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Sea and Sardinia Part 18

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The railways too go piercing through rock for miles and miles, and n.o.body thinks anything of it. The coast railway of Calabria, down to Reggio, would make us stand on our heads if we had it in England. Here it is a matter of course. In the same way I always have a profound admiration for their driving--whether of a great omnibus or of a motor-car. It all seems so easy, as if the man were part of the car.

There is none of that beastly grinding, uneasy feeling one has in the north. A car behaves like a smooth, live thing, sensibly.

All the peasants have a pa.s.sion for a high-road. They want their land opening out, opening out. They seem to hate the ancient Italian remoteness. They all want to be able to get out at a moment's notice, to get away--quick, quick. A village which is two miles off the high-road, even if it is perched like a hawk's nest on a peak, still chafes and chafes for the great road to come to it, chafes and chafes for the daily motor-bus connection with the railway. There is no placidity, no rest in the heart of the land. There is a fever of restless irritation all the time.

And yet the permanent way of almost every railway is falling into bad disrepair, the roads are shocking. And nothing seems to be done. Is our marvellous, mechanical era going to have so short a bloom? Is the marvellous openness, the opened-out wonder of the land going to collapse quite soon, and the remote places lapse back into inaccessibility again?

Who knows! I rather hope so.

The automobile took us rushing and winding up the hill, sometimes through cold, solid-seeming shadow, sometimes across a patch of sun.

There was thin, bright ice in the ruts, and deep grey h.o.a.r-frost on the gra.s.s. I cannot tell how the sight of the gra.s.s and bushes heavy with frost, and wild--in their own primitive wildness charmed me. The slopes of the steep wild hills came down s.h.a.ggy and bushy, with a few berries lingering, and the long gra.s.s-stalks sere with the frost. Again the dark valley sank below like a ravine, but s.h.a.ggy, bosky, unbroken. It came upon me how I loved the sight of the blue-shadowed, tawny-tangled winter with its frosty standstill. The young oaks keep their brown leaves. And doing so, surely they are best with a thin edge of rime.

One begins to realize how old the real Italy is, how man-gripped, and how withered. England is far more wild and savage and lonely, in her country parts. Here since endless centuries man has tamed the impossible mountain side into terraces, he has quarried the rock, he has fed his sheep among the thin woods, he has cut his boughs and burnt his charcoal, he has been half domesticated even among the wildest fastnesses. This is what is so attractive about the remote places, the Abruzzi, for example. Life is so primitive, so pagan, so strangely heathen and half-savage. And yet it is human life. And the wildest country is half humanized, half brought under. It is all conscious.

Wherever one is in Italy, either one is conscious of the present, or of the mediaeval influences, or of the far, mysterious G.o.ds of the early Mediterranean. Wherever one is, the place has its conscious genus. Man has lived there and brought forth his consciousness there and in some way brought that place to consciousness, given it its expression, and, really, finished it. The expression may be Proserpine, or Pan, or even the strange "shrouded G.o.ds" of the Etruscans or the Sikels, none the less it is an expression. The land has been humanised, through and through: and we in our own tissued consciousness bear the results of this humanisation. So that for us to go to Italy and to _penetrate_ into Italy is like a most fascinating act of self-discovery--back, back down the old ways of time. Strange and wonderful chords awake in us, and vibrate again after many hundreds of years of complete forgetfulness.

And then--and then--there is a final feeling of sterility. It is all worked out. It is all known: _connu, connu!_

This Sunday morning, seeing the frost among the tangled, still savage bushes of Sardinia, my soul thrilled again. This was not all known. This was not all worked out. Life was not only a process of rediscovering backwards. It is that, also: and it is that intensely. Italy has given me back I know not what of myself, but a very, very great deal. She has found for me so much that was lost: like a restored Osiris. But this morning in the omnibus I realize that, apart from the great rediscovery backwards, which one _must_ make before one can be whole at all, there is a move forwards. There are unknown, unworked lands where the salt has not lost its savour. But one must have perfected oneself in the great past first.

