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Selected English Letters (XV - XIX Centuries) Part 21

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Olney, 9 _Feb_. 1786.

MY DEAREST COUSIN,

I have been impatient to tell you that I am impatient to see you again. Mrs. Unwin partakes with me in all my feelings upon this subject, and longs also to see you. I should have told you so by the last post, but have been so completely occupied by this tormenting specimen, that it was impossible to do it. I sent the General a letter on Monday that should distress and alarm him; I sent him another yesterday, that will, I hope, quiet him again. Johnson has apologized very civilly for the mult.i.tude of his friend's strictures; and his friend has promised to confine himself in future to a comparison of me with the original, so that, I doubt not, we shall jog on merrily together. And now, my dear, let me tell you once more, that your kindness in promising us a visit has charmed us both! I shall see you again. I shall hear your voice. We shall take walks together. I will show you my prospects, the hovel, the alcove, the Ouse and its banks, everything that I have described. I antic.i.p.ate the pleasure of those days not very far distant, and feel a part of it at this moment. Talk not of an inn! Mention it not for your life! We have never had so many visitors, but we could easily accommodate them all, though we have received Unwin, and his wife, and his sister, and his son all at once.

My dear, I will not let you come till the end of May, or beginning of June, because before that time my greenhouse will not be ready to receive us, and it is the only pleasant room belonging to us. When the plants go out, we go in. I line it with mats, and spread the floor with mats; and there you shall sit with a bed of mignonette at your side, and a hedge of honeysuckles, roses, and jasmine; and I will make you a bouquet of myrtle every day. Sooner than the time I mention the country will not be in complete beauty.

And I will tell you what you shall find at your first entrance.



Imprimis, as soon as you have entered the vestibule, if you cast a look on either side of you, you shall see on the right hand a box of my making. It is the box in which have been lodged all my hares, and in which lodges Puss at present; but he, poor fellow, is worn out with age, and promises to die before you can see him. On the right hand stands a cupboard, the work of the same author; it was once a dove-cage, but I transformed it. Opposite to you stands a table, which I also made; but a merciless servant having scrubbed it until it became paralytic, it serves no purpose now but of ornament; and all my clean shoes stand under it. On the left hand, at the farther end of this superb vestibule, you will find the door of the parlour, into which I will conduct you, and where I will introduce you to Mrs.

Unwin, unless we should meet her before, and where we will be as happy as the day is long. Order yourself, my Cousin, to the Swan at Newport, and there you shall find me ready to conduct you to Olney.

My dear, I have told Homer what you say about casks and urns, and have asked him whether he is sure that it is a cask in which Jupiter keeps his wine. He swears that it is a cask, and that it will never be anything better than a cask to eternity. So if the G.o.d is content with it, we must even wonder at his taste, and be so too.

Adieu! my dearest, dearest Cousin.

TO THE SAME

_Commissions and thanks_

The Lodge, 24 _Dec_. 1786.

You must by no means, my dearest Coz, pursue the plan that has suggested itself to you on the supposed loss of your letter. In the first place I choose that my Sundays, like the Sundays of other people, shall be distinguished by something that shall make me look forward to them with agreeable expectation, and for that reason desire that they may always bring me a letter from you. In the next place, if I know when to _expect_ a letter, I know likewise when to _inquire after_ a letter, if it happens not to come; a circ.u.mstance of some importance, considering how excessively careless they are at the Swan, where letters are sometimes overlooked, and do not arrive at their destination, if no inquiry be made, till some days have pa.s.sed since their arrival at Olney. It has happened frequently to me to receive a letter long after all the rest have been delivered, and the Padre a.s.sured me that Mr. Throckmorton has sent notes three several times to Mrs. Marriot, complaining of this neglect. For these reasons, my dear, thou must write still on Sat.u.r.days, and as often on other days as thou pleasest.

The screens came safe, and one of them is at this moment interposed between me and the fire, much to the comfort of my peepers. The other of them being fitted up with a screw that was useless, I have consigned it to proper hands, that it may be made as serviceable as its brother. They are very neat, and I account them a great acquisition. Our carpenter a.s.sures me that the lameness of the chairs was not owing to any injury received in their journey, but that the maker never properly finished them. They were not high when they came, and in order to reduce them to a level, we have lowered them an inch.

