Sunday-School Success Part 4

The beginner in this fine art of attention-holding is likely to derive the word "attention" thus: from _teneo_, "I hold," _ad_, "on to"; _attention_, "I hold on to" him. He tries to hold attention, therefore, by main strength. He grapples with his audience as a bulldog would. His nerves are tense. His voice is imperative. His eye glares. He is rapid, impetuous, strategic. This is power, he thinks, and this is skill; but his audience astonishes him by going to sleep.

Abashed, he tries milder means of holding on to them. He begins to b.u.t.tonhole his audience. He uses soft and flattering tones. He coaxes.

He wheedles. He jokes. He chucks them under the chin. And then his audience gets up and goes out.

The real meaning of the word "attention" contains an invaluable hint for all who are trying to win others by speaking or teaching. It is _teneo_, "I hold, I stretch," _ad_, "toward"; and it is not by any means applied to the speaker, but to the listener. To get your audience, whether of little folk or big folk, to stretch out toward the same goal of truth that you are seeking is the true art of winning attention.

This understanding of the matter implies that the teacher also is really in pursuit of truth himself. The failure of much teaching is because it cries "Go on" instead of "Come on." The speaker that you follow with most difficulty is the speaker who has the air of "knowing it all," while the speaker who succeeds best in holding your attention gives you the impression of a chase.

There's the game before you--that elusive truth slipping away through the thicket yonder. The huntsman's eye flashes. He whistles up the dogs.

We all leap to the saddles. Off we go, over upland and vale, swamp and rock, fence and ditch, our leader far in the van, pointing here, waving there, and hallooing the huntsman on. And when the game is tracked down, and our leader stands above it, dripping knife in hand, our veins tingle with his, and we shout with delight at our triumph.

This is the first principle in the art of winning attention. The speaker must give the impression of a truth-seeker, if he would win others to seek truth with him. What Edward Everett Hale once said of a sermon applies to this. Every Sunday-school lesson should start out to prove something. It should have some goal. It should _intend_ something. _Intention_ must precede _attention_.

But though there must be this element of pleasing uncertainty and suspense, we all have difficulty in attending to a speaker who does not appear to have himself well in hand or to be quite sure what he is about. Have you not caught yourselves, teachers, talking as if in your sleep? Have you not sometimes waked up at the end of a sentence, a question, or a harangue, and wondered what you had been talking about?

Did you suppose that any one else knew? Did you expect to hold on to them when you had no grasp of the subject? Can listeners pay attention to any one who does not pay attention to himself?

Teachers make the mistake of dividing attention between the cla.s.s, to watch that they hear; and themselves, to see how they are getting along; and the little attention left goes to the theme. Not unnaturally, the attention of the cla.s.s is divided in the same way--much to themselves, less to the teacher, and least of all to what is being taught. Of course it is a teacher's business to hold his scholars' attention, but he will never do it by worrying and wondering whether he is succeeding.

Nay, I even go so far as to say, if one of your pupils pays no attention, then pay no attention to him, provided the mischief is not spreading. A teacher should not fritter away his attention on inattentive pupils. If he cannot win their attention by his own interest in his theme, he cannot win it at all. Not that I would imply for a moment, however, that the teacher is to rest satisfied while a single one of his pupils remains inattentive. If your chicks are average chicks they are gregarious, and one stray-away is enough to carry the whole flock with him into foreign parts. While you have a single inattentive scholar you should conduct your lesson with a view to holding him. You will hold the rest then, as a matter of course. I am only speaking of the best way to win attention. It must be won, or you are beaten to some extent; and the attention of all _will_ be won in the end if you are deeply enough in earnest yourself, if you do not allow your attention to be side-tracked by the inattention of a few. If you wish to win and hold the attention of others, _win and hold your own_.

Chapter X

The Importance of Questioning

Ever since Socrates, conversation has been the soul of teaching, and ever since Adam and Eve the question has been the life of conversation. A teacher's success depends, in about equal measure, upon inspiration, cogitation, and interrogation. Let the first be the great gravitative forces; let the second provide the truth, the liquid; then the interrogation-point is the curved siphon, which transfers from the full to the empty vessel!

