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South of the Border, West of the Sun.
by Haruki Murakami.
1.
My birthday's the fourth of January, 1951. The first week of the first month of the first year of the second half of the twentieth century. Something to commemorate, I guess, which is why my parents named me Hajime- "Beginning," in j.a.panese. Other than that, a 100 percent average birth. My father worked in a large brokerage firm, my mother was a typical housewife. During the war, my father was drafted as a student and sent to fight in Singapore; after the surrender he spent some time in a POW camp. My mother's house was burned down in a B-29 raid during the final year of the war. Their generation suffered most during the long war.
When I was born, though, you'd never have known there'd been a war. No more burned-out ruins, no more occupation army. We lived in a small, quiet town, in a house my father's company provided. The house was prewar, somewhat old but roomy enough. Pine trees grew in the garden, and we even had a small pond and some stone lanterns.
The town I grew up in was your typical middle-cla.s.s suburbia. The cla.s.smates I was friendly with all lived in neat little row houses; some might have been a bit larger than mine, but you could count on them all having similar entranceways, pine trees in the garden. The works. My friends' fathers were employed in companies or else were professionals of some sort. Hardly anyone's mother worked. And most everyone had a cat or a dog. No one I knew lived in an apartment or a condo. Later on I moved to another part of town, but it was pretty much identical. The upshot of this is that until I moved to Tokyo to go to college, I was convinced everyone in the whole world lived in a single-family home with a garden and a pet and commuted to work decked out in a suit. I couldn't for the life of me imagine a different lifestyle.
In the world I grew up in, a typical family had two or three children. My childhood friends were all members of such stereotypical families. If not two kids in the family, then three; if not three, then two. Families with six or seven kids were few and far between, but even more unusual were families with only one child.
I happened to be one of the unusual ones, since I was an only child. I had an inferiority complex about it, as if there was something different about me, that what other people all had and took for granted I lacked I detested the term only child only child. Every time I heard it I felt something was missing from me-like I wasn't quite a complete human being. The phrase only child only child stood there, pointing an accusatory finger at me. "Something's not quite all there, pal," it told me. stood there, pointing an accusatory finger at me. "Something's not quite all there, pal," it told me.
In the world I lived in, it was an accepted idea that only children were spoiled by their parents, weak, and self-centered. This was a given-like the fact that the barometer goes down the higher up you go and the fact that cows give milk. That's why I hated it whenever someone asked me how many brothers and sisters I had. Just let them hear I didn't have any, and instinctively they thought: An only child, eh? Spoiled, weak, and self-centered, I betcha. That kind of knee-jerk reaction depressed me, and hurt But what really depressed and hurt me was something else: the fact that everything they thought about me was true. I really was was spoiled, weak, and self-centered. spoiled, weak, and self-centered.
In the six years I went to elementary school, I met just one other only child. So I remember her (yes, it was a girl) very well. I got to know her well, and we talked about all sorts of things. We understood each other. You could even say I loved her.
Her last name was Shimamoto. Soon after she was born, she came down with polio, which made her drag her left leg. On top of that, she'd transferred to our school at the end of fifth grade. Compared to me, then, she had a terrible load of psychological baggage to struggle with. This baggage, though, only made her a tougher, more self-possessed only child than I could ever have been. She never whined or complained, never gave any indication of the annoyance she must have felt at times. No matter what happened, she'd manage a smile. The worse things got, in fact, the broader her smile became. I loved her smile. It soothed me, encouraged me. It'll be all right, It'll be all right, her smile told me. her smile told me. Just hang in there, and everything will turn out okay Just hang in there, and everything will turn out okay. Years later, whenever I thought of her, it was her smile that came to mind first.
Shimamoto always got good grades and was kind to everyone. People respected her. We were both only children, but in this sense she and I were different. This doesn't mean, though, that all our cla.s.smates liked her. No one teased her or made fun of her, but except for me, she had no real friends.