If one travels one eats. We immediately began to munch biscuits, and the old peasant in his white, baggy breeches and black cuira.s.s, his old face smiling wonderingly under his old stocking cap, although he was only going to Tonara, some seven or eight miles, began to peel himself a hard-boiled egg, which he got out of his parcel. With calm wastefulness he peeled away the biggest part of the white of the egg with the sh.e.l.l--because it came away so. The citizen of Nuoro, for such the bright-faced young man was, said to him--"But see how you waste it."--"Ha!" said the old peasant, with a reckless indifferent wave of the hand. What did he care how much he wasted, since he was _en voyage_ and riding for the first time in his life in an automobile.

The citizen of Nuoro told us he had some sort of business in Sorgono, so he came back and forth constantly. The peasant did some work or other for him--or brought him something down from Tonara. He was a pleasant, bright-eyed young man, and he made nothing of eight hours in a motor-bus.

He told us there was still game among these hills: wild boars which were hunted in big hunts, and many hares. It was a curious and beautiful sight, he said, to see a hare at night fascinated by the flare of the lamps of the automobile, racing ahead with its ears back, always keeping in front, inside the beam, and flying like mad, on and on ahead, till at some hill it gathered speed and melted into the dark.

We descended into a deep, narrow valley to the road-junction and the canteen-house, then up again, up and up sharp to Tonara, our village we had seen in the sun yesterday. But we were approaching it from the back.

As we swerved into the sunlight, the road took a long curve on to the open ridge between two valleys. And there in front we saw a glitter of scarlet and white. It was in slow motion. It was a far-off procession, scarlet figures of women, and a tall image moving away from us, slowly, in the Sunday morning. It was pa.s.sing along the level sunlit ridge above a deep, hollow valley. A close procession of women glittering in scarlet, white and black, moving slowly in the distance beneath the grey-yellow buildings of the village on the crest, towards an isolated old church: and all along this narrow upland saddle as on a bridge of sunshine itself.

Were we not going to see any more? The bus turned again and rushed along the now level road and then veered. And there beyond, a little below, we saw the procession _coming_. The bus faded to a standstill, and we climbed out. Above us, old and mellowed among the smooth rocks and the bits of flat gra.s.s was the church, tanging its bell. Just in front, above, were old, half-broken houses of stone. The road came gently winding up to us, from what was evidently two villages ledged one above the other upon the steep summit of the south slope. Far below was the south valley, with a white puff of engine steam.

And slowly chanting in the near distance, curving slowly up to us on the white road between the gra.s.s came the procession. The high morning was still. We stood all on this ridge above the world, with the deeps of silence below on the right. And in a strange, brief, staccato monody chanted the men, and in quick, light rustle of women's voices came the responses. Again the men's voices! The white was mostly men, not women.

The priest in his robes, his boys near him, was leading the chanting.

Immediately behind him came a small cl.u.s.ter of bare-headed, tall, sunburnt men, all in golden-velveteen corduroy, mountain-peasants, bowing beneath a great life-size seated image of Saint Anthony of Padua.

After these a number of men in the costume, but with the white linen breeches hanging wide and loose almost to the ankles, instead of being tucked into the black gaiters. So they seemed very white beneath the back kilt frill. The black frieze body-vest was cut low, like an evening suit, and the stocking caps were variously perched. The men chanted in low, hollow, melodic tones. Then came the rustling chime of the women.

And the procession crept slowly, aimlessly forward in time with the chant. The great image rode rigid, and rather foolish.

After the men was a little gap--and then the brilliant wedge of the women. They were packed two by two, close on each other's heels, chanting inadvertently when their turn came, and all in brilliant, beautiful costume. In front were the little girl-children, two by two, immediately following the tall men in peasant black-and-white. Children, demure and conventional, in vermilion, white and green--little girl-children with long skirts of scarlet cloth down to their feet, green-banded near the bottom: with white ap.r.o.ns bordered with vivid green and mingled colour: having little scarlet, purple-bound, open boleros over the full white shirts: and black head-cloths folded across their little chins, just leaving the lips clear, the face framed in black. Wonderful little girl-children, perfect and demure in the stiffish, brilliant costume, with black head-dress! Stiff as Velasquez princesses! The bigger girls followed, and then the mature women, a close procession. The long vermilion skirts with their green bands at the bottom flashed a solid moving ma.s.s of colour, softly swinging, and the white ap.r.o.ns with their band of brilliant mingled green seemed to gleam. At the throat the full-bosomed white shirts were fastened with big studs of gold filigree, two linked filigree globes: and the great white sleeves billowed from the scarlet, purplish-and-green-edged boleros. The faces came nearer to us, framed all round in the dark cloths. All the lips still sang responses, but all the eyes watched us.

