Six Girls Part 34

"Delightful, possibly; but a life of drudgery until one has worked to the top, and even then, there are hardships," Roger answered, noting how a look of sadness chased the gay smile from her lips when she spoke of the absent sister. Somehow, the place seemed replete with memories of Ernestine; the music which she had often played, the glitter of wealth and fashion that she always loved and longed for, the very atmosphere of gayety and excitement, such as she had always craved to draw breath in, seemed to recall her now, as Olive, caring so little for it, sat in its midst, and lost in memory. Roger regretted that any sadness should have obtruded itself, and was relieved to see, that when the curtain rose on the second act, that Olive soon became absorbed in the picturesque gypsy scene and lovely music. The robbery of Florestein was being committed with the usual success of brilliancy, and the gipsies were taking French leave, when the figure of a woman enters, drops her cloak, and--Roger sees no more. He hears a sudden painful gasp at his side, and turns to see Olive, whiter than her lilies, rising from her seat slowly, as if faint.

"Olive," he exclaimed, hastily drawing the curtain between them and the audience, but she put out her hand, and then sank back in her chair, too weak to stand, for the first time in her life:

"Ernestine!" she said, huskily. "It is Ernestine!"

In incredulous amaze, he looked back at the stage, just as the queen was leading Florestein off, and he sees a frail-looking figure heaped in gaudy toggery, that looks as though it would drag her down with its weight; and, above it, is a pale flower-like face, with great dark, weary-looking eyes, and a heavy coronet of yellow hair twisted with tinsel and gauze.

"How can I go to her?" Olive is saying with intense eagerness, and leaving her seat with a new strength. "Tell me quick, for I must go at once--tell me, quick."

"It will do no good," said Roger, laying a detaining hand on her arm.

"Listen to me a moment, Olive,"--as she threw it off in wild impatience.

"They would not admit us behind the scenes, and besides, do you not see how frail and weak she looks? The shock would unfit her for the rest of the performance and--"

"What do I care for that? She shall leave them at once. I will go to her. I'll go alone, if you will not go with me," cried Olive with glowing eyes and trembling lips, and moving towards the door.

"But she dare not leave, and they would not allow you to see her," said Roger earnestly. "Only wait until the performance is over, and we will be at the stage entrance to meet her as she comes out. It will be best so; believe me, and trust in my interest, that is doubly deep for your sake."

Olive hesitated, but reason conquered, and she came trembling back to her seat, saying in an excited whisper:

"I cannot look at her again; I shall certainly betray myself if I do.

Oh, how deathly she looks! I cannot bear it!"

Roger did not doubt her self-control, until the gypsy queen appeared from her tent to disturb the love-scene of Thaddeus and Arline; and then, as Olive started forward and leaned against the box-rail, with parted, colorless lips, he certainly thought the name hovering on them would escape. But it did not. She pressed her hands tightly together and looked down, with such glittering eyes that it is a wonder their intense gaze did not make itself felt, and draw an answering look from the pale, worn queen, who, it was very evident, was making every particle of her strength work, to carry her through her part. Roger noticed, with an excitement almost equal to Olive's, that as she advanced to unite the lovers' hands, that she cleared her throat huskily and grew even yet paler in the tent-lights, and that twice she opened her lips before any sound crossed them. The next moment Olive had sprung to her feet, as with the first words:--

"Hand to hand, and heart to heart--"

The voice ceased, a thin stream of blood crossed the queen's white lips and the curtain was rung down in a hurry, as she fell back into the gypsy's arms and was carried off.

"This way, give me your arm," said Roger, pausing to say nothing else as they left the box and made their way through the dim little hall to the stage door. It was locked, and the most imperative and repeated knocks, failed to bring any response; and pitying the trembling eagerness that made Olive cling to his arm, he turned back, making all possible haste through the auditorium. The greater part of the audience still kept their seats to hear what would follow, but several were leaving, so that their hurrying through was hardly noticed, though neither gave it a thought. Just as they turned into the alley-way, from which the stage entrance led, a hack was seen to drive hurriedly from the door, and Olive's trembling strength almost forsook her, as she gasped out--

"That is she--they are taking her away,--and we do not know where!"

But it only took a moment to find where, to call another hack, help Olive in, to shout: "To the Virginia!" and then to be rattled off, through the darkness, in frantic haste; as cabby realized, from the excited order, that greatest speed was wanted.

Olive spoke no word through that drive, but the moment the hack stopped before the hotel, she sprang from it, and rushed into the house, appealing eagerly to the first one met--

"Where is she--the lady they have just brought in?"

"The actress? Miss Clare? Third floor, but I don't know the number."

Olive turned to see Roger coming in with a tall, kindly faced man, who hurried up stairs, while Roger said to her:

"It is the doctor, we will follow him;" and together they went up, through the dim halls, and climbing the steep stairs, until they saw him enter a door, around which several curious persons stood, and then Roger paused, saying with decision:

"You risk her life if you go in now, when she is in such a condition; the shock might bring on another hemorrhage."

"I will wait," said Olive, beginning to feel the stern necessity of rigid self-control. "But cannot you go in, and ask the doctor how she is, and ask him how long before I can see her?"

"I will try, wait here;" and Olive waited, while he went to the door, and tapped. She saw that he was refused admittance; but that in a few moments the doctor came out, and talked with him, after which they walked down to where she stood.

"Dr. Pierce, Olive; and I have told him a few of the sad facts of the case," was Roger's hurried introduction and explanation.

"And can I see her?" asked Olive, with trembling eagerness.