Many, many a teacher has failed, thinking himself not wise enough, or not energetic enough, while in reality he has simply failed to be wisely and energetically quizzical.

But what is a question? Is it not a fish-hook for pulling out, rather than a siphon for putting in? Yes, later; but you cannot fish successfully in a dry pond. Any bungler can examine and test. The nice art is to use your interrogation-points as instruments of addition, rather than of subtraction.

But why is it often better to insinuate instruction through a question, in preference to pouring by direct harangue? Well, does not a question imply community of interest, and hint at equality or similarity of attainment? The question is neighborly; the discourse mounts a platform.

The helpful lesson commentaries fail, practically, to reach many a cla.s.s, because its teacher in reading has failed to translate from the declarative into the interrogative. If Doctor Somebody writes tersely, "A sin that is born of your own will is tenfold more dangerous to you than your own sin that is born of your neighbor's will," Johnny will not get the point unless the teacher transforms it somewhat thus: "If you are out in the country all alone, Johnny, jump over a fence, steal a pocketful of apples, is that a sin just as much as if some other boy should be along and persuade you to do it? Yes? Well, now, which sin is the more dangerous to you?"

So important does this seem to me that I always carry pencil and paper to the perusal of my lesson helps, and write out, as a point pleases me, the form in which I wish to bring it up in the cla.s.s, ranging these questions under the numbers of the verses to which they apply.

The teacher who does not write out his questions, or do the equivalent of that work, is as sure to be defeated as the general who fights without a plan of campaign.

Should those questions be read in the cla.s.s? Not unless your ideal of teaching is the company drill, instead of the conversation.

It is well, however, to ask the scholars to write out questions for you on verses a.s.signed, and read these questions before the cla.s.s. The teacher's work is grandly accomplished when he has induced the scholar to ask his own questions, and work out his own answers.

I often find that a general call for questions on some apparently exhausted topic brings the richest results of the half-hour.

Few verses are completely treated without Lyman Beecher's "snapper,"--the appeal to experience. The question, "Is it I?" must be raised, no matter by how direct urgings, in every heart. That question is truth's barb.

There is a questioning face and att.i.tude, indicative of a real and personal interest in the thing considered, without which a question will always fall dead, and deservedly.

Nor, on the contrary, will a live manner avail to foist upon the attention of a cla.s.s a dead question. And a question is "dead" to your scholar which does not touch his own world of interest at some point, no matter how close connection it may have with your life and experience.

The questions on the lesson leaves make a good aid in study, but do most pitiably convict a teacher of unfaithfulness if he use them in teaching.

Most genuine of all questions, and most likely to be helpful, are the doubts, perplexities, and difficulties which attend a thoughtful teacher's first careful reading of the text itself. Then is the time when the cream of that lesson should rise.

Leading questions are always better than harangue, and are not to be despised, on a pinch. See what use Socrates made of them! And, by the way, modern teachers could learn much as to methods from the dialogues of that old pagan.

By all means we must learn to link our questions, naturally developing one from the other. Read a page of miscellaneous proverbs, and you will carry away from it the same bewildered brain much Sunday-school sharp-shooting produces. Use the solid phalanx!

Infinite harm is done our teaching by "questioning down." Do you know how tiresome it is to talk to a man up in a third-story window, you in the street? Our "level-best" teaching must be on a level.

The novice at questioning, when first he becomes well satisfied with himself in this line, will probably be making his chief mistake,--will have hit upon an interrogative phraseology in which his thoughts run easily, which he uses incessantly. The artful questioner will rack his brains to the utmost stretch of ingenuity to devise striking and novel ways of quizzing, to hold the restless young minds.

Of course, no skilled questioner will take the cla.s.s in order. Of course, he will name the person who is to answer, at the end, and not at the beginning, of his question. Of course, he will understand the use of long and attention-holding questions, interspersed with short, quick, attention-exciting questions. Of course, he will be ready with a varying form of the question if he has to repeat it, lest the cla.s.s fail to listen the second time. Of course, he will train himself to become ready with a "catch" question,--a question with a quirk in it, to punish mildly the inattentive. Of course, he will know when the cla.s.s needs unifying by the general question addressed to all, and when the subject needs unifying by the general question reviewing all. And, of course, he will have learned that the best teacher of this, as of all arts, is He whose boyish questions in the temple grew to such mighty answers that no man thereafter dared question him, save only his true disciples.

