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An' that's why folk thought, for a season, My mind were a-wandren Wi' sorrow, when I wer so sorely A-tried at Woak Hill.
But no; that my Mary mid never Behold herzelf slighted, I wanted to think that I guided My guide from Woak Hill.
Equally potent was the spell cast by what is hardly less great a poem than "Woak Hill," the enchanting "Evenen, an' Maids out at Door." There the Theocritus of the West dares to use not merely the words of common speech and primitive origin, but words drawn from Low Latin and of administrative connotation. Barnes achieves this triumph in words with perfect ease. He can use a word like "parish" not, as Crabbe did, for purposes of pure narration but in a pa.s.sage of heightened rhetoric:
But when you be a-lost vrom the parish, zome more Will come on in your pleazen to bloom an' to die; An' the zummer will always have maidens avore Their doors, vor to chatty an' zee volk goo by.
For daughters ha' mornen when mothers ha' night, An' there's beauty alive when the fairest is dead; As when one sparklen wave do zink down from the light, Another do come up an' catch it instead.
Rightly did the Edinburgh reviewer of the 'thirties, in noticing Barnes's poems--the very edition from which I was reading, perfect, by the way, in its ribbed paper and clear print--declare "there has been no such art since Horace." And here I may interpolate that the reviewer in question was Mr. George Venables, who was within a year to become a friend of mine. He and his family were close friends of my wife's people, and when after my marriage I met him, a common love of Barnes brought together the ardent worshipper of the new schools of poetry, for such I was, and the old and distinguished lawyer who was Thackeray's contemporary at the Charterhouse. Barnes was for us both a sign of literary freemasonry which at once made us recognise each other as fellow-craftsmen.
Bewildered readers will ask how my discovery of Barnes affected my position at _The Spectator_. It happened in this way. A couple of weeks after I had been established at _The Spectator_ as a "_verus socius_" Barnes died, at a very great age. It was one of those cases in which death suddenly makes a man visible to the generation into which he has survived. Barnes had outlived not only his contemporaries but his renown, and most of the journalists detailed to write his obituary notice had evidently found it a hard task to say why he should be held in remembrance.
But by a pure accident here was I, in the high tide of my enthusiasm for my new poet. Needless to say I was only too glad to have a chance to let myself go on Barnes, and so was entrusted with the Barnes Obituary article for _The Spectator_.
The result was that the next week my chiefs showed me a letter one of them had received from Canon Ainger, asking for the name of the "evidently new hand" who had written on Barnes, and making some very complimentary remarks on his work. It was eminently characteristic of them that instead of being a little annoyed at being told that an article had appeared in _The Spectator_ with an unexpected literary charm, they were as genuinely delighted as I was.
In any case, the incident served, as I have said, to drive the nail up to the head and to make Mr. Hutton and Mr. Townsend feel that they had not been rash in their choice, and had got a man who could do literature as well as politics.
Not being without a sense of superst.i.tion, at any rate where cats are concerned, and a devout lover of "the furred serpent," I may record the last, the complete rite of my initiation at _The Spectator_ office.
While I was one day during my novitiate talking over articles and waiting for instructions--or, rather, finding articles for my chiefs to write about, for that very soon became the routine--a large, consequential, not to say stout black Tom-cat slowly entered the room, walked round me, sniffed at my legs in a suspicious manner, and then, to my intense amazement and amus.e.m.e.nt, hurled himself from the floor with some difficulty and alighted upon my shoulder. Mr. Townsend, who loved anything dramatic, though he did not love animals as Mr. Hutton did, pointed to the cat and muttered dramatically, "Hutton, just look at that!"
He went on to declare that the cat very seldom honoured "upstairs" with his presence, but kept himself, as a rule, strictly to himself, in the bas.e.m.e.nt. Apparently, however, the sagacious beast had realised that there was a new element in the office, and had come to inspect it and see whether he could give it his approval or not. When it was given, it was conceded by all concerned that the appointment had received its consecration. Like "the Senior Fellow" in Sir Frederick Pollock's poem on the College Cat, I was pa.s.sed by the highest authority in the office.
