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Seeing Europe with Famous Authors Volume V Part 8

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BY THOMAS FROGNALL DIBDIN

We were now within about twenty English miles of Ulm. Nothing particular occurred, either by way of anecdote or of scenery, till within almost the immediate approach or descent to that city--the last in the Suabian territories, and which is separated from Bavaria by the River Danube. I caught the first glance of that celebrated river (here of comparatively trifling width) with no ordinary emotions of delight. It recalled to my memory the battle of Blenheim, or of Hochstedt; for you know that it was across this very river, and scarcely a score of miles from Ulm, that the victorious Marlborough chased the flying French and Bavarians--at the battle just mentioned. At the same moment, almost, I could not fail to contrast this glorious issue with the miserable surrender of the town before me--then filled by a large and well-disciplined army, and commanded by that nonpareil of generals, J.G. Mack!--into the power of Bonaparte almost without pulling a trigger on either side--the place itself being considered, at the time, one of the strongest towns in Europe. These things, I say, rushed upon my memory, when, on the immediate descent into Ulm, I caught the first view of the tower of the minster which quickly put Marlborough, and Mack, and Bonaparte out of my recollection.

I had never, since quitting the beach at Brighton, beheld such an English-like looking cathedral--as a whole; and particularly the tower.

It is broad, bold, and lofty; but, like all edifices, seen from a neighboring and perhaps loftier height, it loses, at first view, very much of the loftiness of its character. However, I looked with admiration, and longed to approach it. This object was accomplished in twenty minutes. We entered Ulm about two o'clock: drove to an excellent inn (the White Stag--which I strongly recommend to all travelers), and ordered our dinner to be got ready by five; which, as the house was within a stone's cast of the cathedral, gave us every opportunity of visiting it beforehand. The day continued most beautiful: and we sallied forth in high spirits, to gaze at and to admire every object of antiquity which should present itself.

The Cathedral of Ulm is doubtless among the most respectable of those on the Continent. It is large and wide, and of a ma.s.sive and imposing style of architecture. The b.u.t.tresses are bold, and very much after the English fashion. The tower is the chief exterior beauty. Before we mounted it, we begged the guide, who attended us, to conduct us all over the interior. This interior is very n.o.ble, and even superior, as a piece of architecture, to that of Strasburg. I should think it even longer and wider--for the truth is, that the tower of Strasburg Cathedral is as much too tall, as that of Ulm Cathedral is too short, for its nave and choir. Not very long ago, they had covered the interior by a whitewash; and thus the mellow tint of probably about five centuries--in a spot where there are few immediately surrounding houses--and in a town of which the manufactories and population are comparatively small--the latter about 14,000--thus, I say, the mellow tint of these five centuries (for I suppose the cathedral to have been finished about the year 1320) has been cruelly changed for the staring and chilling effects of whiting.[B]

The choir is interesting in a high degree. At the extremity of it is an altar--indicative of the Lutheran form of worship being carried on within the church--upon which are oil paintings upon wood, emblazoned with gilt backgrounds--of the time of Hans Burgmair, and of others at the revival of the art of painting in Germany. These pictures turn upon hinges, so as to shut up, or be thrown open; and are in the highest state of preservation. Their subjects are entirely Scriptural; and perhaps old John Holbein, the father of the famous Hans Holbein, might have had a share in some of them. Perhaps they may come down to the time of Lucas Cranach. Wherever, or by whomsoever executed, this series of paintings, upon the high altar of the Cathedral of Ulm, can not be viewed without considerable satisfaction. They were the first choice specimens of early art which I had seen on this side of the Rhine; and I, of course, contemplated them with the hungry eye of an antiquary.

After a careful survey of the interior, the whole of which had quite the air of English cleanliness and order, we prepared to mount the famous tower. Our valet, Rohfritsch, led the way; counting the steps as he mounted, and finding them to be about 378 in number. He was succeeded by the guide. Mr. Lewis and myself followed in a more leisurely manner; peeping through the interstices which presented themselves in the open fretwork of the ornaments, and finding, as we continued to ascend, that the inhabitants and dwelling houses of Ulm diminished gradually in size.

