That Girl Montana Part 2

"You said you would not wear that again. If it's a hoodoo, as you thought, why not throw it away?" he asked.

"Oh--I've changed my mind. I need to wear it so that I will be reminded of something--something important as a hoodoo," she said, with a strange, bitter smile.

"Give it back to me, 'Tana," he urged. "I will--No--Max will have something much prettier for you. And listen, my girl. You are going away; don't ever come back; forget everything here but the money that will be yours for the claim. Do you understand me? Forget all I said to you when--you know. I had no right to say it; I must have been drunk. I--I lied, anyway."

"Oh, you lied, did you?" she asked, cynically, and her hands were clasped closely, so close the ring must have hurt her. He noticed it, and kept his eyes on her hand as he continued, doggedly:

"Yes. You see, little girl, I thought I'd own up before you left, so you wouldn't be wasting any good time in being sorry about the folks back here. It wasn't square for me to trouble you as I did. And--I lied. I came down to say that."

"You needn't have troubled yourself," she said, curtly. "But I see you can tell lies. I never would have believed it if I hadn't heard you. But I guess, after all, I will give you the ring. You might want it to give to some one else--perhaps your wife."

The bell was ringing and the wheels began slowly to revolve. She pulled the circlet from her finger and almost flung it at him.

"'Tana!" and all of keen appeal was in his voice and his eyes, "little girl--good-by!"

But she turned away her head. Her hand, however, reached out and the spray of autumn leaves fluttered to his feet where the ring lay.

Then the rumble of the moving train sounded through the valley, and the girl turned to find Max, Mr. Haydon and a porter approaching, to convey her to the car ahead. Mr. Haydon's face was a study of dismay at the sight of Mr. Harvey closing the window and showing evident interest in 'Tana's comfort.

"So Dan did get down to see you off, 'Tana?" observed Max, as he led her along the aisle. "Dear old fellow! how I did try to coax him into coming East later; but it was of no use. He gave me some flowers for you--wild beauties. He never seemed to say much, 'Tana, but I've an idea you'll never have a better friend in your life than that same old Dan."

Mr. Harvey watched their exit, and smiled a little concerning Mr. Haydon's evident annoyance. He watched, also, the flaxen-haired bundle in the corner, and saw the curious, malignant look with which she followed 'Tana, and to his friend he laughed over his triumph in exchanging speech with the pretty, peculiar girl in brown.

"And the old party looked terribly fussy over it. In fact, I've about sifted out the reason. He imagines me a newspaper reporter on the alert for sensations. He's afraid his stupidly respectable self may be mentioned in a newspaper article concerning this local tragedy they all talk about.

Why, bless his pocket-book! if I ever use pen and ink on that girl's story, it will not be for a newspaper article."

"Then you intend to tell it?" asked his friend. "How will you learn it?"

"I do not know yet. The 'how' does not matter; I'll tell you on paper some day."

"And write up that handsome Lyster as the hero?"

"Perhaps."

Then a bend of the road brought them again in sight of the river of the Kootenais. Here and there the canoes of the Indians were speeding across at the ferry. But one canoe alone was moving north; not very swiftly, but almost as though drifting with the current.

Using his field-gla.s.s, Harvey found it was as he had thought. The occupant of the solitary canoe was the tall man whose dark face had impressed the theatrical lady so strongly. He was not using the paddle, and his chin was resting on one clenched hand, while in the other he held something to which he was giving earnest attention.

It was a spray of bright-colored leaves, and the watcher dropped his gla.s.s with a guilty feeling.

"He brings her flowers, and gets in return only dead leaves," Harvey thought, grimly. "I didn't hear a word he said to her; but his eyes spoke strongly enough, poor devil! I wonder if she sees him, too."

And all through the evening, and for many a day, the picture remained in his mind. Even when he wrote the story that is told in these pages, he could never find words to express the utter loneliness of that life, as it seemed to drift away past the sun-touched ripples of water into that vast, shadowy wilderness to the north.

CHAPTER I.

A STRANGE GIRL.

"Well, by the help of either her red G.o.ds or devils, she can swim, anyway!"

This explosive statement was made one June morning on the banks of the Kootenai, and the speaker, after a steady gaze, relinquished his field-gla.s.s to the man beside him.

"Can she make it?" he asked.

A grunt was the only reply given him. The silent watcher was too much interested in the scene across the water.

Shouts came to them--the yells of frightened Indian children; and from the cone-shaped dwellings, up from the water, the Indian women were hurrying.

One, reaching the sh.o.r.e first, sent up a shrill cry, as she perceived that, from the canoe where the children played, one had fallen over, and was being swept away by that swift-rushing, chill water, far out from the reaching hands of the others.

Then a figure lolling on the sh.o.r.e farther down stream than the canoe sprang erect at the frightened scream.

One quick glance showed the helplessness of those above, and another the struggling little form there in the water--the little one who turned such wild eyes toward the sh.o.r.e, and was the only one of them all who was not making some outcry.

