Selected Stories of Bret Harte Part 36

"The Princess Alexandrine."

"I mean the young lady in blue with blond hair and blue eyes."

"It is the Princess Alexandrine Elsbeth Marie Stephanie, the daughter of the Grand Duke--there is none other there."

"Thank you."

He sat silently looking at the rising curtain and the stage. Then he rose quietly, gathered his hat and coat, and left the box. When he reached the gallery he turned instinctively and looked back at the royal box. Her eyes had followed him, and as he remained a moment motionless in the doorway her lips parted in a grateful smile, and she waved her fan with a faint but unmistakable gesture of farewell.

The next morning he left Alstadt. There was some little delay at the Zoll on the frontier, and when Hoffman received back his trunk it was accompanied by a little sealed packet which was handed to him by the Customhouse Inspector. Hoffman did not open it until he was alone.

There hangs upon the wall of his modest apartment in New York a narrow, irregular photograph ingeniously framed, of himself standing side by side with a young German girl, who, in the estimation of his compatriots, is by no means stylish and only pa.s.sably good-looking.

When he is joked by his friends about the post of honor given to this production, and questioned as to the lady, he remains silent. The Princess Alexandrine Elsbeth Marie Stephanie von Westphalen-Alstadt, among her other royal qualities, knew whom to trust.

THE DEVOTION OF ENRIQUEZ

In another chronicle which dealt with the exploits of "Chu Chu,"

a Californian mustang, I gave some s.p.a.ce to the accomplishments of Enriquez Saltillo, who a.s.sisted me in training her, and who was also brother to Consuelo Saitillo, the young lady to whom I had freely given both the mustang and my youthful affections. I consider it a proof of the superiority of masculine friendship that neither the subsequent desertion of the mustang nor that of the young lady ever made the slightest difference to Enriquez or me in our exalted amity. To a wondering doubt as to what I ever could possibly have seen in his sister to admire he joined a tolerant skepticism of the whole s.e.x. This he was wont to express in that marvelous combination of Spanish precision and California slang for which he was justly famous. "As to thees women and their little game," he would say, "believe me, my friend, your old Oncle 'Enry is not in it. No; he will ever take a back seat when lofe is around. For why? Regard me here! If she is a horse, you shall say, 'She will buck-jump,' 'She will ess-shy,' 'She will not arrive,' or 'She will arrive too quick.' But if it is thees women, where are you? For when you shall say, 'She will ess-shy,' look you, she will walk straight; or she will remain tranquil when you think she buck-jump; or else she will arrive and, look you, you will not. You shall get left. It is ever so.

My father and the brother of my father have both make court to my mother when she was but a senorita. My father think she have lofe his brother more. So he say to her: 'It is enofe; tranquillize yourself. I will go.

I will efface myself. Adios! Shake hands! Ta-ta! So long! See you again in the fall.' And what make my mother? Regard me! She marry my father--on the instant! Of thees women, believe me, Pancho, you shall know nothing. Not even if they shall make you the son of your father or his nephew."

I have recalled this characteristic speech to show the general tendency of Enriquez' convictions at the opening of this little story. It is only fair to say, however, that his usual att.i.tude toward the s.e.x he so cheerfully maligned exhibited little apprehension or caution in dealing with them. Among the frivolous and light-minded intermixture of his race he moved with great freedom and popularity. He danced well; when we went to fandangos together his agility and the audacity of his figures always procured him the prettiest partners, his professed sentiments, I presume, shielding him from subsequent jealousies, heartburnings, or envy. I have a vivid recollection of him in the mysteries of the SEMICUACUA, a somewhat corybantic dance which left much to the invention of the performers, and very little to the imagination of the spectator.

In one of the figures a gaudy handkerchief, waved more or less gracefully by dancer and danseuse before the dazzled eyes of each other, acted as love's signal, and was used to express alternate admiration and indifference, shyness and audacity, fear and transport, coyness and coquetry, as the dance proceeded. I need not say that Enriquez'

pantomimic ill.u.s.tration of these emotions was peculiarly extravagant; but it was always performed and accepted with a gravity that was an essential feature of the dance. At such times sighs would escape him which were supposed to portray the incipient stages of pa.s.sion; snorts of jealousy burst from him at the suggestion of a rival; he was overtaken by a sort of St. Vitus's dance that expressed his timidity in making the first advances of affection; the scorn of his ladylove struck him with something like a dumb ague; and a single gesture of invitation from her produced marked delirium. All this was very like Enriquez; but on the particular occasion to which I refer, I think no one was prepared to see him begin the figure with the waving of FOUR handkerchiefs! Yet this he did, pirouetting, capering, brandishing his silken signals like a ballerina's scarf in the languishment or fire of pa.s.sion, until, in a final figure, where the conquered and submitting fair one usually sinks into the arms of her partner, need it be said that the ingenious Enriquez was found in the center of the floor supporting four of the dancers! Yet he was by no means unduly excited either by the plaudits of the crowd or by his evident success with the fair. "Ah, believe me, it is nothing," he said quietly, rolling a fresh cigarette as he leaned against the doorway. "Possibly, I shall have to offer the chocolate or the wine to thees girls, or make to them a promenade in the moonlight on the veranda. It is ever so. Unless, my friend," he said, suddenly turning toward me in an excess of chivalrous self-abnegation, "unless you shall yourself take my place. Behold, I gif them to you! I vamos!

