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"Anything interesting?" Michael persisted.
"Oh, no, it's only about marches and not being able to wash properly."
"I thought it might be interesting," Michael speculated.
"No, dear. It wouldn't interest you," said Mrs. Fane in her tone of gentle discouragement.
"I don't want to be inquisitive," said Michael resentfully.
"No, dear, I'm sure you don't," his mother softly agreed.
The holidays ran their pastoral course of sun and rain, of clouds and winds, until the last week arrived with September in her most majestic mood of flawless halcyon. These were days that more than any hitherto enhanced for Michael the reverence he felt for the household of Cobble Place. These were days when Mrs. Carthew stepped wisely along her flowery enclosure, pondering the plums and peaches on the warm walls that in a transcendency of mellow sunlight almost took on the texture of living sunburnt flesh. These were days when Joan and May Carthew went down the village street with great bunches of Michaelmas daisies, of phloxes and j.a.panese anemones, or sat beneath the mulberry tree, sewing in the bee-drowsed air.
At the foot of the hill beyond the stream was a straggling wind-frayed apple-orchard, fresh pasturage for lambs in spring, and now in September a jolly haunt for the young son of Mrs. Ross. Here one afternoon, when Alan was away at Basingstead Major playing the last cricket match of the year, Michael plunged down in the gra.s.s beside her.
They sat for a while in silence, and Mrs. Ross seemed to Michael to be waiting for him to speak first, as if by her own att.i.tude of mute expectation she could lure him on to express himself more openly than by direct question and shy answer. He felt the air pregnant with confidences, and kept urging himself on to begin the statement and revelation of his character, sure that whatever he desired to ask must be asked now while he was perhaps for the last time liable to this grave woman's influence, conscious of the security of goodness, envious of the maternity of peace. This grey-eyed woman seemed to sit above him like a proud eagle, careless of homage, never to be caught, never to be tamed, a figure for worship and inspiration. Michael wondered why all the women who awed him had grey eyes. Blue eyes fired his senses, striking sparks and kindling answering flames from his own blue eyes. Brown eyes left him indifferent. But grey eyes absorbed his very being, whether they were l.u.s.trous and violet-shaded like his mother's and Stella's, or whether, like Mrs. Ross's, they were soft as grey sea-water that in a moment could change to the iron-bound rocks they were so near.
Still Michael did not speak, but watched Mrs. Ross solemnly hand back to the rosy child sitting beside her in the gra.s.s the fallen apples that he would always fling from him exuberantly, panting the while at laughter's highest pitch.
"I wonder if I ever laughed like that," said Michael.
"You were a very serious little boy, when I first knew you," Mrs. Ross told him.
"I must have been rather depressing," Michael sighed.
"No, indeed you were not, dear Michael," she answered. "You had much too much personality."
"Have I now?" Michael asked sharply.
"Yes, of course you have."
"Well, what gives it to me?"
"Surely personality is something that is born with one. Personality can't be made," said Mrs. Ross.
"You don't think experience has got anything to do with it?" Michael pressed.
"I think experience makes the setting, and according to the experience the personality is perfected or debased, but nothing can destroy personality, not even death," she murmured, far away for a moment from this orchard.
"Which would you say had the stronger personality--Alan or I?" asked Michael.
"I should say you had," said Mrs. Ross. "Or at any rate you have a personality that will affect a larger number of people, either favourably or unfavourably."
"But Alan influences me more than I influence him," Michael argued.
"That may be," Mrs. Ross admitted. "Though I think your influence over Alan is very strong in this way. I think Alan is always very eager to see you at your best, and probably as your friendship goes on he will be more solicitous for you than for himself. I should say that he would be likely to sink himself in you. I wonder if you realize what a pa.s.sionately loyal soul he is."
Michael flushed with pleasure at this appreciation of his friend, and his ambition went flying over to Basingstead Major to inspire Alan to bat his best. Then he burst forth in praise of him; he spoke of his changelessness, his freedom from moods, his candour and toleration and modesty.
"But the terrible thing is," said Michael suddenly, "that I always feel that without noticing it I shall one day leave Alan behind."
"But when you turn back, you'll find him just the same, don't forget; and you may be glad that he did not come with you. You may be glad that from his slowness you can find an indication of the road that I'm sure you yourself will one day try to take. Alan will travel by it all his life. You'll travel by it ultimately. Alan will never really appreciate its beauty. You will. That will be your recompense for what you suffer before you find it."
Mrs. Ross, as if to conceal emotion, turned quickly to romp with her son. Then she looked at Michael:
"And haven't you already once or twice left Alan behind?"
Suddenly to Michael her grey eyes seemed accusing.
"Yes, I suppose I have," he granted. "But isn't that the reason why my personality affects more people than his? You said just now that experience was only the setting, but I'm sure in my case it's more than a mere setting."
And even as he spoke all his experience seemed to cloud his brow, knitting and lining it with perplexed wrinkles.
"Mrs. Ross, you won't think me very rude if I say you always remind me of Pallas Athene? You always have, you know. At first it was just a vague outward resemblance, because you're tall and sort of cool-looking, and I really think your nose is rather Greek, if you don't mind my saying so."
"Oh, Michael," Mrs. Ross smiled. "I think you're even more unalterable than Alan. I seem to see you as a little boy again, when you talk like that."
Michael, however, was too keen on the scent of his comparison to be put off by smiles, and he went on eagerly:
"Now I realize that you actually are like Athene. You're one of those people who seem to have sprung into the world fully armed. I can't imagine that you were ever young."
Mrs. Ross laughed outright at this.
"Wait a minute," cried Michael. "Or ever old for that matter. And you know all about me. No, you needn't shake your head like that. Because you do."
Young Kenneth was so much roused by Michael's triumphant a.s.severations that he began to shout and kick in delighted tune and fling the apples from him with a vigour that he had never yet reached.
"You know," Michael continued breathlessly, while the boy on the gra.s.s gurgled his endors.e.m.e.nt of every word. "You know that I'm old for my age, that I've already done things that other chaps at school only whisper about."
He stopped suddenly, for the grey eyes had become like rocks, and though the baby still panted ecstatically, there fell a chill.
"I'm very sorry to hear it," said Mrs. Ross.
"Well, why did you lead me on to confide in you?" said Michael sullenly.
"I thought you would sympathize."
"Michael, I apologize," she said, melting. "I didn't mean to hurt your feelings. I dare say--ah, Michael, you see how easily all my shining armour falls to pieces."
"Another broken bottle," Michael muttered.
He got up abruptly and, though there were tears in his eyes, she could not win him back.
"Dear old boy, do tell me. Don't make the mistake of going back into yourself, because I failed you for a moment."
Mrs. Ross held out her hand, but Michael walked away.
"You don't understand," he turned to say. "You couldn't understand. And I don't want you to be able to understand. You mustn't think I'm sulking, or being rude, and really I'd rather you didn't understand.
That boy of yours won't ever want you to understand. I don't think he'll ever do anything that isn't perfectly comprehensible."