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She held the racked old form to her, kissed away tears that the washed old eyes could hardly yield, made a couch of her arms, and held her close so that their heartbeats met.
"Lilly, I feel so easy. I never felt so easy."
"Lie quietly, dear."
"Life can be hard, Lilly. And now--war. Make it easier for yourself.
Don't let him out there--go over there--anywhere--reproaching. Your parents--your child--it's his as much as yours, Lilly. If I had gone first, my boy would have reproached. There is nothing so terrible, Lilly--as eyes that reproach--eyes--Lilly--don't."
"I--won't."
She drifted off then in the placidity of a sleep from which she was not to emerge.
Lilly walked home that early morning following. Her direction lay in a straight line through Central Park. Spring was out in firstlings of every kind. The baby nap of new gra.s.s. Trees ready to quiver into leaf.
The sun came up from behind a sky line of skysc.r.a.pers, and as she was crossing the Mall a fountain rained up a first joyous geyser, some sparrows immediately plunging for a bath.
She sat down on a bench there in the lovely quiet, quite lax, and, because of its pressure, her natty little blue sailor in her lap. The air was like cool water and she closed her tired eyes to it.
Finally children began to trot past on their way to school. She heard their shouts and watched them. A father pa.s.sed with his little girl by the hand and carrying her sheaf of books. A boy in knickerbockers lunged furiously on roller skates. Another drove his ball under her bench and she smiled as she drew aside to let him drive. A private in khaki threw her a flirtatious glance. The sun found her finally.
Then Lilly followed one of her curious and absolutely irrepressible impulses, one that must have been smoldering who knows how long.
She completed her walk through the Park. At Seventy-second Street, where she emerged, a family hotel, one of those _de luxe_ mausoleums to family life, reared showily. Without pause she turned in there, finding out the telegraph desk; wrote her message largely and flowingly, leaning over while the operator read out the words to her:
Mr. Albert Penny, 5198 Page Avenue, St. Louis, Missouri. Won't you include New York in your visit to Washington and if possible bring parents. Try to. Lilly Penny, 2348 West End Avenue.
Hearing that telegram repeated, the pencil marking time word by word, it seemed to Lilly that each one of them was released with the spring of an arrow from its bow, and that the operator recoiled, stunned, from the impact of the message.
"Well," she said, leaning farther over the desk, and for some reason shaping the word to a breathless question.
"Fifty-one cents," said the girl, through the inimitable laconism of gum chewing.
CHAPTER VIII
Six hours later there was a reply folded in Lilly's purse:
We leave to-day for Washington. Arrive New York next Sunday 2.03 _via_ Pennsylvania. Albert Penny.
An incredible state of calm set in. She had the sensation of each intervening day a shelf of terrace down which she was walking into a deepening sea. Dreams ill-flavored as Orestes' filled her nights, and how tired she was must have sopped into her pillow, but her capacity for the present lessened her dread and made more bearable the fluent and fateful pa.s.sing of the time.
There were the details of the poor little funeral to be arranged. Lilly, who had never known death, was suddenly face to face with it again, at a time, too, when the incipient beginnings of pandemic that was later to scourge the country was reaping its first harvest; a strange malady carried on the stinking winds of war, shooting up in spouty little flames, that, no sooner laid, found new dry rot to feed upon. Spanish influenza, it was called, for no more visible reason than that it probably had its beginnings in Germany or India.
On the Wednesday of Mrs. Schum's funeral five of the Amus.e.m.e.nt Enterprise office force were home with it, one little telephone operator, who occasionally laid the surrept.i.tious offering of an orange or a carnation on Lilly's desk, succ.u.mbing.
It was amazing how light the imprint of Harry and his grandmother. Of effects there were practically none. A few tired-looking old dresses of Mrs. Schum's. Eleven dollars and some odd change in a tin box behind a clock. Harry's pinch-back suit with the slanting pockets. A daguerreotype or two. The inevitable stack of modest enough but unpaid bills. Odds. Ends. And in a wooden soap box shoved beneath Harry's cot, old door bells, faucets, bits of pipe, gla.s.s door k.n.o.bs, and, laid reverently apart, a stack of Lilly's discarded gloves, placed to simulate the print of the hand.
For days, Zoe, who had taken the tired willingness of Mrs. Schum so for granted, cried herself bitterly into a state that threatened to take the form of a fever, and then to the strophe and antistrophe of her young grief, becoming self-conscious, burst, with not particularly precocious rhyme, reason, or meter, into the following, which was printed in her school paper:
"Teach me to live, O G.o.d, If sorrow be to live, Then let me know All pain that it can give."
"Teach me to live, O G.o.d, To know the gold from dross, To live, dear G.o.d, to live.
I care not what it cost."
And Lilly, the dear mother dust in her eyes, had the page framed beneath a faded photograph of Mrs. Schum, taken when her lips and breast were young.
To attune Zoe to the coming of her family was no small matter. She was outrageously rebellious, flagrantly irreverent, and for every outburst Lilly bled her sense of blame.
"You've made a farce of everything, Lilly. You've fought for a principle and, with it won, turned maudlin. What is the idea? To drag me back there to join the sewing circle and the local society for the prevention of spinsterhood to maidens?"
"You are not funny at all. You know you are clear of that kind of thing.
You're like an arrow on its way to its goal. Straight and sure. Nothing can deflect you. That's why I dared."
"Well, then?"
"Realizations can come, Zoe, even to a selfishness as great as mine has been."
"Sacrifice is not always beautiful. It can be silly and futile."
"Zoe!"
"Yes, and bring rewards to neither side. Half the people who are sacrificed for become tearful tyrants, and those who do the sacrificing sour and meek, or holy with righteousness."
"You are reciting the kind of thing you hear down at Daab's."
"I'm reciting you."
"You darling boomerang!"
"I suppose now you are sorry you didn't stay at home in your canary cage to no one's particular advantage and your own terrific disadvantage. Now that you have reared me into the kind of human being you set out to be, you renig. Do you want to throw me back into that bowl with the greased sides that you managed to climb out of? Not much."
This from Zoe, mixed metaphor and all, who at seventeen kept _Doll's House_, Freud, _Anna Karenina_, and Ellen Key on the table beside her bed.
"Theories go down, Zoe, before life--and death."
She sat haughtily young, and without tolerance, her profile averted and trying to keep the quiver off her lips.
"Just when I'm ready to graduate and preparing for my audition--to have this--"
"Zoe--Zoe--don't make it harder--"
"I'm a dog, Lilly--forgive me."
"The entire abominable condition is my fault--"
"Then thank G.o.d for the abominable condition. I love you and everything you've done."