Seeing Europe with Famous Authors Volume III Part 12

Facing this hill a mighty wall erects itself, thirty-six meters high, and composed of ma.s.sive blocks of dark brown stone, simply laid one on the other; the whole naked, rugged surface of which suggests a natural cliff (say of the Vaucluse order) rather than an effort of human, or even of Roman labor. It is the biggest thing at Orange--it is bigger than all Orange put together--and its permanent ma.s.siveness makes light of the shrunken city. The face it presents to the town--the top of it garnished with two rows of brackets, perforated with holes to receive the staves of the "velarium"--bears the traces of more than one tier of ornamental arches; tho how these flat arches were applied, or incrusted, upon the wall, I do not profess to explain.

You pa.s.s through a diminutive postern--which seems in proportion about as high as the entrance of a rabbit-hutch--into the lodge of the custodian, who introduces you to the interior of the theater. Here the ma.s.s of the hill affronts you, which the ingenious Romans treated simply as the material of their auditorium. They inserted their stone seats, in a semicircle, in the slope of the hill, and planted their colossal wall opposite to it. This wall, from the inside, is, if possible, even more imposing. It formed the back of the stage, the permanent scene, and its enormous face was coated with marble. It contains three doors, the middle one being the highest, and having above it, far aloft, a deep niche, apparently intended for an imperial statue. A few of the benches remain on the hillside, which, however, is mainly a confusion of fragments. There is part of a corridor built into the hill, high up, and on the crest are the remnants of the demolished castle.

The whole place is a kind of wilderness of ruin; there are scarcely any details; the great feature is the overtopping wall. This wall being the back of the scene, the s.p.a.ce left between it and the chord of the semicircle (of the auditorium) which formed the proscenium is rather less than one would have supposed. In other words, the stage was very shallow, and appears to have been arranged for a number of performers standing in a line, like a company of soldiers. There stands the silent skeleton, however, as impressive by what it leaves you to guess and wonder about as by what it tells you. It has not the sweetness, the softness of melancholy, of the theater at Arles; but it is more extraordinary, and one can imagine only tremendous tragedies being enacted there--

"Presenting Thebes' or Pelops' line."

At either end of the stage, coming forward, is an immense wing--immense in height, I mean, as it reaches to the top of the scenic wall; the other dimensions are not remarkable. The division to the right, as you face the stage, is pointed out as the green-room; its portentous alt.i.tude and the open arches at the top give it the air of a well. The compartment on the left is exactly similar, save that it opens into the traces of other chambers, said to be those of a hippodrome adjacent to the theater.

Various fragments are visible which refer themselves plausibly to such an establishment; the greater axis of the hippodrome would appear to have been on a line with the triumphal arch. This is all I saw, and all there was to see, of Orange, which had a very rustic, bucolic aspect, and where I was not even called upon to demand breakfast at the hotel. The entrance of this resort might have been that of a stable of the Roman days.

Vaucluse

By Bayard Taylor

[Footnote: From "Views Afoot." Published by G.P. Putnam's Sons.]

This district borders on the desert of the Crau, a vast plain of stones reaching to the mouth of the Rhone and almost entirely uninhabited. We caught occasional glimpses of its sealike waste between the summits of the hills. At length, after threading a high ascent, we saw the valley of the Durance suddenly below us. The sun, breaking through the clouds, shone on the mountain-wall which stood on the opposite side, touching with his glow the bare and rocky precipices that frowned far above the stream.

Descending to the valley, we followed its course toward the Rhone with the ruins of feudal "bourgs" crowning the crags above us.

It was dusk when we reached the village of Senas tired with the day's march. A landlord standing in his door, on the lookout for customers, invited us to enter in a manner so polite and pressing we could not choose but do so. This is a universal custom with the country innkeepers. In a little village which we pa.s.sed toward evening there was a tavern with the sign "The Mother of Soldiers." A portly woman whose face beamed with kindness and cheerfulness stood in the door and invited us to stop there for the night. "No, mother," I answered; "we must go much farther to-day."

