Sinister Street Volume Ii Part 71

It was dismaying for Michael to think that he had not kissed Lily yet, and he wished that Sylvia would hurry ahead into the other room and give him an opportunity. He wanted to pull her gently from that chair, up from that chair into his arms. But Sylvia was the one who did so, and she kissed Lily half fiercely, leaving Michael disconsolately to follow them across the pa.s.sage.

It was jolly to see Mrs. Gainsborough sitting at the head of the table with the orange-shaded lamp throwing warm rays upon her countenance.

That it was near the chilly hour of one, with a cold thick fog outside, was inconceivable when he looked at that cheery great porpoise of a woman uns.c.r.e.w.i.n.g bottles of India Pale Ale.

Michael did not want the questions about him and Lily to begin again. So he turned the conversation upon a more remote past.

"Oh, my eye, my eye!" laughed Sylvia. "To think that Aunt Enormous was once in the ballet at the Opera."

"How dare you laugh at me? Whoof!" Mrs. Gainsborough gave a sort of m.u.f.fled bark as her arm pounced out to grab Sylvia. The two of them frisked with each other absurdly, while Lily sat with wide-open blue eyes, so graceful even in that stiff chair close up to the table, that Michael was in an ecstasy of admiration, and marveled gratefully at the New Year's Day which could so change his fortune.

"Were you in the ballet?" he asked.

"Certainly I was, though this great teazing thing beside me would like to make out that when I was eighteen I looked just as I do now."

"Show the kind gentleman your picture," said Sylvia. "She wears it round her neck in a locket, the vain old mountebank."

Mrs. Gainsborough opened a gold locket, and Michael looked at a rosy young woman in a pork-pie hat.

"That's myself," said Mrs. Gainsborough sentimentally. "Well, and I always loved being young better than anything or anybody, so why shouldn't I wear next my own heart myself as I used to be?"

"But show him the others," Sylvia demanded.

Mrs. Gainsborough fetched from a desk two daguerreotypes in stained morocco cases lined with faded piece velvet. By tilting their surfaces against the light could be seen the shadow of a portrait's wraith: a girl appearing in pantalettes and tartan frock; a ballerina glimmering, with points of faint celeste for eyes, and for cheeks the evanescence of a ghostly bloom.

"Oh, look at her," cried Sylvia. "In her beautiful pantalettes!"

"Hold your tongue, you!"

They started again with their sparring and mock encounters, which lasted on and off until supper was over. Then they all went back to the other room and sat round the fire.

"Tell us about the General," said Sylvia.

"Go on, as if you hadn't heard a score of times all I've got to tell about the General--though you know I hate him to be called that. He'll always be the Captain to me."

Soon afterward, notwithstanding her first refusal, Mrs. Gainsborough embarked upon tales of gay days in the 'sixties and 'seventies. It was astonishing to think that this room in which they were sitting could scarcely have changed since then.

"The dear Captain! He bought this house for me in eighteen-sixty-nine before I was twenty, and I've lived in it ever since. Ah, dear! many's the summer daybreak we've walked back here after dancing all night at Cremorne. Such lovely lights and fireworks. Earl's Court is nothing to Cremorne. Fancy their pulling it down as they did. But perhaps it's as well it went, as all the old faces have gone. It would have given me the dismals to be going there now without my Captain."

She went on with old tales of London, tales that had in them the very smoke and grime of the city.

"Who knows what's going to happen when the clock strikes twelve?" she said, shaking her head. "So enjoy yourselves while you can. That's my motto. And if there's a hereafter, which good G.o.d forbid, I should be very aggravated to find myself waltzing around as fat and funny as I am now."

The old pagan, who had mellowed slowly with her house for company, seemed to sit here hugging the old friend; and as she told her tales it was difficult not to think she was playing hostess to the spirits of her youths to ghostly Dundrearies and spectral belles with oval faces.

Michael could have listened all night to her reminiscences of dead singers and dead dancers, of gay women become dust and of rakes reformed, of beauties that were now hags, and of handsome young subalterns grown parched and liverish. Sylvia egged her on from story to story, and Lily lay languidly back in her chair. It must be after two o'clock, and Michael rose to go.