At length we gained the summit, which is surrounded by a parapet wall of some three or four feet in height. We paused a minute, to recover our breath, and to look at the prospect which surrounded us. The town, at our feet, looked like the metropolis of Laputa. Yet the high ground, by which we had descended into the town--and upon which Bonaparte's army was formerly encamped--seemed to be more lofty than the spot whereon we stood. On the opposite side flowed the Danube; not broad, nor, as I learned, very deep; but rapid and in a serpentine direction.

Upon the whole, the Cathedral of Ulm is a n.o.ble ecclesiastical edifice; uniting simplicity and purity with ma.s.siveness of composition. Few cathedrals are more uniform in the style of their architecture. It seems to be, to borrow technical language, all of a piece. Near it, forming the foreground of the Munich print, are a chapel and a house surrounded by trees. The Chapel is very small, and, as I learned, not used for religious purposes. The house (so Professor Veesenmeyer informed me) is supposed to have been the residence and offices of business of John Zeiner, the well-known printer, who commenced his typographical labors about the year 1740, and who uniformly printed at Ulm; while his brother Gunther as uniformly exercised his art in the city whence I am now addressing you. They were both natives of Reutlingen, a town of some note between Tubingen and Ulm.

[Footnote A: From "A Bibliographical, Antiquarian and Picturesque Tour,"

published in 1821.]

[Footnote B: Ulm has now (1914) a population of 56,000.]

AIX-LA-CHAPELLE AND CHARLEMAGNE'S TOMB[A]

BY VICTOR HUGO

For an invalid, Aix-la-Chapelle is a mineral fountain--warm, cold, irony, and sulfurous; for the tourist, it is a place for redouts and concerts; for the pilgrim, the place of relics, where the gown of the Virgin Mary, the blood of Jesus, the cloth which enveloped the head of John the Baptist after his decapitation, are exhibited every seven years; for the antiquarian, it is a n.o.ble abbey of "filles a abbesse,"

connected with the male convent, which was built by Saint Gregory, son of Niceph.o.r.e, Emperor of the East; for the hunter, it is the ancient valley of the wild boars; for the merchant, it is a "fabrique" of cloth, needles, and pins; and for him who is no merchant, manufacturer, hunter, antiquary, pilgrim, tourist, or invalid, it is the city of Charlemagne.

Charlemagne was born at Aix-la-Chapelle, and died there. He was born in the old place, of which there now only remains the tower, and he was buried in the church that he founded in 796, two years after the death of his wife Fastrada. Leo the Third consecrated it in 804, and tradition says that two bishops of Tongres, who were buried at Maestricht, arose from their graves, in order to complete, at that ceremony, 365 bishops and archbishops--representing the days of the year. This historical and legendary church, from which the town has taken its name, has undergone, during the last thousand years, many transformations. No sooner had I entered Aix than I went to the chapel.... The effect of the great "portail" is not striking; the facade displays the different styles of architecture--Roman, Gothic, and modern--without order, and consequently, without grandeur; but if, on the contrary, we arrive at the chapel by Chevet, the result is otherwise. The high "abside" of the fourteenth century, in all its boldness and beauty, the rich workmanship of its bal.u.s.trades, the variety of its "gargouilles," the somber hue of the stones, and the large transparent windows--strike the beholder with admiration.

Here, nevertheless, the aspect of the church--imposing tho it is--will be found far from uniform. Between the "abside" and the "portail," in a kind of cavity, the dome of Otho III., built over the tomb of Charlemagne in the tenth century, is hid from view. After a few moments'

contemplation, a singular awe comes over us when gazing at this extraordinary edifice--an edifice which, like the great work that Charlemagne began, remains unfinished; and which, like his empire that spoke all languages, is composed of architecture that represents all styles. To the reflective, there is a strange a.n.a.logy between that wonderful man and this great building.

After having pa.s.sed the arched roof of the portico, and left behind me the antique bronze doors surmounted with lions' heads, a white rotundo of two stories, in which all the "fantasies" of architecture are displayed, attracted my attention. At casting my eyes upon the ground, I perceived a large block of black marble, with the following inscription in bra.s.s letters:--

"Carolo Magno."