"I think not, but I am sorry," was the kindly answer. "The hemorrhage was not very severe, but she is perfectly prostrated with overwork and excitement, so that I would dread the effect of any shock. Besides I have given her an opiate, from which she may not wake for hours, if it has the desired effect."

"But may I not see her when she gets to sleep?" pleaded Olive, tremulously. "I will be very quiet indeed."

"Yes, you may; I will call you," answered the doctor, and then some of the bystanders brought Olive a chair, and she dropped into it, and leaning her head against the door casing, waited, hardly noticing that through the hour that followed, Roger Congreve stood close by her side and studied the pale, anxious face, while pondering the revelation made to him that evening. He had almost decided that she had no heart, simply because it had not responded to his; but had she not?

"You may come now," whispered an attendant, opening the door; and with her heart bounding so that she could scarcely stand, Olive went in slowly, and holding her breath as she drew near the bed whereon lay the motionless figure. Oh, could it be Ernestine? She stood and looked, with eyes blinded by hot tears, and once ventured to touch one of the thin waxen-like hands lying on the coverlid. Did it seem possible?

Light-hearted, beautiful Ernestine Dering, and this white, shadowy, motionless being, one and the same? The face, as seen in the glare of lights, and under its gaudy trappings, was a picture of health, compared to what it was now, lying on the small, hard pillow, with the golden hair pushed straight back, and the face as pallid as marble, with sunken eyes, and pinched, white lips. Olive stood and looked for several moments, with the sobs swelling in her throat; then she knelt down beside the bed, and hid her face in the coverings, and no one disturbed her; but with Ernestine's first move she drew back, and out of sight across the room, which was needless, for the sleeper only turned her head, and then sank into that death-like stillness again.

"Has she been ill long?" asked Olive of the single woman who still remained in the room. "Do you know anything about her?"

"Oh, yes, miss. I am Madame T----, the prima donna's maid, and I helped dress Miss Clare to-night," answered the quiet-faced woman, who was nearly dead with curiosity, but stood in some awe of the tall, strange young lady. "She has not been strong any of the time since she's been with us; but yesterday, Miss Downs took sick, and Mr. Hurst, he's the manager, put Miss Clare in her place, and she's studied and sung every minute since, to be ready for to-night; and I thought when I dressed her, that she looked more like going into her coffin, than on the stage in all that toggery. She needs proper good care now, or she'll be like to die;--might you be a--friend, miss?"

"Yes; and I shall remove her from here as soon as she is able. What has she in the way of clothes, and where are they?"

"Laws! miss, not much, I guess, only that little trunk there," answered the woman, pointing to what might have been a good sized band-box, that stood in the corner, and which, in other days would hardly have held Ernestine's sashes, ribbons and trinkets, let alone the smallest corner of her wardrobe.

"I am going," said Roger, tiptoeing carefully to Olive's side. "It is past eleven, and the carriage will have come for us and gone back, and Uncle Ridley will be alarmed. I shall return immediately, and is there anything you want brought?"

"Yes," whispered Olive. "Pillows, eight or ten of them, wine, and my blue wrapper; Jean will be asleep; Bettine will get it for you;--that is all, I think;" and he went carefully away, to bear the startling news out to Congreve Hall; and Olive was left to her lonely vigil, for the troupe arrived presently from the theatre, and the maid was obliged to attend to Madame T----. Most of the performers had rooms on the third floor, and after a loiter down stairs, came up noisily, singing and chatting right by the sick-room, and Olive was horrified to hear that they stopped next door, from which place the merriment continued to flow forth unceasing. Did they not know that the sick girl lay next door, or at least that she was in the house? Olive stood it as long as she could, then sprang to her feet, and in a moment had tapped at the next door.

The sounds ceased for a moment, then some one threw it open, and the light flashed on her pale, indignant face and flashing eyes, with the wilted lilies at her throat, and the unmistakable air of a woman "born to command," in her erect head, and clear, indignant glance.

"Are you not aware,"--she had no time to couch her language in pleasing terms,--"Are you not aware that a lady lies at the point of death in the next room?"

The four men looked at the apparition in silent amaze for a moment, then one of them said, with an unmistakable hiccough and a silly smile:

"You don't say so! hic, come in, an' tell us all about it."

"Shut up, Bunce! can't you see it's a lady?" retorted he, who sheepishly held the door. "I'm--I'm sorry, mam," he continued, with a bow to Olive.

"I--we--forgot; I hope we've not disturbed her much; there shall be no more noise, I promise you."

Olive disappeared, and returned to Ernestine, her heart swelling with furious indignation. If she had not been there, would the maid have gone to Madame T----, and would the sick girl have been left alone in that death-like stupor? It seemed too heartlessly cruel to be true; Olive could not understand it.

Roger Congreve returned just before twelve, and found Olive sitting alone by the sleeper, and his wrath was fully equal to hers.

"But they all know you are with her," he said, "and there are all manner of curious conjectures floating round. Here are pillows, and wine, and I have brought Bettine back with me."

"Oh, I am so glad," said Olive, with a sigh of relief, "I have been pondering what I would do if she should wake up. What did Uncle Ridley say?"

"Say? Why, it was all I could do to keep him from coming here right away; and I left him trying to comfort Jean, who was nearly in a spasm of joy. She was awake and insisted on knowing why you did not come; otherwise I should not have told her to-night. Here, Bettine, bring one of those largest pillows."

Bettine came forward from where she stood near the door, bringing a large, soft pillow, very unlike the little hard one on which Ernestine's head rested; and as Olive carefully lifted the sleeper's head, they were exchanged, without disturbing the heavy stupefied slumber.