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Sinister Street Volume I Part 37

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"No, I wish they were. They might be licked into better shape, if they were," retorted the priest.

"I think you're awfully down on Wilmot just because I didn't meet him in some churchy set. If it comes to that, I met some much bigger rotters than him at Clere."

"My dear Michael," argued Father Viner, "the last place I should have been surprized to see Master Wilmot would be in a churchy set. Don't forget that if religion is a saving grace, religiosity is a const.i.tutional weakness. Can't you understand that a priest like myself who has taken the average course, public-school, 'varsity, and theological college, meets a thundering lot of Wilmots by the way? My dear fellow, many of my best friends, many of the priests you've met in my rooms, were once upon a time every bit as decadent as the lilified Wilmot. They took it like scarlet fever or chicken-pox, and feel all the more secure now for having had it. Decadence, as our friend knows it, is only a new-fangled name for green-sickness. It's a healthy enough mental condition for the young, but it's confoundedly dangerous for the grown-up. The first pretty girl that looks his way cures it in a boy, if he's a normal decent boy. I shouldn't offer any objection to your behaviour, if you were being decadent with Mark Chator or Martindale or Rigg. Good heavens, the senior curate at the best East-end Mission, when he was at Oxford, used to walk down the High leading a lobster on a silver chain, and even that wasn't original, for he stole the poor little fantastic idea from some precious French poet. But that senior curate is a very fine fellow to-day. No, no, this fellow Wilmot and all his set are very bad company for you, and I do not like your being decadent with these half-baked fancy-cakes."

Michael, however, would not admit that Mr. Viner was right, and frequented the dangerous peac.o.c.k-blue room in Edwardes Square more than ever. He took Chator there amongst others, and was immensely gratified to be solemnly warned at the end of the visit that he was playing with h.e.l.l-fire. This seemed to him an interesting and original pastime, and he hinted to solemn, simple, spluttering old Chator of more truly Satanic mysteries.

After Christmas Michael had his way and was moved into the History Sixth, mainly owing to the intervention of the Member for West Kensington. The History Sixth was presided over by Mr. Kirkham, whose nominal aim in life was the amelioration of Jacobean athletics. From the fact that he wore an M.C.C. ribbon round his straw hat, and an Oxford University Authentic tie, it is probable that the legend of his former skill at cricket was justified. In reality he was much more interested in Liberalism than anything else, and persistently read Blue Books, under-lining the dramatic moments of Royal Commissions and chewing his moustache through pages of dialogue hostile to his opinions. A rumour sped round the school that he had been invited to stand for Parliament, a rumour which Michael, on the strength of dining with the Member for West Kensington, flatly contradicted.



The History Sixth cla.s.s-room was a pleasant place, the only cla.s.s-room in the school that ever saw the sun. Its windows looked out on the great green expanse of the school ground, where during the deserted hours of work the solitary roller moved sedately and ancient women weeded the pitches.

There were only seven boys in the History Sixth. There was Strang, the Captain of the Eleven, who lounged through the dull Lent term and seemed, as he spread his bulk over the small desk, like a half-finished statue to which still adhered a fragment of uncarved stone. There was Terry, the Vice-Captain of the Fifteen and most dapper half-back that ever cursed forwards. He spent his time trying to persuade Strang to take an interest in Noughts and Crosses. There was beak-nosed Thomson who had gained an Exhibition at Selwyn College, Cambridge, and dark-eyed Mallock, whose father wrote columnar letters to The Times. Burnaby, who shocked Michael very much by prophesying that a certain H. G. Wells, now writing about Martian invasions, was the coming man, and Railton, a weedy and disconsolate recluse, made up with Michael himself the cla.s.s-list.