She was probably too cool, too self-possessed. Some of our cla.s.smates must have thought her cold and haughty. But I detected something else-something warm and fragile just below the surface. Something very much like a child playing hide-and-seek, hidden deep within her, yet hoping to be found.
Because her father was transferred a lot, Shimamoto had attended quite a few schools. I can't recall what her father did. Once, she explained to me in detail what he did, but as with most kids, it went in one ear and out the other. I seem to recall some professional job connected with a bank or tax office or something. She lived in company housing, but the house was larger than normal, a Western-style house with a low solid stone wall surrounding it. Above the wall was an evergreen hedge, and through gaps in the hedge you could catch a glimpse of a garden with a lawn.
Shimamoto was a large girl, about as tall as I was, with striking features. I was certain that in a few years she would be gorgeous. But when I first met her, she hadn't developed an outer look to match her inner qualities. Something about her was unbalanced, and not many people felt she was much to look at. There was an adult part of her and a part that was still a child-and they were out of sync. And this out-of-sync quality made people uneasy.
Probably because our houses were so close, literally a stone's throw from each other, the first month after she came to our school she was a.s.signed to the seat next to mine. I brought her up to speed on what texts she'd need, what the weekly tests were like, how much we'd covered in each book, how the cleaning and the dishing-out-lunch a.s.signments were handled. Our school's policy was for the child who lived nearest any transfer student to help him or her out; my teacher took me aside to let me know that he expected me to take special care of Shimamoto, with her lame leg.
As with all kids of eleven or twelve talking with a member of the opposite s.e.x for the first time, for a couple of days our conversations were strained. When we found out we were both only children, though, we relaxed. It was the first time either of us had met a fellow only child. We had so much we'd held inside about being only children. Often we'd walk home together. Slowly, because of her leg, we'd walk the three quarters of a mile home, talking about all kinds of things. The more we talked, the more we realized we had in common: our love of books and music; not to mention cats. We both had a hard time explaining our feelings to others. We both had a long list of foods we didn't want to eat. When it came to subjects at school the ones we liked we had no trouble concentrating on; the ones we disliked we hated to death. But there was one major difference between us-more than I did, Shimamoto consciously wrapped herself inside a protective sh.e.l.l. Unlike me, she made an effort to study the subjects she hated, and she got good grades. When the school lunch contained food she hated, she still ate it. In other words, she constructed a much taller defensive wall around herself than I ever built. What remained behind that wall, though, was pretty much what lay behind mine.
Unlike times when I was with other girls, I could relax with Shimamoto. I loved walking home with her. Her left leg limped slightly as she walked. We sometimes took a breather on a park bench halfway home, but I didn't mind. Rather the opposite-I was glad to have the extra time.
Soon we began to spend a lot of time together, but I don't recall anyone kidding us about it. This didn't strike me at the time, though now it seems strange. After all, kids that age naturally tease and make fun of any couple who seem close. It might have been because of the kind of person Shimamoto was. Something about her made other people a bit tense. She had an air about her that made people think: Whoa-better not say anything too stupid in front of this this girl. Even our teachers were somewhat on edge when dealing with her. Her lameness might have had something to do with it. At any rate, most people thought Shimamoto was not the kind of person you teased, which was just fine by me. girl. Even our teachers were somewhat on edge when dealing with her. Her lameness might have had something to do with it. At any rate, most people thought Shimamoto was not the kind of person you teased, which was just fine by me.
During phys. ed. she sat on the sidelines, and when our cla.s.s went hiking or mountain climbing, she stayed home. Same with summer swim camp. On our annual sports day, she did seem a little out of sorts. But other than this, her school life was typical. Hardly ever did she mention her leg. If memory serves, not even once. Whenever we walked home from school together, she never once apologized for holding me back or let this thought graze her expression. I knew, though, that it was precisely because her leg bothered her that she refrained from mentioning it. She didn't like to go to other kids' homes much, since she'd have to remove her shoes, j.a.panese style, at the entrance. The heels of her shoes were different heights, and the shoes themselves were shaped differently-something she wanted at all costs to conceal. Must have been custom-made shoes. When she arrived at her own home, the first thing she did was toss her shoes in the closet as fast as she could.