One said, "The Senior Fellow's vote!"
The Senior Fellow, black of coat, Save where his front was white, Arose and sniffed the stranger's shoes With critic nose, as ancients use To judge mankind aright.
I--for 'twas I who tell the tale-- Conscious of fortune's trembling scale, Awaited the decree; But Tom had judged: "He loves our race,"
And, as to his ancestral place, He leapt upon my knee.
Thenceforth, in common-room and hall, A _verus socius_ known to all, I came and went and sat, Far from cross fate's or envy's reach; For none a t.i.tle could impeach Accepted by the cat.
It was at this time that Mr. Townsend wrote me, on behalf of himself and his partner, a letter stating definitely that if I would devote myself to _The Spectator_, he and Hutton would guarantee me at once a certain salary, though I might still take any work I liked outside. But this was not all. The letter went on to say that the first of the partners who died or retired would offer me a half-share of the paper.
It was pointed out that, of course, that might conceivably mean a fairly long apprenticeship, but that it was far more likely to mean a short one. It proved to be neither the one nor the other, but what might be called a compromise period of some ten years.
And so in the course of a very few weeks my fate had been decided for me and the question I had so often put to myself: Should I stick to the Bar or throw in my lot with journalism? was answered. A great wave had seized me and cast me up upon the sh.o.r.e of 1 Wellington Street. I felt breathless but happy. Though I did not fully realise how deeply my life had been affected by the decision or how strange in some ways was the course that lay before me, I had an instinctive feeling that I must follow wholeheartedly the path of Destiny. I determined to free my mind from all thoughts of a return to the Bar. I shut my eyes for ever to the vision of myself as Lord Chancellor or Lord Chief Justice--a vision that has haunted every young man who has ever embarked upon the study of English Law;--the vision of which Dr. Johnson, even at the end of his life, could not speak without profound emotion.
I acted promptly. I at once gave up my nice little room in the Temple.
It was about eight foot square, furnished with one table, one arm-chair, one cane chair, and a bookcase, and dignified by the name of Chambers. I sometimes wonder now whether, if I could have looked down the long avenue of the years and seen the crowded, turbulent series of events which, as Professor Einstein has taught us, was rushing upon me like a tiger on its prey, I should have been alarmed or not. I should have seen many things exciting, many things sad, many things difficult, but above all I should have seen what could only have been described as a veritable snowstorm of written and printed pages.
I have sometimes, as every man will, reversed the process, looked back and reviewed the past. On such occasions I have been half inclined to make the reflection, common to all journalists, when they survey the monumental works of our brethren in the superior ranks of the literary profession: "Have I not cast my life and energy away on things ephemeral and unworthy? Have not I preferred a kind of glorified pot-boiling to the service of the spirit?" In the end, however, like the painter with the journalist's heart in Robert Browning's poem, I console myself for having enlisted among the tradesmen of literature rather than among the artists:
For I have done some service in my time, And not been paid profusely.
Let some great soul write my six thousand leaders!
It is, I admit, an appalling thought to have covered so much paper and used so much ink. But, after all, an apology may be made for mere volume in journalism a.n.a.logous to that made for it by Dr. Johnson when he said that poets must to some extent be judged by their quant.i.ty as well as their quality. Anyway, I am inclined to be proud of my output. When an occasion like the present makes me turn back to my old articles, I am glad to say that my att.i.tude, far from being one of shame, is more like that of the Duke of Wellington. When quite an old man, somebody brought him his Indian Despatches to look over. As he read he is recorded to have muttered: "d.a.m.ned good! I don't know how the devil I ever managed to write 'em."
The tale of how I came to _The Spectator_ is finished. I must now describe what sort of a youth it was who got there, and what were the influences that had gone to his making.