So the softly-swaying coloured body of the procession came up to us. The poppy-scarlet smooth cloth rocked in fusion, the bands and bars of emerald green seemed to burn across the red and the showy white, the dark eyes peered and stared at us from under the black snood, gazed back at us with raging curiosity, while the lips moved automatically in chant. The bus had run into the inner side of the road, and the procession had to press round it, towards the sky-line, the great valley lying below.

The priest stared, hideous St. Anthony c.o.c.kled a bit as he pa.s.sed the b.u.t.t end of the big grey automobile, the peasant men in gold-coloured corduroy, old, washed soft, were sweating under the load and still singing with opened lips, the loose white breeches of the men waggled as they walked on with their hands behind their backs, turning again, to look at us. The big, hard hands, folded behind black kilt-frill! The women, too, shuffled slowly past, rocking the scarlet and the bars of green, and all twisting as they sang, to look at us still more. And so the procession edged past the bus, and was trailing upwards, curved solid against the sky-line towards the old church. From behind, the geranium scarlet was intense, one saw the careful, curiously cut backs of the shapen boleros, poppy-red, edged with mauve-purple and green, and the white of the shirt just showing at the waist. The full sleeves billowed out, the black head-cloths hung down to a point. The pleated skirts swing slowly, the broad band of green accentuating the motion.

Indeed that is what it must be for, this thick, rich band of jewel green, to throw the wonderful horizontal motion back and forth, back and forth, of the suave vermilion, and give that static, Demeta splendor to a peasant motion, so magnificent in colour, geranium and malachite.

All the costumes were not exactly alike. Some had more green, some had less. In some the sleeveless boleros were of a darker red, and some had poorer ap.r.o.ns, without such gorgeous bands at the bottom. And some were evidently old: probably thirty years old: still perfect and in keeping, reserved for Sunday and high holidays. A few were darker, ruddier than the true vermilion. This varying of the tone intensified the beauty of the shuffling woman-host.

When they had filed into the grey, forlorn little church on the ridge-top just above us, the bus started silently to run on to the rest-point below, whilst we climbed back up the little rock-track to the church. When we came to the side-door we found the church quite full.

Level with us as we stood in the open side doorway, we saw kneeling on the bare stoneflags the little girl-children, and behind them all the women cl.u.s.tered kneeling upon their ap.r.o.ns, with hands negligently folded, filling the church to the further doorway, where the sun shone: the bigger west-end doorway. In the shadow of the whitewashed, bare church all these kneeling women with their colour and their black head-cloths looked like some thick bed of flowers, geranium, black hooded above. They all knelt on the naked, solid stone of the pavement.

There was a s.p.a.ce in front of the geranium little girl-children, then the men in corduroys, gold-soft, with dark round heads, kneeling awkwardly in reverence; and then the queer, black cuira.s.ses and full white sleeves of grey-headed peasant men, many bearded. Then just in front of them the priest in his white vestment, standing exposed, and just baldly beginning an address. At the side of the altar was seated large and important the modern, simpering, black-gowned Anthony of Padua, nursing a boy-child. He looked a sort of male Madonna.

"Now," the priest was saying, "blessed Saint Anthony shows you in what way you can be Christians. It is not enough that you are not Turks. Some think they are Christians because they are not Turks. It is true you are none of you Turks. But you have still to learn how to be good Christians. And this you can learn from our blessed Saint Anthony. Saint Anthony, etc., etc...."

The contrast between Turks and Christians is still forceful in the Mediterranean, where the Mohammedans have left such a mark. But how the word _cristiani_, _cristiani_, spoken with a peculiar priestly unction, gets on my nerves. The voice is barren in its homily. And the women are all intensely watching the q-b and me in the doorway, their folded hands are very negligently held together.

"Come away!" say I. "Come away, and let them listen."

We left the church crowded with its kneeling host, and dropped down past the broken houses towards the omnibus, which stood on a sort of level out-look place, a levelled terrace with a few trees, standing silent over the valley. It should be picketed with soldiers having arquebuses.

And I should have welcomed a few thorough-paced infidels, as a leaven to this dreary Christianity of ours.