The white men, who were watching from the opposite side, could see shoes flung aside quickly; a jacket dropped on the sh.o.r.e; and then down into the water a slight figure darted with the swiftness of a kingfisher, and swam out to the little fellow who had struggled to keep his head above water, but was fast growing helpless in the chill of the mountain river.

Then it was that Mr. Maxwell Lyster commented on the physical help lent by the G.o.ds of the red people, as the ability of any female to swim thus l.u.s.tily in spite of that icy current seemed to his civilized understanding a thing superhuman. Of course, bears and other animals of the woods swam it at all seasons, when it was open; but to see a woman dash into it like that! Well, it sent a shiver over him to think of it.

"They'll both get chilled and drop to the bottom!" he remarked, with irritated concern. "Of course there are enough of the red vagabonds in this new El Dorado of yours, without that particular squaw. But it would be a pity that so plucky a one should be translated."

Then a yell of triumph came from the other sh.o.r.e. A canoe had been loosened, and was fairly flying over the water to where the child had been dragged to the surface, and the rescuer was holding herself up by the slow efforts of one arm, but could make no progress with her burden.

"That's no squaw!" commented the other man, who had been looking through the gla.s.s.

"Why, Dan!"

"It's no squaw, I tell you," insisted the other, with the superior knowledge of a native. "Thought so the minute I saw her drop the shoes and jacket that way. She didn't make a single Indian move. It's a white woman!"

"Queer place for a white woman, isn't it?"

The man called Dan did not answer. The canoe had reached that figure in the water and the squaw in it lifted the now senseless child and laid him in the bottom of the light craft.

A slight altercation seemed going on between the woman in the water and the one in the boat. The former was protesting against being helped on board--the men could see that by their gestures. She finally gained her point, for the squaw seized the paddle and sent the boat sh.o.r.eward with all the strength of her brown arms, while the one in the water held on to the canoe and was thus towed back, where half the Indian village had now swarmed to receive them.

"She's got sand and sense," and Dan nodded his appreciation of the towing process; "for, chilled as she must be, the canoe would more than likely have turned over if she had tried to climb into it. Look at the pow-wow they are kicking up! That little red devil must count for big stakes with them."

"But the woman who swam after him. See! they try to stand her on her feet, but she can't walk. There! she's on the ground again. I'd give half my supper to know if she has killed herself with that ice-bath."

"Maybe you can eat all your supper and find out, too," observed the other, with a shrug of his shoulders, and a quizzical glance at his companion, "unless even the glimpse of a petticoat has chased away your appet.i.te. You had better take some advice from an old man, Max, and swear off approaching females in this country, for the specimens you'll find here aren't things to make you proud they're human."

"An old man!" repeated Mr. Lyster with a smile of derision. "You must be pretty near twenty-eight years old--aren't you, Dan? and just about five years older than myself. And what airs you do a.s.sume in consequence! With all the weight of those years," he added, slowly, "I doubt, Mr. Dan Overton, if you have really _lived_ as much as I have."

One glance of the dark eyes was turned on the speaker for an instant, and then the old felt hat again shaded them as he continued watching the group on the far sh.o.r.e. The swimmer had been picked up by a stalwart Indian woman, and was carried bodily up to one of the lodges, while another squaw--evidently the mother--carried the little redskin who had caused all the commotion.

"I suppose, by living, you mean the life of settlements--or, to condense the question still more, the life of cities," continued Overton, stretching himself lazily on the bank. "You mean the life of a certain set in one certain city--New York, for instance," and he grinned at the expression of impatience on the face of the other. "Yes, I reckon New York is about the one, and a certain part of the town to live in. A certain gang of partners, who have a certain man to make their clothes and boots and hats, and stamp his name on the inside of them, so that other folks can see, when you take off your coat, or your hat, or your gloves, that they were made at just the right place. This makes you a man worth knowing--isn't that about the idea? And in the afternoon, at just about the right hour, you rig yourself out in a certain cut of coat, and stroll for an hour or so on a certain street! In the evening--if a man wants to understand just what it is to live--he must get into other clothes and drop into the theater, making a point of being introduced to any heavy swell within reach, so you can speak of it afterward, you know. Just as your chums like to say they had a supper with a pretty actress, after the curtain went down; but they don't go into details, and own up that the 'actress' maybe never did anything on a stage but walk on in armor and carry a banner. Oh, scowl if you want to! Of course it sounds shoddy when a trapper outlines it; but it doesn't seem shoddy to the people who live like that. Then, about the time that all good girls are asleep, it is just the hour for a supper to be ordered, at just the right place for the wine to be good, and the dishes served in A1 shape, with a convenient waiter who knows how dim to make the lights, and how to efface himself, and let you wait on your 'lady' with your own hands. And she'll go home wearing a ring of yours--two, if you have them; and you'll wake up at noon next day, and think what a jolly time you had, but with your head so muddled that you can't remember where it was you were to meet her the next night, or whether it was the next night that her husband was to be home, and she couldn't see you at all." Overton rolled over on his face and grunted disdainfully, saying: "That's about the style of thing you call _living_, don't you, sonny?"