Side-stepping with Shorty Part 32

And, now that the state room's engaged, you ought to see how well Pembroke is standin' the blow.

XV

SHORTY'S GO WITH ART

When me and art gets into the ring together, you might as well burn the form sheet and slip the band back on your bettin' roll, for there's no tellin' who'll take the count.

It was Cornelia Ann that got me closer to art than I'd ever been before, or am like to get again. Now, I didn't hunt her up, nor she didn't come gunnin' for me. It was a case of runnin' down signals and collidin' on the stair landin'; me makin' a grand rush out of the Studio for a cross town car, and she just gettin' her wind 'fore she tackled the next flight.

Not that I hit her so hard; but it was enough to spill the paper bundles she has piled up on one arm, and start 'em bouncin' down the iron steps. First comes a loaf of bread; next a bottle of pickles, that goes to the bad the third hop; and exhibit C was one of these ten-cent dishes of baked beans--the pale kind, that look like they'd floated in with the tide. Course, that d.i.n.ky tin pan they was in don't land flat. It slips out of the bag as slick as if it was greased, stands up on edge, and rolls all the way down, distributin' the mess from top to bottom, as even as if it was laid on with a brush.

"My luncheon!" says she, in a reg'lar me-che-e-ild voice.

"Lunch!" says I. "That's what I'd call a spread. This one's on the house, but the next one will be on me. Will to-morrow do?"

"Ye-es," says she.

"Sorry," says I, "but I'm runnin' behind sched. now. What's the name, miss?"

"C. A. Belter, top floor," says she; "but don't mind about----"

"That'll be all right, too," says I, skippin' down over the broken gla.s.s and puntin' the five-cent white through the door for a goal.

It's little things like that, though, that keeps a man from forgettin'

how he was brought up. I'm ready enough with some cheap jolly, but when it comes to throwin' in a "beg pardon" at the right place I'm a late comer. I thinks of 'em sometime next day.

Course, I tries to get even by orderin' a four-pound steak, with mushroom trimmin's, sent around from the hotel on the corner; but I couldn't get over thinkin' how disappointed she looked when she saw that pan of beans doin' the pinwheel act. I know I've seen the time when a plate of pork-and in my fist would have been worth all the turkey futures you could stack in a barn, and maybe it was that way with her.

Anyway, she didn't die of it, for a couple of days later she knocks easy on the Studio door and gets her head in far enough to say how nice it was of me to send her that lovely steak.

"Forget it," says I.

"Never," says she. "I'm going to do a bas relief of you, in memory of it."

"A barrel which?" says I.

Honest, I wa'n't within a mile of bein' next. It comes out that she does sculpturing and wants to make a kind of embossed picture of me in plaster of paris, like what the peddlers sell around on vacant stoops.

"I'd look fine on a panel, wouldn't I?" says I. "Much obliged, miss, but sittin' for my halftone is where I draws the line. I'll lend you Swifty Joe, though."

She ain't acquainted with the only registered a.s.sistant professor of physical culture in the country, but she says if he don't mind she'll try her hand on him first, and then maybe I'll let her do one of me.

Now, you'd thought Swifty, with that before-takin' mug of his, would have hid in the cellar 'fore he'd let anybody make a cast of it; but when the proposition is sprung, he's as pleased as if it was for the front page of Fox's pink.

That was what fetched me up to that seven by nine joint of hers, next the roof, to have a look at what she'd done to Swifty Joe. He tows me up there. And say, blamed if she hadn't got him to the life, broken nose, ingrowin' forehead, whopper jaw, and all!

"How about it?" says Joe, grinnin' at me as proud as if he'd broke into the Fordham Heights Hall of Fame.

"I never see anything handsomer--of the kind," says I.

Then I got to askin' questions about the sculpturin' business, and how the market was; so Miss Belter and me gets more or less acquainted.

She was a meek, slimpsy little thing, with big, hungry lookin' eyes, and a double hank of cinnamon coloured hair that I should have thought would have made her neck ache to carry around.

Judgin' by the outfit in her ranch, the sculp-game ain't one that brings in sable lined coats and such knickknacks. There was a bed couch in one corner, a single burner gas stove on an upended trunk in another, and chunks of clay all over the place. Light housekeepin' and art don't seem to mix very well. Maybe they're just as tasty, but I'd as soon have my eggs cooked in a fryin' pan that hadn't been used for a mortar bed.

We pa.s.sed the time of day reg'lar after that, and now and then she'd drop into the front office to show me some piece she'd made. I finds out that the C. A. in her name stands for Cornelia Ann; so I drops the Miss Belter and calls her that.

"Father always calls me that, too," says she.

"Yes?" says I.

That leads up to the story of how the old folks out in Minnekeegan have been backin' her for a two years' stab at art in a big city. Seems it has been an awful drain on the fam'ly gold reserve, and none of 'em took any stock in such foolishness anyway, but she'd jollied 'em into lettin' her have a show to make good, and now the time was about up.

"Well," says I, "you ain't all in, are you?"

Her under lip starts to pucker up at that, and them hungry eyes gets foggy; but she takes a new grip on herself, makes a bluff at grinnin', and says, throaty like, "It's no use pretending any longer, I--I'm a failure!"

Say, that makes me feel like an ice cream sign in a blizzard. I hadn't been lookin' to dig up any private heart throbs like that. But there it was; so I starts in to cheer her up the best I knew how.

"Course," says I, "it's a line I couldn't shake a nickel out of in a year; but if it suited me, and I thought I was onto my job, I'd make it yield the coin, or go good and hungry tryin'."

"Perhaps I have gone hungry," says she, quiet like.

"Honest?" says I.

"That steak lasted me for a week," says she.

There was more particulars followed that throws Cornelia Ann on the screen in a new way for me. Grit! Why, she had enough to sand a tarred roof. She'd lived on ham knuckles and limed eggs and Swiss cheese for months. She'd turned her dresses inside out and upside down, lined her shoes with paper when it was wet, and wore a long sleeved shirt waist when there wa'n't another bein' used this side of the prairies. And you can judge what that means by watchin' the women size each other up in a street car.

"If they'd only given me half a chance to show what I could do!" says she. "But I didn't get the chance, and perhaps it was my fault. So what's the use? I'll just pack up and go back to Minnekeegan."

"Minnekeegan!" says I. "That sounds tough. What then?"

"Oh," says she, "my brother is foreman in a broom factory. He will get me a job at pasting labels."

"Say," says I, gettin' a quick rush of blood to the head, "s'posen I should contract for a full length of Swifty Joe to hang here in----"

"No you don't!" says she, edgin' off. "It's good of you, but charity work isn't what I want."

Say, it wa'n't any of my funeral, but that broom fact'ry proposition stayed with me quite some time. The thoughts of anyone havin' to go back to a place with a name like Minnekeegan was bilious enough; but for a girl that had laid out to give Macmonnies a run for the gold medal, the label pastin' prospect must have loomed up like a bad dream.

There's one good thing about other folks's troubles though--they're easy put on the shelf. Soon's I gets to work I forgets all about Cornelia Ann. I has to run out to Rockywold that afternoon, to put Mr.

Purdy Pell through his reg'lar course of stunts that he's been takin'

since some one told him he was gettin' to be a forty-fat. There was a whole bunch of swells on hand; for it's gettin' so, now they can go and come in their own tourin' cars, that winter house parties are just as common as in summer.

"Thank heaven you've come!" says Mr. Pell. "It gives me a chance to get away from cards for an hour or so."