Nothing is more contemptible than to see, exposed to view, the b.a.s.t.a.r.d graces that surround this great Carlovingian name; angels resembling distorted Cupids, palm-branches like colored feathers, garlands of flowers, and knots of ribbons, are placed under the dome of Otho III., and upon the tomb of Charlemagne.

The only thing here that evinces respect to the shade of that great man is an immense lamp, twelve feet in diameter, with forty-eight burners; which was presented, in the twelfth century, by Barbarossa. It is of bra.s.s, gilt with gold, has the form of a crown, and is suspended from the ceiling above the marble stone by an iron chain about seventy feet in length.

It is evident that some other monument had been erected to Charlemagne.

There is nothing to convince us that this marble, bordered with bra.s.s, is of antiquity. As to the letters, "Carolo Magno," they are not of a late date than 1730.

Charlemagne is no longer under this stone. In 1166 Frederick Barbarossa--whose gift, magnificent tho it was, does by no means compensate for this sacrilege--caused the remains of that great emperor to be untombed. The Church claimed the imperial skeleton, and, separating the bones, made each a holy relic. In the adjoining sacristy, a vicar shows the people--for three francs seventy-five centimes--the fixt price--"the arm of Charlemagne"--that arm which held for a time the reins of the world. Venerable relic! which has the following inscription, written by some scribe of the twelfth century:

"Arm of the Sainted Charles the Great."

After that I saw the skull of Charlemagne, that cranium which may be said to have been the mold of Europe, and which a beadle had the effrontery to strike with his finger.

All were kept in a wooden armory, with a few angels, similar to those I have just mentioned, on the top. Such is the tomb of the man whose memory has outlived ten ages, and who, by his greatness, has shed the rays of immortality around his name. "Sainted, Great," belong to him--two of the most august epithets which this earth could bestow upon a human being.

There is one thing astonishing--that is, the largeness of the skull and arm. Charlemagne was, in fact, colossal with respect to size of body as well as extraordinary mental endowments. The son of Pepin-le-Bref was in body, as in mind, gigantic; of great corporeal strength, and of astounding intellect.

An inspection of this armory has a strange effect upon the antiquary.

Besides the skull and arm, it contains the heart of Charlemagne; the cross which the emperor had round his neck in his tomb; a handsome ostensorium, of the Renaissance, given by Charles the Fifth, and spoiled, in the last century, by tasteless ornaments; fourteen richly sculptured gold plates, which once ornamented the arm-chair of the emperor; an ostensorium, given by Philippe the Second; the cord which bound our Savior; the sponge that was used upon the cross; the girdle of the Holy Virgin, and that of the Redeemer.

In the midst of innumerable ornaments, heaped up in the armory like mountains of gold and precious stones, are two shrines of singular beauty. One, the oldest, which is seldom opened, contains the remaining bones of Charlemagne, and the other, of the twelfth century, which Frederick Barbarossa gave to the church, holds the relics, which are exhibited every seven years. A single exhibition of this shrine, in 1696, attracted 42,000 pilgrims, and drew, in ten days 80,000 florins.

This shrine has only one key, which is in two pieces; the one is in the possession of the chapter, the other in that of the magistrates of the town. Sometimes it is opened on extraordinary occasions, such as on the visit of a monarch....

The tomb, before it became the sarcophagus of Charlemagne, was, it is said, that of Augustus. After mounting a narrow staircase, my guide conducted me to a gallery which is called the Hochmunster. In this place is the arm-chair of Charlemagne. It is low, exceedingly wide, with a round back; is formed of four pieces of white marble, without ornaments or sculpture, and has for a seat an oak board, covered with a cushion of red velvet. There are six steps up to it, two of which are of granite, the others of marble. On this chair sat--a crown upon his head, a globe in one hand, a scepter in the other, a sword by his side, the imperial mantle over his shoulders, the cross of Christ round his neck, and his feet in the sarcophagus of Augustus--Carolus Magnus in his tomb, in which att.i.tude he remained for three hundred and fifty-two years--from 852 to 1166, when Frederick Barbarossa, coveting the chair for his coronation, entered the tomb. Barbarossa was an ill.u.s.trious prince and a valiant soldier; and it must, therefore, have been a moment singularly strange when this crowned man stood before the crowned corpse of Charlemagne--the one in all the majesty of empire, the other in all the majesty of death. The soldier overcame the shades of greatness; the living became the despoliator of inanimate worth. The chapel claimed the skeleton, and Barbarossa the marble chair, which afterward became the throne where thirty-six emperors were crowned. Ferdinand the First was the last; Charles the Fifth preceded him.

