Social Transformations of the Victorian Age Part 6

'THE PLAY'S THE THING'

Summary of the agencies and incidents preparing the way for the revival of the theatre as a popular inst.i.tution, Macready and his purifying influences inside the theatre. Charles Kean at the Princess's. Usefulness of Rugby and Eton a.s.sociations to each of these respectively. Miss Faucit (Lady Martin); her last appearance at Drury Lane; her enduring influence on the profession. Mrs Boucicault, Miss Kate Terry, Mrs P. H. Lee, Miss Ellen Terry and others. Henry Irving; his first London hit at the St James's, afterwards at the Lyceum under Bateman. His success characterized. T. W. Robertson's plays. Other circ.u.mstances of the time favourable to the new popularity of the play.

At the different seaside resorts fringing the greater part of southern England from Beachy Head to Penzance, by the new sort of life organized at Eastbourne, Hastings, and innumerable other places, one is reminded very practically that only twenty miles of intervening sea separate the French from the English coast. The British climate may be less favourable than that on the other side of the Straits for the open air existence of the French littoral. The more praiseworthy, therefore, and not the less persistent are the efforts of visitors and residents on the unsunny side of the Channel to acclimatize themselves to the _al fresco_ habits of Boulogne, Dieppe, Trouville, or Biarritz.

Brighton has not yet very visibly changed its regime since the days when George IV. lived at the Pavilion. Its newer rival, Eastbourne, has taken advantage of a local conformation, and especially of a paved sea front to present the stranger with various little reproductions of what is most characteristic in the social exterior of French holiday life during the bathing season. It is not only one or two families, mutually intimate, which meet and pa.s.s together the greater portion of the day on the esplanade that lies in the shadow of Beachy Head. The whole place practically turns out, settles itself down for a day's occupation, if the weather be fine enough, on the causeway above the pebbled sh.o.r.e. The ladies produce knitting instruments or appliances for domestic needlework.

The men have their newspapers or books. The circle exactly after the French fashion is formed, big enough in compa.s.s to admit all the polite population of the place. When the luncheon hour approaches, there is a move not from off the sea front, but to some of the covered shelters that stud at intervals the esplanade. Improvised tables are covered with white cloths. The company, that the French stranger at a glance recognizes as belonging to the order of _bourgeoisie_, proves itself long to have outgrown the dislike to public meals common to most English men and women at the period of the Queen's accession. At night the boarding houses, hotels, or private dwellings that in a long line rise just above the sea terrace seem practically to amalgamate themselves into a single dancing hall.

Other instances, more picturesque, or at least more suggestive, of the naturalization of continental examples, at English holiday resorts may be given. Eastbourne is indebted for the full development of its natural attractions and for the addition of its beauties of art to the Duke of Devonshire. Amongst other buildings with which the place has been enriched is a town hall of graceful proportions and artistic aspect. This building is crowned by a clock tower so exquisitely shaped and standing out in such cla.s.sic profile against the dark South Downs in the background as to justify the local vaunt that had it been in Florence sightseers from all parts of the world would have flocked to see it; and guide books would long since have commemorated the glories of, a new Campanile added to the historic list of fair structures. While the Eastbourne clock tower is awaiting the architectural canonization it deserves, the town itself has still more closely approached to southern exemplars by starting a carnival of its own.[45] The slovenly and bedraggled mummeries into which the Italian saturnalia have degenerated have not prevented the enterprising authorities of the Suss.e.x watering place from mimicking the battles of flowers and confetti that are still supposed to relieve the approach of Lent in the City of the Popes, but which as a fact have during late years only formed another feature in Roman vulgarity. One advantage over its more Southern original the Suss.e.x sh.o.r.e imitation possesses. Real confetti are not employed. Pellets of tissue paper are missiles at once less costly and less dangerous than sugar plums. In other respects the continental type has been reproduced rather too faithfully. Whether on the Corso, the King's Road, Brighton, the Esplanade or Terminus Road, Eastbourne, the whole pageant, as to the costume, the humours, and the hand artillery of the mummers, resembles equally the scenes on the return from the Derby by road to be witnessed between Clapham Common and Hyde Park Corner.

It was, perhaps, the foreign imitations in the social scheme of English life increasingly visible during his later years to Matthew Arnold which inspired that close observer with the advice to his countrymen to organize the theatre. To some extent, indeed, the counsel had long been antic.i.p.ated. The organization of the stage into a wholesome agency of popular amus.e.m.e.nt and teaching began with Macready, the earliest of that line of considerable actors who have served their generation during the Victorian epoch. But the prejudice against the play prevailing among other than the austerer cla.s.ses long survived the work of this great reformer of the English stage. The company which fills a theatre to-day in respect of ethics and behaviour is not inferior to the fashionable occupants of an opera box on a subscription night.

