Stamp Collecting as a Pastime Part 2

There are numbers of stamps that have an interesting history of their own. They mark some official experiment, some curious blunder or accident, some little conceit, some historical event, or some crude and early efforts at stamp production.

What is known as the V.R. Penny black, English stamp, is said to have been designed as an experiment in providing a special stamp for official use, its official character being denoted by the initials V.R. in the upper corners; but the proposal was dropped, and the V.R.

Penny black was never issued. For a long time it was treasured up as a rarity by collectors, but now that its real claims to be regarded as an issued stamp have been finally settled, it is no longer included in our stamp catalogues. In the days of its popularity it fetched as much as 14 at auction. It is now relegated to the rank of an interesting souvenir of the experimental stage in the introduction of Penny Postage.

Of curious blunders, the Cape of Good Hope errors of colours are amongst the most notable. In 1861 the 1d. and 4d. triangular stamps, then current, were suddenly exhausted, and before a stock could be obtained from the printers in England, a temporary supply had to be provided locally. This was done by engraving imitations of the originals. Stereos were then taken, and made up into plates for printing. By an oversight a stereo of the penny value was dropped into the fourpenny plate and a fourpenny into the penny plate.

Consequently, each sheet printed in the required red ink from the penny plate yielded a fourpenny wrongly printed in red instead of blue, its proper colour; and every sheet of the fourpenny likewise yielded a penny stamp printed in blue instead of red. These errors are highly prized by collectors, and are now extremely scarce, even poor specimens fetching from 50 to 60. At the time, copies were sold by dealers for a few shillings each. Similar errors are known in the stamps of other countries.

Now and again the sheets of a particular value have, by some extraordinary oversight, been printed and issued in the wrong colour.

In 1869 copies of the 1s. of Western Australia were printed in bistre instead of in green, and a few years later the twopence was discovered in lilac instead of yellow. In 1863 a supply of shilling stamps was sent out to Barbados printed in blue instead of black; but this latter error was, according to Messrs. Hardy and Bacon, so promptly discovered, that it is doubtful if any of the wrong colour were issued for postal use. In 1896 the fastidiously careful firm of De la Rue and Co. printed off and despatched to Tobago a supply of 6,000 one shilling stamps in the colour of the sixpenny, _i.e._ in orange-brown instead of olive-yellow. Several are said to have been issued to the public before the error had been noticed. Indeed, the firm at home is credited with having first discovered the mistake, and is said to have telegraphed to the colony in time to prevent their issue in any quant.i.ty.

Another and much more common error in the early days of stamp production was the careless placing of one stamp on a plate upside down. Stamps so placed are termed _tete-beche_. They have to be collected in pairs to show the error. The early stamps of France furnish many examples of this cla.s.s of error. They are also to be found on the 6d. and 1s. values of the first design of the stamps of the Transvaal, on the early issues of Roumania, on some of the stamps of the Colombian Republic, and other countries.

Stamps requiring two separate printings--_i.e._ stamps printed in two colours--have given rise to many curious errors in printing. A sheet pa.s.sed through the press upside down after one colour has been printed results in one portion of the design being inverted. In the 1869 issue of the stamps of the United States no less than three of the values had the central portions of their designs printed upside down. The 4d., blue, of the first issue of Western Australia is known with the Swan on its head. Even the recently issued Pan-American stamps, printed in the most watchful manner by the United States official Bureau of Engraving and Printing, are known with the central portions of the design inverted, and these errors, despite the most searching examination to which each sheet is several times subjected, escaped detection, and were sold to the public. When, however, it is remembered that stamps are now printed by the million, it will be wondered that so few mistakes escape into the hands of collectors.