Thou knowest, child, that the short foot could not be lengthened, for which reason we shortened the long ones. The box containing the plate and the brooms reached us yesterday, and nothing had suffered the least damage by the way. Everything is smart, everything is elegant, and we admire them all. The short candlesticks are short enough. I am now writing with those upon the table; Mrs. U. is reading opposite, and they suit us both exactly. With the money that you have in hand, you may purchase, my dear, at your most convenient time, a tea-urn; that which we have at present having never been handsome, and being now old and patched. A parson once, as he walked across the parlour, pushed it down with his belly, and it never perfectly recovered itself. We want likewise a tea-waiter, meaning, if you please, such a one as you may remember to have seen at the Hall, a wooden one.

To which you may add, from the same fund, three or four yards of yard-wide muslin, wherewithal to make neckcloths for my worship. If after all these disburs.e.m.e.nts anything should be left at the bottom of the purse, we shall be obliged to you if you will expend it in the purchase of silk pocket-handkerchiefs. There, my precious--I think I have charged thee with commissions in plenty.

You neither must nor shall deny us the pleasure of sending to you such small matters as we do. As to the partridges, you may recollect possibly, when I remind you of it, that I never eat them; they refuse to pa.s.s my stomach; and Mrs. Unwin rejoiced in receiving them only because she could pack them away to you--therefore never lay us under any embargoes of this kind, for I tell you beforehand, that we are both incorrigible. My beloved Cousin, the first thing that I open my eyes upon in a morning, is it not the bed in which you have laid me?

Did you not, in our old dismal parlour at Olney, give me the tea on which I breakfast?--the chocolate that I drank at noon, and the table at which I dine?--the everything, in short, that I possess in the shape of convenience, is it not all from you? and is it possible, think you, that we should either of us overlook an opportunity of making such a tiny acknowledgement of your kindness? a.s.sure yourself that never, while my name is Giles Gingerbread, will I dishonour my glorious ancestry, and my ill.u.s.trious appellation, by so unworthy a conduct. I love you at my heart, and so does Mrs. U., and we must say thank you, and send you a peppercorn when we can. So thank you, my dear, for the brawn and the chine, and for all the good things that you announce, and at present I will, for your sake, say no more of thanksgiving.

TO MRS. BODHAM

_His mother's portrait_

Weston, 27 _Feb._ 1790.

MY DEAREST ROSE,

Whom I thought withered, and fallen from the stalk, but whom I still find alive: nothing could give me greater pleasure than to know it, and to hear it from yourself. I loved you dearly when you were a child, and love you not a jot the less for having ceased to be so.

Every creature that bears any affinity to my mother is dear to me, and you, the daughter of her brother, are but one remove distant from her: I love you, therefore, and love you much, both for her sake, and for your own. The world could not have furnished you with a present so acceptable to me, as the picture which you have so kindly sent me. I received it the night before last, and viewed it with a trepidation of nerves and spirits somewhat akin to what I should have felt, had the dear original presented herself to my embraces. I kissed it, and hung it where it is the last object that I see at night, and, of course, the first on which I open my eyes in the morning. She died when I completed my sixth year; yet I remember her well, and am an ocular witness of the great fidelity of the copy. I remember, too, a mult.i.tude of the maternal tendernesses which I received from her, and which have endeared her memory to me beyond expression. There is in me, I believe, more of the Donne than of the Cowper; and though I love all of both names, and have a thousand reasons to love those of my own name, yet I feel the bond of nature draw me vehemently to your side.

I was thought in the days of my childhood much to resemble my mother; and in my natural temper, of which at the age of fifty-eight I must be supposed to be a competent judge, can trace both her, and my late uncle, your father. Somewhat of his irritability; and a little, I would hope, both of his and of her--I know not what to call it, without seeming to praise myself, which is not my intention, but speaking to _you_, I will even speak out, and say _good nature_. Add to all this, I deal much in poetry, as did our venerable ancestor, the Dean of St. Paul's, and I think I shall have proved myself a Donne at all points. The truth is, that whatever I am, I love you all.

EDMUND BURKE

1729-1797

TO MATTHEW SMITH

_First impressions of London_

[1750.]