Shimamoto's house had a brand-new stereo in the living room, and I used to go over to her place to listen to music. It was a pretty nice stereo. Her father's LP collection, though, didn't do it justice. At most he had fifteen records, chiefly collections of light cla.s.sics. We listened to those fifteen records a thousand times, and even today I can recall the music-every single note.
Shimamoto was in charge of the records. She'd take one from its jacket, place it carefully on the turntable without touching the grooves with her fingers, and, after making sure to brush the cartridge free of any dust with a tiny brush, lower the needle ever so gently onto the record. When the record was finished, she'd spray it and wipe it with a felt cloth. Finally she'd return the record to its jacket and its proper place on the shelf. Her father had taught her this procedure, and she followed his instructions with a terribly serious look on her face, her eyes narrowed, her breath held in check. Meanwhile, I was on the sofa, watching her every move. Only when the record was safely back on the shelf did she turn to me and give a little smile. And every time, this thought hit me: It wasn't a record she was handling. It was a fragile soul inside a gla.s.s bottle.
In my house we didn't have records or a record player. My parents didn't care much for music. So I was always listening to music on a small plastic AM radio. Rock and roll was my favorite, but before long I grew to enjoy Shimamoto's brand of cla.s.sical music. This was music from another world, which had its appeal, but more than that I loved it because she she was a part of that world. Once or twice a week, she and I would sit on the sofa, drinking the tea her mother made for us, and spend the afternoon listening to Rossini overtures, Beethoven's was a part of that world. Once or twice a week, she and I would sit on the sofa, drinking the tea her mother made for us, and spend the afternoon listening to Rossini overtures, Beethoven's Pastorale Pastorale, and the Peer Gynt Peer Gynt Suite. Her mother was happy to have me over. She was pleased her daughter had a friend so soon after transferring to a new school, and I guess it helped that I was a neat dresser. Honestly, I couldn't bring myself to like her mother very much. No particular reason I felt that way. She was always nice to me. But I could detect a hint of irritation in her voice, and it put me on edge. Suite. Her mother was happy to have me over. She was pleased her daughter had a friend so soon after transferring to a new school, and I guess it helped that I was a neat dresser. Honestly, I couldn't bring myself to like her mother very much. No particular reason I felt that way. She was always nice to me. But I could detect a hint of irritation in her voice, and it put me on edge.
Of all her father's records, the one I liked best was a recording of the Liszt piano concertos: one concerto on each side. There were two reasons I liked this record. First of all, the record jacket was beautiful. Second, no one around mewith the exception of Shimamoto, of courseever listened to Liszt's piano concertos. The very idea excited me. I'd found a world that no one around me knew-a secret garden only I was allowed to enter. I felt elevated, lifted to another plane of existence.
And the music itself was wonderful. At first it struck me as exaggerated, artificial, even incomprehensible. Little by little, though, with repeated listenings, a vague image formed in my mind-an image that had meaning. When I closed my eyes and concentrated, the music came to me as a series of whirlpools. One whirlpool would form, and out of it another would take shape. And the second whirlpool would connect up with a third. Those whirlpools, I realize now, had a conceptual, abstract quality to them. More than anything, I wanted to tell Shimamoto about them. But they were beyond ordinary language. An entirely different set of words was needed, but I had no idea what these were. What's more, I didn't know if what I was feeling was worth putting into words. Unfortunately, I no longer remember the name of the pianist All I recall are the colorful, vivid record jacket and the weight of the record itself. The record was hefty and thick in a mysterious way.
The collection in her house included one record each by Nat King Cole and Bing Crosby. We listened to those two a lot. The Crosby disc featured Christmas songs, which we enjoyed regardless of the season. It's funny how we could enjoy something like that over and over.