As a bit of conceit, the issue of what is known as the Connell stamp is probably unequalled. In loyal Canada, in 1860, Mr. Charles Connell was Postmaster-General of the little colony of New Brunswick, which in those days had its own government and its own separate issue of stamps. A change of currency from "pence" to "cents" necessitated new postage stamps. It was decided to give the new issue as much variety as possible by having a separate design for each stamp. Two of the series presented the crowned portrait of the Queen, and one that of the Prince of Wales as a lad in Scotch dress. Connell, apparently ambitious to figure in the royal gallery, gave instructions to the engravers to place his own portrait upon the 5 cents stamp. His instructions were carried out, and in due time a supply of the 5 cents bearing his portrait was delivered. But before many were issued the news spread like wildfire that Connell had outraged the issue by placing his own portrait upon one of the stamps. Political opponents are said to have taken up the hue and cry. The matter was immediately brought before the higher authorities, and the unfortunate stamp was promptly suppressed. Half a million had been printed off and delivered for sale, but very few seem to have escaped the outcry that was raised against them, and to-day copies are extremely scarce. Poor Connell took the matter very much to heart, threw up his appointment, and forthwith retired into private life. But the portrait of the bluff mechanic type of countenance will be handed down from generation to generation in stamp catalogues and costly stamp collections long after the authorities that suppressed him are forgotten.

Some folks question the appearance of the Baden-Powell portrait upon the Mafeking stamps as a similar bit of conceit; but whatever may be said in criticism of Baden-Powell's stamp, most people will be inclined to accept it as a pleasant souvenir of an historic siege and a determined and gallant stand against great odds.

But of all the portraits that have appeared upon postal issues, none probably occasioned so much trouble and fuss as that of the notorious King Bomba of Sicily. The most eminent engraver of his day--Aloisio--was commissioned to prepare an exact likeness of His Sacred Majesty. After much ministerial tribulation the portrait was approved and engraved, and to this day it is regarded as a superb piece of work. A special cancelling stamp had to be designed and put into use which defaced only the border of the stamp and left the sacred portrait untouched. During the preliminaries necessary to the production of the sacred effigy the fate of ministers and officials hung in the balance. One official was actually marked for degradation for having submitted a disfigurement which turned out to be a carelessly printed, or rough, proof impression.

Numerous stamps have been designed, especially of late years, to represent some historical event in connection with the country of issue. The United States, in 1869, in the confined s.p.a.ce of an unusually small stamp, endeavoured to represent the landing of Columbus, and in another stamp the Declaration of Independence. In a much more recent series, stamps of an exceptionally large size were adopted to give scope for a Columbus celebration set of historical paintings, including Columbus soliciting aid of Isabella, Columbus welcomed at Barcelona, Columbus restored to favour, Columbus presenting natives, Columbus announcing his discovery, the recall of Columbus, Isabella pledging her jewels, Columbus in chains, and Columbus describing his third voyage. Greece has given us a set of stamps ill.u.s.trating the Olympian Games. But collectors look with considerable suspicion upon stamps of this showy cla.s.s, for too many of them have been produced with the sole object of making a profit out of their sale to collectors, and not to meet any postal requirement.

Crude productions of peculiar interest belong more to the earlier stages of the introduction of postage stamps. Local attempts at engraving in some of our own early colonial settlements were of the crudest possible description, and yet they are, because of their very crudeness, far more interesting than the finished product supplied by firms at home, for the local effort truly represented the country of its issue in the art of stamp production. The amusingly crude attempts which the engravers of Victoria have made from time to time, during the last fifty years, to give us a pa.s.sable portrait of Her late Majesty Queen Victoria, have no equal for variety. The stamps of the first South African Republic, made in Germany, are very appropriate in their roughness of design and execution. For oddity of appearance the palm must be awarded to those of Asiatic origin, such, for instance, as the stamps of Afghanistan, of Kashmir, and most of the local productions of the Native States of India, marking as they do their own independent attempts to work up to European methods of intercommunication.

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VIII.

Great Rarities.

