Selected Stories of Bret Harte Part 5

As the long, dry summer withered to its roots, the school term of Red Gulch--to use a local euphuism--"dried up" also. In another day Miss Mary would be free; and for a season, at least, Red Gulch would know her no more. She was seated alone in the schoolhouse, her cheek resting on her hand, her eyes half-closed in one of those daydreams in which Miss Mary--I fear to the danger of school discipline--was lately in the habit of indulging. Her lap was full of mosses, ferns, and other woodland memories. She was so preoccupied with these and her own thoughts that a gentle tapping at the door pa.s.sed unheard, or translated itself into the remembrance of far-off woodp.e.c.k.e.rs. When at last it a.s.serted itself more distinctly, she started up with a flushed cheek and opened the door.

On the threshold stood a woman the self-a.s.sertion and audacity of whose dress were in singular contrast to her timid, irresolute bearing.

Miss Mary recognized at a glance the dubious mother of her anonymous pupil. Perhaps she was disappointed, perhaps she was only fastidious; but as she coldly invited her to enter, she half-unconsciously settled her white cuffs and collar, and gathered closer her own chaste skirts.

It was, perhaps, for this reason that the embarra.s.sed stranger, after a moment's hesitation, left her gorgeous parasol open and sticking in the dust beside the door, and then sat down at the farther end of a long bench. Her voice was husky as she began:

"I heerd tell that you were goin' down to the Bay tomorrow, and I couldn't let you go until I came to thank you for your kindness to my Tommy."

Tommy, Miss Mary said, was a good boy, and deserved more than the poor attention she could give him.

"Thank you, miss; thank ye!" cried the stranger, brightening even through the color which Red Gulch knew facetiously as her "war paint,"

and striving, in her embarra.s.sment, to drag the long bench nearer the schoolmistress. "I thank you, miss, for that! and if I am his mother, there ain't a sweeter, dearer, better boy lives than him. And if I ain't much as says it, thar ain't a sweeter, dearer, angeler teacher lives than he's got."

Miss Mary, sitting primly behind her desk, with a ruler over her shoulder, opened her gray eyes widely at this, but said nothing.

"It ain't for you to be complimented by the like of me, I know," she went on, hurriedly. "It ain't for me to be comin' here, in broad day, to do it, either; but I come to ask a favor--not for me, miss--not for me, but for the darling boy."

Encouraged by a look in the young schoolmistress's eye, and putting her lilac-gloved hands together, the fingers downward, between her knees, she went on, in a low voice:

"You see, miss, there's no one the boy has any claim on but me, and I ain't the proper person to bring him up. I thought some, last year, of sending him away to Frisco to school, but when they talked of bringing a schoolma'am here, I waited till I saw you, and then I knew it was all right, and I could keep my boy a little longer. And O, miss, he loves you so much; and if you could hear him talk about you, in his pretty way, and if he could ask you what I ask you now, you couldn't refuse him.

"It is natural," she went on, rapidly, in a voice that trembled strangely between pride and humility--"it's natural that he should take to you, miss, for his father, when I first knew him, was a gentleman--and the boy must forget me, sooner or later--and so I ain't goin' to cry about that. For I come to ask you to take my Tommy--G.o.d bless him for the bestest, sweetest boy that lives--to--to--take him with you."

She had risen and caught the young girl's hand in her own, and had fallen on her knees beside her.

"I've money plenty, and it's all yours and his. Put him in some good school, where you can go and see him, and help him to--to--to forget his mother. Do with him what you like. The worst you can do will be kindness to what he will learn with me. Only take him out of this wicked life, this cruel place, this home of shame and sorrow. You will; I know you will--won't you? You will--you must not, you cannot say no! You will make him as pure, as gentle as yourself; and when he has grown up, you will tell him his father's name--the name that hasn't pa.s.sed my lips for years--the name of Alexander Morton, whom they call here Sandy! Miss Mary!--do not take your hand away! Miss Mary, speak to me! You will take my boy? Do not put your face from me. I know it ought not to look on such as me. Miss Mary!--my G.o.d, be merciful!--she is leaving me!"

Miss Mary had risen and, in the gathering twilight, had felt her way to the open window. She stood there, leaning against the cas.e.m.e.nt, her eyes fixed on the last rosy tints that were fading from the western sky.

There was still some of its light on her pure young forehead, on her white collar, on her clasped white hands, but all fading slowly away.

The suppliant had dragged herself, still on her knees, beside her.

"I know it takes time to consider. I will wait here all night; but I cannot go until you speak. Do not deny me now. You will!--I see it in your sweet face--such a face as I have seen in my dreams. I see it in your eyes, Miss Mary!--you will take my boy!"

