Seeing Things At Night Part 15

THE TAILOR--They won't if you get out and leave me alone. Here, hurry.

(_He half pushes her out the little door. Then he returns to the bag and seems to pull out something. He looks to the ceiling and finds a hook fairly in the middle of it. He moves his hand upward as if tossing something, and goes through the motions of tying a knot around his neck.

Then the Tailor takes a chair and moves it to the center of the room. He stands upon it. The violent a.s.sault upon the door begins with renewed vigor. Some of the axes bite through the wood. The Tailor steps off the chair and dangles in the air. He floats in s.p.a.ce, like a man in a magic trick, but one or two in the audience, dramatic critics, perhaps, or scullery maids, may see that round his neck and fastened to the hook in the ceiling is a yellow rope._)

(_Curtain._)

Turning Thirty

"Margaret Fuller's father was thirty-two when she was born," writes Katharine Anthony in her biography of the great feminist. "A self-made man, he had been obliged to postpone marriage and family life to a comparatively advanced age."

The paragraph came to us like a blow in the face. For years and years we had been going along buoyed up by the comments of readers who wrote in from time to time to say: "Of course, you are still a young man. You will learn better as you grow older." And now we find that we have grown older. We have reached a comparatively advanced age, and the problem of whether or not we have learned better is present and persistent. It can no longer be put off as something which will work out all right in time.

"Some day," says the young man to himself, "I'm going to sit down and write a novel, or the great American drama, or an epic poem." Then some day comes and the young man finds that his joints are stiff and he can't sit down.

However, we are not quite prepared to admit that thirty-two is the deadline. It seemed old age to us for a long time. When we were reporting baseball the players used to call Roy Hartzell, over on third base, "the old man," because he was all of twenty-nine, and veterans of thirty were constantly dropping out because of advancing age and the pressure of recruits of nineteen and twenty. Yes, thirty-two was a comparatively advanced age at that time. But then we got on to plays and books, and Bernard Shaw was doing all the timely hitting in the pinches, and, to mix the metaphor, breaking loose and running the length of the field, putting a straight arm into the faces of all who would tackle him. De Morgan started to blaze at the age of fifty, and James Huneker was the keenest of all the critics to hail anything in any art which was new and hitherto uncla.s.sified. And he, too, wrote his first novel, _Painted Veils_, long after fifty. It was a novel which we did not like very much, but all its faults were those of youth. Some of it actually soph.o.m.oric. It was more like the work of F. Scott Fitzgerald than any living author. We felt that it was a first novel by a "promising" man, and thirty and twenty-nine and all those ages seemed to us mere verdant days in the hatchery.

We remember a sweet girl reporter going to Major General Sibert, commander of the First Division in its early days in France, and asking: "General, don't you think this is a young man's war?" Sibert grinned behind his gray mustache, and said: "When I was in West Point I used to bear in mind that Napoleon won some of his greatest victories while he was in his thirties, but now I find my attention turning more and more to the fact that Hindenburg is seventy-two and Joffre is seventy."

Time, we know, is fleeting, but there is always a little more left for the man who can look senility and destruction and all that sort of business straight in the eye and remark calmly, "I'm too busy this afternoon; drop around to-morrow." Thirty-two isn't a comparatively advanced age. Some day we are going to write that epic poem, and the novel, and the great American drama.

Turning to _The Art of Lawn Tennis_, by William Tilden, 2nd, we find the comforting information that "William A. Larned won the singles at past forty. Men of sixty are seen daily on the clubs' courts of England and America enjoying their game as keenly as any boy. It is to this game, in great measure, that they owe the physical fitness which enables them to play at their advanced age."

Yet after all this is not quite so comforting. We know one or two of these iron athletes who have outlived their generation and they are among the bores of the world. After one of them has captured the third set by dashing to the net and volleying your shot off at a sharp angle he invariably rubs it in by asking you to guess how old you think he is.

We always answer, "Ninety-six," but there is no discouraging him or stopping him before he has gone on to tell you about breaking the ice in the tub for his morning plunge.

There is an unearthly air about these men whom G.o.d has forgotten. They are like those Prussian soldiers of Frederick who continued to stand after swords and bullets had gone through them and required the services of some one to go about the field and push them over so that they might be decently buried. There were men like that in one of the lands which Gulliver visited. They never died and probably they played a sharp game of tennis and later in the clubhouse they were accustomed to sit around and say how much better the actors used to be fifty years ago. Everybody hated them and stayed away from their company in droves.