There was an atmosphere of rest about the History Sixth, a leisured dignity that contrasted very delightfully with the spectacled industry of the Upper Fifth. To begin with, Mr, Kirkham was always ten minutes after every other master in entering his cla.s.s-room. This habit allowed the members of his form to stroll gracefully along the corridors and watch one by one the cavernous doors of other cla.s.s-rooms absorb their victims. Michael would often go out of his way to pa.s.s Mr. Cray's room, in order to see with a luxurious sense of relief the intellectual convicts of the Upper Fifth hurrying to their prison. Many other conventions of school-life were slackened in the History Sixth. A slight eccentricity of attire was not considered unbecoming in what was, at any rate in its own opinion, a faintly literary society. The room was always open between morning and afternoon school, and it was not an uncommon sight to see members of the form reading novels in tip-tilted chairs.

Most of the home work was set a week in advance, which did away with the unpleasant necessity of speculating on the 'construe' or hurriedly cribbing with a hastily peppered variety of mistakes the composition of one's neighbour. Much of the work was simple reading, and as for the essays, by a legal fiction they were always written during the three hours devoted to Mathematics. Tradition forbade any member of the History Sixth to take Mathematics seriously, and Mr. Gaskell, the overworked Mathematical master, was not inclined to break this tradition. He used to write out a problem or two on the blackboard for the sake of appearances, and then settle down to the correction of his more serious pupils' work, while the History Sixth devoted themselves to their more serious work. One of the great social earthquakes that occasionally devastate all precedent occurred when Mr. Gaskell was away with influenza, and his subst.i.tute, an earnest young novice, tried to make Strang and Terry do a Quadratic Equation.

"But, sir, we never do Mathematics."

"Well, what are you here for?" asked the novice. "What am _I_ here for?"

"We don't know," replied the History Sixth in unison; and the vendetta that followed the complaint of their behaviour to Mr. Kirkham made the novice's mastership a burden to him during Mr. Gaskell's illness.

Enraged conservatism called for reprisals, until Mr. Kirkham pointed out with a felicity acquired from long perusal of Parliamentary humour, "You are Jacobeans, not Jacobins," and with this mild joke quenched the feud.

The effect of his transference to the History Sixth made Michael more decadent than ever, for the atmosphere of his new cla.s.s encouraged him along the orchidaceous path pointed out by Arthur Wilmot. He was not now decadent from any feeling of opposition to established things, but he was decadent from conviction of the inherent rightness of such a state.

At first the phase had manifested itself in outward signs, a little absurdly; now his actual point of view was veering into accord with the externals.

Sunday was a day at Edwardes Square from which Michael returned almost phosph.o.r.escent with decay. Sunday was the day on which Mr. Wilmot gathered from all over London specimens of corruption that fascinated Michael with their exotic and elaborate behaviour. Nothing seemed worth while in such an a.s.sembly except a novel affectation. Everything was a pose. It was a pose to be effeminate in speech and gesture; it was a pose to drink absinthe; it was a pose to worship the devil; it was a pose to buy attenuated volumes of verse at an unnatural price, for the sake of owning a sonnet that was left out in the ordinary edition; it was a pose to admire pictures that to Michael at first were more like wall-papers than pictures; it was really a pose to live at all.

Conversation at these delicate entertainments was like the conversations overheard in the anterooms of private asylums. Everyone was very willowy in his movements, whether he were smoking or drinking or looking for a box of matches. Michael attempted to be willowy at school once, but gave it up on being asked if he had fleas.

One of the main charms at first of these Sunday afternoon gatherings was the way in which, one after another, every one of the guests would take Michael aside and explain how different he (the guest) was from all the rest of humanity. Michael was flattered, and used to become very intense and look very soul-searching, and interject sympathetic exclamations until he discovered that the confidant usually proceeded to another corner of the room to entrust someone else with his innermost heart. He became cynical after a while, especially when he found that the princ.i.p.al points of difference from the rest of the world were identical in every one of the numerous guests who sought his counsel and his sympathy.

However, he never became cynical enough to distrust the whole school of thought and admit that Father Viner's contempt was justifiable. If ever he had any doubts, he was consoled by a.s.suring himself that at any rate these new friends were very artistic, and how important it was to be artistic no one could realize who was not at school.