The last red beam crept higher, suffused Miss Mary's eyes with something of its glory, flickered, and faded, and went out. The sun had set on Red Gulch. In the twilight and silence Miss Mary's voice sounded pleasantly.

"I will take the boy. Send him to me tonight."

The happy mother raised the hem of Miss Mary's skirts to her lips. She would have buried her hot face in its virgin folds, but she dared not.

She rose to her feet.

"Does--this man--know of your intention?" asked Miss Mary, suddenly.

"No, nor cares. He has never even seen the child to know it."

"Go to him at once--tonight--now! Tell him what you have done. Tell him I have taken his child, and tell him--he must never see--see--the child again. Wherever it may be, he must not come; wherever I may take it, he must not follow! There, go now, please--I'm weary, and--have much yet to do!"

They walked together to the door. On the threshold the woman turned.

"Good night."

She would have fallen at Miss Mary's feet. But at the same moment the young girl reached out her arms, caught the sinful woman to her own pure breast for one brief moment, and then closed and locked the door.

It was with a sudden sense of great responsibility that Profane Bill took the reins of the Slumgullion Stage the next morning, for the schoolmistress was one of his pa.s.sengers. As he entered the highroad, in obedience to a pleasant voice from the "inside," he suddenly reined up his horses and respectfully waited as Tommy hopped out at the command of Miss Mary. "Not that bush, Tommy--the next."

Tommy whipped out his new pocketknife, and, cutting a branch from a tall azalea bush, returned with it to Miss Mary.

"All right now?"

"All right."

And the stage door closed on the Idyl of Red Gulch.

BROWN OF CALAVERAS

A subdued tone of conversation, and the absence of cigar smoke and boot heels at the windows of the Wingdam stagecoach, made it evident that one of the inside pa.s.sengers was a woman. A disposition on the part of loungers at the stations to congregate before the window, and some concern in regard to the appearance of coats, hats, and collars, further indicated that she was lovely. All of which Mr. Jack Hamlin, on the box seat, noted with the smile of cynical philosophy. Not that he depreciated the s.e.x, but that he recognized therein a deceitful element, the pursuit of which sometimes drew mankind away from the equally uncertain blandishments of poker--of which it may be remarked that Mr.

Hamlin was a professional exponent.

So that when he placed his narrow boot on the wheel and leaped down, he did not even glance at the window from which a green veil was fluttering, but lounged up and down with that listless and grave indifference of his cla.s.s, which was, perhaps, the next thing to good breeding. With his closely b.u.t.toned figure and self-contained air he was a marked contrast to the other pa.s.sengers, with their feverish restlessness and boisterous emotion; and even Bill Masters, a graduate of Harvard, with his slovenly dress, his overflowing vitality, his intense appreciation of lawlessness and barbarism, and his mouth filled with crackers and cheese, I fear cut but an unromantic figure beside this lonely calculator of chances, with his pale Greek face and Homeric gravity.

The driver called "All aboard!" and Mr. Hamlin returned to the coach.

His foot was upon the wheel, and his face raised to the level of the open window, when, at the same moment, what appeared to him to be the finest eyes in the world suddenly met his. He quietly dropped down again, addressed a few words to one of the inside pa.s.sengers, effected an exchange of seats, and as quietly took his place inside. Mr. Hamlin never allowed his philosophy to interfere with decisive and prompt action.

I fear that this irruption of Jack cast some restraint upon the other pa.s.sengers--particularly those who were making themselves most agreeable to the lady. One of them leaned forward, and apparently conveyed to her information regarding Mr. Hamlin's profession in a single epithet.

Whether Mr. Hamlin heard it, or whether he recognized in the informant a distinguished jurist from whom, but a few evenings before, he had won several thousand dollars, I cannot say. His colorless face betrayed no sign; his black eyes, quietly observant, glanced indifferently past the legal gentleman, and rested on the much more pleasing features of his neighbor. An Indian stoicism--said to be an inheritance from his maternal ancestor--stood him in good service, until the rolling wheels rattled upon the river gravel at Scott's Ferry, and the stage drew up at the International Hotel for dinner. The legal gentleman and a member of Congress leaped out, and stood ready to a.s.sist the descending G.o.ddess, while Colonel Starbottle, of Siskiyou, took charge of her parasol and shawl. In this multiplicity of attention there was a momentary confusion and delay. Jack Hamlin quietly opened the OPPOSITE door of the coach, took the lady's hand--with that decision and positiveness which a hesitating and undecided s.e.x know how to admire--and in an instant had dexterously and gracefully swung her to the ground, and again lifted her to the platform. An audible chuckle on the box, I fear, came from that other cynic, "Yuba Bill," the driver. "Look keerfully arter that baggage, Kernel," said the expressman, with affected concern, as he looked after Colonel Starbottle, gloomily bringing up the rear of the triumphant procession to the waiting-room.