No, we set no store of hope on being a sixty-year-old prodigy at lawn tennis. We dodder about the court already. We had just as soon be gray and bald and all the rest of it if only we can ever grow young enough to write a bold and slashing novel and be suppressed by Mr. Sumner.

Margaret Fuller

Katharine Anthony's _Margaret Fuller_ is biography in new and fascinating form. "A psychological biography," Miss Anthony calls it, and she takes advantage of the theories of Freud and Jung to reveal new facts about the life of a woman long dead, by the process of submitting well known material to the psychoa.n.a.lytic test. This is an engrossing game. There is something about it quite suggestive of the contrast between Sherlock Holmes and the more dull-witted detectives of Scotland Yard. Holmes, you remember, could come into a room after all the members of the force had pawed the evidence and interpret something new from the cigar ash on the table which had been to them just cigar ash, but was to Holmes convincing evidence that the crime had been committed by a red-haired man, six feet in height, born in Kentucky and an enrolled member of the Democratic Party. Other biographers were content to record the fact that Margaret Fuller was a nervous child who received all her early education at home from her father. There they paused, and it is just here that Miss Anthony leaps in to explain the exact emotional relation between father and daughter which simmered about in Margaret's subconsciousness and contributed to the convulsions of her early schooldays.

It is fascinating to watch the skilled biographer reveal all sorts of facts about Margaret Fuller of which she herself had not the ghost of a notion. We can't say that the theory of the biographer is always convincing, although we must admit that her case is full and logical at every turn. To us it is just a little too logical. There is so much proof that we are rather inclined to believe that the theory is not altogether so. It is only fair to admit that Margaret seems to have been a Freudian herself long before there was a Freud. Again and again her own observations, quick, intuitive leaps, coincide almost exactly with theories worked out later by much more difficult and rational processes.

Nathaniel Hawthorne, also, seems to have had some conception of the unconscious quite consistent with the most modern theorists, for he records a conversation between himself and Margaret Fuller in which they talked about "the experiences of early childhood, whose influence remains upon the character after the recollection of them has pa.s.sed away."

Margaret Fuller, laboratory specimen, is an interesting study; Margaret Fuller, feminist, an inspiring figure in American history; but most of all our interest is captured by that portion of the book which deals with Margaret Fuller, literary critic of _The New York Tribune_. She wrote three critical articles a week, which appeared on the first page of the paper, and since her day newspaper reviewing has gone back in other respects than the mere process of burying itself more deeply within the paper. Opinions about books seem to have been more exciting and provocative in the days of Margaret Fuller and Horace Greeley. At any rate, one or the other wrote an article in _The Tribune_ which inspired a libel suit by James Fenimore Cooper in which he won a verdict of $200. Nothing like that happens to-day. Once we managed to incite an actor into a lawsuit, but the only sign of recognition which we ever obtain from belaboring an author is a telephone message or a letter saying that our adverse notice has amused him very much and greatly contributed to the sale of his little book and would we come around and have lunch.

Miss Fuller managed to cut deeper. James Russell Lowell never recovered from the shock of her poor opinion of him, and was forever lampooning her in public life and private. She seems to have been singularly free from awe for the great literary figures of her day. In an age when not liking Longfellow was almost as much a mark of national treason as urging a reduction in the German indemnity would be to-day Miss Fuller wrote of Longfellow in exactly the spirit in which he is regarded by the later critics who looked at him dispa.s.sionately.

"When we see a person of moderate powers," she wrote, "receive honors which should be reserved for the highest, we feel somewhat like a.s.sailing him and taking from him the crown which should be reserved for grander brows. And yet this is, perhaps, ungenerous.... He (Longfellow) has no style of his own, growing out of his experiences and observations of nature. Nature with him, whether human or external, is always seen through the windows of literature.... This want of the free breath of nature, this perpetual borrowing of imagery, this excessive, because superficial, culture which he has derived from an acquaintance with the elegant literature of many nations and men, out of proportion to the experience of life within himself, prevent Mr. Longfellow's verses from ever being a true refreshment to ourselves."

