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He chatted about one thing after another and made time fly; he proved himself the poet who could interest those he addressed himself to, the highly cultured man, the genius of scintillating words. Aagot listened attentively; he tried to amuse her and came back to the subject of music again, to operatic music, which he simply abominated. He had, for instance, never been to the opera that he didn't happen to get a seat right behind a lady with a sharply bulging corset line, and he was condemned to stare at this ghastly back during three, four long intermissions. Then there was the performance itself, the bra.s.s instruments close to the ear, and then the singers who tried with all their might to drown their blatant blare in a roar of noise. At first one would appear who made strange contortions and meanwhile produced song; then another would stalk forth who did not want to take a back seat either, and who likewise did his utmost; then a third, a fourth, men and women, long processions, an army; and all sang their questions and sang their answers and beat their arms in the air and rolled their eyes, exercising their vocal chords without a moment's pause. Wasn't it true?
They wept to music, sobbed to music, gritted teeth, sneezed, and fainted to music, and the conductor urged them on frantically with an ivory hammer-handle. She might laugh, but it was just that way. Then all of a sudden the conductor appears to become terror-stricken because of that infernal noise he has inspired; he swings his hammer-handle as a sign that there must be a change. Now the chorus starts in. This is not so bad; the chorus can pa.s.s muster; at least, it does not use such heartrending gestures. But in the midst of the singing another person strides forth, and he spoils the whole thing again; ah! it is the Prince; he has a solo-- and when a prince has a solo of course everybody else has to keep still.
But imagine this more or less corpulent masculine person standing there, bellowing, with legs wide apart! One gets furious; one experiences a well-nigh irrepressible desire to yell to this fellow to get out, to stop spoiling the evening for those who wanted to hear some music--hear the chorus sing!
Irgens was not displeased with himself--he attained his object. Aagot laughed incessantly and was hugely amused. How he did make things interesting and give life and colour to the most commonplace!
They finally got to the Exhibition, looked at what there was to see, and talked about the pictures as they went along. Aagot's questions were fully answered; Irgens knew everything and even told her anecdotes about the exhibiting painters. Here, too, they met curious people, who put their heads together and looked after them when they pa.s.sed; but Irgens hardly glanced to the left or right; he seemed entirely indifferent to the attention accorded him. He only bowed a couple of times.
When, after an hour or so, they started to leave, they did not notice in an obscure corner a greyish-bearded, somewhat bald person, nor did they perceive two fathomless, burning eyes that followed them as they departed.
On the street Irgens said:
"I wonder--You are not going home at once, I hope?"
"Yes," she said, "I am going right back."
He asked her several times to stay a little longer, but Aagot thanked him and said that she wanted to get home. There was nothing to be done; she could not be persuaded, and he had to let her have her way. But they could make up for it some other time? There were both museums and galleries she ought to see; he would gladly act as her guide. She smiled and thanked him.
"I am admiring your walk," he said. "It is the most perfect walk I have ever seen."
She flushed and looked at him quickly.
"You cannot mean that," she said. "I who have lived in the backwoods all my life."
"Well, you may believe me or not, just as you please--You are altogether unusual, Miss Lynum, gloriously uncommon; in vain I seek words that would describe you. Do you know what you remind me of? I have carried this impression around all day. You remind me of the first bird note, the earliest warm spring tones--you know what I mean--that surge through the heart when the snow is gone and the sun and the birds of pa.s.sage are here!
But that isn't all about you. G.o.d help me, I cannot find the words I want, poet though I am supposed to be!"
"But I have never heard anything like it!" she cried, and laughed vivaciously. "I am supposed to be like all that? I should like to be, that much is certain. If only it were true!"
"You have come in here from the blue mountains; you are full of smiles,"
he said. "For this reason the description should call to mind the wild things--should have a flavour of venison, so to speak. I am not sure, though."
They were at the warehouse. They stopped and shook hands.
"I am ever so much obliged," she said. "Aren't you coming up? Ole must be in the office now."