Under the pressure of his insistent temperament, Michael found his collection of statuettes and ecclesiastical bric-a-brac very depressing.

As a youth of the Florentine Renaissance he could not congratulate himself upon his room, which was much too much unlike either a Carpaccio interior or an Aubrey Beardsley bedroom. Between these two his ambition wavered.

One by one the statuettes were moved to the top of a wardrobe where for a while they huddled, a dusty and devoted crowd, until one by one they met martyrdom at the hands of the housemaid. In their place appeared Della Robbia reliefs and terra-cotta statuettes of this or that famous Greek youth. The muscular and tearful pictures of Guido Reni, the bland insipidities of Bouguereau soon followed the statuettes, meeting a comparable martyrdom by being hung in the servants' bedroom. The walls of Michael's room were papered with a brown paper, which was intended to be very artistic, but was really merely sad. It was lightened, however, by various daring pictures in black and red that after only a very short regard really did take shape as scenes of Montmartre. There were landscapes of the Suss.e.x downs, with a slight atmosphere of j.a.pan and landscapes of j.a.pan that were not at all like j.a.pan, but none the less beautiful for that. The books of devotion were banished to the company of superannuated Latin and Greek textbooks on the lower shelf of a cupboard in the morning-room, whose upper shelf was stacked with tinned fruits. Incense was still burnt, not as once to induce prayers to ascend, but to stupefy Michael with scent and warmth into an imitation of a drug-taker's listless paradise. This condition was accentuated by erecting over the head of his bed a canopy of faded green satin, which gave him acute aesthetic pleasure, until one night it collapsed upon him in the middle of the night. Every piece of upholstery in the room was covered with art linens that with the marching years had ousted the art muslins of Michael's childhood. He also covered with squares of the same material the gas brackets, pushing them back against the wall and relying for light upon candles only. Notwithstanding Wilmot's talk about literature, the influence of Wilmot's friends was too strong, and Michael could not resist the deckle-edges of negligible poets. As these were expensive, Michael's library lacked scope, and he himself, reflecting his pastime, came to believe in the bitterness and sweetness and bitter-sweetness of the plaintive sinners who printed so elegantly on such permanent paper the versification of their irregularity.

Irregularity was now being subjected to Michael's process of idealistic alchemy, and since his conception of irregularity was essentially romantic, and since he shrank from sentiment, he was able to save himself, when presently all this decoration fell to pieces, and revealed naked unpleasantness. Nothing in his present phase had yet moved him so actually as his brief encounter with Brother Aloysius. That glimpse of a fearful and vital underworld had been to him romantic without trappings; it was a glimpse into an underworld to which one day he might descend, since it asked no sighing for the vanished joys of the past, for the rose-gardens of Rome. He began to play with the idea of departing suddenly from his present life and entering the spectral reality of the Seven Sisters Road, treading whatever raffish raddled pavement knew the hollow steps of a city's prowlers. Going home on Sunday nights from the perfumed house in Edwardes Square and pa.s.sing quickly and apprehensively figures that materialized in a circle of lamplight, he would contrast their existence with what remained in his senses of stale cigarette-smoke and self-conscious airs and att.i.tudes. Yet the very picture he conjured of the possibility that haunted him made him the more anxious to subst.i.tute for the stark descent to h.e.l.l the Sicilian or Satanic affectations of the luxurious mimes who postured against a background of art. Much of the talk at Edwardes Square concerned itself with the pastoral side of school-life, and Michael found himself being cross-questioned by elderly faun-like men who had a conception of an English public-school that was more Oriental than correct. Michael vainly tried to dispel these illusions, which made him resentful and for the moment crudely normal. He felt towards them much as he felt towards Garrod's attempt to cure his ignorance at Clere. These were excellent fellows from whom to accept a cigarette or sometimes even an invitation to lunch at a Soho restaurant, but when they presumed upon his condescension and dared to include in their tainted outlook himself as a personal factor, Michael shrivelled with a virginal disdain.