Ralph Waldo Emerson was her close friend, and yet she could see him clearly enough from a critical point of view to write: "We doubt this friend raised himself too early to the perpendicular, and did not lie along the ground long enough to hear the whispers of our parent life. We would wish he might be thrown by conflicts on the lap of Mother Earth, to see if he would not rise again with added powers."

The feminism of Margaret Fuller is pa.s.sionate and far reaching. It does not stop merely with the plea for the vote, but includes a newer and freer ideal of marriage. There is inspiration in this, and yet something a little disturbing in the article which she wrote about the London Reform Club, in which she said: "I was not sorry, however, to see men predominant in the cooking department, as I hope to see that and washing transferred to their care in the progress of things, since they are 'the stronger s.e.x.'"

Holding a Baby

When Adam delved and Eve span, the fiction that man is incapable of housework was first established. It would be interesting to figure out just how many foot-pounds of energy men have saved themselves, since the creation of the world, by keeping up the pretense that a special knack is required for washing dishes and for dusting, and that the knack is wholly feminine. The pretense of incapacity is impudent in its audacity, and yet it works.

Men build bridges and throw railroads across deserts, and yet they contend successfully that the job of sewing on a b.u.t.ton is beyond them.

Accordingly, they don't have to sew b.u.t.tons.

It might be said, of course, that the safety of suspension bridges is so much more important than that of suspenders that the division of labor is only fair, but there are many of us who have never thrown a railroad in our lives, and yet swagger in all the glory of masculine achievement without undertaking any of the drudgery of odd jobs.

Probably men alone could never have maintained the fallacy of masculine incapacity without the aid of women. As soon as that rather limited sphere, once known as woman's place, was established, women began to glorify and exaggerate its importance, by the pretense that it was all so special and difficult that no other s.e.x could possibly begin to accomplish the tasks entailed. To this declaration men gave immediate and eager a.s.sent and they have kept it up. The most casual examination will reveal the fact that all the jokes about the horrible results of masculine cooking and sewing are written by men. It is all part of a great scheme of s.e.x propaganda.

Naturally there are other factors. Biology has been unscrupulous enough to discriminate markedly against women, and men have seized upon this advantage to press the belief that, since the bearing of children is exclusively the province of women, it must be that all the caring for them belongs properly to the same s.e.x. Yet how ridiculous this is.

Most things which have to be done for children are of the simplest sort.

They should tax the intelligence of no one. Men profess a total lack of ability to wash baby's face simply because they believe there's no great fun in the business, at either end of the sponge. Protectively, man must go the whole distance and pretend that there is not one single thing which he can do for baby. He must even maintain that he doesn't know how to hold one. From this pretense has grown the shockingly transparent fallacy that holding a baby correctly is one of the fine arts; or, perhaps even more fearsome than that, a wonderful intuition, which has come down after centuries of effort to women only.

"The thing that surprised Richard most," says a recent woman novelist, "was the ease and the efficiency with which Eleanor handled Annabel....

She seemed to know by instinct, things that Richard could not understand and that he could not understand how she came by. If she reached out her hands to take Annabel, her fingers seemed, of themselves, to curve into the places where they would fit the spineless bundle and give it support."

At this point, interruption is inevitable. Places indeed! There are one hundred and fifty-two distinctly different ways of holding a baby--and all are right! At least all will do. There is no need of seeking out special places for the hands. A baby is so soft that anybody with a firm grip can make places for an effective hold wherever he chooses. But to return to our quotation: "If Richard tried to take up the bundle, his fingers fell away like the legs of the brittle crab and the bundle collapsed, incalculable and helpless. 'How do you do it?' he would say.

And he would right Annabel and try to still her protests. And Eleanor would only smile gently and send him on some masculine errand, while she soothed Annabel's feelings in the proper way."

You may depend upon it that Richard also smiled as soon as he was safely out of the house and embarked upon some masculine errand, such as playing eighteen holes of golf. Probably, by the time he reached the tenth green, he was too intent upon his game to remember how guile had won him freedom. Otherwise, he would have laughed again, when he holed a twenty-foot putt over a rolling green and recollected that he had escaped an afternoon of carrying Annabel because he was too awkward. I once knew the wife of the greatest billiard player in the world, and she informed me with much pride that her husband was incapable of carrying the baby. "He doesn't seem to have the proper touch," she explained.