It was not always so. When between 1827, the year of his first, and 1851 the year of his last, appearance at Drury Lane, Macready was the head of the theatrical world, he found some difficulty in eliminating certain objectionable elements from the auditorium of Drury Lane. He persisted with his work. At last the moral atmosphere of a London playhouse was admittedly as unexceptionable as that of Exeter Hall. Macready himself who was born in 1793, and lived till 1873, had been educated at Rugby, as Charles Kean who followed him, had reached the Sixth Form at Eton.

Macready, too, was in his day almost as much a favourite with the clergy of the Established Church as, since his _The Sign of the Cross_, Mr Wilson Barrett has become in ours. If the Etonian Keate inspired respect by the consciousness of his having birched future generations of statesmen, the Etonian Macready reflected the prestige of respectability upon his profession from the fact that during his retirement at Sherborne in Dorsetshire, most of the Anglican clergy noticeable for their elocution had received lessons from him in the art of reading.

Charles Kean's acting life covered the period between 1820 and 1868. Like Macready, he was a favourite in the provinces before he made his mark on the London boards. With him there began, or was fairly established, the improvement of stage, scenery, costume, and in all incidental accessories that has been brought to so high a point of perfection by the genius, industry, and well-judged lavishness of Henry Irving. Byron's enthusiasm still glows in the words of his famous eulogy on the acting of Charles Kean's father, Edmund Kean, who seems to have been perhaps the most powerful and moving artist that the English stage has known. The energy, pa.s.sion and fire of the Keans marked a reaction from, and were to some extent a protest against the stately and frigid cla.s.sicism of the school of Kemble. They thus appropriately coincided in point of time with that romantic movement in English poetry which in his satire Byron ridiculed, but which in his practice he did so much to promote. The epoch, during which these attributes were displayed by Kean and his followers, roughly may be said to have synchronized with the season of the influence on the thought and diction of English poetry exercised through the publication of the _Reliques_ of Thomas Percy, who, towards the end of the last, and early in the present, century, was successively Dean of Carlisle and Bishop of Dromore. This book probably did more than any other single volume ever issued from the press, to quicken and complete the revolt of English taste against the formal models of the age of Pope. From the personal life, character and wide social acceptance both of Macready first and of Charles Kean afterwards, the English drama directly, as well as indirectly, was a gainer. In those days the social fusion was not nearly so complete as it has since become; but Macready and the younger Kean had both been popular in their school days. In after life Rugby and Eton respectively rallied round them. The amalgamating agency of the Garrick Club, practically so familiar at rather a later day, was not then an operative force. But of the Athenaeum and similar inst.i.tutions Macready and in his turn Kean must have been free; their private acquaintances and visiting lists were as large and as representative as those of their successors during the present decade of the Queen's reign.

It is not, however, under a dynasty of high tragedians that the full development, as a social and intellectual force, of the Victorian drama was to be attained. Long after the theatre became respectable, it remained dull. The audience seldom dwindled to the point of invisibility which a little time before was in some theatres habitual, and not infrequent in all. Before the period now spoken of, Lord Lytton, of whose place in letters more will be said elsewhere, had gone some way towards repeating the dual successes in Parliament and at the playhouse achieved by Sheridan in an earlier day. _Money_ was produced in 1840. Exactly a quarter of a century afterwards a dramatic hit not less palpable and destined to have results more considerable was made by an author till then little known on the London stage. The year in which _Society_ was played at the Prince of Wales's, till then the Queen's Theatre, in a street off the Tottenham Court Road, will be remembered by the theatre-goer as that in which Henry J. Byron's last burlesque was produced on the same boards and in which one of the actors in that extravaganza, _Don Giovanni_, Mr John Hare, took, for the first and only time in his life, a woman's part on the stage, wearing the petticoats of Zerlina, the simple peasant girl. The real significance of this occasion lay in its marking a new era in the fortunes of the nineteenth century drama. The germ of Anthony Trollope's novels of domestic life, may be seen in Bulwer-Lytton's fictions of _The Caxtons_ school. The part performed by the author of _Society_ and its dramatic sequels for the English play resembled the performances of Anthony Trollope with regard to the English novel. Like Bulwer, Robertson fashioned his dialogue on the model of Sheridan. The writer of _Money_ laboured to reproduce the ant.i.thetic polish of his original. The author of _Society_ and the series that followed it was attracted rather by the caustic repartee in which the author of _The School for Scandal_ excelled. The change thus introduced at a theatre of which till then few had ever heard, was the subst.i.tution of the realities of contemporary life in drawing room, club, shooting field or camp for the threadbare traditions, stilted sentiment, and fustian talk of conventional melodrama.