Of the many stamps that are set apart, for one cause or another, from the ordinary run, as having a history of their own, those that by the common consent of collector and dealer are ranked as great rarities are the most fruitful source of astonishment to the non-collector.

They are the gems of the most costly collections, the possession of the few, and the envy of the mult.i.tude. In a round dozen that will fetch over 100 apiece there are not more than one or two that can lay any claim to be considered works of art; indeed, they are mostly distinguished by their surpa.s.sing ugliness. Nevertheless, they are the gems that give tone and rank to the finest collections. Some of them are even priceless.

To the average man it is astonishing that anyone in his senses can be so foolish as to give 1,000 for an ugly little picture that has merely done duty as a postage stamp. He contends there can be no intrinsic value in such sc.r.a.ps of paper, and that settles the matter, in his opinion. But is it not so with precious stones and pearls? They are of value merely because they are the fashion. There is no intrinsic value in them. If they were not fashionable they would be of little or no value. Long-standing fashion, and fashion alone, has given them their value. So it is with stamps; fashion has given them their value, and every decade of continued popularity adds to that value as it has added to the value of precious stones and pearls.

There is no sign that precious stones are likely to become worthless by the withdrawal of popular favour. Fashion changes from one stone to another without affecting the popularity of precious stones in general. So it is with stamps. Fashions change from one line of collecting to another without in the slightest degree affecting the stability or popularity of collecting as a whole. Precious stones and pearls minister to the pride of the individual, and stamps to his pleasure; and each has its own strong and unshakable hold upon the devotees of fashion and pleasure. There is a fluctuating market in the case of each of these favourites, but I venture to think that there is, and has been for the past forty years, a steadier rise in the value of stamps than in the value of precious stones.

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British Guiana, 1856, 1 c.--In 1856 this colony was awaiting a supply of stamps from England, and pending its arrival two provisional stamps were issued, a 1 c. and a 4 c. These were set up from type in the office of the _Official Gazette_. A small ill.u.s.tration of a ship, used for heading the shipping advertis.e.m.e.nts in the daily papers, was utilised for the central portion of the design. Of the 1 c. value only one specimen is known to-day, and that is in the collection of M.

Philipp la Renotiere (Herr von Ferrary). Doubts have been expressed as to the genuineness of the copy, but Mr. Bacon, who has had an opportunity of inspecting it, says: "After a most careful inspection I have no hesitation whatever in p.r.o.nouncing it a thoroughly genuine one cent specimen. The copy is a poor one, dark magenta in colour, and somewhat rubbed. It is initialled 'E. D. W.', and dated April 1st, the year not being distinct enough to be read."

This stamp may safely be placed at the head of great rarities. Of its value it is impossible to form any opinion. If a dealer had the disposal of the copy in question, he would probably want between 1,000 and 2,000 for it, with a decided preference for the larger sum.

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Mauritius, "Post Office," 1d. and 2d.--The best known, the most quoted, and probably the most popular of all the great rarities is the "Post Office" Mauritius, so called because the words "Post Office"

were inscribed on one side of the stamp instead of the words "Post Paid." There were two values, 1d. and 2d. They were designed and engraved by a local watchmaker, and were printed from single dies, and issued in 1847. The tedious process of printing numbers of stamps from single dies was soon abandoned, and only 500 copies of each value were struck. Of those 1,000 stamps only twenty-two copies are known to exist to-day. There are in the hands of leading collectors two copies of the 1d. unused, and three copies of the 2d. unused, twelve copies of the 1d. used, and five copies of the 2d. used. These rarities were only in use for a few days, and were mostly used in sending out invitations to a ball at Government House.

The value, according to condition, is from 800 upwards for each value, but unused they are of course worth a great deal more.

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Hawaii, 1851, 2 cents, blue.--Like so many rare stamps, this first issue of Hawaii was designed and set up from type in a printer's office. About twelve copies are known to exist. The stamp was in use but a very short time, as the Post Office of Honolulu was burnt down, and the stock of stamps of this first issue was completely destroyed.

