She's All the World to Me Part 1

She's All the World to Me.

by Hall Caine.

PROEM

This is the story of how a woman's love triumphed over neglect and wrong, and of how the unrequited pa.s.sion in the great heart of a boy trod its devious paths in the way to death, until it stood alone with its burden of sin before G.o.d and the pitiless deep.

In the middle of the Irish Sea there is, as every one knows, an island which for many ages has had its own people, with their own language and laws, their own judges and governor, their own lords and kings, their own customs and superst.i.tions, their own proverbs and saws, their own ballads and songs. On the west coast of the Isle of Man stands the town of Peel. Though clean and sweet, it is not even yet much of a place to look at with its nooks and corners, its blind lanes and dark alleys, its narrow, crooked, crabbed streets. Thirty-five years ago it was a poor little hungry fishing port, chill and cheerless enough, staring straight out over miles and miles of bleak sea. To the north of Peel stretches a broad sh.o.r.e; to the south lies the harbor with a rocky headland and bare mountain beyond. In front--divided from the mainland by a narrow strait--is a rugged island rock, on which stand the ruins of a castle.

At the back rises a gentle slope dotted over with gray houses.

This is the scene of the following history of the love that was won and the love that was lost, of death that had no sting and the grave that had no victory. Wild and eery as the coast on which I learned it is this story of love and death; but it is true as Truth and what it owes to him who writes it now with feelings deeper than he can say is less than it asks of all by whom it is read in sympathy and simple faith.

CHAPTER I

MYLREA BALLADHOO

The season was early summer; the year 1850. The morning had been bright and calm, but a mist had crept up from the sea as the day wore on, and the night, when it came, was close, dark, and dumb. Laden with its salt scent, the dank vapor had enveloped an old house on the "brew" behind the town. It was a curious place--ugly, long, loose, and straggling. One might say it was a featureless and irresolute old fabric. Over the porch was printed, "Prepare to meet thy G.o.d." It was called Balladhoo, and, with its lands, it had been for ages the holding of the Mylreas, an ancient Manx family, once rich and consequently revered, now notoriously less wealthy and proportionately more fallible.

In this house there was a parlor that faced the bay and looked out towards the old castle and the pier at the mouth of the harbor. Over the mantel-piece was carved "G.o.d's Providence is Mine Inheritance." One might add that it was a melancholy old mansion.

A gentleman was busy at a table in the bay window sorting and arranging papers by the last glimmering daylight. He was a man of sixty-five, stout, yet flaccid, and slack, and wearing a suit of coa.r.s.e blue homespun that lay loosely upon him. His white hair hung about a face that bespoke an unusual combination of traits. The eyes and forehead were full of benevolence, but the mouth was alternately strong and weak, harsh and tender, uncertain whether the proper function of its mobile corners was to turn up in laughter or down in disdain.

This was Evan Mylrea, member of the House of Keys, Harbor Commissioner, and boat-owner, philanthropist and magistrate, coroner, constable and "local" for the Wesleyan body, and commonly known by his surname coupled with the name of his estate--Mylrea Balladhoo. Mylrea Balladhoo did not belie his face. He was the sort of man who gives his dog one blow for snapping at his hand, and then two more for not coming back to be caressed. Rightly understood, the theory of morals that an act like this implies tells the whole story of Mylrea's life and character, so far as either of these concerns the present history. It was the rule on which this man, now grown old, had lived with the young, reckless, light-hearted, thoughtless, beautiful, and darling wife whom he had brought from England thirty years ago, and buried at home five years afterwards. It was the principle on which he had brought up her only son.

Just now there came from some remote part of the house the most doleful wails that ever arrested mortal ears. At times they resembled the scream of the cormorant as he wheels over a rock at sea. At other times they recalled more precisely the plaintive appeal of the tailless tabby when she is pressed hard for time and s.p.a.ce. Mylrea Balladhoo was conscious of these noises. Glancing once at his face, you might have thought it had dropped to a stern frown. Glancing twice, you must have seen that it had risen to a broad grin. One might certainly say that this was a gruesome dwelling.

There was a loud banging of doors, the distant screeches were suddenly abridged; there was the tread of an uncertain foot in the pa.s.sage without, the door opened, and an elderly man entered, carrying a lamp, which he placed on the table. It was James Quark, the gardener, commonly called Jemmy Balladhoo. That mention of the cormorant was lucky; this man's eyes had just the sea-bird's wild stare. The two little gray-green globes of fire were, however, set in a face of the most flabby amiability. His hair, which was thin and weak, traveled straight down his forehead due for his eyes. In one hand he carried something by the neck, which, as he entered, he made late and futile efforts to conceal behind his back.

"It's Mr. Kerruish Kinvig, sir, that's coming up to see you," said the man in a meek voice.

"Show him in," said Mylrea Balladhoo; "and, Jemmy," he added, shouting in the man's ear, "for mercy's sake take that fiddle to the barn."