Whether the original were, or were not, too trivial for reproduction, it is at least human nature to which the mirror was now for the first time during recent years held up. The contrast between Robertson and most of his immediate predecessors who were nearly his contemporaries was not less marked than that between those masterpieces of the Laura Matilda school, which delighted Mrs Wit.i.tterly, and the works of Miss Edgeworth, or that between the _Great Cyrus_ and the author of _Waverley_. The _dramatis personae_ of Robertson were the men and women, the youths and maidens, the old bucks and young officers, the pretty servant girls, their ogling followers, the dapper apprentices, the seasoned topers whom the English public had long known from Leech's drawings in the 'London Charivari,' but who had not often been met with recently on the London stage. Now, for the first time within the experience of many, the theatre became the fashion; the stalls at the Prince of Wales's first, and at other houses soon afterwards, were peopled by occupants as modish as the Italian Opera when Piccolomini sang in _Traviata_. Even then, however, the first night of a new drama, though at the most popular playhouse fell very short of reproducing the personal distinctions of a premiere at the Comedie Francaise or the Palais Royal. That was to follow in due time. Early in the sixties an impressario, with judgment sharpened by American experience, became the lessee of the same theatre, the Lyceum, which twenty years earlier had been managed by Charles Mathews and Madame Vestris. The first great feature in Mr Bateman's management was the powerful and picturesque acting of his accomplished daughter in _Leah_ first and in some Shakespearian parts afterwards. About the same time an actor with whose name in coming years the Lyceum was to be more widely a.s.sociated had given the public specimens of an art surprisingly vigorous and picturesque. Henry Irving first played before a London audience in 1859. In 1866 he had the good fortune to be cast with Miss Herbert (Mrs Crabbe) in one of those character parts in which he has had few equals, the worthless, persecuting husband in _Hunted Down_. This was in the theatre that witnessed the first triumphs of the great singer Braham, that more recently had been filled from pit to gallery by the laughter loving admirers of Mr and Mrs Frank Mathews,[46] or by the appreciative few who realized the charm of the more subtle impersonations of Alfred Wigan. The place, therefore, was of good omen for the rising star. The most accomplished dramatic critic whom in England the century has produced, George Henry Lewes, and the lady who bore his name, but is best known to the public as George Eliot, author of _Adam Bede_, both witnessed the debut. 'Ten or fifteen years hence,' said the gentleman, 'that young man will be where Kean once was, at the head of the English stage.' 'In my opinion,' faintly murmured the lady, 'he is there already.'

Meanwhile, the popular taste of English playgoers had been educated by the impersonations of Miss Faucit as well as by her own literary expositions of Shakespeare's characters, and by the written discourses of her future husband, Sir Theodore Martin on cognate subjects. The daughter of an actress, Lady Martin received her first education for the stage from an actor, one of a race of actors, Percival Farren, of the Haymarket Theatre.

This is the family which at the end of the eighteenth century gave a Countess, acknowledged on Mrs Abington's retirement to be the first actress of her day, to the Derby peerage. Its living representative, the gifted and exemplary William Farren, more than recalls to the present generation the genius of his predecessors. Soon after her arrival in London, Miss Faucit joined Macready's company, and her 'Juliet' became a cla.s.sical performance. Probably the last occasion that this lady was seen on the London stage is her performance of 'Rosalind' in _As You Like It_ at Drury Lane during the sixties. As a proof that Lady Martin has exercised an abiding influence on her profession for good it is enough to mention the names of Mrs P. H. Lee, as 'Juliet,' of Mrs Boucicault, the graceful and accomplished wife of a popular husband, Miss Kate Terry (Mrs Arthur Lewis), peerless in romantic melodrama, under the lesseeship of Benjamin Webster at the Adelphi. Some bright particular star from the days of Sir Walter Scott downwards has never failed any generation of the Terry family; Henry Irving's inexhaustible co-adjutress has only ill.u.s.trated anew the ancestral tradition. Artists whether of the pen or pencil, practically experienced in all the publics of Europe, have been unanimous in testifying that there is none with whom conscientious toil and excellence are so sure ultimately to yield the reward of fame and profit as the public of England.

The theatre with us was firmly established as an honourable and lucrative inst.i.tution directly men of intellectual power and of competent education began to throw their energies into it as they might have done into the law, the legislature or any other of the liberal professions. Samuel Phelps was born some ten years later than Macready; he was trained in Macready's company; under him Sadler's Wells became once more the prosperous school of cla.s.sical drama. Some years junior to Phelps, Walter Montgomery laboured in the same line. Both of those men unconsciously were preparing the way for Henry Irving; they were each endowed with high gifts of mind as well as with shrewd common sense. Their detractors of course were not wanting. Neither Montgomery nor Phelps, on the score of public appreciation, had more reason to complain than Henry Irving himself. If, therefore, the reason is asked for the revived popularity of the play in all grades of English life, the answer must be not so much the exceptional brilliance of individual successes as the qualifications of industry not less than apt.i.tude which a succession of actors has brought to the vocation. Sir Henry Irving, as a stage artist may have his mannerisms or defects. Whatever career he might have embraced, he would have made his mark in it, because, besides being a great actor, he is a remarkably clever and far-seeing man. He is therefore in this way historically true to the best a.s.sociations of his art.

