Schrodinger's Cat Trilogy Part 31

"Drunken ruffian," somebody muttered.

"Well, what if he is?" the Irishman said suavely. "He still looks like a king, and is that not what really matters?"

"I wasn't calling the king king a drunken ruffian," the voice protested, too emotionally. a drunken ruffian," the voice protested, too emotionally.

"'ere, now, who's calling me b.l.o.o.d.y king a ruffian?" said a soldier. "I'll knock the Potter Stewarting head off any Potter Stewarting Bryanter that says a word against me Potter Stewarting king!"

"Hush," another chorus joined in.

"Don't hush me, you Bryanting sods!"

"It's overcome I am entirely," the Irishman said, "by the rolling eloquence of your lean, unlovely English. You were quoting Shakespeare, perchance?"

"'ere, are you making sport of me, mate? I'll wring your Bryanting Potter Stewarting neck, so I will ..."

"Here he comes!" somebody shouted.

And other voices took up the cry: "The king! The king!"

Eva Gebloomenkraft, certainly the loveliest woman in the crowd, had been listening to all this with her own private amus.e.m.e.nt, but now she reached down and began to open her purse, a bit stealthily, perhaps, yet not quite stealthily enough, it seemed, for another hand closed abruptly over hers.

"Rumpole, CID, Scotland Yard," said a voice, as a badge was flashed briefly. "I'm afraid you'll have to come along, miss."

The Archbishop of Canterbury had shared his suspicions about Ms. Gebloomenkraft with the Yard, and they had been on the lookout for her all through coronation day.

But when they had her back in the interrogation room on Bow Street, there was no Rehnquist in her purse.

"I sold it," she said after an hour of interrogation. And, at their baffled expressions, she added, "It was becoming a bore. The joke was wearing thin. wearing thin. I needed something else to excite me." I needed something else to excite me."

"That's why you do it, then?" Inspector Rumpole asked. "For excitement?"

Eva raised weary eyes. "When you have so much money that you can literally hire anybody to do literally anything, life does become tedious," she said. "It requires some imagination, then, to restore zest to existence."

And all she had in her purse was a self-inflating balloon, which, when the cap was crushed, expanded to a sphere nearly twenty feet in diameter bearing the slogan, in huge psychedelic colors: OVERALL THERE IS A SMELL OF FRIED ONIONS.

When next recorded the itinerant Rehnquist was in the possession of Lady Sybiline Greystoke, who had either purchased it directly from Ms. Gebloomenkraft or had acquired it from some go-between.

Lady Sybiline was an eccentric, even for the British n.o.bility. She was so far to the right, politically, that she regarded the Magna Carta as dangerously radical. She was so High Church that she referred to Charles I as "Saint Charles the Martyr." She hunted lions, in Africa, and was a crack shot. She was also, secretly, president of the Sappho Society, the group of aristocratic Lesbians who had secretly governed England, behind the scenes, since their founder, Elizabeth I.

Lady Sybiline and her good and intimate friend, Lady Rose Potting-Shedde, evidently found great amus.e.m.e.nt, between them, with the Rehnquist, for they even took it with them when Lady Sybiline embarked, that summer, for her annual lion hunt in Kenya.

Their White Hunter on that expedition was a red-faced man named Robert Wilson, who, like Clem Cotex, knew he was living in a book.

Robert Wilson had discovered this when somebody showed him the book in question. It was called Great Short Stories Great Short Stories and was by some Yank named Hemingway. And there he was, Robert Wilson, playing a featured role in the very first story, "The Short Happy Life of Francis Macomber." and was by some Yank named Hemingway. And there he was, Robert Wilson, playing a featured role in the very first story, "The Short Happy Life of Francis Macomber."

It was a shock, at first, to see himself in a book, and it was a bit thick thick to find his drinking and his red face described so dispa.s.sionately. It was like seeing yourself on the telly, suddenly observing the-man-who-was-you from to find his drinking and his red face described so dispa.s.sionately. It was like seeing yourself on the telly, suddenly observing the-man-who-was-you from outside. outside.