"We'll have one song," cried Sylvia, and she pulled Mrs. Gainsborough to the piano. The top of the instrument was hidden by stacked-up alb.u.ms, and the front of it was of fretted walnut-wood across a pleating of claret-colored silk.

Mrs. Gainsborough, pounding with her fat fingers the keys that seemed in comparison so frail and old, sang in a wheezy pipe of a voice: _The Captain with his Whiskers took a Sly Glance at Me._

"But you only get me to do it, so as you can have a good laugh at me behind my back," she declared, swinging round upon the stool to face Sylvia when she had finished.

"Nothing of the sort, you fat old darling. We do it because we like it."

"Bless your heart, my dearie." She laid a hand on Sylvia's for an instant. Michael thanked Mrs. Gainsborough for the entertainment, and asked Sylvia if she thought he might come round to-morrow and take Lily and her out to lunch.

"We can lunch to-morrow, can't we?" Sylvia asked, tugging at Lily's arm, for she was now fast asleep.

"Is Michael going? Yes, we can lunch with him to-morrow," Lily yawned.

He promised to call for them about midday. It seemed ridiculous to shake hands so formally with Lily, and he hoped she would suggest that the outside door was difficult to open. Alas, it was Sylvia who came to speed his departure.

The fog was welcome to Michael for his going home. At this hour of the night there was not a sound of anything, and he could walk on, dreaming undisturbed. He supposed he would arrive ultimately at Cheyne Walk. But he did not care. He would have been content to fill the long winter night with his fancies. Plunging his hands down into the pockets of his overcoat, he discovered that he had forgotten to take out the girls'

shoes, and what company they were through the gloom! It was a most fascinating experience, to wander along holding these silky slippers which had twinkled through the evening of this night. Not a cab-horse blew a frosty breath by the curb; not a policeman loomed; nor pa.s.ser-by nor cat offended his isolation. The London night belonged to him; his only were the footsteps echoing back from the invisible houses on either side; and the golden room in Tinderbox Lane was never more than a few yards in front.

He had found Lily at last, and he held her shoes for a token of his good luck. Let no one tell him again that destiny was a fable. Nothing was ever more deliberately foredoomed than the meeting at that carnival.

Michael was so grateful to his tobacconist that he determined to buy all sorts of extravagant pipes and cigarette holders he had fingered vaguely from time to time in the shop. For a while Lily's discovery was colored with such a glamour that Michael did not a.n.a.lyze the situation in which he had found her. Walking back to Chelsea through the fog, he was bemused by the romantic memory of her which was traveling along with his thoughts. He could hold very tightly her shoes: he could almost embrace the phantom of her beauty that curled upon the vapors round each lamp: he was intoxicated merely by the sound of the street where she lived.

"Tinderbox Lane! Tinderbox Lane! Tinderbox Lane!"

He sang it in triumph, remembering how only this morning he had sighed to himself, as he chased the telegraph-wires up and down the window of the railway-carriage: "Where is she? Where is she? Where is she?"

"Tinderbox Lane! Tinderbox Lane! Tinderbox Lane!" he chanted at the fog, and, throwing a slipper into the air, he caught it and ran on ridiculously until he b.u.mped into a policeman standing by the corner.

"I'm awfully sorry, constable."

"Feeling a bit happy, sir, aren't you?"

"Frightfully happy. I say, by the by, happy new year, constable. Drink my health when you're off duty."

He pressed half-a-crown into the policeman's hand, and as he left the stolid form behind him in the fog, he remembered that half-a-crown was the weekly blackmail paid by Mrs. Smith of Leppard Street. He was on the Embankment now, and the fog had lifted so that he saw the black river flowing sullenly through the night. The plane-trees dripped with monotonous beads of dankness. The fog was become a mist here, a frore whitish mist that saturated him with a malignant chill. Michael was glad to find himself looking at the dolphin-headed knocker of 173 Cheyne Walk. The effect of being in his own bedroom again, even though the girls' shoes lay fantastically upon the floor, was at first to make him believe that Tinderbox Lane might have been a dream, and after that, because he knew it was not a dream, to wonder about it.