Public speakers at theatrical fund dinners are apt to cite as novel instances of the drama's popularity the proportion of young actors who have been educated at Eton or taken a degree at Oxford. So far from this being a novelty, it is rather, as the ill.u.s.trations mentioned above show, the reversion to an older order. Henry Irving's knighthood only implied the just recognition of qualities that in another walk of life would have earlier elicited for their possessor a like distinction from the State.

In accounting for the approximation as to popularity of a London to a Paris premiere which to-day so much impresses the foreign visitor, other circ.u.mstances must be remembered. During the last decade or two, especially since the collapse of the second French Empire, the English capital has been, to an entirely new extent, the pleasure ground of the world, and at all seasons of the year contains a large floating population of strangers, Anglo-American or European, as well as of British subjects visiting for a few days from other parts of the Kingdom, the capital on the Thames. These birds of pa.s.sage seldom possess a large social acquaintance in the capital; the men among them do not always belong to clubs; the ladies are too busy shopping to invite, or to make, calls; the theatre is thus for a constantly increasing proportion of those who sleep within the bills of mortality the easiest and the most attractive form of pleasure. Hence as might be expected, the far more amusing repertory of the Victorian theatre at the end of this century than at any previous epoch. With a Pinero, or a Grundy, to mention only two typical names; with pieces so diverting as _Charley's Aunt_, or _Bootles' Baby_, to mention only one or two representative plays, the Englishman whose chief pastime the play has become finds laughter moving relaxation as effectually, more economically, and to himself a great deal more intelligibly within the roar of his own Strand, than by travelling to a Paris boulevard. The integral part now occupied by the play in the life of the most respectable portion of the middle cla.s.s is shown by the s.p.a.cious theatres that have lately risen in such decorous suburbs of the metropolis as Brixton.

Its utility as an agency of mental improvement and moral teaching is suggested by the surprising success of the new religious drama that beginning perhaps with the _Judah_ of H. A. Jones, has reached its climax of well deserved success in _The Sign of the Cross_ of Wilson Barrett. The suburban theatres have not as yet provided a great field for original talent in the playwright; as might be expected, their patrons seem to prefer pieces that have already received the stamp of public approval.

While musical comedies indicate an increasingly popular compromise between Drury Lane and the _Alhambra_, the romantic drama has once more proved to be not less attractive than when three decades since _The Corsican Brothers_ first filled the Princess's with enthusiastic audiences. This perhaps at the present moment is the latest of all the successful revivals on the English stage. The plays respectively founded on novels, _The Prisoner of Zenda_, and _Under the Red Robe_, are not only above the average as to merit, but show that the popularity of the cup-and-saucer drama of Albery and Robertson is consistent with a vigorous affection for the melodrama which in Bulwer's _Lady of Lyons_, and in Boucicault's _Colleen Bawn_ once absorbed the enthusiasm of the pit.

CHAPTER XVII

THE STRANGER WITHIN OUR GATES AND OUR OWN TEEMING MILLIONS

Technical reasons rendering an exact comparison of foreigners settled in England at different dates impracticable. Approximate results yielded by the a.n.a.lysis of official figures, and their lessons. Danger of German compet.i.tion with English clerks exaggerated. Actual occupations followed by foreigners. Allegations concerning alien pauperism tested. Proportion of foreign to English pauperism in London. Percentage and nationalities of foreigners in great towns of England and their occupations. Theories about population, especially Malthus. The Malthusian doctrine examined by the light of English experience. Objections to it summarized. The truth and the details of English population since 1793. Views of Dr Price and others as to decrease refuted by Cobbett. Figures and facts of increase. How the non-pressure on means of subsistence can be explained. New industries.

In the preceding chapter it was mentioned that one of the elements in the increased popularity and prosperity of the theatre as an English inst.i.tution is the growing addition of foreigners to our native population. This will be a convenient place at which not only to a.n.a.lyse the composition of the foreign influx to our sh.o.r.es, but generally to examine the rate and the results of the increase of our population.

Official data for the numerical estimate of the strangers within our gates is not forthcoming with the certainty and completeness that might be desired. The reason given by the parliamentary report[47] is intelligible enough; and is to the following effect. The English census takes cognizance of birthplaces, not of nationalities. British subjects who have been born abroad are indeed asked to state the fact, but frequently fail to do so. When the return reaches the Registrar General, the confusion is frequently such as to render it doubtful whether the foreign birthplace implies a foreign nationality as well. This uncertainty was not removed, but was rather increased, when the Enumerating Officer exercised his ingenuity in deducing the national ident.i.ty from the surname. For instance few patronymics are more distinctively German than Muller. None is more likely to be written by an English clerk as the indubitably British Miller. The result has been at different times an understatement of residents in England who are foreigners both by nationality and birth, and an overstatement of the foreign-born British subjects. The operation of the principle adopted in the last census is exactly opposite to this; it tends to overrate foreign subjects domiciled in England and to underrate English subjects who were born beyond seas. The general consequence is that as the Report already mentioned reminds one, the foreign residents returns for 1891 are not minutely comparable with those for previous censuses. It will be enough to restrict ourselves on this point to the returns of the last three censuses 1871, 1881, 1891, a period of twenty years. Of persons being foreigners both by birth and nationality residing at these epochs in England and Wales, there were in 1871, 100,638; in 1881 there were 117,999; in 1891 there were 198,113. The process indicated by these figures seems to have been at varying rates going forward through a long series of years.