But it was a wonderful place. Usually, the life-level is reckoned as sea-level. But here, in the heart of Sardinia, the life-level is high as the golden-lit plateau, and the sea-level is somewhere far away, below, in the gloom, it does not signify. The life-level is high up, high and sun-sweetened and among rocks.

We stood and looked below, at the puff of steam, far down the wooded valley where we had come yesterday. There was an old, low house on this eagle-perching piazza. I would like to live there. The real village--or rather two villages, like an ear-ring and its pendant--lay still beyond, in front, ledging near the summit of the long, long, steep wooded slope, that never ended till it ran flush to the depths away below there in shadow.

And yesterday, up this slope the old peasant had come with his two brilliant daughters and the pack-pony.

And somewhere in those ledging, pearly villages in front must be my girovago and his "wife". I wish I could see their stall and drink aqua vitae with them.

"How beautiful the procession!" says the q-b to the driver.

"Ah yes--one of the most beautiful costumes of Sardinia, this of Tonara," he replied wistfully.

The bus sets off again--minus the old peasant. We retrace our road. A woman is leading a bay pony past the church, striding with long strides, so that her maroon skirt swings like a fan, and hauling the halter rope.

Apparently the geranium red costume is Sunday only, the week-day is this maroon, or puce, or madder-brown.

Quickly and easily the bus slips down the hill into the valley. Wild, narrow valleys, with trees, and brown-legged cork trees. Across the other side a black and white peasant is working alone on a tiny terrace of the hill-side, a small, solitary figure, for all the world like a magpie in the distance. These people like being alone--solitary--one sees a single creature so often isolated among the wilds. This is different from Sicily and Italy, where the people simply cannot be alone. They _must_ be in twos and threes.

But it is Sunday morning, and the worker is exceptional. Along the road we pa.s.s various pedestrians, men in their black sheepskins, boys in their soldiers' remains. They are trudging from one village to another, across the wild valleys. And there is a sense of Sunday morning freedom, of roving, as in an English countryside. Only the one old peasant works alone: and a goatherd watching his long-haired, white goats.

Beautiful the goats are: and so swift. They fly like white shadows along the road from us, then dart down-hill. I see one standing on a bough of an oak-tree, right in the tree, an enormous white tree-creature complacently munching up aloft, then rearing on her hind legs, so lengthy, and putting her slim paws far away on an upper, forward branch.

Whenever we come to a village we stop and get down, and our little conductor disappears into the post-office for the post-bag. This last is usually a limp affair, containing about three letters. The people crowd round--and many of them in very ragged costume. They look poor, and not attractive: perhaps a bit degenerate. It would seem as if the Italian instinct to get into rapid touch with the world were the healthy instinct after all. For in these isolated villages, which have been since time began far from any life-centre, there is an almost sordid look on the faces of the people. We must remember that the motor-bus is a great innovation. It has been running for five weeks only. I wonder for how many months it will continue.

For I am sure it cannot pay. Our first-cla.s.s tickets cost, I believe, about twenty-seven francs each. The second cla.s.s costs about three-quarters the first. Some parts of the journey we were very few pa.s.sengers. The distance covered is so great, the population so thin, that even granted the pa.s.sion for getting out of their own villages, which possesses all people now, still the bus cannot earn much more than an average of two hundred to three hundred francs a day. Which, with two men's wages, and petrol at its enormous price, and the cost of wear-and-tear, cannot possibly pay.

I asked the driver. He did not tell me what his wages were: I did not ask him. But he said the company paid for the keep and lodging for himself and mate at the stopping-places. This being Sunday, fewer people were travelling: a statement hard to believe. Once he had carried fifty people all the way from Tonara to Nuoro. Once! But it was in vain he protested. Ah well, he said, the bus carried the post, and the government paid a subsidy of so many thousands of lire a year: a goodly number. Apparently then the government was the loser, as usual. And there are hundreds, if not thousands of these omnibuses running the lonely districts of Italy and Sicily--Sardinia had a network of systems.

They are splendid--and they are perhaps an absolute necessity for a nervous restless population which simply cannot keep still, and which finds some relief in being whirled about even on the _autovie_, as the bus-system is called.

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Sea and Sardinia Part 18 summary

You're reading Sea and Sardinia. This manga has been translated by Updating. Author(s): D. H. Lawrence. Already has 572 views.

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