"Go, then," said she, "with good luck, my children! A pleasant journey!"

On entering the inn at Senas two or three bronzed soldiers were sitting by the table. My French vocabulary happening to give out in the middle of a consultation about eggs and onion-soup, one of them came to my a.s.sistance and addrest me in German. He was from Fulda, in Hesse-Ca.s.sel, and had served fifteen years in Africa....

Leaving next morning at daybreak, we walked on before breakfast to Orgon, a little village in a corner of the cliffs which border the Durance, and crossed the muddy river by a suspension bridge a short distance below, to Cavaillon, where the country-people were holding a great market. From this place a road led across the meadow-land to L'Isle, six miles distant. This little town is so named because it is situated on an island formed by the crystal Sorgues, which flows from the fountains of Vaucluse.

It is a very picturesque and pretty place. Great mill-wheels, turning slowly and constantly, stand at intervals in the stream, whose gra.s.sy banks are now as green as in springtime. We walked along the Sorgues-- which is quite as beautiful and worthy to be sung as the c.l.i.tumnus--to the end of the village to take the road to Vaucluse. Beside its banks stands the "Hotel de Petrarque et Laure." Alas that names of the most romantic and impa.s.sioned lovers of all history should be desecrated to a sign-post to allure gormandizing tourists!

The bare mountain in whose heart lies the poet's solitude now rose before us at the foot of the lofty Mount Ventoux, whose summit of snows extended beyond. We left the river and walked over a barren plain across which the wind blew most drearily. The sky was rainy and dark, and completed the desolateness of the scene, which in nowise heightened our antic.i.p.ations of the renowned glen. At length we rejoined the Sorgues and entered a little green valley running up into the mountain. The narrowness of the entrance entirely shut out the wind, and, except the rolling of the waters over their pebbly bed, all was still and lonely and beautiful. The sides of the dell were covered with olive trees, and a narrow strip of emerald meadow lay at the bottom.

It grew more hidden and sequestered as we approached the little village of Vaucluse. Here the mountain towers far above, and precipices of gray rock many hundred feet high hang over the narrowing glen. On a crag over the village are the remains of a castle; the slope below this, now rugged and stony, was once graced by the cottage and garden of Petrarch. All traces of them have long since vanished, but a simple column bearing the inscription. "A Petrarque" stands beside the Sorgues.

We ascended into the defile by a path among the rocks, overshadowed by olives and wild fig-trees, to the celebrated fountains of Vaucluse. The glen seems as if stuck into the mountain's depths by one blow of the enchanter's wand, and just at the end, where the rod might have rested in its downward sweep, is the fathomless well whose over-br.i.m.m.i.n.g fulness gives birth to the Sorgues. We climbed up over the mossy rocks and sat down in the grotto beside the dark, still pool. It was the most absolute solitude.

The rocks towered above and over us to the height of six hundred feet, and the gray walls of the wild glen below shut out all appearance of life. I leaned over the rock and drank of the blue crystal that grew gradually darker toward the center till it became a mirror and gave back a perfect reflection of the crags above it. There was no bubbling, no gushing up from its deep bosom, but the wealth of sparkling waters continually welled over as from a too-full goblet.

It was with actual sorrow that I turned away from the silent spot. I never visited a place to which the fancy clung more suddenly and fondly. There is something holy in its solitude, making one envy Petrarch the years of calm and unsullied enjoyment which blest him there. As some persons whom we pa.s.s as strangers strike a hidden chord in our spirits, compelling a silent sympathy with them, so some landscapes have a character of beauty which harmonizes thrillingly with the mood in which we look upon them, till we forget admiration in the glow of spontaneous attachment. They seem like abodes of the beautiful which the soul in its wanderings long ago visited and now recognizes and loves as the home of a forgotten dream. It was thus I felt by the fountains of Vaucluse; sadly and with weary steps I turned away, leaving its loneliness unbroken as before.