This 2 cents stamp is worth about 750.

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British Guiana, 1850, 2 cents.--This is popularly known as the 2 cents circular Guiana, because of its shape. A notice in the local Official Gazette, dated February, 1851, announced that "by order of His Excellency the Governor, and upon the request of several of the merchants of Georgetown, it is proposed to establish a delivery of letters twice each day through the princ.i.p.al streets of this city."

Certain gentlemen were named as having consented to receive letters for delivery at their respective stores, and it was further announced that "each letter must bear a stamp, for which 2 c. will be charged, or it will not be delivered, and when called for will be subject to the usual postage of 8 c." A supply of the required 2 c. stamps was provided by a locally type-set design enclosed in a ring. It is said that this delivery of letters was discontinued soon after it was started, hence rarity of the stamp.

Only eleven copies of this quaint postage stamp are known, and its market value is probably somewhere about 600.

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Moldavia, 1858, 81 paras.--This rare stamp formed one of a set of four of the first postage stamps issued in Roumania. The values were 27 paras for single letters travelling, and not carried more than about seventy miles, 54 paras for double that distance, 81 paras for heavier letters, and 108 paras for registered letters, all within the limits of Moldavia. The 81 paras is the rarest of the series, as will be seen from the following inventory taken in February, 1859, of the then unsold stock:--

27 paras, printed 6,000, sold 3,675.

54 " " 10,000 " 4,756.

81 " " 2,000 " 693.

108 " " 6,000 " 2,568.

All these stamps were printed by hand on coloured paper in sheets of thirty-two impressions in four rows of eight stamps. An unused copy of the 81 paras has fetched as much as 350.

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United States, Millbury, 1847, 5 c.--In the United States the general adoption of postage stamps was preceded by what may be termed preliminary issues, of a more or less local character, and known as "Postmaster stamps." These "Postmaster stamps" were issued by various country postmasters by way of experiment. The Providence stamp is the commonest example. One of the rarest is the 5 c. stamp, with a portrait of Washington, issued by the postmaster of Millbury, in Ma.s.sachusetts, in 1847. This stamp is said to be worth about 300.

There are others reputed to be equally rare. Among the local stamps issued by various unofficial carriers and express agencies, there are many of which very few copies are known, and as they are practically all held by enthusiastic collectors, and never come into the market, there are no data as to their current value.

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Cape of Good Hope, 1861. _Errors of Colour_.--In making up the plate of a provisional issue of triangular stamps, pending the arrival of supplies from England, a stereo of the 1d. got inserted by mistake in the 4d. plate, and a 4d. in the 1d. plate. Consequently each sheet of the 1d. contained a 4d. printed in red, the colour of the 1d., instead of blue. And the sheets of the 4d., in like manner, each contained a 1d, which, when the 4d. was printed in its proper colour of blue, was also printed in blue instead of red, the proper colour. These errors are very scarce, especially in an unused condition. The 1d., blue, is the rarer of the two, and is worth about 70 used; it is not known unused.

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Tuscany, 1860, 3 lire.--In the early days of stamp production high values, such as we are now accustomed to get from most countries, were very rarely issued. For nearly thirty years Great Britain was content with a shilling stamp as its highest value. In 1860 the Provisional Government of Tuscany issued a stamp of 3 lire, for which there seems to have been very little use. It represented but two shillings and sixpence of English money, but it is nevertheless one of the great rarities to-day, especially in an unused condition. Used copies are worth about 65, and unused about 120.

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Transvaal, 1878. _Error_ "Transvral."--This error occurred once in each sheet of eighty of the 1d., red on blue, of the first British Occupation. It was evidently discovered before a second lot was required, as it does not recur in the next printing of 1d., red on orange. It is a very rare stamp. Used it is worth about 50, but unused it is one of the great rarities, and has changed hands at about 150.