For the two decades between 1871 and 1891, the growth of foreigners among us was 98 per cent. It will, therefore, probably not be a serious miscalculation to estimate the total of strangers within our gates as having doubled itself during the more recent years of the Queen's reign.

This estimate derives fresh probability from the fact that between 1881 and 1891 the increase of foreigners domiciled in England outstripped by nearly six-fold the augmentation during the previous decade. The greater part of foreigners in England and Wales are with us for business purposes, or are sailors on board ships trading with England. As, therefore, might be expected, most of them are to be found in the great industrial centres, or at the large seaports. Thus, of a total of 198,113, 95,053, or nearly one-half were enumerated in London; 15,536 in the suburban counties of Surrey, Kent, Middles.e.x, Ess.e.x. Lancashire contained 25,109 with an overflow of 2,254 into the suburban parts of Cheshire. In Yorkshire there were 15,755; in the mining counties of Durham, Glamorganshire, Northumberland, though not engaged in mining but in shipping coals, there were 14,908. The foreign miners, it may be said, actually at work in England are very few. The town in which the total proportion of foreigners to the population has always been highest is of course London (the strictly metropolitan area); the London foreign population is 23 to 1,000. In the suburban districts of West Ham, Willesden and Tottenham the proportion is 10 to 1,000. In the provinces, next to London come Cardiff with 21 per 4,000, South Shields and Manchester each with 18 per 1,000, Leeds and Grimsby each with 16, Liverpool and Hull each with 14; Newport and Swansea each with 12; the other towns where a proportion of 10 per 1,000 is reached are Sunderland, Hastings and Brighton. Of the 198,000 odd foreigners now under consideration, 1,804 are Asiatics coming from China, Persia, Arabia or elsewhere; 1,062 are from Egypt or some other part of Africa; 26,226 are Americans; out of these 19,740 belong to the United States, the subjects of the Stripes and Stars enumerated as domiciled among us in 1881 were 17,767, an increase of 111 per cent, during the decade. The number of English living abroad is of course immeasurably greater than that of foreigners living in England. Thus in the case of the United States alone, in 1891 there were settled 1,008,220 English people; this was an increase of 352 per cent. over those enumerated in 1881.

The complaint that foreign compet.i.tion in England itself is crowding native industry out of the market recurs periodically; it renders of special importance to Englishmen the estimate of the European foreigners who have, during the period now under review, immigrated to our sh.o.r.es.

The total of those composing this category, men, women and children, has been 168,814; as for the reasons already explained one is cautioned to remember, this is an outside calculation owing to the inclusion in it of many who though British subjects, omitted to set this forth in their schedules. Of the 168,814 European foreigners, 101,255 were males. From this total may be deducted 7,421 as boys under 15, and 3,039 as men of upwards of 65; the sailors, in number 15,035 should not appear in the estimate. When all deductions under these headings of industrial ineffectives have been made there is left an aggregate of 75,760 effective compet.i.tors with native industry on English soil, whom during these decades their respective countries have equipped and sent forth against us.

With our own population of 37 millions steadily increasing, the numerical rivalry seems less alarming than might have been imagined. As a matter of fact that rivalry strictly speaking may be larger than the provisional estimate now given would show. It sometimes happens within the experience of local registrars that to avoid English jealousy and so to have a better chance of obtaining work, industrial aliens Anglicize their own patronymics, change them for purely English names, or give English towns and counties as their places of birth; for the most part these deceptions are detected by the enumerator. In St George's in the East, however, in Spitalfields, in Mile End Old Town and elsewhere some registrars seem to think the fraud often pa.s.ses undiscovered; but others, with equal experience, disavow any reason for the suspicion of such a practice within their areas.

As in the case of our Scotch and Irish colonies, so, too, with our settlers from the European continent the men largely outnumber the women.

Whereas in the general population there are 106 women to every 100 of men, and 35 per cent. of the people are under 15 years of age; among the European foreigners there are only 67 women to every 100 men; only 88 per cent. of the whole are under 15. In the case of Swedes, Norwegians, Danes, chiefly of course, sailors, there are four men to every woman, and sometimes as many as seven or eight. That in the case of Belgians, French and Swiss permanently settled in England, the men are outnumbered by the women is of course to be explained by the demands made for the former in the capacity of governesses, milliners, and serving maids. The figures relating to the s.e.x of the strangers within our gates, as might be expected, fluctuate. Especially notable is the difference between the statistics for 1881 and for 1891; in the former year children under 15 formed 64 per cent. of all foreigners; in 1891 the percentage had risen to more than 8.