Chapter XI

A Good Question

If I were asked to name the chief fault of the average teacher, I should say, "Asking questions that can be answered by 'Yes' and 'No.'" Among my acquaintances was once a teacher in a secular school whose method of questioning was invariably this. He would have before him the statements of the text-book, copied out with painstaking care, and would develop the subject thus: "Is it true or is it not true, Mr. A----, that"--and here would follow the statement or definition of the text-book. The ambiguous answer, "Yes," was amply satisfactory. Unfortunately, when such teachers gain a foothold in the Sunday-school, they are not so easily dismissed as from secular establishments.

Now, a good question merely furnishes the starting-point, and pushes the scholar out along the course toward some goal of truth; but in a question that can be answered by "Yes" or "No" the teacher himself ambles amiably up the track, and condescendingly allows the scholar's monosyllable to pat him on the head after he himself has reached the goal. A question that can be answered by "Yes" or "No" merely formulates the truth as it exists in the teacher's mind, and invites the scholar's a.s.sent to it; a good question, on the contrary, provokes the scholar to formulate truth for himself.

Now, it is much easier to express what we see to be true than to get any one else to express original thought. There is also, to the unwise, more glory in laying down principles to which others must agree than in getting others to lay down principles to which we must agree. It will always be true, therefore, that the lazy and the pompous will have no aim beyond educing monosyllabic answers. Most teachers, however, are earnestly desirous of the best, but do not know how to frame wise questions. What must be said to them?

First, that they must not go to school before their scholars. Expert questioning is not learned in the cla.s.s-room, but in the study. A lead-pencil is the best teacher. A sheet of paper is the best drill-ground. As I have urged before: Let the Sunday-school worker who aspires to the high praise of a good questioner sit down persistently, after studying the lesson, and write out a set of questions. Nay; on each point, so far as he has time, let him write several questions, criticise them, fancy what kind of answer each will be likely to elicit from the scholar, and choose what appears the best question.

Try it on the cla.s.s, and learn valuable lessons from the result.

This method, laborious as it is, must be kept up until skilful questioning has become instinctive. That there may be hope of this happy result, by the way, the written questions must never be used in the cla.s.s,--only the memory of them, and the drill the preparation has given. It surely will happen, sooner or later, that the careful student of practical pedagogics will be able to get along without writing, merely formulating fit questions in his mind as he studies the lesson.

After a time he may dispense even with this, and look simply after the points to be presented, trusting to extemporaneous question-making.

Not wholly, however. The best questioner in the world gets into ruts.

The best forms of questions ever invented are worse than the worst if they are used with dull reiteration. No one can devote careful attention to the form of his questions without falling in love with some particular way of questioning; and this will not always be the best way, but will probably be the most original way. A form of question that is irreproachable the first time will be unendurable used six times in succession. It is necessary, then, even for the trained questioner, to revert now and then to his old lead-pencil drill, in order to study variety.

But how may the uninitiated know a good question when they see it, or make it? As said already, it must not be such that a lazy monosyllable may answer it. As said already, too, if one is in doubt, he has but to try it on the cla.s.s, and note results. But further. A good question will be likely to have something piquant about it, if the subject admits. For instance, "James was killed, Peter was freed; why was that?" is better than saying, "How do you account for the fact that while the apostle James was beheaded, the apostle Peter was delivered from the hands of his persecutors?"

Furthermore, the difference between a poor question and a good one may often be a mere matter of length. "Why did the Christians at Antioch keep the inferior leaders for work in the city, but send away the most prominent men in their church to labor as missionaries?" That is abominable; it should be, "Why did the Antioch Christians send away their best men?"

A good question will contain as much as possible of the personal element. "What do you understand by the phrase 'remission of sins'?"

is much better than "What is the significance of the phrase 'remission of sins'?" Because the personal question puts the expected answer in a more modest light, the answer will be more unconstrained and full.

And, by the way, there are few forms of questions more zealously to be avoided than the form I have just used, "What do you understand by--?"