"Yes, yes, he was a fool, without any doubt. Examine the face, the shape of the head, the expression. It's all fool, fool, fool, straight through."

"Thanks,--" said Tracy, involuntarily.

"Thanks?"

"I mean for explaining it to me. Go on, please."

"As I was saying, fool is printed all over the face."

"A body can even read the details."

"What do they say?"

"Well, added up, he is a wobbler."