We returned over the plain in the wind, under the gloomy sky, pa.s.sed L'Isle at dusk, and after walking an hour with a rain following close behind us stopt at an auberge in Le Thor, where we rested our tired frames and broke our long day's fasting. We were greeted in the morning with a dismal rain and wet roads as we began the march. After a time, however, it poured down in such torrents that we were obliged to take shelter in a remise by the roadside, where a good woman who addrest us in the unintelligible Provencal kindled up a blazing fire. On climbing a long hill when the storm had abated, we experienced a delightful surprise.

Below us lay the broad valley of the Rhone, with its meadows looking fresh and spring-like after the rain. The clouds were breaking away; clear blue sky was visible over Avignon, and a belt of sunlight lay warmly along the mountains of Languedoc. Many villages with their tall picturesque towers dotted the landscape, and the groves of green olive enlivened the barrenness of winter.

The Pont du Gard--Aigues-Mortes-Nimes

By Henry James

[Footnote: From "A Little Tour in France." By special arrangement with, and by permission of, the publishers, Houghton, Mifflin Co. Copyright, 1884.]

It was a pleasure to feel one's self in Provence again--the land where the silver-gray earth is impregnated with the light of the sky. To celebrate the event, as soon as I arrived at Nimes I engaged a caleche to convey me to the Pont du Gard. The day was yet young, and it was perfectly fair; it appeared well, for a longish drive, to take advantage, without delay, of such security. After I had left the town I became more intimate with that Provencal charm which I had already enjoyed from the window of the train, and which glowed in the sweet sunshine and the white rocks, and lurked in the smoke-puffs of the little olives.

The olive-trees in Provence are half the landscape. They are neither so tall, so stout, nor so richly contorted as I have seen them beyond the Alps; but this mild colorless bloom seems the very texture of the country.

The road from Nimes, for a distance of fifteen miles, is superb; broad enough for an army, and as white and firm as a dinner-table. It stretches away over undulations which suggest a kind of harmony; and in the curves it makes through the wide, free country, where there is never a hedge or a wall, and the detail is always exquisite, there is something majestic, almost processional. You are very near (the Pont du Gard) before you see it; the ravine it spans suddenly opens and exhibits the picture. The scene at this point grows extremely beautiful. The ravine is the valley of the Garden, which the road from Nimes has followed some time without taking account of it, but which, exactly at the right distance from the aqueduct, deepens and expands, and puts on those characteristics which are best suited to give it effect. The gorge becomes romantic, still, and solitary, and, with its white rocks and wild shrubbery, hangs over the clear, colored river, in whose slow course there is here and there a deeper pool.

Over the valley, from side to side, and ever so high in the air, stretch the three tiers of the tremendous bridge. They are unspeakably imposing, and nothing could well be more Roman.

The hugeness, the solidity, the unexpectedness, the monumental rect.i.tude of the whole thing leave you nothing to say--at the time--and make you stand gazing. You simply feel that it is n.o.ble and perfect, that it has the quality of greatness. A road, branching from the highway, descends to the level of the river and pa.s.ses under one of the arches. This road has a wide margin of gra.s.s and loose stones, which slopes upward into the bank of the ravine. You may sit here as long as you please, staring up at the light, strong piers; the spot is extremely natural, tho two or three stone benches have been erected on it.

I remained there an hour and got a complete impression; the place was perfectly soundless, and for the time, at least, lonely; the splendid afternoon had begun to fade, and there was a fascination in the object I had come to see. It came to pa.s.s that at the same time I discovered in it a certain stupidity, a vague brutality. That element is rarely absent from great Roman work, which is wanting in the nice adaption of the means to the end. The means are always exaggerated; the end is so much more than attained. The Roman rigidity was apt to overshoot the mark, and I suppose a race which could do nothing small is as defective as a race that can do nothing great. Of this Roman rigidity the Pont du Gard is an admirable example.

