The Adventures of Jimmie Dale Part 40

It brought a sudden thrill of excitement to Jimmie Dale that, impossible as he would have believed it an instant ago, for the moment overshadowed the realisation of his own peril. A robbery such as that, if it were ever accomplished, would stir the country from end to end; it would set New York by the ears; it would loose the police in full cry like a pack of bloodhounds with their leashes slipped. The society columns of the newspapers had been busy for months featuring the coming marriage of the Ross-Logans' daughter to one of the country's young merchant princes.

The combined fortunes of the two families would make the young couple the richest in America. The prospective groom's wedding gift was to be a diamond necklace of perfectly matched, large stones that would eclipse anything of the kind in the country. Europe, the foreign markets, had been literally combed and ransacked to supply the gems. The stones had arrived in New York the day before, the duty on them alone amounting to over fifty thousand dollars. All this had appeared in the papers.

Jimmie Dale's brows drew together in a frown. On just exactly what percentage the duty was figured he did not know; but it was high enough on the basis of fifty thousand dollars to a.s.sume safely that the a.s.sessed value of the stones was not less than four times that amount.

Two hundred thousand dollars--laid down, a quarter of a million! Well, why not? In more than one quarter diamonds were ranked as the soundest kind of an investment. Furthermore, through personal acquaintance with the "high contracting parties," who were in his own set, he knew it to be true.

He shrugged his shoulders. The papers, too, had thrown the limelight on Max Diestricht, who, though for quite a time the fashion in the social world, had, up to the present, been comparatively unknown to the average New Yorker. His own knowledge of Max Diestricht went deeper than the superficial biography furnished by the newspapers--the old Hollander had done more than one piece of exquisite jewelry work for him. The old fellow was a character that beggared description, eccentric to the point of extravagance, and deaf as a post; but, in craftmanship, a modern Cellini. He employed no workmen, lived alone over his shop on one of the lower streets between Fifth and Sixth Avenues near Washington Square--and possessed a splendid contempt for such protective contrivances as safes and vaults. If his prospective patrons expostulated on this score before intrusting him with their valuables, they were at liberty to take their work elsewhere. It was Max Diestricht who honoured you by accepting the commission; not you who honoured Max Diestricht by intrusting him with it. "Of what use is it to me, a safe!"

he would exclaim. "It hides nothing; it only says, 'I am inside; do not look farther; come and get me!' Yes? It is to explode with the nitro-glycerin--POUF!--and I am deaf and I hear nothing. It is a foolishness, that"--he had a habit of prodding at one with a levelled fore-finger--"every night somewhere they are robbed, and have I been robbed? HEIN, tell me that; have I been robbed?"

It was true. In ten years, though at times having stones and precious metal aggregating large amounts deposited with him by his customers, Max Diestricht had never lost so much as the gold filings. There was a queer smile on Jimmie Dale's lips now. The knot in the tenth board was significant! Max Diestricht was scrupulously honest, a genius in originality and conception of design, a master in the perfection and delicacy of his finished work--he had been commissioned to design and set the Ross-Logan necklace.

The brain works quickly. All this and more had flashed almost instantaneously through Jimmie Dale's mind. His eyes fell to the letter again, and he read on. Halfway through, a sudden whiteness blanched his face, and, following it, a surging tide of red that mounted to his temples. It dazed him; it seemed to rob him for the moment of the power of coherent thought. He was wrong; he had not read aright. It was incredible, dare-devil beyond belief--and yet in its very audacity lay success. He finished the letter, read it once more--and his fingers mechanically began to tear it into little shreds. His brain was in a whirl, a vortex of conflicting emotions. Had Whitey Mack and Lannigan left Bristol Bob's yet? Where were they now? Was there time for--this?

