Saga Of Arturo Bandini - Ask The Dust Part 2

'They don't mean anything,' I said.

'I'm sorry about the coffee,' she said. 'Everybody orders beer. We don't get many calls for coffee.'

'That's exactly why you don't get many calls for it. Because it's so lousy. I'd drink beer too, if I could afford it.'

She pointed at my hand with a pencil. 'You bite your fingernails,' she said. 'You shouldn't do that.'

43.I shoved my hands in my pockets.

'Who are you to tell me what to do?'

'Do you want some beer?' she said. 'I'll get you some. You don't have to pay for it.'

'You don't have to get me anything. I'll drink this alleged coffee and get out of here.'

She walked to the bar and ordered a beer. I watched her pay for it from a handful of coins she dug out of her smock. She carried the beer to me and placed it under my nose. It hurt me.

'Take it away,' I said. 'Get it out of here. I want coffee, not beer.'

Someone in the rear called her name and she hurried away. The backs of her knees appeared as she bent over the table and gathered empty beer mugs. I moved in my chair, my feet kicking something under the table. It was a spittoon. She was at the bar again, nodding at me, smiling, making a motion indicating I should drink the beer. I felt devilish, vicious. I got her attention and poured the beer into the spittoon. Her white teeth took hold of her lower lip and her face lost blood. Her eyes blazed. A pleasantness pervaded me, a satisfaction. I sat back and smiled to the ceiling.

She disappeared behind a thin part.i.tion which served as a kitchen. She reappeared, smiling. Her hands were behind her back, concealing something. Now the old man I had seen that morning stepped from behind the part.i.tion. He grinned expectantly. Camilla waved to me. The worst was about to happen: I could feel it coming. From behind her back she revealed the little magazine containing The Little Dog Laughed. She waved it in the air, but she was out of view, and her performance was only for the old man and myself. He watched with big eyes. My mouth went 44.dry as I saw her wet her fingers and flip the pages to the place where the story was printed. Her lips twisted as she clamped the magazine between her knees and ripped away the pages. She held them over her head, waving them and smiling. The old man shook his head approvingly. The smile on her face changed to determination as she tore the pages into little pieces, and these into smaller pieces. With a gesture of finality, she let the pieces fall through her fingers and trickle to die spittoon at her feet. I tried to smile. She slapped her hands together with an air of boredom, like one slapping the dust from her palms. Then she put one hand on her hip, tilted her shoulder, and swaggered away. The old man stood there for some time. Only he had seen her. Now that the show was over, he disappeared behind the part.i.tion.

I sat smiling wretchedly, my heart weeping for The Little Dog Laughed, for every well-turned phrase, for the little flecks of poetry through it, my first story, the best thing I could show for my whole life. It was the record of all that was good in me, approved and printed by the great J. C. Hackmuth, and she had torn it up and thrown it into a spittoon.

After a while I pushed back my chair and got up to leave. Standing at the bar, she watched me go. There was pity for me upon her face, a tiny smile of regret for what she had done, but I kept my eyes away from her and walked into the street, glad for the hideous din of street cars and the queer noises of the city pounding my ears and burying me in an avalanche of banging and screeching. I put my hands in my pockets and slumped away.

Fifty feet from the saloon I heard someone calling. I turned around. It was she, running on soft feet, coins jingling in her pockets. 'Young fellow!' she called. 'Oh kid!'

45.I waited and she came out of breath, speaking quickly and softly. 'I'm sorry,' she said. 'I didn't mean anything - honest.'

'It's okay,' I said. 'I didn't mind.'

She kept glancing towards the saloon. 'I have to get back,' she said. 'They'll miss me. Come back tomorrow night, will you? Please! I can be nice. I'm awfully sorry about tonight. Please come, please!' She squeezed my arm. 'Will you come?' 'Maybe.'

She smiled. 'Forgive me?' 'Sure.'

I stood in the middle of the sidewalk and watched her hurry back. After a few steps she turned, blew a kiss and called, 'Tomorrow night. Don't forget!' 'Camilla!' I said. 'Wait. Just a minute!' We ran towards each other, meeting halfway. 'Hurry!' she said. 'They fire me.'

I glanced at her feet. She sensed it coming and I felt her recoiling from me. Now a good feeling rushed through me, a coolness, a newness like new skin. I spoke slowly.

'Those huaraches - do you have to wear them, Camilla? Do you have to emphasize the fact that you always were and always will be a filthy little Greaser?'

She looked at me in horror, her lips open. Clasping both hands against her mouth, she rushed inside the saloon. I heard her moaning. 'Oh, oh, oh.'