The inference to be drawn from this statistical contrast suggests a new kind of immigration and probably implies that with a view to permanent settlement in England the foreigner was transporting his household G.o.ds bodily to our sh.o.r.es. Much has of late been heard about the crowding of pauper aliens into England. Some of the figures just examined may have involved cases of outdoor relief. Of this there is no evidence. But that a very serious addition was in this way made to the pauperism within English workhouses does not appear to be true. The exact figures and facts on this point may perhaps as well be given; of the 36,871 foreign Europeans living at the time of the last census in the East End of London, only 105 had seen the inside of an English union; out of the other (English) 668,243 inhabitants of these parts of the town 135 per 1,000 were pauper inmates; in other words, the proportion of foreign to native pauperism in those districts where foreigners chiefly congregate was less than one-fourth of the proportion of paupers in the remaining population. Of these foreigners inside English unions 51 were Germans; 16 were French; 14 were Russians or Poles; 5 were Swiss; of the remainder no more than 4 came from any single foreign State.

'Made in Germany' is a phrase round which there has centred lately much controversy, political, economical, social and personal. This will have prepared the reader to hear that on an a.n.a.lysis of the nationality of our foreign residents, Germany heads the list with 50,599; Poles and Russians come next with 45,074; then the French with 20,797; afterwards follow in the order indicated with numbers fluctuating between 10,000 and 5,000 Austrians or Hungarians, Dutch, Norwegians, Swiss; no other nationality contributed more than 5,000; the Russian and Polish names, which, after the Germans, const.i.tute the majority are so unmistakable as to render a comparison between their numbers in 1881 and in 1891 tolerably safe. This, for reasons already stated, is not so in the case of foreigners with less distinctive patronymics. In 1881 the Poles or Russians enumerated were 14,468; in 1891 they were 54,074; the increase in ten years had thus been some 212 per cent. Germans, in number 50,599, const.i.tute nearly one-third of our whole foreign population. Of that moiety, 1,981 are teachers; 1,198 musicians; 5,358 domestic servants in private families or inns; 659 are professional cooks. To pa.s.s to a higher social category, 1,207 Germans are established in business as brokers and merchants; 1,966 as clerks; 393 are commercial travellers; 2,833 are sea-faring men; 282 are jewellers or goldsmiths; 889 are watchmakers; 794 cabinetmakers; 1,309 are butchers; 2,340 are bakers; 276 are sugar refiners; only 592 are cla.s.sed as general labourers; 5,042 are occupied in ministering to the needs, luxuries, or vanities of the person from the making of coats to the dressing of hair, or the preparation of feathers for Court head dresses.

From these figures two facts of some interest emerge. The business clerks who are complained of as interfering so disastrously with the clerical labour market of Englishmen do not represent the largest contingent of Teutonic industry among us. Numerically the most serious compet.i.tion of German with English industry is in the case of domestic servants. German tailors are second in order of importance; the clerks come after, not only these, but other occupations. Next to Germany, Scandinavia, Belgium and Spain seem to supply the most numerous compet.i.tors with the industry of the British middle cla.s.ses.

The growth of the purely English population, not complicated by any foreign elements accompanied, as it has been, with a steady increase of national prosperity is enough to supply instructive material to the philosophical enquirer into the facts and figures of English progress during the Victorian epoch. Before looking into these by the light of the once accepted theory of population it will be as well clearly to state what these doctrines are, as well as to summarize the criticisms to which, on the face of them, they are open. The doctrine of Malthus was first put forward by him at the end of the last century. During the first years of the present, while the reverend philosopher was professor of history and political economy at Haileybury, few subjects excited so much interest or controversy among writers on political philosophy or comparative statistics. The doctrine, as it was originally propounded by its author, is that population tends to increase in geometrical ratio, that subsistence only increases in numerical ratio. It followed, therefore, that unless the population be periodically thinned by the external influences of pestilence or war, the poorest cla.s.ses chronically must be at starvation point, and that unless the multiplication of the race be checked by prudential restraints, within a given time the point will be reached at which the population on this planet is altogether in excess of the means for its support. On the threshold of the discussion which this proposition elicited, the obvious remark was that it a.s.serted not an actuality but a possibility. Hence, unless, instead of a tendency, a proved experience could be a.s.serted; unless, in other words, in the place of a tendency to increase existing, a historical increase could be established, the commentators on Malthus maintained that the danger which he foresaw was too remote to be reckoned with. The following is the line taken by the critics of the Malthusian theory. It was declared to rest upon a series of hypotheses which as a matter of fact were never fulfilled. Granted that if the progression foreseen by Malthus took place, the calamity apprehended must ensue; it was maintained, as a matter of fact, that the abundant safeguards existing in practice were ignored by the alarmist _doctrinaires_. Supposing each marriageable pair upon the earth to marry first, and to produce afterwards as many children as a normally healthy couple may expect, not only subsistence, but standing room in this world would fail them. Experience, however, shows the fulfilment of any such forecast to be a moral impossibility. In daily practice there are apart from difficulty of subsistence many checks which avail to keep increase of population within reasonable bounds.