Yet not even now in this austere and icy bedroom of his own could Michael feel that there was anything really wrong about that small house. It still preserved for him an illusion of sobriety and stability, almost of primness, yet of being rich with a demure gaiety. Mrs.

Gainsborough, however, was scarcely a chaperone. Nor was she very demure. And who was Sylvia? And what was Lily doing there? It would have been mysterious, that household, in any case, but was it necessary to a.s.sume that there was anything wrong? Sylvia was obviously a girl of high spirits. He had asked her no questions about herself. She might be on the stage. For fun, or perhaps because of their landlady's kindling stories, Sylvia might have persuaded Lily to come once or twice to the Orient. It did not follow that there was anything wrong. There had been nothing wrong in that carnival. Michael's heart leaped with the fancy that he was not too late. That would indeed crown this romantic night; and, picking up Lily's shoe, he held it for a while, wondering about its secrets.

In the morning the fog had turned to a drench of dull January rain; but Michael greeted the outlook as cheerfully as if it had been perfect May weather. He went first to a post office to send off the money he had promised to Mrs. Smith and the Solutionist. After this discharge of business, he felt more cheerful than ever, and, as if to capture the final touch of fantasy necessary to bewitch yesterday night, he suddenly realized, when he was hurrying along Fulham Road in the rain, that he had no idea of the number of Mrs. Gainsborough's house. He also began to wonder if there really could be such a place as Tinderbox Lane, and as he walked on without discovering any indication of its existence, he wondered if Sylvia had invented the name, so that he might never find her and Lily again. It was an uneasy thought, for without a number and without a name--but just as he was planning an elaborate way to discover the real name of the street, he saw in front of him Tinderbox Lane enameled in the ordinary characters of munic.i.p.al direction. Here were the two posts: here was the narrow entrance. The rumble of the traffic grew fainter. On one side was a high blank wall; on the other a row of two-storied houses. They were naturally dwellings of the poorer cla.s.ses, but at intervals a painter had acquired one, and had painted it white or affixed green shutters with heart-shaped openings. The width of the pavement varied continually, but generally at the beginning it was very narrow. Later on, however, it became wide enough to allow trees to be planted down the middle. Beyond this part was a block of new flats round which Tinderbox Lane narrowed again to a mere alley looking now rather dank and gloomy in the rain. Michael could not remember from last night in the fog either the trees or the flats. The door of Lily's lodging had been set in a wall: here on one side was certainly a wall, but never a door to relieve the grimy blankness. He began to feel discouraged, and he walked round into the narrow alley behind the flats. Here were doors in the wall at last, and Michael examined each of them in turn. Two were dark blue: one was green: one was brown. 74: 75: 76: 77. He chose 77 because it was farthest away from the flats. After a very long wait, an old woman holding over herself a very large umbrella opened it.

"Mrs. Gainsborough ...?" Michael began.

But the old woman had slammed the door before he could finish his inquiry.

Michael rang the bell of 76, and again he waited a long time. At last the door was opened, and to his relief he saw Mrs. Gainsborough herself under a green and much larger umbrella than the old woman's next door.

"I've come to take the girls out to lunch."

"That's a good boy," she wheezed. "The dearies will be glad to get out and enjoy themselves a bit. Here's a day. This would have suited Noah, wouldn't it?"

She was leading the way up the gravel path, and Michael saw that in the garden-beds there were actually Christmas roses in bloom. The house itself was covered with a mat of Virginia creeper and jasmine, and the astonishing rusticity of it was not at all diminished by the pretentious gray houses of the next road which towered above it behind, nor even in front by the flats with their eruption of windows. These houses with doors in their garden-walls probably all belonged to individuals, and for that reason they had escaped being overwhelmed by the development of the neighborhood twenty years ago. Their four long gardens in a row must be a bower of greenery in summer, and it was sad to think that the flats opposite were no doubt due to the death of someone who had owned a similar house and garden.

Michael remembered the balcony in front with steps on either side.