You'll expect some short account of my journey to this great city. To tell you the truth, I made very few remarks as I rolled along, for my mind was occupied with many thoughts, and my eyes often filled with tears, when I reflected on all the dear friends I left behind; yet the prospects could not fail to attract the attention of the most indifferent: country seats sprinkled round on every side, some in the modern taste, some in the style of old De Coverley Hall, all smiling on the neat but humble cottage; every village as neat and compact as a bee-hive, resounding with the busy hum of industry; and inns like palaces.

What a contrast to our poor country, where you'll scarce find a cottage ornamented with a chimney! But what pleased me most of all was the progress of agriculture, my favourite study, and my favourite pursuit, if Providence had blessed me with a few paternal acres.

A description of London and its natives would fill a volume. The buildings are very fine: it may be called the sink of vice: but its hospitals and charitable inst.i.tutions, whose turrets pierce the skies like so many electrical conductors, avert the wrath of Heaven. The inhabitants may be divided into two cla.s.ses, the _undoers_ and the _undone_; generally so, I say, for I am persuaded there are many men of honesty and women of virtue in every street. An Englishman is cold and distant at first; he is very cautious even in forming an acquaintance; he must know you well before he enters into friendship with you; but if he does, he is not the first to dissolve that sacred bond: in short, a real Englishman is one that performs more than he promises; in company he is rather silent, extremely prudent in his expressions, even in politics, his favourite topic. The women are not quite so reserved; they consult their gla.s.ses to the best advantage; and as nature is very liberal in her gifts to their persons, and even minds, it is not easy for a young man to escape their glances, or to shut his ears to their softly flowing accents.

As to the state of learning in this city, you know I have not been long enough in it to form a proper judgement of that subject. I don't think, however, there is as much respect paid to a man of letters on this side of the water as you imagine. I don't find that genius, the 'rath primrose, which forsaken dies', is patronized by any of the n.o.bility, so that writers of the first talents are left to the capricious patronage of the public. Notwithstanding discouragement, literature is cultivated in a high degree. Poetry raises her enchanting voice to Heaven. History arrests the wings of Time in his flight to the gulf of oblivion. Philosophy, the queen of arts, and the daughter of Heaven, is daily extending her intellectual empire. Fancy sports on airy wing like a meteor on the bosom of a summer cloud; and even Metaphysics spins her cobwebs, and catches some flies.

The House of Commons not unfrequently exhibits explosions of eloquence that rise superior to those of Greece and Rome, even in their proudest days. Yet, after all, a man will make more by the figures of arithmetic than the figures of rhetoric, unless he can get into the trade wind, and then he may sail secure over Pactolean sands. As to the stage, it is sunk, in my opinion, into the lowest degree; I mean with regard to the trash that is exhibited on it; but I don't attribute this to the taste of the audience, for when Shakespeare warbles his 'native woodnotes', the boxes, pit, and gallery, are crowded--and the G.o.ds are true to every word, if properly winged to the heart.

Soon after my arrival in town I visited Westminster Abbey: the moment I entered I felt a kind of awe pervade my mind which I cannot describe; the very silence seemed sacred. Henry VII's chapel is a very fine piece of Gothic architecture, particularly the roof; but I am told that it is exceeded by a chapel in the University of Cambridge.

Mrs. Nightingale's monument has not been praised beyond its merit. The att.i.tude and expression of the husband in endeavouring to shield his wife from the dart of death, is natural and affecting. But I always thought that the image of death would be much better represented with an extinguished torch inverted, than with a dart. Some would imagine that all these monuments were so many monuments of folly;--I don't think so; what useful lessons of morality and sound philosophy do they not exhibit! When the high-born beauty surveys her face in the polished Parian, though dumb the marble, yet it tells her that it was placed to guard the remains of as fine a form, and as fair a face as her own. They show besides how anxious we are to extend our loves and friendships beyond the grave, and to s.n.a.t.c.h as much as we can from oblivion--such is our natural love of immortality; but it is here that letters obtain the n.o.blest triumphs; it is here that the swarthy daughters of Cadmus may hang their trophies on high; for when all the pride of the chisel and the pomp of heraldry yield to the silent touches of time, a single line, a half-worn-out inscription, remain faithful to their trust. Blest be the man that first introduced these strangers into our islands, and may they never want protection or merit! I have not the least doubt that the finest poem in the English language, I mean Milton's _Il Penseroso_, was composed in the long-resounding aisle of a mouldering cloister or ivy'd abbey. Yet after all do you know that I would rather sleep in the southern corner of a little country churchyard, than in the tomb of the Capulets. I should like, however, that my dust should mingle with kindred dust.