Then Wilson discovered that he was in another another book, but changed in totally arbitrary ways that verged on surrealism. This book was a bit of tommyrot and d.a.m.ned filth called book, but changed in totally arbitrary ways that verged on surrealism. This book was a bit of tommyrot and d.a.m.ned filth called The Universe Next Door The Universe Next Door, and he was, in fact, both inside it and outside it, being both the author of it and a character in it.

Robert Wilson began to experience cycles of agitation, elation, anxiety, and a growing sense of unreality.

Then came Lady Sybiline and Lady Rose and that mysterious object they kept in a small box and kept joking about, obscurely, between themselves.

They called it Marlon Brando.

The river had pebbles at the bottom. They were shiny and small and the water rushed over them constantly and you could see clear to the other side of it if you had your gla.s.ses on and weren't too drunk. Robert Wilson stared at the pebbles, thinking they were like pearls, trying not to remember what had happened that morning.

"After all, it was a clean kill," Lady Sybiline said beside him. He wished she wouldn't talk. He wished she would go away and take Marlon Brando with her.

"The hills, in the distance," she said. "They look like white rhinoceri."

"They look like white rhinoceri," white rhinoceri," he said. "Jesus Christ." he said. "Jesus Christ."

"Don't talk that way."

"The b.l.o.o.d.y hills don't look at all like rhinoceri," he said. "They have no horns, for one thing. No exoskeleton on the head. I never heard such a d.a.m.ned silly thing. They look like elephants, actually."

"Stop it," she said. "It wasn't that bad."

"It was b.l.o.o.d.y bad," he said. "b.l.o.o.d.y awful bad."

"If it hadn't happened, would it be cute, then, for me to say the hills look like white rhinoceri?"

"It wouldn't be cute no matter what happened."

"Oh," she said. "It's like that."

"Yes," he said. "It's like that."

"Will you please please stop repeating everything I say?"

The water kept running, always running, over the pebbles that were like pearls.

"It was bad," he said again. "b.l.o.o.d.y awful bad."

"Are you always this rude to your clients?"

"Oh, it comes down to that," he said. "The hired help have to keep a polite tongue in their heads. You b.l.o.o.d.y English."

"You're English yourself," she said.

"I'm part Irish. I wish I were all Irish now."

"Really. You don't have to go on go on like this. Everybody is a little bit ... eccentric." like this. Everybody is a little bit ... eccentric."

That was the kind of whining excuse he despised. He knew then that he was going to be brutal. Somebody had to teach them.

"English literature," he said. "There is none in this century."

She cringed. He knew he had reached her.

"Stop it," she said.

"Everything worth reading is by Irishmen," he said. "Padraic Colum. Beckett. O'Casey."

"Stop it. Stop it."

"Behan. Bernard Shaw. O'Flaherty."

"Stop it. Stop it. Stop it."

"I'm stopping," he said. "I feel that I've said all this before somewhere, already. But how could you do it?"

"It excites me," she said. "To have ... Marlon ... there ... while I'm firing at a lion."

He shook his head. "You are a five-letter woman," he said wearily.

But then the Rehnquist mysteriously disappeared again, back in Nairobi, while Lady Sybiline and Lady Rose were staying at the glamorous new Mau Mau Hilton.

Lady Sybiline was furious, but frustrated. There was no way of asking the hotel to question its employees about the theft without describing the object that had been stolen, and that was, of course, potentially embarra.s.sing.

But she and Lady Rose had lots of other exciting little games, and they soon forgot all about "Marlon Brando."

Especially after they bought a beautiful plastic-and-rubber imitation which they christened "David Bowie."

It wasn't really theft, of course; Indole Ringh was a pious and holy man who would never steal steal anything. It was his religious duty, as he conceived it, to remove the holy relic from the heathens and return it to its rightful homeland. anything. It was his religious duty, as he conceived it, to remove the holy relic from the heathens and return it to its rightful homeland.

Indole Ringh was a brown, gnarled, perpetually smiling little man, the offspring of ten generations of very conservative Hindus who had never accepted English ideas or ideals.

He had, in fact, three personalities. One was just an ordinary Hindu n.o.bleman who was always smiling. The second, when he was in Samadhi Samadhi, was an awe-inspiring guru, no more human than a statue of Brahma. The third, when he was in Dhyana Dhyana, was just the brightest, quickest, most curious monkey in the jungle.

He didn't believe in any of those personalities; he just watched them come and go, blandly indifferent.