It would be a great injustice, however, not to insist upon its beauty--a kind of manly beauty, that of an object constructed not to please but to serve, and impressive simply from the scale on which it carries out this intention. The number of arches in each tier is different; they are smaller and more numerous as they ascend. The preservation of the thing is extraordinary; nothing has crumbled or collapsed; every feature remains; and the huge blocks of stone, of a brownish-yellow (as if they had been baked by the Provencal sun for eighteen centuries), pile themselves, without mortar or cement, as evenly as the day they were laid together.

All this to carry the water of a couple of springs to a little provincial city! The conduit on the top has retained its shape and traces of the cement with which it was lined. When the vague twilight began to gather, the lonely valley seemed to fill itself with the shadow of the Roman name, as if the mighty empire were still as erect as the support of the aqueduct; and it was open to a solitary tourist, sitting there sentimental, to believe that no people has ever been, or will ever be, as great as that, measured, as we measure the greatness of an individual, by the push they gave to what they undertook. The Pont du Gard is one of the three or four deepest impressions they have left; it speaks of them in a manner with which they might have been satisfied....

On my way back to the little inn where I had left my vehicle, I pa.s.sed the Pont du Gard, and took another look at it. Its great arches made windows for the evening sky, and the rocky ravine, with its dusky cedars and shining river, was lonelier than before. At the inn I swallowed, or tried to swallow, a gla.s.s of horrible wine with my coachman; after which, with my team, I drove back to Nimes in the moonlight. It only added a more solitary whiteness to the constant sheen of the Provencal landscape.

The weather the next day was equally fair, so that it seemed an imprudence not to make sure of Aigues-Mortes. Nimes itself could wait; at a pinch, I could attend to Nimes in the rain. It was my belief that Aigues-Mortes was a little gem, and it is natural to desire that gems should have an opportunity to sparkle. This is an excursion of but a few hours, and there is a little friendly, familiar, dawdling train that will convey you, in time for a noonday breakfast, to the small dead town where the blest Saint Louis twice embarked for the crusades. You may get back to Nimes for dinner; the run is of about an hour.

I found the little journey charming, and looked out of the carriage window, on my right, at the distant Cevennes, covered with tones of amber and blue, and, all around, at vineyards red with the touch of October. The grapes were gone, but the plants had a color of their own. Within a certain distance of Aigues-Mortes they give place to wide salt-marshes, traversed by two ca.n.a.ls; and over this expanse the train rumbles slowly upon a narrow causeway, failing for some time, tho you know you are near the object of your curiosity, to bring you to sight of anything but the horizon. Suddenly it appears, the towered and embattled ma.s.s, lying so low that the crest of its defences seems to rise straight out of the ground; and it is not till the train stops, close before them that you are able to take the full measure of its walls.

Aigues-Mortes stands on the edge of a wide etang, or shallow inlet of the sea, the further side of which is divided by a narrow band of coast from the Gulf of Lyons. Next after Carca.s.sonne, to which it forms an admirable pendant, it is the most perfect thing of the kind in France. It has a rival in the person of Avignon, but the ramparts of Avignon are much less effective. Like Carca.s.sonne, it is completely surrounded with its old fortifications; and if they are far simpler in character (there is but one circle), they are quite as well preserved. The moat has been filled up, and the site of the town might be figured by a billiard-table without pockets. On this absolute level, covered with coa.r.s.e gra.s.s, Aigues-Mortes presents quite the appearance of the walled town that a school-boy draws upon his slate, or that we see in the background of early Flemish pictures--a simple parallelogram, of a contour almost absurdly bare, broken at intervals by angular towers and square holes.