The good old expression 'family burying-ground' has something pleasing in it, at least to me.

To JAMES BARRY

_A friend's infirmities_

Gregories, 16 _Sept_. 1769.

MY DEAR BARRY,

I am most exceedingly obliged to your friendship and partiality, which attributed a silence very blameable on our parts to a favourable cause: let me add in some measure to its true cause, a great deal of occupation of various sorts, and some of them disagreeable enough.

As to any reports concerning your conduct and behaviour, you may be very sure they could have no kind of influence here; for none of us are of such a make as to trust to any one's report for the character of a person whom we ourselves know. Until very lately, I had never heard anything of your proceedings from others; and when I did, it was much less than I had known from yourself, that you had been upon ill terms with the artists and virtuosi in Rome, without much mention of cause or consequence. If you have improved these unfortunate quarrels to your advancement in your art, you have turned a very disagreeable circ.u.mstance to a very capital advantage. However you may have succeeded in this uncommon attempt, permit me to suggest to you, with that friendly liberty which you have always had the goodness to bear from me, that you cannot possibly have always the same success, either with regard to your fortune or your reputation. Depend upon it, that you will find the same compet.i.tions, the same jealousies, the same arts and cabals, the emulations of interest and of fame, and the same agitations and pa.s.sions here that you have experienced in Italy; and if they have the same effect on your temper, they will have just the same effects upon your interest; and be your merit what it will, you will never be employed to paint a picture. It will be the same at London as at Rome, and the same in Paris as in London, for the world is pretty nearly alike in all its parts; nay, though it would perhaps be a little inconvenient to me, I had a thousand times rather you should fix your residence in Rome than here, as I should not then have the mortification of seeing with my own eyes a genius of the first rank lost to the world, himself, and his friends; as I certainly must, if you do not a.s.sume a manner of acting and thinking here, totally different from what your letters from Rome have described to me.

That you have had just subjects of indignation always, and of anger often, I do no ways doubt; who can live in the world without some trial of his patience? But believe me, my dear Barry, that the arms with which the ill dispositions of the world are to be combated, and the qualities by which it is to be reconciled to us, and we reconciled to it, are moderation, gentleness, a little indulgence to others, and a great deal of mistrust of ourselves; which are not qualities of a mean spirit, as some may possibly think them; but virtues of a great and n.o.ble kind, and such as dignify our nature as much as they contribute to our repose and fortune; for nothing can be so unworthy of a well-composed soul, as to pa.s.s away life in bickerings and litigations, in snarling and scuffling with every one about us.

Again and again, my dear Barry, we must be at peace with our species; if not for their sakes yet very much for our own. Think what my feelings must be, from my unfeigned regard, and from my wishes that your talents might be of use, when I see what the inevitable consequences must be, of your persevering in what has. .h.i.therto been your course, ever since I knew you, and which you will permit me to trace out for you beforehand.

You will come here; you will observe what the artists are doing; and you will sometimes speak a disapprobation in plain words, and sometimes by a no less expressive silence. By degrees you will produce some of your own works. They will be variously criticized; you will defend them; you will abuse those that have attacked you; expostulations, discussions, letters, possibly challenges, will go forward; you will shun your brethren, they will shun you. In the meantime, gentlemen will avoid your friendship, for fear of being engaged in your quarrels; you will fall into distresses which will only aggravate your disposition for further quarrels; you will be obliged for maintenance to do anything for anybody; your very talents will depart for want of hope and encouragement; and you will go out of the world fretted, disappointed, and ruined.

Nothing but my real regard for you could induce me to set these considerations in this light before you. Remember, we are born to serve and to adorn our country, and not to contend with our fellow-citizens, and that in particular your business is to paint and not to dispute....

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Selected English Letters (XV - XIX Centuries) Part 21 summary

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