Because he practiced hatha yoga, bhakti yoga, rajah yoga, and gnana yoga, and because he smoked a great deal of bhang bhang, he was as conscious of detail conscious of detail as Clem Cotex or the late Pope Stephen. Because he believed the oldest as Clem Cotex or the late Pope Stephen. Because he believed the oldest Vedas Vedas were the important ones, he had no truck with modernistic notions of aceticism, British prudery, or heathen Missionary nonsense of any sort. were the important ones, he had no truck with modernistic notions of aceticism, British prudery, or heathen Missionary nonsense of any sort.

He was a devout worshiper of Shiva, G.o.d of s.e.x, intoxication, death, and transformation. He believed that you couldn't come to your senses until you went out of your mind. He kept alive, within his own province, the ancient cult of Shiva-Kali, the divine couple whose embrace generated the whole play of existence.

And now, in Nairobi of all places, he had found, somehow in the possession of a heathen Englishwoman, the most sacred of all lost relics-the Shivalingam Shivalingam itself, the engine of the creative lightning. itself, the engine of the creative lightning.

So it was not theft at all; he was merely restoring the relic to the place where it belonged, in India.

In fact, he placed it on the altar in his own temple, and invited the whole province to come see it and marvel and know the power of the Divine Shiva, who possessed such a tool of creativity.

He was going to restore the old-time religion.

He made a speech to the a.s.sembled mult.i.tude on the first day the Shivalingam Shivalingam was displayed in the temple. He told them that the polarity of Shiva and Kali was the basic pulse of creation. He said the Chinese dimly discerned this in their was displayed in the temple. He told them that the polarity of Shiva and Kali was the basic pulse of creation. He said the Chinese dimly discerned this in their yin yin and and yang yang symbolism, and the heathen West in their concept of positively and negatively charged particles. He explained that the male-female polarity was the engine of creation, not just in the human and animal kingdoms, but in every aspect of nature. He said that symbolism, and the heathen West in their concept of positively and negatively charged particles. He explained that the male-female polarity was the engine of creation, not just in the human and animal kingdoms, but in every aspect of nature. He said that Samadhi Samadhi and and Dhyana Dhyana and normal consciousness were equally real, equally unreal, and equally pointless, but that if you contemplated this and normal consciousness were equally real, equally unreal, and equally pointless, but that if you contemplated this Shivalingam Shivalingam long enough it wouldn't matter whether you understood any of this or not. long enough it wouldn't matter whether you understood any of this or not.

He was so bombed on bhang bhang that he kept going into that he kept going into Samadhi Samadhi every few minutes during this, and the crowd, both his old disciples and newcomers, decided he was the wisest and holiest man in all India. every few minutes during this, and the crowd, both his old disciples and newcomers, decided he was the wisest and holiest man in all India.

Old Ringh kept smiling and going into Samadhi Samadhi and explaining that we are all bis.e.xual immortals who inhabit many universes and mind-states, and the crowd kept cheering and getting higher on his vibes, and finally they all went into the temple and contemplated the and explaining that we are all bis.e.xual immortals who inhabit many universes and mind-states, and the crowd kept cheering and getting higher on his vibes, and finally they all went into the temple and contemplated the Shivalingam Shivalingam, where Indole Ringh had placed it on the altar, facing the enormous carving of the sacred yoni yoni of the Black G.o.ddess, Kali, and under the faded photograph of the Wise Man from the West, General Crowley, who, even though an English heathen, had understood the Mysteries and had spent many hours, while smoking of the Black G.o.ddess, Kali, and under the faded photograph of the Wise Man from the West, General Crowley, who, even though an English heathen, had understood the Mysteries and had spent many hours, while smoking bhang bhang, discussing with Ringh's father how, even in mathematics, the sacred yoni yoni appeared in both the shape and the substance of 0, the void, while the appeared in both the shape and the substance of 0, the void, while the lingam lingam appeared in the shape and substance of 1, the creative lightning, and how, out of the union of the 0 and 1, all of the numbers of creation could be generated in binary notation. appeared in the shape and substance of 1, the creative lightning, and how, out of the union of the 0 and 1, all of the numbers of creation could be generated in binary notation.