He was staring at the little torn sc.r.a.ps of paper in his hand. He thrust them suddenly into his pocket, and jerked out his watch. It was nearly midnight. The broad, muscular shoulders seemed to square back curiously, the jaws to clamp a little, the face to harden and grow cold until it was like stone. With a swift movement he emptied his gla.s.s into the cuspidor, set the gla.s.s back on the table, and stepped out from the stall. His destination was Max Diestricht's.

The Palace Saloon was near the upper end of the Bowery, and, failing a taxicab, of which none was in sight, his quickest method was to walk, and he started briskly forward. It was not far; and it was barely ten minutes from the time he had left the Palace Saloon when he swung through Washington Square to Fifth Avenue, and, a moment later, turned from that thoroughfare, heading west toward Sixth Avenue, along one of those streets which, with the city's northward trend, had quite lost any distinctive ident.i.ty, and from being once a modestly fashionable residential section had now become a conglomerate potpourri of small tradesmen's stores, shops and apartments of the poorer cla.s.s. He knew Max Diestricht's--he could well have done without the aid of the arc lamp which, even if dimly, indicated that low, almost tumble-down, two-story structure tucked away between the taller buildings on either side that almost engulfed it. It was late. The street was quiet. The shops and stores had long since been closed, Max Diestricht's among them--the old Hollanders' name in painted white letters stood out against the background of a darkened workshop window. In the story above, the lights, too, were out; Max Diestricht was probably fast asleep--and he was stone deaf!

A glance up and down the street, and Jimmie Dale was standing, or, rather, leaning against Max Diestricht's door. There was no one to see, and if there were, what was there to attract attention to a man standing nonchalantly for a moment in a doorway? It was only for a moment. Those master fingers of Jimmie Dale were working surely, swiftly, silently. A little steel instrument that was never out of his possession was in the lock and out again. The door opened, closed; he drew the black silk mask from his pocket and slipped it over his face. Immediately in front of him the stairs led upward; immediately to his right was the door into the shop--the modest street entrance was common to both.

The door into the workshop was not locked. He opened it, stepped inside, and closed it quietly behind him. The place was in blackness. He stood for a moment silent, straining his ears to catch the slightest sound, reconstructing the plan of his surroundings in his mind as he remembered it. It was a narrow, oblong room, running the entire depth of the building, a very long room, blank walls on either side, a window in the middle of the rear wall that gave on a back yard, and from the back yard there was access to the lane; also, as he remembered the place, it was a riot of disorder, with workbenches and odds and ends strewn without system or reason in every direction--one had need of care to negotiate it in the dark. He took his flashlight from his pocket, and, preliminary to a more intimate acquaintance with the interior, glanced out through the front window near which he stood--and, with a suppressed cry, shrank back instinctively against the wall.

Two men were crossing the street, heading directly for the shop door.

The arc lamp lighted up their faces. IT WAS INSPECTOR LANNIGAN OF HEADQUARTERS AND WHITEY MACK! The quick intake of Jimmie Dale breath was sucked through clenched teeth. They were close on his heels then--far closer than he had imagined. It would take Whitey Mack scarcely any longer to open that front door than it had taken him. Close on his heels! His face was rigid. He could hear them now at the door. The flashlight in his hand winked down the length of the room. If was a dangerous thing to do, but it was still more dangerous to stumble into some object and make a noise. He darted forward, circuiting a workbench, a stool, a small hand forge. Again the flashlight gleamed. Against the side wall, near the rear, was another workbench, with a sort of coa.r.s.e canvas curtain hanging part way down in front of it, evidently to protect such things as might be stored away beneath it from dust, and Jimmie Dale sprang for it, whipped back the canvas, and crawled underneath. He was not an instant too soon. As the canvas fell back into place, the shop door opened, closed, and the two men had stepped inside.

Whitey Mack's voice, in a low whisper though it was, seemed to echo raucously through the shop.

"Mabbe we'll have a sweet wait, but I got the straight dope on this.