One December day near Christmas, Shimamoto and I were sitting in her living room. On the sofa, as usual, listening to records. Her mother was out of the house on some errand, and we were alone. It was a cloudy, dark winter afternoon. The sun's rays, streaked with fine dust, barely shone through the heavy layer of clouds. Everything looked dim and motionless. It was nearing dusk, and the room was as dark as night A kerosene s.p.a.ce heater bathed the room in a faint red glow. Nat King Cole was singing "Pretend." Of course, we had no idea then what the English lyrics meant. To us they were more like a chant. But I loved the song and had heard it so many times I could imitate the opening lines: Pretend you're happy when you're blue It isn't very hard to do The song and the lovely smile that always graced Shimamoto's face were one and the same to me. The lyrics seemed to express a certain way of looking at life, though at times I found it hard to see life in that way.
Shimamoto had on a blue sweater with a round neck. She owned a fair number of blue sweaters; blue must have been her favorite color. Or maybe she wore those sweaters because they went well with the navy-blue coat she always wore to school. The white collar of her blouse peeked out at her throat A checked skirt and white cotton socks completed her outfit. Her soft, tight sweater revealed the slight swell of her chest. She sat on the sofa with both legs folded underneath her. One elbow resting on the back of the sofa, she stared at some far-off, imaginary scene as she listened to the music "Do you think it's true what they say-that parents of only children don't get along very well?" she asked.
I mulled over the idea. But I couldn't figure out the cause and effect of it.
"Where did you hear that?" I asked.
"Somebody said that to me. A long time ago. Parents who don't get along very well end up having only one child. It made me so sad when I heard that."
"Hmm....," I said.
"Do your mother and father get along all right?"
I couldn't answer right away. I'd never thought about it before.
"My mother isn't too strong physically," I said. "I'm not sure, but it was probably too much of a strain for her to have another child after me."
"Have you ever wondered what it would be like to have a brother or sister?"
"No."
"Why not?"
I picked up the record jacket on the table. It was too dark to read what was written on it. I put the jacket down and rubbed my eyes a couple of times with my wrist. My mother had once asked me the same question. The answer I gave then didn't make her happy or sad. It just puzzled her. But for me it was a totally honest, totally sincere answer.
The things I wanted to say got all jumbled up as I talked, and my explanation seemed to go on forever. But what I was trying to get across was just this: The me that's here now has been brought up without any brothers or sisters. If I did have brothers or sisters I wouldn't be the me I am. So it's unnatural for the me that's here before you to think about what it'd be like to have brothers or sisters.... In other words, I thought my mother's question was pointless.
I gave the same answer to Shimamoto. She gazed at me steadily as I talked. Something about her expression pulled people in. It was as ifthis is something I thought of only later, of courseshe were gently peeling back one layer after another that covered a person's heart, a very sensual feeling. Her lips changed ever so slightly with each change in her expression, and I could catch a glimpse deep within her eyes of a faint light, like a tiny candle flickering in the dark, narrow room.
"I think I understand what you mean," she said in a mature, quiet voice.
"Really?"
"Um," she answered. "There are some things in this world that can be done over, and some that can't And time pa.s.sing is one thing that can't be redone. Come this far, and you can't go back. Don't you think so?"
I nodded.
"After a certain length of time has pa.s.sed, things harden up. Like cement hardening in a bucket. And we can't go back anymore. What you want to say is that the cement that makes you up has hardened, so the you you are now can't be anyone else."
"I guess that's what I mean," I said uncertainly.
Shimamoto looked at her hands for a time.
"Sometimes, you know, I start thinking. About after I grow up and get married. I think about what kind of house I'll live in, what I'll do. And I think about how many children I'll have."
"Wow," I said.
"Haven't you ever thought about that?"
I shook my head. How could a twelve-year-old boy be expected to think about that? "So how many kids do you want to have?"