Mr. Hamlin did not stay for dinner. His horse was already saddled, and awaiting him. He dashed over the ford, up the gravelly hill, and out into the dusty perspective of the Wingdam road, like one leaving pleasant fancy behind him. The inmates of dusty cabins by the roadside shaded their eyes with their hands and looked after him, recognizing the man by his horse, and speculating what "was up with Comanche Jack." Yet much of this interest centered in the horse, in a community where the time made by "French Pete's" mare in his run from the Sheriff of Calaveras eclipsed all concern in the ultimate fate of that worthy.

The sweating flanks of his gray at length recalled him to himself. He checked his speed, and, turning into a by-road, sometimes used as a cutoff, trotted leisurely along, the reins hanging listlessly from his fingers. As he rode on, the character of the landscape changed and became more pastoral. Openings in groves of pine and sycamore disclosed some rude attempts at cultivation--a flowering vine trailed over the porch of one cabin, and a woman rocked her cradled babe under the roses of another. A little farther on Mr. Hamlin came upon some barelegged children wading in the willowy creek, and so wrought upon them with a badinage peculiar to himself that they were emboldened to climb up his horse's legs and over his saddle, until he was fain to develop an exaggerated ferocity of demeanor, and to escape, leaving behind some kisses and coin. And then, advancing deeper into the woods, where all signs of habitation failed, he began to sing--uplifting a tenor so singularly sweet, and shaded by a pathos so subduing and tender, that I wot the robins and linnets stopped to listen. Mr. Hamlin's voice was not cultivated; the subject of his song was some sentimental lunacy borrowed from the Negro minstrels; but there thrilled through all some occult quality of tone and expression that was unspeakably touching. Indeed, it was a wonderful sight to see this sentimental blackleg, with a pack of cards in his pocket and a revolver at his back, sending his voice before him through the dim woods with a plaint about his "Nelly's grave" in a way that overflowed the eyes of the listener. A sparrow hawk, fresh from his sixth victim, possibly recognizing in Mr. Hamlin a kindred spirit, stared at him in surprise, and was fain to confess the superiority of man. With a superior predatory capacity, HE couldn't sing.

But Mr. Hamlin presently found himself again on the highroad, and at his former pace. Ditches and banks of gravel, denuded hillsides, stumps, and decayed trunks of trees, took the place of woodland and ravine, and indicated his approach to civilization. Then a church steeple came in sight, and he knew that he had reached home. In a few moments he was clattering down the single narrow street that lost itself in a chaotic ruin of races, ditches, and tailings at the foot of the hill, and dismounted before the gilded windows of the "Magnolia" saloon. Pa.s.sing through the long barroom, he pushed open a green-baize door, entered a dark pa.s.sage, opened another door with a pa.s.skey, and found himself in a dimly lighted room whose furniture, though elegant and costly for the locality, showed signs of abuse. The inlaid center table was overlaid with stained disks that were not contemplated in the original design.

The embroidered armchairs were discolored, and the green velvet lounge, on which Mr. Hamlin threw himself, was soiled at the foot with the red soil of Wingdam.

Mr. Hamlin did not sing in his cage. He lay still, looking at a highly colored painting above him representing a young creature of opulent charms. It occurred to him then, for the first time, that he had never seen exactly that kind of a woman, and that if he should, he would not, probably, fall in love with her. Perhaps he was thinking of another style of beauty. But just then someone knocked at the door. Without rising, he pulled a cord that apparently shot back a bolt, for the door swung open, and a man entered.

The newcomer was broad-shouldered and robust--a vigor not borne out in the face, which, though handsome, was singularly weak, and disfigured by dissipation. He appeared to be also under the influence of liquor, for he started on seeing Mr. Hamlin, and said, "I thought Kate was here,"

stammered, and seemed confused and embarra.s.sed.

Mr. Hamlin smiled the smile which he had before worn on the Wingdam coach, and sat up, quite refreshed and ready for business.

"You didn't come up on the stage," continued the newcomer, "did you?"

"No," replied Hamlin; "I left it at Scott's Ferry. It isn't due for half an hour yet. But how's luck, Brown?"

"d.a.m.n bad," said Brown, his face suddenly a.s.suming an expression of weak despair; "I'm cleaned out again, Jack," he continued, in a whining tone that formed a pitiable contrast to his bulky figure, "can't you help me with a hundred till tomorrow's cleanup? You see I've got to send money home to the old woman, and--you've won twenty times that amount from me."