The Age of Fable Part 21

SAPPHO

Sappho was a poetess who flourished in a very early age of Greek literature. Of her works few fragments remain, but they are enough to establish her claim to eminent poetical genius. The story of Sappho commonly alluded to is that she was pa.s.sionately in love with a beautiful youth named Phaon, and failing to obtain a return of affection she threw herself from the promontory of Leucadia into the sea, under a superst.i.tion that those who should take that "Lover's-leap" would, if not destroyed, be cured of their love.

Byron alludes to the story of Sappho in "Childe Harold," Canto II.:

"Childe Harold sailed and pa.s.sed the barren spot Where sad Penelope o'erlooked the wave, And onward viewed the mount, not yet forgot, The lover's refuge and the Lesbian's grave.

Dark Sappho! could not verse immortal save That breast imbued with such immortal fire?

"'Twas on a Grecian autumn's gentle eve Childe Harold hailed Leucadia's cape afar;" etc.

Those who wish to know more of Sappho and her "leap" are referred to the "Spectator," Nos. 223 and 229. See also Moore's "Evenings in Greece."

CHAPTER XXVI

ENDYMION--ORION--AURORA AND t.i.tHONUS--ACIS AND GALATEA

DIANA AND ENDYMION

Endymion was a beautiful youth who fed his flock on Mount Latmos.

One calm, clear night Diana, the moon, looked down and saw him sleeping. The cold heart of the virgin G.o.ddess was warmed by his surpa.s.sing beauty, and she came down to him, kissed him, and watched over him while he slept.

Another story was that Jupiter bestowed on him the gift of perpetual youth united with perpetual sleep. Of one so gifted we can have but few adventures to record. Diana, it was said, took care that his fortunes should not suffer by his inactive life, for she made his flock increase, and guarded his sheep and lambs from the wild beasts.

The story of Endymion has a peculiar charm from the human meaning which it so thinly veils. We see in Endymion the young poet, his fancy and his heart seeking in vain for that which can satisfy them, finding his favorite hour in the quiet moonlight, and nursing there beneath the beams of the bright and silent witness the melancholy and the ardor which consumes him. The story suggests aspiring and poetic love, a life spent more in dreams than in reality, and an early and welcome death.--S. G. B.

The "Endymion" of Keats is a wild and fanciful poem, containing some exquisite poetry, as this, to the moon:

"... The sleeping kine Couched in thy brightness dream of fields divine.

Innumerable mountains rise, and rise, Ambitious for the hallowing of thine eyes, And yet thy benediction pa.s.seth not One obscure hiding-place, one little spot Where pleasure may be sent; the nested wren Has thy fair face within its tranquil ken;" etc., etc.

Dr. Young, in the "Night Thoughts," alludes to Endymion thus:

"... These thoughts, O night, are thine; From thee they came like lovers' secret sighs, While others slept. So Cynthia, poets feign, In shadows veiled, soft, sliding from her sphere, Her shepherd cheered, of her enamoured less Than I of thee."

Fletcher, in the "Faithful Shepherdess," tells:

"How the pale Phoebe, hunting in a grove, First saw the boy Endymion, from whose eyes She took eternal fire that never dies; How she conveyed him softly in a sleep, His temples bound with poppy, to the steep Head of old Latmos, where she stoops each night, Gilding the mountain with her brother's light, To kiss her sweetest."

ORION

Orion was the son of Neptune. He was a handsome giant and a mighty hunter. His father gave him the power of wading through the depths of the sea, or, as others say, of walking on its surface.

Orion loved Merope, the daughter of Oenopion, king of Chios, and sought her in marriage. He cleared the island of wild beasts, and brought the spoils of the chase as presents to his beloved; but as Oenopion constantly deferred his consent, Orion attempted to gain possession of the maiden by violence. Her father, incensed at this conduct, having made Orion drunk, deprived him of his sight and cast him out on the seash.o.r.e. The blinded hero followed the sound of a Cyclops' hammer till he reached Lemnos, and came to the forge of Vulcan, who, taking pity on him, gave him Kedalion, one of his men, to be his guide to the abode of the sun. Placing Kedalion on his shoulders, Orion proceeded to the east, and there meeting the sun-G.o.d, was restored to sight by his beam.

After this he dwelt as a hunter with Diana, with whom he was a favorite, and it is even said she was about to marry him. Her brother was highly displeased and often chid her, but to no purpose. One day, observing Orion wading through the sea with his head just above the water, Apollo pointed it out to his sister and maintained that she could not hit that black thing on the sea. The archer-G.o.ddess discharged a shaft with fatal aim. The waves rolled the dead body of Orion to the land, and bewailing her fatal error with many tears, Diana placed him among the stars, where he appears as a giant, with a girdle, sword, lion's skin, and club.

Sirius, his dog, follows him, and the Pleiads fly before him.

The Pleiads were daughters of Atlas, and nymphs of Diana's train.

One day Orion saw them and became enamoured and pursued them. In their distress they prayed to the G.o.ds to change their form, and Jupiter in pity turned them into pigeons, and then made them a constellation in the sky. Though their number was seven, only six stars are visible, for Electra, one of them, it is said left her place that she might not behold the ruin of Troy, for that city was founded by her son Darda.n.u.s. The sight had such an effect on her sisters that they have looked pale ever since.

Mr. Longfellow has a poem on the "Occultation of Orion." The following lines are those in which he alludes to the mythic story.

We must premise that on the celestial globe Orion is represented as robed in a lion's skin and wielding a club. At the moment the stars of the constellation, one by one, were quenched in the light of the moon, the poet tells us

"Down fell the red skin of the lion Into the river at his feet.