In 1804, when Bonaparte became known as Napoleon, he visited Aix-la-Chapelle. Josephine, who accompanied him, had the caprice to sit down on this chair; but Napoleon, out of respect for Charlemagne, took off his hat, and remained for some time standing, and in silence. The following fact is somewhat remarkable, and struck me forcibly. In 814 Charlemagne died; a thousand years afterward, most probably about the same hour, Napoleon fell.

In that fatal year, 1814, the allied sovereigns visited the tomb of the great "Carolus." Alexander of Russia, like Napoleon, took off his hat and uniform; Frederick William of Prussia kept on his "casquette de pet.i.te tenue;" Francis retained his surtout and round bonnet. The King of Prussia stood upon the marble steps, receiving information from the provost of the chapter respecting the coronation of the emperors of Germany; the two emperors remained silent. Napoleon, Josephine, Alexander, Frederick William, and Francis, are now no more.

A few minutes afterward I was on my way to the Hotel-de-Ville, the supposed birthplace of Charlemagne, which, like the chapel, is an edifice made of five or six others. In the middle of the court there is a fountain of great antiquity, with a bronze statue of Charlemagne. To the left and right are two others--both surmounted with eagles, their heads half turned toward the grave and tranquil emperor.

The evening was approaching. I had pa.s.sed the whole of the day among these grand and austere "souvenirs;" and, therefore, deemed it essential to take a walk in the open fields, to breathe the fresh air, and to watch the rays of the declining sun. I wandered along some dilapidated walls, entered a field, then some beautiful alleys, in one of which I seated myself. Aix-la-Chapelle lay extended before me, partly hid by the shades of evening, which were falling around. By degrees the fogs gained the roofs of the houses, and shrouded the town steeples; then nothing was seen but two huge ma.s.ses--the Hotel-de-Ville and the chapel. All the emotions, all the thoughts and visions which flitted across my mind during the day, now crowded upon me. The first of the two dark objects was to me only the birthplace of a child; the second was the resting-place of greatness. At intervals, in the midst of my reverie, I imagined that I saw the shade of this giant, whom we call Charlemagne, developing itself between this great cradle and still greater tomb.

[Footnote A: From "The Rhine." Translated by D.M. Aird.]

THE HANSEATIC LEAGUE[A]

BY JAMES HOWELL

The Hans, or Hanseatic League, is very ancient, some would derive the word from hand, because they of the society plight their faith by that action; others derive it from Hansa, which in the Gothic tongue is council; others would have it come from Hander see, which signifies near or upon the sea, and this pa.s.seth for the best etymology, because their towns are all seated so, or upon some navigable river near the sea. The extent of the old Hans was from the Nerve in Livonia to the Rhine, and contained sixty-two great mercantile towns, which were divided into four precincts. The chiefest of the first precinct was Lubeck, where the archives of their ancient records and their prime chancery is still, and this town is within that verge; Cullen is chief of the second precinct, Brunswick of the third, and Dantzic of the fourth. The kings of Poland and Sweden have sued to be their protector, but they refused them, because they were not princes of the empire.

They put off also the King of Denmark with a compliment, nor would they admit the King of Spain when he was most potent in the Netherlands, tho afterward, when it was too late, they desired the help of the ragged staff; nor of the Duke of Anjou, notwithstanding that the world thought he should have married our queen, who interceded for him, and so it was probable that thereby they might recover their privileges in England. So I do not find that they ever had any protector but the great Master of Prussia; and their want of a protector did do them some prejudice in that famous difference they had with our Queen.

The old Hans had extraordinary immunities given them by our Henry the Third, because they a.s.sisted him in his wars with so many ships, and as they pretend, the king was not only to pay them for the service of the said ships but for the vessels themselves if they miscarried. Now it happened that at their return to Germany, from serving Henry the Third, there was a great fleet of them cast away, for which, according to covenant, they demanded reparation. Our king in lieu of money, among other facts of grace, gave them a privilege to pay but one per cent., which continued until Queen Mary's reign, and she by advice of King Philip, her husband, as it was conceived, enhanced the one to twenty per cent.