Her hand, which up till then had laid on the back of the sofa, she now placed on her knee. I stared vacantly at her fingers tracing the plaid pattern of her skirt There was something mysterious about it, as if invisible thread emanating from her fingertips spun together an entirely new concept of time. I closed my eyes, and in the darkness, whirlpools flashed before me. Countless whirlpools were born and disappeared without a sound. Off in the distance, Nat King Cole was singing "South of the Border." The song was about Mexico, but at the time I had no idea. The words "south of the border" had a strangely appealing ring to them. I was convinced something utterly wonderful lay south of the border. When I opened my eyes, Shimamoto was still moving her fingers along her skirt. Somewhere deep inside my body I felt an exquisitely sweet ache.
"It's strange," she said, "but when I think about children, I can only imagine having one. I can somehow picture myself having children. I'm a mother, and I have a child. I have no problem with that. But I can't picture that child having any brothers or sisters. It's an only child."
She was, without a doubt, a precocious girl. I feel sure she was attracted to me as a member of the opposite s.e.x-a feeling I reciprocated. But I had no idea how to deal with those feelings. Shimamoto didn't, either, I suspect. We held hands just once. She was leading me somewhere and grabbed my hand as if to say, This way-hurry up. Our hands were clasped together ten seconds at most, but to me it felt more like thirty minutes. When she let go of my hand, I was suddenly lost. It was all very natural, the way she took my hand, but I knew she'd been dying to do so.
The feel of her hand has never left me. It was different from any other hand I'd ever held, different from any touch I've ever known. It was merely the small, warm hand of a twelve-year-old girl, yet those five fingers and that palm were like a display case crammed full of everything I wanted to know-and everything I had had to know. By taking my hand, she showed me what these things were. That within the real world, a place like this existed. In the s.p.a.ce of those ten seconds I became a tiny bird, fluttering into the air, the wind rushing by. From high in the sky I could see a scene far away. It was so far off I couldn't make it out clearly, yet something was there, and I knew that someday I would travel to that place. This revelation made me catch my breath and made my chest tremble. to know. By taking my hand, she showed me what these things were. That within the real world, a place like this existed. In the s.p.a.ce of those ten seconds I became a tiny bird, fluttering into the air, the wind rushing by. From high in the sky I could see a scene far away. It was so far off I couldn't make it out clearly, yet something was there, and I knew that someday I would travel to that place. This revelation made me catch my breath and made my chest tremble.
I returned home, and sitting at my desk, I gazed for a long time at the fingers Shimamoto had clasped. I was ecstatic that she'd held my hand. Her gentle touch warmed my heart for days. At the same time it confused me, made me perplexed, even sad in a way. How could I possibly come to terms with that warmth?
After graduating from elementary school, Shimamoto and I went on to separate junior highs. I left the home I had lived in till then and moved to a new town. I say a new town, but it was only two train stops from where I grew up, and in the first three months after I moved I went to see her three or four times. But that was it. Finally I stopped going. We were both at a delicate age, when the mere fact that we were attending different schools and living two train stops away was all it took for me to feel our worlds had changed completely. Our friends were different, so were our uniforms and textbooks. My body, my voice, my way of thinking, were undergoing sudden changes, and an unexpected awkwardness threatened the intimate world we had created. Shimamoto, of course, was going through even greater physical and psychological changes. And all of this made me uncomfortable. Her mother began to look at me in a strange way. Why does this boy keep coming over? Why does this boy keep coming over? she seemed to be saying. she seemed to be saying. He no longer lives in the neighborhood, and he goes to a different school He no longer lives in the neighborhood, and he goes to a different school. Maybe I was just being too sensitive.
Shimamoto and I thus grew apart, and I ended up not seeing her anymore. And that was probably (probably is the only word I can think of to use here; I don't consider it my job to investigate the expanse of memory called the past and judge what is correct and what isn't) a mistake. I should have stayed as close as I could to her. I needed her, and she needed me. But my self-consciousness was too strong, and I was too afraid of being hurt. I never saw her again. Until many years later, that is. is the only word I can think of to use here; I don't consider it my job to investigate the expanse of memory called the past and judge what is correct and what isn't) a mistake. I should have stayed as close as I could to her. I needed her, and she needed me. But my self-consciousness was too strong, and I was too afraid of being hurt. I never saw her again. Until many years later, that is.