And as everybody meditated on the miraculous return of the Shivalingam Shivalingam, old Ringh remembered how General Crowley promised, when he had to return to the West, that he would use what he had learned in India to teach the whole world how the phallic spark of Imagination, represented by the 1 or lingam lingam, generated everything out of absolute 0, the dark yoni yoni, nothingness.

PART ONE

FLOSSING.

Forget it, Jake. It's Chinatown.-ROMAN POLANSKI

OCCULT TECHNOLOGY.

Let me control a planet's oxygen supply and I don't care who makes the laws.-GREAT CTHULHU'S STARRY WISDOM BAND When Clem Cotex decided to program himself into the head s.p.a.ce of the First Bank of Religiosophy, he sent five dollars to Bad a.s.s, Texas, for Dr. Horace Naismith's ca.s.sette tape, "The Occult Technology of Money and the Moneylords." By the time the tape arrived in the mail, Clem had been through so many eigenstates, both as male and female, that he no longer wondered about "the stuff in the tomato juice" and was merely moderately surprised occasionally that most people were not as flexible in their thinking as he was. In fact, Clem had been a Scientologist, a solipsist, and a Logical Positivist, among other things, in the interim.

Filling a pipe with Alamout Black, the hashish of the a.s.sa.s.sins, Clem lit up, toked deeply, and began playing the tape of "The Occult Technology of Money and the Moneylords."

"The Federal Reserve System-a private bank responsible to n.o.body, despite its name-creates money out of nothing," out of nothing," Naismith began in a pleasant Texas tw.a.n.g. Clem toked again and began to grok Naismith in his fullness. The tape played on and Clem toked again each time he felt the need to grok more deeply. Naismith began in a pleasant Texas tw.a.n.g. Clem toked again and began to grok Naismith in his fullness. The tape played on and Clem toked again each time he felt the need to grok more deeply.

Naismith quoted Buckminster Fuller (the only Unistat President ever to resign from office) and Ezra Pound, the folk singer, and John Adams and Tom Edison and a lot of other people who had long ago been on Clem's list of folks who had probably been given some of the "stuff" in the tomato juice. All of these men, Naismith pointed out, had proposed money systems more efficient and more just than the present Federal Reserve System.

"There is no one money system that was ordained by G.o.d," Naismith said. "They were all invented by human beings and can be improved by human beings.

"Now, what is money?" Naismith asked. "Money is information "Money is information. Ask any computer programmer about that, if you don't believe it. Money is a signal, a unit of pure information. It is as abstract as mathematics. Cattle served as money once. So did leather. So did the precious metals. They were commodity monies, because they were worth something in themselves. Modern paper money is pure information, worth absolutely zilch, except for the signals printed on it." Clem really began to get Naismith's perspective. He toked again, feeling the Big Idea behind the First Bank of Religiosophy.

"Money in the modern world," Naismith went on, "is no more than a promise to pay. If you look at the bills in your wallet right now, you'll see what what they're promising to pay. They're promising to pay you more paper. They don't have to give you a gram of gold or silver or any real commodity. They'll give you more paper if you want to trade in the paper you already have. Didn't that ever strike you as a they're promising to pay. They're promising to pay you more paper. They don't have to give you a gram of gold or silver or any real commodity. They'll give you more paper if you want to trade in the paper you already have. Didn't that ever strike you as a little bit funny? little bit funny?

"Think of it this way," Naismith said, warming to his subject. "This is a corny old Sufi parable, but it might help you to get the picture."

The great Sufi sage Nasrudin, Naismith said, once invented a magic wand. Wishing to patent such a valuable device, Nasrudin waved the wand and created a patent office, which immediately appeared in 3-D Technicolor.

Nasrudin then walked in and told the clerk, "I want to patent a magic wand."

"You can't do that," said the clerk. "There is no such thing as a magic wand."

Nasrudin immediately waved his wand again, and the patent office and the clerk both disappeared.

"Jesus and Ludwig Christ!" Clem Cotex cried. He jumped up and turned off the tapes, totally At One with the doctrine of Religiosophy. "Money is information," he muttered, beginning to pace the room, stoned out of his gourd. "Holy snakes and ladders. 'Humanity is the symbol-using cla.s.s of life, and those who control symbols control us.' I read that in Korzybski aeons ago. Information!" Information!"