Thus, statistics show that more than half the human beings born die from accidents or ailments before reaching marriageable age. Of those who actually reach that age, an uncertain, but considerable proportion fail to find mates; the men perhaps because they are over fastidious or selfish; the women possibly because they lack attractions of dower or person. With many more the course of true love runs crooked; the desired partner not being attainable, a solitary life is led. In other cases, the fear of not being able to maintain a conventional position acts as a deterrent. Then there is the considerable percentage of cases where legitimate opportunities of marriage are denied. Thus Colonial frontier men in solitary wilds have few opportunities of courtship or matrimony. Soldiers constantly changing their station; or sailors with a brevet wife in every port, are not usually marrying men, or the founders of numerous families.

Of those who marry, many have no children, some have only one; others have sickly children who die. On the a.s.sumption that everyone in the world married, each pair must have two children to keep up the population.

Hence the critics of the Malthusian theory have calculated that, striking out of their count those who cannot or will not marry, and those who, marrying, are childless; merely to maintain the population without increasing it, every married couple ought to produce a family of six.

Though according to the Malthusians themselves this sufficiently liberal allowance of progeny might be reached without any calamitous consequences, practical acquaintance with the contingencies of domestic life shows that this quantum will not often be reached. If in any part of the world there existed conditions favourable to marriage and to fecundity, it was in Australia, shortly after the earliest gold discoveries, but when many immense fortunes had been made in farming; here there was work for all, wages were high, living cheap, cultivable, but uncultivated land abounded; finally there were no catastrophic checks from earthquake, pestilence or famine to the multiplication of human beings; if, therefore, the Malthusian doctrine could anywhere be verified, surely it would be here.

Notwithstanding all these inducements to marriage and the propagation of the species, the actual rate of population increase was 2 per cent. a year.

Hence it may perhaps be inferred that this represents the normal rate.

That falls far short of the geometrical rate which the Malthusians would have us expect. The physiological truth, as expounded by experts in these matters would seem to be that in proportion as subsistence is more abundant and of a better kind, life more regular and artificial, fertility decreases. Scientific physicists point as proof of this statement to the fact that wild animals when domesticated or in good condition are less prolific than in their normally savage and poor state. So it is with women in the western wilds of Ireland, or in the Scotch Highlands. As their food and clothing are scarce and coa.r.s.e, their maternity increases. The inference from the facts now cited clearly is that whatever the terms of the Malthusian proposition may mean, their significance does not warrant the conclusions that ardent Malthusians have at all times drawn from them.

But it has been a.s.serted that famine and plague are the Divinely appointed checks to the growth of population; thus showing some external restraint upon the multiplication of the race to be necessary to prevent population outstripping subsistence. The most familiar proofs offered of such an a.s.sertion are the periodical famines in India, especially that in the province of Orissa, and the Irish famine from the potato failure in 1846.

On these proofs the following remarks suggest themselves. In the case of Orissa, numbers had nothing to do with the famine or consequent mortality; the people died because the heat of the sun untempered by rain literally scorched the food supply out of existence; if there had been only as many hundreds as there were millions, the same calamitous result, though on a numerically smaller scale, would have ensued; a province of Central India was decimated because the food did not exist. The famine therefore was real.

In the case of Ireland, no famine at the close of the first decade of the Queen's reign existed in the same sense that it had done in Orissa; the potato crop alone failed; corn, dairy produce, food products generally were plentiful; corn in fact was being exported from Ireland while the Irish themselves were perishing from starvation. The calamity therefore was less the stoppage of supplies by Providence as a check on population than a pecuniary failure. Nor was it a visitation as regards which man could plead exemption from responsibility. The potato rot did not come upon the Irish peasantry in a day or in a week. The disease had appeared in Eastern Europe so early as 1844 and 1843; it was scientifically certain that eventually it would reach Ireland. When, after due warning it attacked the plots of miserable soil reclaimed by peasant industry from hillside and bog, the destruction of the staple of native food wrought by it was gradual. Weeks and months were required to complete the process of rotting. Nothing was done. The people died not from the unkindness of nature, but from the neglect of man. Had the prudential restraints of the Malthusians limited the numbers to half the actual total, the agrarian policy which was responsible for the diet of potatoes instead of corn would have resulted in the same poverty and, therefore, in the same death.[48]

One is not here concerned with the abstract truth of the theory of population enounced by Malthus, but with its applicability to, or its instructiveness in the case of, the England of Queen Victoria. What then are the facts of population here to be dealt with? The multiplication of the inhabitants of this country is known never to have been so rapid as during the century which opens with the French Revolution in 1793, and which witnesses at its close the sixtieth anniversary of Her Majesty's accession. Earlier periods of augmentation may therefore be omitted. A hundred years ago, Dr Price, maintaining population actually to have decreased, spoke of its decline as a great danger. Cobbett and other more accurate observers, or less incautious generalizers, in opposition to Dr Price, established circ.u.mstantially the fact of an increase; but the possibility of a contrary view being taken is as suggestive as it now seems remarkable.