Even after we stopped seeing each other, I thought of her with great fondness. Memories of her encouraged me, soothed me, as I pa.s.sed through the confusion and pain of adolescence. For a long time, she held a special place in my heart. I kept this special place just for her, like a Reserved sign on a quiet corner table in a restaurant. Despite the fact that I was sure I'd never see her again.
When I knew her I was still twelve years old, without any real s.e.xual feelings or desire. Though I'll admit to a vaguely formed interest in the swell of her chest and what lay beneath her skirt. But I had no idea what this meant, or where it might lead.
With ears perked up and eyes closed, I imagined the existence of a certain place. This place I imagined was still incomplete. It was misty, indistinct, its outlines vague. Yet I was sure that something absolutely vital lay waiting for me there. And I knew this: that Shimamoto was gazing at the very same scene.
We were, the two of us, still fragmentary beings, just beginning to sense the presence of an unexpected, to-be-acquired reality that would fill us and make us whole. We stood before a door we'd never seen before. The two of us alone, beneath a faintly flickering light, our hands tightly clasped together for a fleeting ten seconds of time.
2.
In high school I was a typical teenager. This was the second stage of my life, a step in my personal evolution-abandoning the idea of being different, and settling for normal. Not that I didn't have my own set of problems. But what sixteen-year-old doesn't? Gradually I drew nearer the world, and the world drew nearer to me.
By the time I was sixteen I wasn't a puny little only child anymore. In junior high I started to go to a swimming school near my house. I mastered the crawl and went twice a week for lap swimming. My shoulders and chest filled out, and my muscles grew strong and taut I was no longer the kind of sickly kid who got a fever at the drop of a hat and took to his bed. Often I stood naked in front of the bathroom mirror, scrutinizing every nook and cranny of my body.
I could almost see the rapid physical changes right before my eyes. And I enjoyed these changes. I don't mean I was thrilled about becoming an adult. It was less the maturing process I enjoyed than seeing the transformation in myself. I could be a new me.
I loved to read and to listen to music. I'd always liked books and reading, and my interest in these had been fostered by my friendship with Shimamoto. I started to go to the library, devouring every book I could lay my hands on. Once I began a book, I couldn't put it down. It was like an addiction; I read while I ate, on the train, in bed until late at night in school, where I'd keep the book hidden so I could read during cla.s.s. Before long I bought a small stereo and spent my time holed up in my room, listening to jazz records. But I had almost no desire to talk with anyone about the experience I gained through books and music I felt happy just being me and no one else. In that sense I could be pegged a stuck-up loner. I disliked team sports of any kind. I hated any kind of compet.i.tion where you had to rack up points against someone else. I much preferred to swim on and on, alone, in silence.
Not that I was a total loner. I managed to make some close friends at school, a few, at least. School itself I hated. I felt as though these friends were trying to crush me all the time and I had to always be prepared to defend myself. This toughened me. If it hadn't been for these friends, I would have emerged from those treacherous teenage years with even more scars.
After I started swimming, I no longer was so picky about the foods I ate, and I could talk with girls without blushing. I might be an only child, but no one gave it a second thought anymore. At least on the outside, it seemed I had freed myself from the curse of the only child.
And I made a girlfriend.
She wasn't particularly pretty, not the type your mother would point out in the cla.s.s picture as the prettiest girl in school. But the first time I met her, I thought she was rather cute. You couldn't see it in a photo, but she had a straightforward warmth, which attracted people. She wasn't the kind of beauty I could brag about. But I wasn't much of a catch, either.
She and I were in the same cla.s.s in junior year of high school and went out on dates often. At first double dates, then just the two of us. For whatever reason, I always felt relaxed with her. I could say anything, and she listened intently. I might just be blabbing away about some drivel, but from the expression on her face you'd have imagined I was revealing a magnificent discovery that would change the course of history. It was the first time since Shimamoto that a girl was so engrossed in anything I had to say. And for my part, I wanted to know everything there was to know about her. What she ate every day, what kind of room she lived in. What she could see from her window.