Unreasonably to the others, Michael did not object very much to Wilmot's oracular addresses on the delights of youth. He felt that so much of Wilmot was in the mere word, and he admired so frankly his embroideries of any subject, and above all he liked Wilmot so much personally, that he listened to him, and was even so far influenced by him as to try to read into the commonplace of a summer term all that Wilmot would suggest.

"O fortunate shepherd, to whom will you pipe to-morrow, or what slim and agile companion will you crown for his prowess? O lucky youth, able to drowse in the tempered sunlight that the elm-trees give, while your friend splendidly cool in his white flannels bats and bowls for your delight!"

"But I haven't got any particular friend that I can watch," objected Michael.

"One day you will terribly regret the privileges of your pastoral life."

"Do you really think I am not getting all I can out of school?" demanded Michael.

"I'm sure you're not," said Wilmot.

Michael began to trouble himself over Wilmot's warning, and also he began to look back with sentimental regret to what had really been his happiest time, his friendship with Alan. Pride kept him from approaching Alan with nothing to offer for nearly two years' indifference. There had been no quarrel. They had merely gradually drifted apart, yet it was with a deep pang of remorse that one day he realized in pa.s.sing the dusty Upper Fifth that Alan was now wrestling with that imprisonment.

Michael racked his brains to think of some way by which he and Alan might come together in their old amity, their perfect fellowship. He sought some way that would make it natural and inevitable, but no way presented itself. He could, so deep was his sudden regret, have stifled his own pride and deliberately invited Alan to be friends; he would even have risked a repulse; but with the renewal of his longing for the friendship came a renewal of the old sympathy and utter comprehension of Alan's most secret moods, and Michael realized that his old friend would be too shy to accept this strange, inexplicable revival, unless it were renewed, as it was begun, by careless, artless intercourse.

The immediate result of this looking back to an earlier period was to arouse in Michael an interest in boys younger than himself, and through his idealism to endow them with a conscious joy of life which he fell to envying. He had a desire to warn them of the enchantment under whose benign and dulcet influence they lived, to warn them that soon the lovely spell would be broken, and bid them make the most of their stripling time. Continually he was seeing boys in the lower forms whose friendship blooming like two flowers on a spray shed a fragrance so poignant that tears came springing to his eyes. He began to imagine himself very old, to feel that by some unkind gift of temperament he had nothing left to live for. It chanced that summer term the History Sixth learned for repet.i.tion the Odes of Keats, and in the Ode on a Grecian Urn Michael found the expression of his mood:

_Fair youth, beneath the trees, thou canst not leave_ _Thy song, nor ever can those trees be bare;_ _Bold Lover, never, never canst thou kiss,_ _Though winning near the goal--yet, do not grieve;_ _She cannot fade, though thou hast not thy bliss,_ _For ever wilt thou love, and she be fair!_

These lines were learnt in June, and for Michael they enshrined immortally his yearning. Never had the fugitive summer glided so fast, since never before had he sat in contemplation of its flight. Until this moment he had been one with the season's joy like a bird or a sunbeam, but now for the first time he had the opportunity of regarding the empty field during the hours of school, and of populating it with the merry ghosts of the year with Caryll. All through schooltime the mowing-machine hummed its low harmony of perishable minutes and wasted sunlight. The green field was scattered with the wickets of games in progress that stood luminously in golden trios, so brightly did the sunny weather enhance their wood. The scoring-board of the princ.i.p.al match stared like a stopped clock with the record of the last breathless run, and as if to mock the stillness from a distant corner came a sound of batting, where at the nets the two professionals practised idly. A bluebottle buzzed upon the window-pane; pigeons flapped from pinnacle to pinnacle of the chapel; sparrows cheeped on a persistent note; pens scratched paper; Mr. Kirkham turned a Blue Book's page at regular intervals.