The Hans not only complained but clamored loudly for breach of their ancient privileges confirmed unto them, time out of mind, by thirteen successive kings of England, which they pretended to have purchased with their money. King Philip undertook to accommodate the business, but Queen Mary dying a little after, and he retiring, there could be nothing done. Complaint being made to Queen Elizabeth, she answered that as she would not innovate anything, so she would maintain them still in the same condition she found them. Hereupon their navigation and traffic ceased a while, wherefore the English tried what they could do themselves, and they thrived so well that they took the whole trade into their own hands, and so divided themselves (tho they be now but one), to staplers and merchant-adventurers, the one residing constant in one place, where they kept their magazine of wool, the other stirring and adventuring to divers places abroad with cloth and other manufacturies, which made the Hans endeavor to draw upon them all the malignancy they could from all nations.

Moreover, the Hans towns being a body politic incorporated in the empire, complained thereof to the emperor, who sent over persons of great quality to mediate an accommodation, but they could effect nothing. Then the queen caused a proclamation to be published that the easterlings or merchants of the Hans should be entreated and used as all other strangers were, within her dominations, without any mark of difference in point of commerce. This nettled them more, thereupon they bent their forces more eagerly, and in a diet at Ratisbon they procured that the English merchants who had a.s.sociated themselves into fraternities in Emden and other places should be declared monopolists; and so there was a committal edict published against them that they should be exterminated and banished out of all parts of the empire; and this was done by the activity of one Sudennan, a great civilian.

There was there for the queen, Gilpin, as nimble a man as Suderman, and he had the Chancellor of Emden to second and countenance him, but they could not stop the said edict wherein the Society of English Merchant-Adventurers was p.r.o.nounced to be a monopoly; yet Gilpin played his game so well, that he wrought underhand, that the said imperial ban should not be published till after the dissolution of the diet, and that in the interim the Emperor should send amba.s.sadors to England to advise the queen of such a ban against her merchants. But this wrought so little impression upon the queen that the said ban grew rather ridiculous than formidable, for the town of Emden harbored our merchants notwithstanding and afterward Stade, but they not being able to protect them so well from the imperial ban, they settled in the town of Hamburg.

After this the queen commanded another proclamation to be divulged that the easterlings or Hanseatic merchants should be allowed to trade in England upon the same conditions and payment of duties as her own subjects, provided that the English merchants might have interchangeable privilege to reside and trade peaceably in Stade or Hamburg or anywhere else within the precincts of Hans. This incensed them more, thereupon they resolved to cut off Stade and Hamburg from being members of the Hans or of the empire; but they suspended this decision till they saw what success the great Spanish fleet should have, which was then preparing in the year eighty-eight, for they had not long before had recourse to the King of Spain and made him their own, and he had done them some material good offices; wherefore to this day the Spanish Consul is taxed of improvidence and imprudence, that there was no use made of the Hans towns in that expedition.

The queen finding that they of the Hans would not be contented with that equality she had offered betwixt them and her own subjects, put out a proclamation that they should carry neither corn, victuals, arms, timber, masts, cables, minerals, nor any other materials, or men to Spain or Portugal. And after, the queen growing more redoubtable and famous, by the overthrow of the fleet of eighty-eight, the easterlings fell to despair of doing any good. Add hereunto another disaster that befell them, the taking of sixty sails of their ships about the mouth of Tagus in Portugal by the Queen's ships that were laden with "ropas de contrabando," viz., goods prohibited by her former proclamation into the dominions of Spain. And as these ships were upon point of being discharged, she had intelligence of a great a.s.sembly at Lubeck, which had met of purpose to consult of means to be revenged of her thereupon she stayed and seized upon the said sixty ships, only two were freed to bring news what became of the rest. Hereupon the Pope sent an amba.s.sador to her, who spoke in a high tone, but he was answered in a higher.

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Seeing Europe with Famous Authors Volume V Part 8 summary

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