Her name was Izumi. Love your name, I told her the first time we talked. "Mountain spring," it means in j.a.panese. Throw in an ax, and out would pop a fairy, I said, thinking of the fairy tale. She laughed. Izumi had a sister, three years younger than her, and a brother, five years younger. Her father was a dentist, and they livedno surprisein a single-family home, with a dog. The dog was a German Shepherd named Karl, after Karl Marx, believe it or not. Her father was a member of the j.a.panese Communist Party. Granted there must be Communist dentists in the world, but the whole lot of them could probably fit in four or five buses. So I thought it was pretty weird that it was my my girlfriend's father who happened to be one of this rare breed. Izumi's parents were tennis fanatics, and every Sunday would find them, rackets in hand, heading off to the court. A Communist dentist tennis nut-what a weird combination! Izumi wasn't interested in politics, but she loved her parents and would join them in a round of tennis every so often. She tried to get me to play, but tennis wasn't my thing. girlfriend's father who happened to be one of this rare breed. Izumi's parents were tennis fanatics, and every Sunday would find them, rackets in hand, heading off to the court. A Communist dentist tennis nut-what a weird combination! Izumi wasn't interested in politics, but she loved her parents and would join them in a round of tennis every so often. She tried to get me to play, but tennis wasn't my thing.
She envied me because I was an only child. She didn't get along well with her brother or sister. According to her, they were a couple of heartless idiots she wouldn't mind giving the old heave-ho. I always wanted to be an only child, she said, living as I please, with no one bothering me every time I turn around.
On our third date I kissed her. She was over at my place that day. My mother was out shopping, so we had the whole house to ourselves. When I brought my face near and touched my lips to hers, she just closed her eyes and was silent. I'd prepared a full dozen excuses, in case she got mad or turned away, but I didn't need any of them. My lips on hers, I put my arms around her and drew her close. It was near the end of summer, and she had on a seersucker dress. It was tied at the waist, and the tie hung loosely behind her like a tail. My hand touched the latch of her bra.s.siere. I could feel her breath on my neck. I was so excited my heart felt like it was going to leap right out of my body. My p.e.n.i.s was ready to burst; it pushed against her thigh, and she shifted a bit to one side. But that was all. She didn't seem upset.
We sat for some time on the sofa, holding each other tight. A cat was sitting on the chair across from us. It opened its eyes, looked in our direction, stretched, and went back to sleep. I stroked her hair and put my lips to her tiny ears. I thought I had to say something, but nothing came to me. I could barely breathe, let alone speak. I took her hand again, and kissed her once more. For a long time, the two of us were quiet.
After I saw her off at the train station, I couldn't calm down. I went home and lay on the sofa and stared at the ceiling. My mind was in a whirl. Finally my mother came home and said she'd get dinner ready. But food was the last thing I could think about Without. a word, I went out and wandered around the town for a good two hours. It was a strange feeling. I was no longer alone, yet at the same time I felt a deep loneliness I'd never known before. As with wearing gla.s.ses for the first time, my sense of perspective was suddenly transformed. Things far away I could touch, and objects that shouldn't have been hazy were now crystal clear.
When Izumi left me that day, she thanked me and told me how happy she was. She wasn't the only happy one. I couldn't believe a girl had actually let me kiss her. How could I not be ecstatic? Even so, I couldn't be unreservedly happy. I was like a tower that had lost its base. I was up high, and the more I looked off in the distance, the dizzier I became. Why her? I asked myself. What do I know about her anyway? I'd met her a few times, talked a bit, that was it. I was jumpy, fidgety beyond control.
If it were Shimamoto, there would be no confusion. The two of us, with no words spoken, would be totally accepting of the other. No uncomfortable feelings, no unease. But Shimamoto was no longer around. She was in a new world of her own, and so was I. Comparing Izumi and Shimamoto was pointless. The door that led to Shimamoto's world had slammed shut behind me, and I needed to find my bearings in a new and different world.