He's going to make a try for Dutchy's sparklers to-night. We'll let him go the limit, and we don't either of us make a move till he's pinched them, and then we get him with the goods on him. He can't get away; he hasn't a hope! There's only two ways of getting in here or getting out--this door and window here, and a window that's down there at the back. You guard this, and I'll take care of the other end. Savvy?"

"Right!" Lannigan answered grimly. "Go ahead!"

There was the sound of footsteps moving forward, then a vicious b.u.mp, the sc.r.a.ping of some object along the floor, and a m.u.f.fled curse from Whitey Mack.

"Use your flashlight!" advised the inspector, in a guarded voice.

"I haven't got one, d.a.m.n it!", growled Whitey Mack. "It's all right.

I'll get along."

Again the steps, but more warily now, as though the man were cautiously feeling ahead of him for possible obstacles. Jimmie Dale for a moment held his breath. He could have reached out and touched the man as the other pa.s.sed. Whitey Mack went on until he had taken up a position against the rear wall. Jimmie Dale heard him as he brushed against it.

Then silence fell. He was between them now. Stretched full length on the floor, Jimmie Dale raised the lower portion of the canvas away from in front of his face. He could see nothing; the place was in Stygian blackness; but it had been close and stifling, and, at least, it gave him more air.

The minutes dragged by--each more interminable than the one that had gone before. Not a movement, not a sound, and then, through the stillness, very faint at first, came the regular, repressed breathing of Whitey Mack, who was much the nearer of the two men. And, once noticeable, almost imperceptible as it was it seemed to pervade the room and fill it with a strange, ominous resonance that rose and fell until the blackness palpitated with it.

Slowly, very slowly, Jimmie Dale's hand crept into his pocket--and crept out again with his automatic. He lay motionless once more. Time in any concrete sense ceased to exist. Fancied shapes began to a.s.sume form in the darkness. By the door, Lannigan stirred uneasily, shifting his position slightly.

Was it hours--was it only minutes? It seemed to ring through the nerve-racking stillness like the shriek of a hurtling sh.e.l.l--and it was only a whisper.

"Watch yourself, Lannigan," whispered Whitey Mack. "He's coming now through the yard! Don't move till I start something. Let him get his paws on the sparklers."

Silence again. And then a low rasping at the window, like the gnawing of a rat; then, inch by inch, the sash was lifted. There was the sound as of a body forcing its way over the sill cautiously, then a step upon the floor inside, another, and still another. The figure of a man loomed up suddenly against the glow of a flashlight as he threw the round, white ray inquisitively here and there over the rear wall. And now he appeared to be counting the boards. One, two, three--ten. His hand ran up and down the tenth board. Again and again he repeated the operation, and something like the snarl of a baited beast echoed through the room. He half turned to s.n.a.t.c.h at something in his pocket, and the light for a moment showed a black-bearded, lowering face, partially hidden by a peaked cap that was pulled far down over his eyes.

There was the rip and tear of rending wood, as a steel jimmy, in lieu of the spring the man evidently could not find, bit in between the boards, a muttered oath of satisfaction, and a portion of the wall slid back, disclosing what looked like a metal-lined cupboard. He reached in, seized one of a dozen little boxes, and wrenched off the cover. A blue, scintillating gleam seemed to leap out to meet the white ray of the flashlight. The man chuckled hoa.r.s.ely, and began to cram the rest of the boxes into his pockets.

Jimmie Dale stirred. On hands and knees he was creeping now from beneath the workbench. Something caught and tore behind him--the canvas curtain.

And at the sound, with a sharp cry, the man at the wall whirled, the light went out, and he sprang toward the window. Jimmie Dale gained his feet and leaped forward. A revolver shot cut a lane of fire through the blackness; and, above the roar of the report, Whitey Mack's voice in a fierce yell:

"It's all right, Lannigan! I got him! No--h.e.l.l!" There was a terrific crash of breaking gla.s.s. "He's got away!"

"Not yet, he hasn't!" gritted Jimmie Dale between his teeth, and his clubbed revolver swung crashing to the head of a dark form in front of him.