CHAPTER III
MY PHYSICAL HOME, MY FAMILY, AND MY GOOD FORTUNE THEREIN
The autobiographer, or at any rate the writer of the type of autobiography on which I am engaged, need not apologise for being egotistical. If he is not that he is nothing. He must start with the a.s.sumption that people want to hear about him and to hear it from himself. Further, he must be genuinely and actively interested in his own life and therefore write about it willingly and with zest. If you get anywhere near the position of an autobiographer, "_invitus_,"
addressing a reader, "_invitum_," the game is up.
It would, then, be an absurdity to pretend to avoid egotism.
It would be almost as futile to apologise for being trivial. All details of human life are interesting, or can be made interesting, especially if they can be shown to be contributory to the development of the subject on the Anatomy-table. The elements that contributed to the building up of the man under observation are sure to be worth recording.
The autobiographer who is going to succeed with his task must set down whatever he believes went to the making of his mind and soul, and of that highly composite product which const.i.tutes a human being. Nothing is too small or too unimportant to be worthy of record. But people to whom criticism is a pa.s.sion and who love it even more than life, and they are often very valuable people, will say, "Are we not, then, to be allowed to dub your book trivial, if we think so?" Of course they must have that license, but they must make good the plea of triviality, not in the facts but in the exposition. _There_ no man has a right to be trivial, or empty, or commonplace. Whatever is recorded must be recorded worthily.
Take a plain example. If I set forth to describe my crossing Waterloo Bridge on a particular day in a particular year, I must not merely on that ground be attacked for triviality. I may be able to show, in the first place, that the crossing by that bridge and not, let us say, by using Hungerford Bridge or Blackfriars Bridge, affected my life. I may also be able to describe my walk or drive in such a way that it will make a deep impress upon the reader's mind. In a word, to get judgment against me, the critic must demur, not on my facts but on a point of literature, that is, on my method of presentation.
In considering the mult.i.tude of things which have gone to make me what I am, which have drawn into a single strand the innumerable threads that the Fates have been spinning for me ever since they began their dread business, what strikes me most of all and first of all is my good fortune. I may, on a future occasion, complain that in middle life and in later life I did not have good luck, but bad luck, but I should be an ingrate to Destiny if I did not admit that nothing could have been more happy than the circ.u.mstances with which I was surrounded at my birth-- the circ.u.mstances which made the boy, who made the youth, who made the man.
Above all, I was fortunate in my father and my mother. Though I must put them first in honour on my record, as first in time and in memory, I can show them best by touching in a preliminary study on those surroundings, moral and intellectual, into which I was born.
[Ill.u.s.tration: View of the North Front of Sutton Court, in the County of Somerset, the Family House of the Stracheys.]
In the first place, I count myself specially happy in that my parents were people of moderate fortune. They were not too poor to give me the pleasures and the freedoms of a liberal education, and of all that used to be included in the phrase "easy circ.u.mstances." Ours was a pleasant and leisurely way of life, undisturbed by the major worries and anxieties of narrow means.
On the other hand, my home surroundings were not of the pompous, luxurious kind which makes nothing moral or physical matter very much, which drowns a man in security. I knew what it was to want a thing, and to be told that it was much too expensive to be thought of. I knew I should have to make my way in life like my ancestors before me, for not only was my family in no sense a rich one, but I was a second son, who could only look forward to a second son's portion,--an honourable distinction, this, and one of which my father and my mother were often wont to speak.
I had, in a word, all the pride of a second son, a creature devoted to carving his own way to fame and fortune. I will not say that my parents wanted to console me for being a second son and for seeing my elder brother inherit the estate and Sutton the beloved, for that was never thought of or dreamt of by them, or by me. On the contrary, I was told in all sincerity, and firmly believe now, as I did then, that though somebody must keep the flame alight on the family altar, where it was lighted so long ago, and though this duty fell to the eldest son, I need not envy him. He was tied. I as a younger son was left free, untrammelled, the world before me. If I was worthy of my fate, the ball was at my feet. Such was the policy of younger sons, and so it was handed on to me.