I tossed my shoulders and swaggered away, whistling with pleasure. In the gutter I saw a long cigarette b.u.t.t. I picked it up without shame, lit it as I stood with one foot in the gutter, puffed it and exhaled towards the stars. I was an American, and G.o.dd.a.m.n proud of it. This great city, these mighty pavements and proud buildings, they were the voice of my America. From sand and cactus we Americans had carved an empire. Camilla's people had had their chance. They had failed. We Americans had turned the trick. Thank G.o.d for my country. Thank G.o.d I had been born an American!

Chapter Six.

I went up to my room, up the dusty stairs of Bunker Hill, past the soot-covered frame buildings along that dark street, sand and oil and grease choking the futile palm trees standing like dying prisoners, chained to a little plot of ground with black pavement hiding their feet. Dust and old buildings and old people sitting at windows, old people tottering out of doors, old people moving painfully along the dark street. The old folk from Indiana and Iowa and Illinois, from Boston and Kansas City and Des Moines, they sold their homes and their stores, and they came here by train and by automobile to the land of sunshine, to die in the sun, with just enough money to live until the sun killed them, tore themselves out by the roots in their last days, deserted the smug prosperity of Kansas City and Chicago and Peoria to find a place in the sun. And when they got here they found that other and greater thieves had already taken possession, that even the sun belonged to the others; Smith and Jones and Parker, druggist, banker, baker, dust of Chicago and Cincinnati and Cleveland on their shoes, doomed to die in the sun, a few dollars in the bank, enough to subscribe to the Los Angeles Times, enough to keep alive the illusion that this was paradise, that their little papier-mache homes were castles. The uprooted ones, the empty sad folks, the old and the young folks, the folks from back home. These were my countrymen, these were the new Californians. With 49.their bright polo shirts and sungla.s.ses, they were in paradise, they belonged.

But down on Main Street, down on Towne and San: Pedro, and for a mile on lower Fifth Street were the tens of thousands of others; they couldn't afford sungla.s.ses or a four-bit polo shirt and they hid in the alleys by day and slunk off to flop houses by night. A cop won't pick you up for vagrancy in Los Angeles if you wear a fancy polo shirt and a pair of sungla.s.ses. But if there is dust on your shoes and that sweater you wear is thick like the sweaters they wear in the snow countries, he'll grab you. So get yourselves a polo shirt boys, and a pair of sungla.s.ses, and white shoes, if you can. Be collegiate. It'll get you anyway. After a while, after big doses of the Times and the Examiner, you too will whoop it up for the sunny south. You'll eat hamburgers year after year and live in dusty, vermin-infested apartments and hotels, but every morning you'll see the mighty sun, the eternal blue of the sky, and the streets will be full of sleek women you never will possess, and the hot semi-tropical nights will reek of romance, you'll never have, but you'll still be in paradise, boys, in the land of sunshine.

As for the folks back home, you can lie to them, because they hate the truth anyway, they won't have it, because soon or late they want to come out to paradise, too. You can't fool the folks back home, boys. They know what Southern California's like. After all they read the papers, they look at the picture magazine glutting the newsstands of every corner in America. They've seen pictures of the movie stars' homes. You can't tell them anything about California.

Lying in my bed I thought about them, watched the blobs of red light from the St Paul Hotel jump in and out of my room, and I was miserable, for tonight I had acted like them.

Smith and Parker and Jones, I had never been one of them. Ah Camilla! When I was a kid back home in Colorado it was Smith and Parker and Jones who hurt me with their hideous names, called me Wop and Dago and Greaser, and their children hurt me, just as I hurt you tonight. They hurt me so much I could never become one of them, drove me to books, drove me within myself, drove me to run away from that Colorado town, and sometimes, Camilla, when I see their faces I feel the hurt all over again, the old ache there, and sometimes their heartlessness, the same faces, the same set, hard mouths, faces from my home town, fulfilling the emptiness of their lives under a blazing sun.

I see them in the lobbies of hotels, I see them sunning in the parks, and limping out of ugly little churches, their faces bleak from proximity with their strange G.o.ds, out of Aimee's Temple, out of the Church of the Great I Am.

I have seen them stagger out of their movie palaces and blink their empty eyes in the face of reality once more, and stagger home, to read the Times, to find out what's going on in the world. I have vomited at their newspapers, read their literature, observed their customs, eaten their food, desired their women, gaped at their art. But I am poor, and my name ends with a soft vowel, and they hate me and my father, and my father's father, and they would have my blood and put me down, but they are old now, dying in the sun and in the hot dust of the road, and I am young and full of hope and love for my country and my times, and when I say Greaser to you it is not my heart that speaks, but the quivering of an old wound, and I am ashamed of the terrible thing I have done.