Such, literally speaking, is this delightful little city, which needs to be seen to tell its full story. It is extraordinarily pictorial, and if it is a very small sister of Carca.s.sonne, it has at least the essential features of the family. Indeed, it is even more like an image and less like a reality than Carca.s.sonne; for by position and prospect it seems even more detached from the life of the present day. It is true that Aigues-Mortes does a little business; it sees certain bags of salt piled into barges which stand in a ca.n.a.l beside it, and which carry their cargo into actual places. But nothing could well be more drowsy and desultory than this industry as I saw it practised, with the aid of two or three brown peasants and under the eye of a solitary douanier who strolled on the little quay beneath the western wall. "C'est bien plaisant, c'est bien paisible," said this worthy man, with whom I had some conversation; and pleasant and peaceful is the place indeed, tho the former of these epithets may suggest an element of gayety in which Aigues-Mortes is deficient.

The sand, the salt, the dull sea-view, surround it with a bright, quiet melancholy. There are fifteen towers and nine gates, five of which are on the southern side, overlooking the water. I walked all round the place three times (it doesn't take long), but lingered most under the southern wall, where the afternoon light slept in the dreamiest, sweetest way. I sat down on an old stone, and looked away to the desolate salt-marshes and still, shining surface of the etang; and, as I did so, reflected that this was a queer little out-of-the-world corner to have been chosen, in the great dominions of either monarch, for that pompous interview which took place, in 1538, between Francis I. and Charles V. It was also not easy to perceive how Louis IX., when in 1248 and 1270 he started for the Holy Land, set his army afloat in such very undeveloped channels.

An hour later I purchased in the town a little pamphlet by M. Marius Topin, who undertakes to explain this latter anomaly, and to show that there is water enough in the port, as we may call it by courtesy, to have sustained a fleet of crusaders. I was unable to trace the channel that he points out, but was glad to believe that, as he contends, the sea has not retreated from the town since the thirteenth century. It was comfortable to think that things are not so changed as that. M. Topin indicates that the other French ports of the Mediterranean were not then "disponibles,"

and that Aigues-Mortes was the most eligible spot for an embarkation.

Behind the straight walls and the quiet gates the little town has not crumbled, like the Cite of Carca.s.sonne. It can hardly be said to be alive; but if it is dead it has been very neatly embalmed. The hand of the restorer rests on it constantly; but this artist has not, as at Carca.s.sonne, had miracles to accomplish. The interior is very still and empty, with small stony, whitewashed streets, tenanted by a stray dog, a stray cat, a stray old woman. In the middle is a little place, with two or three cafes decorated by wide awnings--a little place of which the princ.i.p.al feature is a very bad bronze statue of Saint Louis by Pradier.

It is almost as bad as the breakfast I had at the inn that bears the name of that pious monarch.

You may walk round the enceinte of Aigues-Mortes, both outside and in; but you may not, as at Carca.s.sonne, make a portion of this circuit on the chemin de ronde, the little projecting footway attached to the inner face of the battlements. This footway, wide enough only for a single pedestrian, is in the best order, and near each of the gates a flight of steps leads up to it; but a locked gate, at the top of the steps, makes access impossible, or at least unlawful. Aigues-Mortes, however, has its citadel, an immense tower, larger than any of the others, a little detached, and standing at the northwest angle of the town. I called upon the casernier--the custodian of the walls--and in his absence I was conducted through this big Tour de Constance by his wife, a very mild, meek woman, yellow with the traces of fever and ague--a scourge which, as might be expected in a town whose name denotes "dead waters," enters freely at the nine gates.

The Tour de Constance is of extraordinary girth and solidity, divided into three superposed circular chambers, with very fine vaults, which are lighted by embrasures of prodigious depth, converging to windows little larger than loop-holes. The place served for years as a prison to many of the Protestants of the south whom the revocation of the Edict of Nantes had exposed to atrocious penalties, and the annals of these dreadful chambers during the first half of the last century were written in tears and blood. Some of the record cases of long confinement there make one marvel afresh at what man has inflicted and endured. In a country in which a policy of extermination was to be put into practise this horrible tower was an obvious resource. From the battlements at the top, which is surmounted by an old disused lighthouse, you see the little compact rectangular town, which looks hardly bigger than a garden-patch, mapped out beneath you, and follow the plain configuration of its defenses. You take possession of it, and you feel that you will remember it always.