I was up until the light shone faintly through the eastern sky. I slept for two hours, took a shower, and went to school. I had to find Izumi and talk to her about what had happened between us. I wanted to hear from her lips that her feelings were unchanged. The last thing she'd said was how happy she was, but in the cold light of dawn it seemed more like an illusion I'd dreamed up. School ended without my getting a chance to talk to her. At recess she was with her girlfriends, and when cla.s.ses were over she went straight home. Just once, when we were in the hallway changing cla.s.ses, we managed to exchange glances. She beamed when she caught sight of me, and I smiled back. That was all. But in her smile I caught an affirmation of the previous day's events. It's all right, It's all right, her smile seemed to tell me. her smile seemed to tell me. Yesterday really did happen Yesterday really did happen. By the time I was riding the train home, my confusion was gone. I wanted her, and my desire won out over any doubts.
What I wanted was clear enough. Izumi naked, having s.e.x with me. But that final destination was still a long way down the road. There was a certain order of events one had to follow. To arrive at s.e.x, you first had to undo the fastener of the girl's dress. And between dress fastener and s.e.x lay a process in which twenty-maybe thirty-subtle decisions and judgments had to be made.
First of all I had to get hold of some condoms. Actually, that step was a bit further down the chain of events, but anyhow I had to get my hands on some. Never know when I might need them. But I couldn't just duck into a drugstore, plunk down some money, and waltz out with a box of condoms. I'd never pa.s.s as anything other than what I was-a high school junior-not to mention that I was too much of a coward to make the attempt. I could have tried one of the vending machines in the neighborhood, but if anyone caught me red-handed, I'd be up the proverbial creek. For three or four days, I turned this quandary over endlessly in my mind.
In the end, things worked out more easily than expected. I asked a precocious friend of mine, who was sort of our local expert on these matters. See, the thing is, I asked him, I'd like to get some condoms, so what should I do? No sweat, he deadpanned. I can get you a whole box. My brother bought a ton of them through a catalog. I don't know why he bought so many, but his closet's full of them. One missing box isn't gonna kill him. Fantastic, I enthused. The next day he brought the condoms to school in a paper bag. I treated him to lunch and asked him not to breathe a word. No problem, he said. Of course he spilled the beans, told a couple of people I was in the market for condoms. These people told some others, and it made the rounds of the school until Izumi heard about it After school, she asked me to come up to the school roof with her.
"Hajime, I heard you got some condoms from Nishida?" she asked. The word condoms condoms didn't exactly roll off her tongue. She made it sound like the name of some infectious disease. didn't exactly roll off her tongue. She made it sound like the name of some infectious disease.
"Uh ... yeah," I admitted. I struggled to find the right words. "It doesn't really mean anything. I just thought, you know, maybe it'd be better to have some."
"You got them because of me?"
"No, not really," I said. "I was just curious about what they were like. But if it bothers you, I'm sorry. I'll give them back, or throw them away."
We were sitting on a small stone bench in a corner of the roof. It looked like it might rain at any minute. We were all alone. It was completely still. I'd never known the roof to be so silent.
Our school was on a hilltop, and we had an unboken view of the town and the sea. Once, my friends and I filched some records from the Broadcast Club room and flung them off the rooflike Frisbees, they sailed away in a beautiful arc. Off toward the harbor they flew, happily, as if life were breathed into them for a fleeting instant. But finally one of them failed to get airborne and wobbled clumsily straight down onto the tennis court, where some startled freshman girls were practicing their swings. It was detention for us. That had been more than a year before, and now here I was in the same spot, being grilled by my girlfriend about condoms. I looked up at the sky and saw a bird etching a slow circle in the sky. Being a bird, I imagined, must be wonderful. All birds had to do was fly in the sky. No need to worry about contraception.
"Do you really like me?" Izumi asked me in a small voice.
"Sure I do," I replied. "Of course I like you."
Lips pursed, she looked straight into my face. She looked at me so long it made me uneasy.