His mighty club no longer beat The forehead of the bull; but he Reeled as of yore beside the sea, When blinded by Oenopion He sought the blacksmith at his forge, And climbing up the narrow gorge, Fixed his blank eyes upon the sun."

Tennyson has a different theory of the Pleiads:

"Many a night I saw the Pleiads, rising through the mellow shade, Glitter like a swarm of fire-flies tangled in a silver braid."

--Locksley Hall.

Byron alludes to the lost Pleiad:

"Like the lost Pleiad seen no more below."

See also Mrs. Hemans's verses on the same subject.

AURORA AND t.i.tHONUS

The G.o.ddess of the Dawn, like her sister the Moon, was at times inspired with the love of mortals. Her greatest favorite was t.i.thonus, son of Laomedon, king of Troy. She stole him away, and prevailed on Jupiter to grant him immortality; but, forgetting to have youth joined in the gift, after some time she began to discern, to her great mortification, that he was growing old. When his hair was quite white she left his society; but he still had the range of her palace, lived on ambrosial food, and was clad in celestial raiment. At length he lost the power of using his limbs, and then she shut him up in his chamber, whence his feeble voice might at times be heard. Finally she turned him into a gra.s.shopper.

Memnon was the son of Aurora and t.i.thonus. He was king of the Aethiopians, and dwelt in the extreme east, on the sh.o.r.e of Ocean.

He came with his warriors to a.s.sist the kindred of his father in the war of Troy. King Priam received him with great honors, and listened with admiration to his narrative of the wonders of the ocean sh.o.r.e.

The very day after his arrival, Memnon, impatient of repose, led his troops to the field. Antilochus, the brave son of Nestor, fell by his hand, and the Greeks were put to flight, when Achilles appeared and restored the battle. A long and doubtful contest ensued between him and the son of Aurora; at length victory declared for Achilles, Memnon fell, and the Trojans fled in dismay.

Aurora, who from her station in the sky had viewed with apprehension the danger of her son, when she saw him fall, directed his brothers, the Winds, to convey his body to the banks of the river Esepus in Paphlagonia. In the evening Aurora came, accompanied by the Hours and the Pleiads, and wept and lamented over her son. Night, in sympathy with her grief, spread the heaven with clouds; all nature mourned for the offspring of the Dawn. The Aethiopians raised his tomb on the banks of the stream in the grove of the Nymphs, and Jupiter caused the sparks and cinders of his funeral pile to be turned into birds, which, dividing into two flocks, fought over the pile till they fell into the flame. Every year at the anniversary of his death they return and celebrate his obsequies in like manner. Aurora remains inconsolable for the loss of her son. Her tears still flow, and may be seen at early morning in the form of dew-drops on the gra.s.s.

Unlike most of the marvels of ancient mythology, there still exist some memorials of this. On the banks of the river Nile, in Egypt, are two colossal statues, one of which is said to be the statue of Memnon. Ancient writers record that when the first rays of the rising sun fall upon this statue a sound is heard to issue from it, which they compare to the snapping of a harp-string. There is some doubt about the identification of the existing statue with the one described by the ancients, and the mysterious sounds are still more doubtful. Yet there are not wanting some modern testimonies to their being still audible. It has been suggested that sounds produced by confined air making its escape from crevices or caverns in the rocks may have given some ground for the story. Sir Gardner Wilkinson, a late traveller, of the highest authority, examined the statue itself, and discovered that it was hollow, and that "in the lap of the statue is a stone, which on being struck emits a metallic sound, that might still be made use of to deceive a visitor who was predisposed to believe its powers."

The vocal statue of Memnon is a favorite subject of allusion with the poets. Darwin, in his "Botanic Garden," says:

"So to the sacred Sun in Memnon's fane Spontaneous concords choired the matin strain; Touched by his orient beam responsive rings The living lyre and vibrates all its strings; Accordant aisles the tender tones prolong, And holy echoes swell the adoring song."

Book I., 1., 182.

ACIS AND GALATEA

Scylla was a fair virgin of Sicily, a favorite of the Sea-Nymphs.

She had many suitors, but repelled them all, and would go to the grotto of Galatea, and tell her how she was persecuted. One day the G.o.ddess, while Scylla dressed her hair, listened to the story, and then replied, "Yet, maiden, your persecutors are of the not ungentle race of men, whom, if you will, you can repel; but I, the daughter of Nereus, and protected by such a band of sisters, found no escape from the pa.s.sion of the Cyclops but in the depths of the sea;" and tears stopped her utterance, which when the pitying maiden had wiped away with her delicate finger, and soothed the G.o.ddess, "Tell me, dearest," said she, "the cause of your grief."

Galatea then said, "Acis was the son of Faunus and a Naiad. His father and mother loved him dearly, but their love was not equal to mine. For the beautiful youth attached himself to me alone, and he was just sixteen years old, the down just beginning to darken his cheeks. As much as I sought his society, so much did the Cyclops seek mine; and if you ask me whether my love for Acis or my hatred of Polyphemus was the stronger, I cannot tell you; they were in equal measure. O Venus, how great is thy power! this fierce giant, the terror of the woods, whom no hapless stranger escaped unharmed, who defied even Jove himself, learned to feel what love was, and, touched with a pa.s.sion for me, forgot his flocks and his well-stored caverns. Then for the first time he began to take some care of his appearance, and to try to make himself agreeable; he harrowed those coa.r.s.e locks of his with a comb, and mowed his beard with a sickle, looked at his harsh features in the water, and composed his countenance. His love of slaughter, his fierceness and thirst of blood prevailed no more, and ships that touched at his island went away in safety. He paced up and down the sea-sh.o.r.e, imprinting huge tracks with his heavy tread, and, when weary, lay tranquilly in his cave.