I vanish! I make track! I skedaddle!" I think he would have carried his extravagance to the point of summoning his four gypsy witches of partners, and committing them to my care, if the crowd had not at that moment parted before the remaining dancers, and left one of the onlookers, a tall, slender girl, calmly surveying them through gold-rimmed eyegla.s.ses in complete critical absorption. I stared in amazement and consternation; for I recognized in the fair stranger Miss Urania Mannersley, the Congregational minister's niece!

Everybody knew Rainie Mannersley throughout the length and breadth of the Encinal. She was at once the envy and the goad of the daughters of those Southwestern and Eastern immigrants who had settled in the valley.

She was correct, she was critical, she was faultless and observant. She was proper, yet independent; she was highly educated; she was suspected of knowing Latin and Greek; she even spelled correctly! She could wither the plainest field nosegay in the hands of other girls by giving the flowers their botanical names. She never said "Ain't you?" but "Aren't you?" She looked upon "Did I which?" as an incomplete and imperfect form of "What did I do?" She quoted from Browning and Tennyson, and was believed to have read them. She was from Boston. What could she possibly be doing at a free-and-easy fandango?

Even if these facts were not already familiar to everyone there, her outward appearance would have attracted attention. Contrasted with the gorgeous red, black, and yellow skirts of the dancers, her plain, tightly fitting gown and hat, all of one delicate gray, were sufficiently notable in themselves, even had they not seemed, like the girl herself, a kind of quiet protest to the glaring flounces before her. Her small, straight waist and flat back brought into greater relief the corsetless, waistless, swaying figures of the Mexican girls, and her long, slim, well-booted feet, peeping from the stiff, white edges of her short skirt, made their broad, low-quartered slippers, held on by the big toe, appear more preposterous than ever. Suddenly she seemed to realize that she was standing there alone, but without fear or embarra.s.sment. She drew back a little, glancing carelessly behind her as if missing some previous companion, and then her eyes fell upon mine.

She smiled an easy recognition; then a moment later, her glance rested more curiously upon Enriquez, who was still by my side. I disengaged myself and instantly joined her, particularly as I noticed that a few of the other bystanders were beginning to stare at her with little reserve.

"Isn't it the most extraordinary thing you ever saw?" she said quietly.

Then, presently noticing the look of embarra.s.sment on my face, she went on, more by way of conversation than of explanation:

"I just left uncle making a call on a parishioner next door, and was going home with Jocasta (a peon servant of her uncle's), when I heard the music, and dropped in. I don't know what has become of her," she added, glancing round the room again; "she seemed perfectly wild when she saw that creature over there bounding about with his handkerchiefs.

You were speaking to him just now. Do tell me--is he real?"

"I should think there was little doubt of that," I said with a vague laugh.

"You know what I mean," she said simply. "Is he quite sane? Does he do that because he likes it, or is he paid for it?"

This was too much. I pointed out somewhat hurriedly that he was a scion of one of the oldest Castilian families, that the performance was a national gypsy dance which he had joined in as a patriot and a patron, and that he was my dearest friend. At the same time I was conscious that I wished she hadn't seen his last performance.

"You don't mean to say that all that he did was in the dance?" she said.

"I don't believe it. It was only like him." As I hesitated over this palpable truth, she went on: "I do wish he'd do it again. Don't you think you could make him?"

"Perhaps he might if YOU asked him," I said a little maliciously.

"Of course I shouldn't do that," she returned quietly. "All the same, I do believe he is really going to do it--or something else. Do look!"

I looked, and to my horror saw that Enriquez, possibly incited by the delicate gold eyegla.s.ses of Miss Mannersley, had divested himself of his coat, and was winding the four handkerchiefs, tied together, picturesquely around his waist, preparatory to some new performance. I tried furtively to give him a warning look, but in vain.

"Isn't he really too absurd for anything?" said Miss Mannersley, yet with a certain comfortable antic.i.p.ation in her voice. "You know, I never saw anything like this before. I wouldn't have believed such a creature could have existed."

Even had I succeeded in warning him, I doubt if it would have been of any avail. For, seizing a guitar from one of the musicians, he struck a few chords, and suddenly began to zigzag into the center of the floor, swaying his body languishingly from side to side in time with the music and the pitch of a thin Spanish tenor. It was a gypsy love song.