Mr Thorold Rogers has been guided by his study of prices to the conclusion that the standard of comfort in living began to rise among us from the Reformation of the sixteenth century progressively onwards; and that even during the eighteenth century the ma.s.ses were enjoying a golden age.

Between 1750 and 1800;--the period during which the factory system began to be known, and the problems of population and production were both closely discussed,--no fear of population getting ahead of subsistence suggested itself. Similarly during the Corn Law agitation 1840-6, the increase of production from English soil, notwithstanding the economico-agrarian law of diminishing return was proved to have outgrown the population. Later and more detailed statistics show that since 1831 population with us has increased 30 per cent., capital 100 per cent., purchasing power 600 per cent. During the last half century the average price of corn has been falling. Our demand for foreign corn has increased and is increasing. This evidence fortified by the income-tax returns, forbids the notion that during the last two centuries population in England has outstripped the means of its support. The conclusion is therefore irresistible that the natural tendencies to increase of inhabitants, whatever the occult possibilities may be, practically are counteracted by motives invisible and undefinable, perhaps, but not less potent. As a writer in _Macmillan's Magazine_[49] points out, population generally increases up to the relative limit set by the power of procuring subsistence at any given time and place. The absolute limit as is shrewdly remarked, could only be reached when the highest skill and organization have extracted the last possible morsel of food from the earth; that experience has not yet been reached. So far from population always getting ahead of subsistence, its increase is by no means invariably as rapid as the development of the food supply. Both between 1560 and 1760; again between 1830 and 1880, this seems to have been the case in England.

During many years, as each decennial census has appeared, timid sociologists may well have felt misgivings whether England could continue to support her ever multiplying millions. The fears of science have not been verified by the facts of experience; thus exactly a quarter of a century since the census return of 1871 seemed to leave no escape from the conclusion, that population had already all but overtaken the means of subsistence, or that unless our numbers were at once arrested, it must in a very short time do so. Since 1871 we have added 7 millions to our population, the equivalent, that is, of 1,200,000 families and the same number of working men. Instead of the pressure on subsistence being greater, or the average condition of our people being worse, the exact opposite has occurred. In comparison with the state of things two decades since, the ma.s.ses among us are to-day better housed, better clothed, better shod, better fed, better educated. There is, as in an earlier chapter was shown, a steady decrease of pauperism; the number of those who with their dependents of all kinds live on the result of their investments, is growing constantly. Whether it be due to the reduction in the cost of conveyance, to the opening up of fresh fields of supply, or to the appreciation of gold, the fall in prices of the chief articles of consumption, corn, sugar, tea, cotton, timber, is a visible and a great benefit to the country.

The fact that the increase between 1881 and 1891 fell short by about a quarter of a million of that which signalized the preceding ten years has been demonstrated by statistical experts of scientific authority not to indicate pressure on means of subsistence, but to be explicable by the stationariness of the population in many rural districts as well perhaps as by the disinclination, reflected from French and American precedent, of Englishwomen indefinitely to fulfil the functions of maternity.

During the period now spoken of, with the exception of mining, the great staple industries of the United Kingdom have none of them increased, while agriculture has decreased. It may, therefore, well seem problematical how the 1,200,000 fresh heads of families have found a livelihood for themselves and their belongings.

The explanation can only be that several new, as they are often nameless industries have during this time come into existence. Birmingham, the home of small industrial enterprises and in a less degree Sheffield, would of themselves explain the mystery. And here specific mention of a personal experience seems necessary. When the present writer by local observation was first acquiring material for such writing as that of which this book consists, he visited among other places Sheffield, under the obliging personal conduct of its then, and happily its present, Member, Mr A. J.

Mundella. Close to one of the largest factories in that capital of cutlery and furnaces is a small establishment owned by a single proprietor who from that source of income alone, has realized a considerable fortune.

This gentleman contracts for the purchase of all the refuse, the waste paper, the gilt or tin foil and other unconsidered trifles included which acc.u.mulate in the rubbish heaps of other premises. On their reaching his place of business, they are placed in a furnace; all the impurities are burnt out of them. There remains a nondescript residuum of charred and apparently worthless substances. Some of these, however, contain particles of gold dust; these are placed into a crucible; eventually there is often left a deposit of the precious metal which the jewellers are ready to buy.

The gold watch chain worn by the Sheffield industrialist now spoken of, was of several carats, and was manufactured entirely out of the yield of this refuse. The incident is worth mentioning as a concrete suggestion drawn from real life of the protean methods of industrial money-making that are constantly being discovered by the ingenious and unabashed industry which in Virgil's phrase, conquers all things.[50]