Again, I was fortunate in being brought up in the country, and not in London or near some great town;--in being, that is, the inmate of "an English country-house" in the accepted sense, a place to which a certain definite way of life pertains, especially when the house is not bought, but inherited, and is regarded with a peculiar veneration and admiration by all who live in it.
The love of some old "house in the country" const.i.tutes a family freemasonry, of which those who have not actually experienced it can form no conception. It unites those who differ in opinion, in age, in outlook on life, and in circ.u.mstances. It is the pa.s.sword of the heart.
Call a dog-kennel Sutton, and I should love it. How much more so when it stands beside its sheltering elms and limes, with its terraces looking to the blue line of Mendip, its battlemented and flower-tufted fortress wall, and its knightly Tower built for security and defence.
In a word, I had the supreme good-luck to be born the second son of a Somersetshire squire and to be brought up in a Somersetshire country- house. If the reader would know what that means to a Somersetshire man, let him turn to Coryat's _Crudities_ and see what the Elizabethan tourist says in his Introduction as to the possession of a Manor in the county aforesaid.
But I must be careful not to give a false impression. Sutton is no palace in miniature, no grandiose expression of the s.p.a.cious days of Elizabeth, no pompous outcome of Vanbrugh's magnificent mind, no piece of reticent elegance by Adams. Instead, it may well seem to the visiting stranger little more than a fortuitous concourse of mediaeval, Elizabethan, Jacobean, and modern atoms, which time and the country builder, too unlearned to be vulgar, have harmonized into a very moderate, though admittedly attractive, "country seat," of the smaller sort.
Just as the house had nothing grand about it, so the life lived in it was not in the least like that described in the old-fashioned sporting or Society novel, or in the Christmas Number of an Ill.u.s.trated Paper or Magazine. Neither my home nor my family was by any means "typical,"
which so often means very untypical. This is specially true of the Family. They were not in my time, and, indeed, never have been, persons "complete with" fox-hounds, racers, cellars of port, mortgages, gaming or elections debts, obsequious tenantry, and a brutal enforcement of the Game Laws, varied by the semi-fraudulent enclosure of the poor man's common. With such rural magnificoes, if they ever existed in that form, which I greatly doubt, we had nothing in common. Even when reduced to reasonable limits, the picture will not fit the majority of English country-houses and country gentlemen.
In the first place, the Stracheys could not afford the type of life depicted by the novelists and satirists, and, in the second place, they had not the opportunity. Their eldest sons always had to do something in the world, and even when in possession of the estate were by no means inclined to spend their lives as nothing but sportsmen. Certainly my ancestors never showed any inclination to vegetate, or to live gun in hand and spaniel at heel, like the squires in the old engravings and colour-prints.
Here I may say parenthetically that we have the good luck to possess many old family papers at Sutton. I used to read long and happily in these as a boy, and early saw the falsehood of the conventional, feudal view of the English squirearchy. When I worked back to the mediaeval possessors of Sutton, I could find nothing to satisfy my youthful dreams of knights in armour doing deeds of prowess, or even of tyranny upon "the villagers crouching at their feet." Instead, I found, with some disappointment, I admit, that the very first record in regard to Sutton was that of a dispute in the law-courts with the local parson--a dispute which is, of course, perennial in all villages and "quiet places by rivers or among woods." It is as active now as it was in the twelfth century.
Whether Sir Walter de Sutton, with half a knight's fee, for that, apparently, was the proper legal description of the Sutton Court estate, got the best of the Vicar, or the Vicar of him, does not seem to have been recorded. Anyway, they went for each other, not with lance in rest, on the one side, and Holy Water, bell, book, and candle on the other, but with attorneys, and writs, and motions in arrest of judgment, and all the formulae which can be seen at work in the Year Books of Edward II, for that was the date of the Tower, and of the aforesaid Walter de Sutton.