Possibly Miss Mannersley's lingual accomplishments did not include a knowledge of Castilian, but she could not fail to see that the gestures and ill.u.s.trative pantomime were addressed to her. Pa.s.sionately a.s.suring her that she was the most favored daughter of the Virgin, that her eyes were like votive tapers, and yet in the same breath accusing her of being a "brigand" and "a.s.sa.s.sin" in her att.i.tude toward "his heart," he balanced with quivering timidity toward her, threw an imaginary cloak in front of her neat boots as a carpet for her to tread on, and with a final astonishing pirouette and a languishing tw.a.n.g of his guitar, sank on one knee, and blew, with a rose, a kiss at her feet.

If I had been seriously angry with him before for his grotesque extravagance, I could have pitied him now for the young girl's absolute unconsciousness of anything but his utter ludicrousness. The applause of dancers and bystanders was instantaneous and hearty; her only contribution to it was a slight parting of her thin red lips in a half-incredulous smile. In the silence that followed the applause, as Enriquez walked pantingly away, I heard her saying, half to herself, "Certainly a most extraordinary creature!" In my indignation I could not help turning suddenly upon her and looking straight into her eyes. They were brown, with that peculiar velvet opacity common to the pupils of nearsighted persons, and seemed to defy internal scrutiny. She only repeated carelessly, "Isn't he?" and added: "Please see if you can find Jocasta. I suppose we ought to be going now; and I dare say he won't be doing it again. Ah! there she is. Good gracious, child! what have you got there?"

It was Enriquez' rose which Jocasta had picked up, and was timidly holding out toward her mistress.

"Heavens! I don't want it. Keep it yourself."

I walked with them to the door, as I did not fancy a certain glitter in the black eyes of the Senoritas Manuela and Pepita, who were watching her curiously. But I think she was as oblivious of this as she was of Enriquez' particular attentions. As we reached the street I felt that I ought to say something more.

"You know," I began casually, "that although those poor people meet here in this public way, their gathering is really quite a homely pastoral and a national custom; and these girls are all honest, hardworking peons or servants enjoying themselves in quite the old idyllic fashion."

"Certainly," said the young girl, half-abstractedly. "Of course it's a Moorish dance, originally brought over, I suppose, by those old Andalusian immigrants two hundred years ago. It's quite Arabic in its suggestions. I have got something like it in an old CANCIONERO I picked up at a bookstall in Boston. But," she added, with a gasp of reminiscent satisfaction, "that's not like HIM! Oh, no! HE is decidedly original.

Heavens! yes."

I turned away in some discomfiture to join Enriquez, who was calmly awaiting me, with a cigarette in his mouth, outside the sala. Yet he looked so unconscious of any previous absurdity that I hesitated in what I thought was a necessary warning. He, however, quickly precipitated it.

Glancing after the retreating figures of the two women, he said: "Thees mees from Boston is return to her house. You do not accompany her? I shall. Behold me--I am there." But I linked my arm firmly in his. Then I pointed out, first, that she was already accompanied by a servant; secondly, that if I, who knew her, had hesitated to offer myself as an escort, it was hardly proper for him, a perfect stranger, to take that liberty; that Miss Mannersley was very punctilious of etiquette, which he, as a Castilian gentleman, ought to appreciate.

"But will she not regard lofe--the admiration excessif?" he said, twirling his thin little mustache meditatively.

"No; she will not," I returned sharply; "and you ought to understand that she is on a different level from your Manuelas and Carmens."

"Pardon, my friend," he said gravely; "thees women are ever the same.

There is a proverb in my language. Listen: 'Whether the sharp blade of the Toledo pierce the satin or the goatskin, it shall find behind it ever the same heart to wound.' I am that Toledo blade--possibly it is you, my friend. Wherefore, let us together pursue this girl of Boston on the instant."

But I kept my grasp on Enriquez' arm, and succeeded in restraining his mercurial impulses for the moment. He halted, and puffed vigorously at his cigarette; but the next instant he started forward again. "Let us, however, follow with discretion in the rear; we shall pa.s.s her house; we shall gaze at it; it shall touch her heart."

Ridiculous as was this following of the young girl we had only just parted from, I nevertheless knew that Enriquez was quite capable of attempting it alone, and I thought it better to humor him by consenting to walk with him in that direction; but I felt it necessary to say:

"I ought to warn you that Miss Mannersley already looks upon your performances at the sala as something outre and peculiar, and if I were you I shouldn't do anything to deepen that impression."

"You are saying she ees shock?" said Enriquez, gravely.

I felt I could not conscientiously say that she was shocked, and he saw my hesitation. "Then she have jealousy of the senoritas," he observed, with insufferable complacency. "You observe! I have already said. It is ever so."

I could stand it no longer. "Look here, Harry," I said, "if you must know it, she looks upon you as an acrobat--a paid performer."

"Ah!"--his black eyes sparkled--"the torero, the man who fights the bull, he is also an acrobat."