As a matter of fact, even if men in general were as awkward as they pretend to be at home, there would still be small reason for their shirking the task of carrying a baby. Except that right side up is best, there is not much to learn. As I ventured to suggest before, almost any firm grip will do. Of course the child may cry, but that is simply because he has become over-particular through too much coddling. Nature herself is cavalier. Young rabbits don't even whimper when picked up by the ears, and kittens are quite contented to be lifted by the scruff of the neck.

This same Nature has been used as the princ.i.p.al argument for woman's exclusive ability to take care of the young. It is pretty generally held that all a woman needs to do to know all about children is to have some.

This wisdom is attributed to instinct. Again and again we have been told by rapturous grandmothers that: "It isn't something which can be read in a book or taught in a school. Nature is the great teacher." This simply isn't true. There are many mothers in America who have learned far more from the manuals of Dr. Holt than instinct ever taught them--and Dr. Holt is a man. I have seen mothers give beer and spaghetti and Neapolitan ice-cream to children in arms, and, if they got that from instinct, the only conclusion possible is that instinct did not know what it was talking about. Instinct is not what it used to be.

I have no feeling of being a traitor to my s.e.x, when I say that I believe in at least a rough equality of parenthood. In shirking all the business of caring for children we have escaped much hard labor. It has been convenient. Perhaps it has been too convenient. If we have avoided arduous tasks, we have also missed much fun of a very special kind. Like children in a toy shop, we have chosen to live with the most amusing of talking-and-walking dolls, without ever attempting to tear down the sign which says, "Do not touch." In fact we have helped to set it in place.

That is a pity.

Children mean nothing at long range. For our own sake we ought to throw off the pretense of incapacity and ask that we be given a half share in them. I hope that this can be done without its being necessary for us to share the responsibility of dishes also. I don't think there are any concealed joys in washing dishes. Washing children is quite a different matter. After you have washed somebody else's face you feel that you know him better. This may be the reason why so many trained nurses marry their patients--but that is another story. A dish is an unresponsive thing. It gives back nothing. A child's face offers compet.i.tive possibilities. It is interesting to see just how high a polish can be achieved without making it cry.

There is also a distinct sense of elation in doing trifling practical things for children. They are so small and so helpless that they contribute vastly to a comforting glow in the ego of the grown-up. When you have completed the rather difficult task of preparing a child for bed and actually getting him there, you have a sense of importance almost divine in its extent. This is to feel at one with Fate, to be the master of another's destiny, of his waking and his sleeping and his going out into the world. It is a brand-new world for the child. He is a veritable Adam and you loom up in his life as more than mortal. Golf is well enough for a Sunday sport, but it is a trifling thing beside the privilege of taking a small son to the zoo and letting him see his first lion, his first tiger and, best of all, his first elephant. Probably he will think that they are part of your own handiwork turned out for his pleasure.

To a child, at least, even the meanest of us may seem glamourous with magic and wisdom. It seems a pity not to take the fullest advantage of this chance before the opportunity is lost. There must come a day when even the most nimble-witted father has to reply, "I don't know." On that day the child comes out of Eden and you are only a man again. Cortes on his lonely peak in Darien was a pigmy discoverer beside the child eating his first spoonful of ice-cream. There is the immediate frightened and angry rebellion against the coldness of it, and then the amazing sensation as the strange substance melts into magic of pleasant sweetness. The child will go on to high adventure, but I doubt whether the world holds for any one more soul-stirring surprise than the first adventure with ice-cream. No, there is nothing dull in feeding a child.

There is less to be said for dressing a child, from the point of view of recreation. This seems to us laborious and rather tiresome, both for father and child. Still I knew one man who managed to make an adventure of it. He boasted that he had broken all the records of the world for changing all or any part of a child's clothing. He was a skilled automobile mechanic, much in demand in races, where tires are whisked on and off. He brought his technic into the home. I saw several of his demonstrations. He was a silent man who habitually carried a mouthful of safety pins. Once the required youngster had been pointed out, he wasted no time in preliminary wheedlings but tossed her on the floor without more ado. Even before her head had b.u.mped, he would be hard at work.

With him the thrill lay in the inspiration of the compet.i.tive spirit. He endeavored always to have his task completed before the child could begin to cry. He never lost. Often the child cried afterward, but by that time my friend felt that his part of the job was completed--and would turn the youngster over to her mother.