There was a half sigh, half moan. The form slid limply to the floor.

Lannigan was floundering down the shop, leaping obstacles in a mad rush, his flashlight picking out the way.

Jimmie Dale stepped swiftly backward, and his hand groped out for the droplight, over the end of the bench, that he had knocked against in his own rush. His fingers clutched it--and the lower end of the shop was flooded with light. Except for his felt hat that lay a little distance away, there was no sign of Whitey Mack; the huddled form of the man, who but a moment since had chuckled as he pocketed old Max Diestricht's gems, lay sprawled, inert, upon the floor, and Lannigan was staring into the muzzle of Jimmie Dale's automatic.

"Drop that gun, Lannigan!" said Jimmie Dale coolly. "And I'll trouble you not to make a noise; it might attract attention from the street; there's been too much already. DROP THAT GUN!"

The revolver clattered from Lannigan's hand to the floor. A step forward, and Jimmie Dale's toe sent it spinning under a bench. Another step, and, his revolver still covering the other, he had whipped a pair of handcuffs from the officer's side pocket.

Lannigan, as though the thought had never occurred to him, offered no resistance. He was staring in a dazed sort of way back and forth from Jimmie Dale to the man on the floor.

"What's this mean?" he burst out suddenly, "Where's--"

"Your wrist, please!" requested Jimmie Dale pleasantly. "No--the left one. Thank you"--as the handcuff snapped shut. "Now go over there and sit down on the floor beside that fellow. QUICK!" Jimmie Dale's voice rasped suddenly, imperatively.

Still bewildered, but a little sullen now, Lannigan obeyed. Jimmie Dale stooped quickly, and snapped the other link of the handcuff over the unconscious man's right wrist.

Jimmie Dale smiled.

"That's the approved way of taking your man, isn't it? Left wrist to the prisoner's right. He's only stunned; he'll be around in a moment. Know him?"

Lannigan shook his head.

"Take a good look at him," invited Jimmie Dale. "You ought to know most of them in the business."

Lannigan bent over a little closer, and then, with an amazed cry, his free hand shot forward and tore away the other's beard.

IT WAS WHITEY MACK!

"My G.o.d!" gasped Lannigan.

"Quite so!" said Jimmie Dale evenly. "You'll find the diamonds in his pockets, and, excuse me"--his fingers were running through Whitey Mack's clothes--"ah, here it is"--the thin metal case was in his hand--"a little article that belongs to me, and whose loss, I am free to admit, caused me considerable concern until I was informed that he had only found it without having the slightest idea as to whom it belonged.

It made quite a difference!" He had opened the case carelessly before Lannigan's eyes. "'The Gray Seal!' I'll say it for you," said Jimmie Dale whimsically. "This is what probably put the idea into his head, after first, in some way, having discovered old Max Diestricht's hiding place; and, if I had given him time enough, he would probably have stuck one of these seals, in clumsy imitation of that little eccentricity of mine, on the wall over there to stamp the job as genuine. You begin to get it, don't you Lannigan? Pretty sure-fire as an alibi, eh? And he'd have got away with it, too, as far as you were concerned. He had only to fire that shot, smash the window, tuck his false beard, mustache, and peaked cap into his pocket, put on his own hat that you see there on the floor--and yell that the man had escaped. He'd help you chase the thief, too! Rather neat, don't you think, Lannigan? And worth the risk, too, considering the howl that would go up at the theft of those stones, and that, known as the slickest diamond thief in the country, he would be the first to be suspected--except that the police themselves, in the person of Inspector Lannigan of headquarters, would be prepared to prove a perfectly good alibi for him."

Lannigan's head was thrust forward; his eyes, hard, were riveted on Whitey Mack.

"My G.o.d!" he said again under his breath. Then fiercely: "He'll get his for this!"

It was a moment before Jimmie Dale spoke; he was musingly examining the automatic in his hand.