Chapter Seven.

I am thinking of the Alta Loma Hotel, remembering the people who lived there. I remember my first day there. I remember that I walked into the dark lobby carrying two suitcases, one of them filled with copies of The Little Dog Laughed. It was a long time ago, but I remember it well. I had come by bus, dusty to the skin, the dust of Wyoming and Utah and Nevada in my hair and in my ears.

'I want a cheap room,' I said.

The landlady had white hair. Around her neck was a high net collar fitting tightly like a corset. She was in her seventies, a tall woman who increased her height by rising on tiptoe and peering at me over her gla.s.ses.

'Do you have a job?' she said.

'I'm a writer,' I said. 'Look, I'll show you.'

I opened my suitcase and got out a copy. 'I wrote that,' I told her. I was eager in those days, very proud. 'I'll give you a copy,' I said. 'I'll autograph it for you.'

I took a fountain pen from the desk, it was dry and I had to dip it, and I rolled my tongue around thinking of something nice to say. 'What's your name?' I asked her. She told me unwillingly. 'Mrs Margraves,' she said. 'Why?' But I was honouring her, and I had no time to answer questions, and I wrote above the story, 'For a woman of ineffable charm, 53.with lovely blue eyes and a generous smile, from the author, Arturo Bandini.'

She smiled with a smile that seemed to hurt her face, cracking it open with old lines that broke up the dry flesh around her mouth and cheeks. 'I hate dog stories,' she said, putting the magazine out of sight. She looked at me from an even higher view over her gla.s.ses. 'Young man,' she said, 'are you a Mexican?'

I pointed at myself and laughed.

'Me, a Mexican?' I shook my head. 'I'm an American, Mrs Hargraves. And that isn't a dog story, either. It's about a man, it's pretty good. There isn't a dog in the whole story.'

'We don't allow Mexicans in this hotel,' she said.

'I'm not a Mexican. I got that t.i.tle after the fable. You know: "And the little dog laughed to see such sport."'

'Nor Jews,' she said.

I registered. I had a beautiful signature in those days, intricate, oriental, illegible, with a mighty slashing underscore, a signature more complex than that of the great Hackmuth. And after the signature I wrote, 'Boulder, Colorado.'

She examined the script, word for word.

Coldly: 'What's your name, young man?'

And I was disappointed, for already she had forgotten the author of The Little Dog Laughed and his name printed in large type on the magazine. I told her my name. She printed it carefully over the signature. Then she crossed the page to the other writing.

'Mr Bandini,' she said, looking at me coldly, 'Boulder is not in Colorado.'

'It is too!' I said. 'I just came from there. It was there two days ago.'

She was firm, determined. 'Boulder is in Nebraska. My husband and I went through Boulder, Nebraska, thirty years ago, on our way out here. You will kindly change that, if you please.'

'But it is in Colorado! My mother lives there, my father. I went to school there!'

She reached under the desk and drew out the magazine. She handed it to me. 'This hotel is no place for you, young man. We have fine people here, honest people.'

I didn't accept the magazine. I was so tired, hammered to bits by the long bus ride. 'All right,' I said. 'It's in Nebraska.' And I wrote it down, scratched out the Colorado and wrote Nebraska over it. She was satisfied, very pleased with me, smiled and examined the magazine. 'So you're an author!' she said. 'How nice!' Then she put the magazine out of sight again. 'Welcome to California!' she said. 'You'll love it here!'

That Mrs Hargraves! She was lonely, and so lost and still proud. One afternoon she took me to her apartment on the top floor. It was like walking into a well-dusted tomb. Her husband was dead now, but thirty years ago he had owned a tool shop in Bridgeport, Connecticut. His picture was on the wall. A splendid man, who neither smoked nor drank, dead of a heart attack; a thin, severe face out of a heavy framed picture, still contemptuous of smoking and drinking. Here was the bed in which he died, a high mahogany four-poster; here were his clothes in the closet and his shoes on the floor, the toes turned upwards from age. Here on the mantel was his shaving mug, he always shaved himself, and his name was Bert. That Bert! Bert, she used to say, why don't you go to the barber, and Bert would laugh, because he knew he was a better barber than the regular barbers.