"No, thanks--But listen, Miss Lynum, I would like to come soon and drag you with me to some museum; may I?"
"Yes," she answered hesitatingly. "That is very kind of you. I'll see--But I thank you for your company to-day."
She went in.
III
Irgens walked up the street. Where should he go now? He might go to Tivoli; there was plenty of time; in fact, it was much too early; he would have to kill an hour or so first. He felt in his pocket for the envelope; he had money; he might as well go to the Grand.
As he entered the door he was hailed by Journalist Gregersen, the literary member of the _Gazette_ staff. Irgens did not like this fellow; he did not care to cultivate his friendship in order to get an item published in the paper now and then. Paulsberg had now two days running had a paragraph concerning his excursion to Honefos: the first day about his going, the second about his return; Gregersen had in his usual accommodating manner concocted two very excellent little items about this excursion. That such a man could descend to such coa.r.s.e work! It was said that the fellow was capable of greater things; he would surely blossom forth some day; all right, time enough then. Irgens did not care for him very much nowadays.
Unwillingly, he walked over to the Journalist's table. Milde was there, also the Attorney and Coldevin, the grey tutor from the country. They were waiting for Paulsberg. They had been discussing the situation again; it commenced to look a little dubious now when several of the leading parliamentarians had shown symptoms of vacillation. "Just as I have told you," said Milde, "it is beginning to be unbearable here!"
Mrs. Grande was not present. Mrs. Liberia stayed at home.
The Journalist reported that the talk about crop failures in Russia evidently had something in it. It could not be concealed much longer in spite of the fact that the correspondent of the London _Times_ had been sharply contradicted by the Russian press.
"I had a letter from Ojen," said Milde. "It looks as if he were coming back soon; he does not appear to enjoy himself out in the woods."
All these matters did not interest Irgens in the least. He made up his mind to get away as soon as he could. Coldevin said nothing, but glanced from one to another with his sombre eyes. When he had been presented to Irgens he had murmured a few words, sat down again and remained silent.
Irgens looked at him languidly and was silent too. When he had finished his seidel he got up to go.
"Are you leaving us so soon?"
"Yes; I have got to go home and dress. I am going to Tivoli. See you later."
Irgens left.
"There you see the famous Irgens," said the Attorney to Coldevin.
"Yes, indeed," answered Coldevin with a smile. "I see so much greatness here that I am getting altogether bewildered. I saw the Art Exhibition to-day--It seems to me that our poets are beginning to pay considerable attention to their personal appearance; I have seen a couple of them; they are so groomed and patent-leathered--one can hardly say they come thundering along with foam-flecked bridles."
"Why should they? The fashions have changed, you know."
"I suppose so."
Coldevin was again silent.
"The fire-and-sword period has pa.s.sed by, my good man," said the Journalist patronisingly, yawning across the table. "What the devil can be keeping Paulsberg?"
When Paulsberg at last showed up they made room for him with alacrity; the Journalist sat close by him and wanted to hear his opinion concerning the situation. What did these events portend--what could be done now?
Paulsberg, reserved and taciturn as always, gave a half reply, a fragmentary opinion: What could be done? Oh, one had to try to live even if a couple of parliamentarians were to fail the cause. All the same, he was going to publish an article soon; it would be worth while observing what effect that would have. He was going to give it to the traitors good and proper.
Goodness! Was he going to publish an article? That certainly would put matters right. "Not too gentle, now, Paulsberg; don't show them any consideration."
"I imagine Paulsberg knows exactly how gentle he is going to be," said Milde reprovingly. "You can safely leave that to him."
"Of course," answered the Journalist, "that goes without saying. I had no idea of offering any suggestions."
He was a little offended, but Paulsberg smoothed matters over by saying:
"I thank you for the two notices, Gregersen. It is fortunate for us that you keep an eye on us; otherwise people would entirely forget that we writers existed."
The Attorney ordered another round.
"I am waiting for my wife," said Paulsberg.
"She stopped in to borrow a hundred from Ole Henriksen. I see there is talk about famine in Russia--Well, I can't say that I have starved as yet."