_Ah, happy, happy boughs! that cannot shed_ _Your leaves, nor ever bid the Spring adieu;_ _And, happy melodist, unwearied_ _For ever piping songs for ever new._

Thus for him would the tranced scene for ever survive.

The History Sixth were for the purposes of cricket linked to the Cla.s.sical Lower Sixth, but Michael did not play that term. Instead, a strayed reveller, he would move from game to game of the Junior School, hearing the shrill encouragement and pondering the rose-red agility of a Cla.s.sical lower form, in triumph over minor Moderns. Michael was continually trying to perceive successors to himself and Alan, and he would often enter into shy colloquy with the juniors, who were awed by his solemn smile, and shuffled uneasily from leg to leg.

Two boys whom Michael finally determined should stand as types of Alan and him gradually emerged from the white throng of Lower School cricket.

One of them was indeed very like Alan, and had the same freckled smile.

With this pair Michael became intimate, as one becomes intimate with two puppies. He would pet and scold them, encourage them to be successful in their sport, and rebuke them for failure. They perhaps found him entertaining, and were certainly proud to be seen in conversation with him, for though Michael himself was not an athletic hero, he was the companion of heroes, and round him clung the shining mirage of their immortality.

Then one day, unknown to Michael, these two boys became involved in a scandal; the inquisition of a great public school pinned them down desperately struggling, miserably afraid; the rumour of their expulsion went callously round the gossiping ranks of their fellows. Michael was informed of their disgrace by dark-eyed Mallock whose father wrote columnar letters to The Times. Michael said bitter things to the complacent Mallock and offered with serious want of dignity for a member of the leisurely and cultivated History Sixth, to punch Mallock's d.a.m.ned head.

Mallock said sneeringly that he supposed Michael sympathized with the little beasts. Michael replied that he merely sympathized with them because he was profoundly sure that it was a pack of lies.

"You'd better go and tell the Old Man that, because they say he's going to expel them to-day."

Michael turned pale with fury.

"I d.a.m.ned well will go, and when I come back I'll ram you upside down in the Tuck Shop b.u.t.ter-tub."

Mallock flushed under the ignominy of this threat, and muttered his conviction that Michael was talking through his hat. Just then Mr.

Kirkham entered the cla.s.s-room, and Michael immediately went up to him and asked if he might go and speak to the Headmaster.

Mr. Kirkham stared with amazement, and his voice, which always seemed to hesitate whether it should come out through his mouth or his nose, on this occasion never came out at all, but stayed in the roof of Mr.

Kirkham's mouth.

"Can I, sir?" Michael repeated.

"I suppose you can," said Mr. Kirkham.

The cla.s.s followed Michael's exit with wide eyes; even the phlegmatic Strang was so deeply moved that he sat upright in his chair and tapped his head to indicate midsummer madness.

Outside in the echoing corridor, where the plaster casts looked coldly down, Michael wrestled with his leaping heart, forcing it into tranquillity so that he could grapple with the situation he had created for himself. By the Laoc.o.o.n he paused. Immediately beyond was the sombre doorway of the Head's room. As he paused on the threshold two ridiculous thoughts came to him--that Lessing's Laoc.o.o.n was one of the set books for the English Literature prize, and that he would rather be struggling in the coils of that huge stone snake than standing thus invertebrate before this portentous door.

Then Michael tapped. There was no answer but a dull buzz of voices.

Again Michael tapped and, beating down his heart, turned the handle that seemed as he held it to swell to pumpkin size in his grasp. Slowly he pushed the door before him, expecting to hear a bellowed summons to appear, and wondering whether he could escape unknown to his cla.s.s-room if his nerve failed him even now. Then he heard the sound of tears, and indignation drove him onwards, drove him so urgently that actually he slammed the great door behind him, and made the intent company aware of his presence.

"What do _you_ want?" shouted Dr. Brownjohn. "Can't you see I'm busy?"

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Sinister Street Volume I Part 37 summary

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