"Take him to the barn?" said Jemmy, with an affrighted stare. "Why, it's coming here he is, this very minute."

"The fiddle, the fiddle!" shouted Mr. Mylrea. "I always had my doubts about the music that's in it, and now I see there's none."

Jemmy took himself off, carrying his fiddle very tenderly in both hands.

He was all but stone deaf, poor fellow, and had never yet known the full enjoyment of his own music. That's why he was so liberal of it with people more happily endowed.

A big bl.u.s.tering fellow then dashed into the parlor without ceremony.

"Balladhoo," he shouted, in a voice that rang through the house, "why don't you have the life of that howling demon? Here, take my clasp-knife at it and silence it forever."

"It's gone to the barn," said Mylrea Balladhoo, quietly, in reply to these bloodthirsty proposals.

The newcomer, Kerruish Kinvig, was a prosperous net-maker in Peel, and a thorn in the side of every public official within a radius of miles. The joy of his life was to have a delightful row with a magistrate, a coroner, a commissioner, or perhaps a parson by preference. When there was never a public meeting to be interrupted, never a "vestry" to be broken up, Kerruish Kinvig became as flat and stale as an old dog, and was forced to come up and visit his friend Mylrea Balladhoo, just by way of keeping his hand in.

On the present occasion he had scarcely seated himself, when he leaped up, rushed to the window, peered into the night, and shouted that the light on the harbor pier was out once more. He declared that this was the third time within a month; prophesied endless catastrophes; didn't know for his part what in the name of common-sense the commissioners were about; could swear that smuggling was going on under their very noses.

"I'll have the law on the lot of you," bellowed Kinvig at the full pitch of his voice, and meantime he helped himself to the whisky on the table, and filled his pipe from the domestic bowl. "It's the truth, I'll fling you all out," he shouted through a cloud of smoke.

"Eh, you'll have your fling," replied the unperturbed Mylrea.

Then, going to the door, the master of Balladhoo recalled the gardener.

From the subsequent conversation it appeared that, to prevent illicit trading, the Imperial Government had been compelled to station a cutter in every harbor of the island; that the cutter stationed at Peel, having come by some injury a month ago, had been removed to England for repairs, and had not yet been brought back. Kerruish Kinvig declared that some gang of scoundrels, perceiving the incompetence of the home officials, were availing themselves of the absence of the Government ship to run vessels laden with contraband goods under the cover of the darkness.

Jemmy came back, and Mr. Mylrea sent him to fetch his son Christian.

Jemmy went off for that purpose.

Some talk of the young man then ensued between his father and Kinvig. It transpired that Christian had had a somewhat questionable career--was his father's only son, and had well-nigh ruined the old man with debts contracted during a mysterious absence of six years. Christian had just returned home, and Mylrea Balladhoo, stern on the outside, tender at the core, loving his son as the one thing left to him to love, had forgiven everything--disgrace, ingrat.i.tude, and impoverishment--and taken back the prodigal without a word.

And, in truth, there was something so winsome in the young fellow's reckless, devil-may-care indifference that he got at the right side of people's affections in spite of themselves. Only those who come close to this type of character can recognise the rift of weakness or wilfulness, or it may be of selfishness, that runs through the fair vein of so much good-nature. And if Mylrea Balladhoo saw nothing, who then should complain?

Now, Kerruish Kinvig was just as fond of Christian as anybody else, but that was no just cause and impediment why he should hold his peace as to the young man's manifold weaknesses. So it was--

"Look here, Balladhoo. I've something to say about that fine son of yours, and it's middling strange too."

"Drop it, Kerruish," muttered Mylrea.

"So I will, but it's into your ear I'll drop it. Do you know he's hanging round one of my net-makers--eh?"

"You're fond of a spell at the joking, Kerruish, but in a general way, you know, a man doesn't like to look like a fool. You've got too much fun in you, Kerruish; that's _your_ fault, and I've always said so."

There was a twinkle in the old man's eye, but it went off like summer lightning. "Who is she?" he asked, in another tone.

"Mona Cregeen they're calling her," said Kinvig.

"What is she?"

"Don't I tell you--one of my net-makers!" thundered Kinvig.

"Who are her people? Where does she come from? What do you know about her? What has Christian had to say to her--"

"Hold on; that's a middling tidy lot to begin with," shouted Kinvig.

Then it was explained that Mona Cregeen was a young woman of perhaps three-and-twenty, who had recently come to Peel from somewhere in the south of the island, accompanied by her aged mother and little sister, a child of five, closely resembling her.

Jemmy, the gardener, returned to say that Christian was not at home; left an hour ago; said he would be back before bedtime.

"Ah! it's the 'Jolly Herrings' he's off to," said Kinvig. The "Jolly Herrings" was a low hovel of an inn down in the town.