Bert always got up at five in the morning. He came from 54 55.a family of fifteen children. He was handy with tools. He had done all the repair work around the hotel for years. It had taken him three weeks to paint the outside of the building. He used to say he was a better painter than the regular painters. For two hours she talked of Bert, and Lord! how she loved that man, even in death, but he was not dead at all; he was in that apartment, watching over her, protecting her, daring me to hurt her. He frightened me, and made me want to i rush away. We had tea. The tea was old. The sugar was old and lumpish. The tea cups were dusty, and somehow the tea tasted old and the little dried up cookies tasted of death. When I got up to leave, Bert followed me through the door and down the hall, daring me to think cynically of him. For ; two nights he hounded me, threatened me, even cajoled me in the matter of cigarettes.

I am remembering that kid from Memphis. I never asked his name and he never asked mine. We said 'Hi' to one another, He was not there long, a few weeks. His pimpled face was always covered by his long hands when he sat on the front > porch of the hotel: every night late he was there; twelve and one and two o'clock, and coming home I would find him rocking back and forth in the wicker chair, his nervous ringers picking at his face, searching his uncut black hair. 'Hi,' I would say, and 'Hi' he would answer.

The restless dust of Los Angeles fevered him. He was a greater wanderer than myself, and all day long he sought out perverse loves in the parks. But he was so ugly he never found his desire, and the warm nights with low stars and yellow moon tortured him away from his room until the dawn arrived. But one night he talked to me, left me nauseated and unhappy as he revelled in memories of Memphis, Tennessee, 5(5 where the real people came from, where there were friends and friends. Some day he would leave this hated city, some day he would go back where friendship meant something, and sure enough, he went away and I got a postcard signed 'Memphis Kid' from Fort Worth, Texas.

There was Heilman, who belonged to the Book of the Month Club. A huge man with arms like logs and legs tight in his pants. He was a bank teller. He had a wife in Moline, Illinois and a son at the University of Chicago. He hated the southwest, his hatred bulging from his big face, but his health was bad, and he was doomed to stay here or die. He sneered at everything western. He was sick after every intersectional football game that saw the east defeated. He spat when you mentioned the Trojans. He hated the sun, cursed the fog, denounced the rain, dreamed always of the snows of the middle-west. Once a month his letter box had a big package. I saw him in the lobby, always reading. He wouldn't lend me his books.

'A matter of principle,' Heilman said.

But he gave me the Book of the Month Club News, a little magazine about new books. Every month he left it in my letter box.

And the redheaded girl from St Louis who always asked about the Filipinos. Where did they live? How many were there? Did I know any of them? A gaunt redheaded girl, with brown freckles below the neckline of her dress, out here from St Louis. She wore green all the time, her copper head too startling for her beauty, her eyes too grey for her face. She got a job in a laundry, but the pay was too little, so she quit. She too wandered the warm streets. Once she lent me a quarter, another time, postage stamps. Endlessly she spoke of the Filipinos, pitied them, thought them so brave in the 57.face of prejudice. One day she was gone, and another day I saw her again, walking the streets, her copper hair catching sunbeams, a short Filipino holding her arm. He was very proud of her. His padded shoulders and tight waisted suit were the ultimate of tenderloin fashion, but even with the high leather heels he was a foot shorter than she.

Of them all, only one read The Little Dog Laughed. Those first days I autographed a great number of copies, brought them upstairs to the waiting room. Five or six copies, and I placed them conspicuously everywhere, on the library table, on the divan, even in the deep leather chairs so that to sit down you had to pick them up. n.o.body read them, not a soul, except one. For a week they were spread about, but they were hardly touched. Even when the j.a.panese boy dusted that room he never so much as lifted them from where they lay. In the evenings people played bridge in there, and a group of the old guests gathered to talk and relax. I slipped in, found a chair, and watched. It was disheartening. A big woman in one of the deep chairs had even seated herself upon a copy, not bothering to remove it. A day came when the j.a.panese boy piled the copies neatly together on the library table. They gathered dust. Once in a while, every few days, I rubbed my handkerchief over them and scattered them about. They always returned untouched to the neat stack on the library table. Maybe they knew I had written it, and deliberately avoided it. Maybe they simply didn't care. Not even Heilman, with all his reading. Not even the landlady. I shook my head: they were very foolish, all of them. It was a story about their own middle-west, about Colorado and a snowstorm, and there they were with their uprooted souls and sun-burned faces, dying in a blazing desert, and the cool homelands from whence they came were so near at 58 hand, right there in the pages of that little magazine. And I thought, ah well, it was ever thus - Poe, Whitman, Heine, Dreiser, and now Bandini; thinking that, I was not so hurt, not so lonely.

The name of the person who read my story was Judy, and her last name was Palmer. She knocked on my door that afternoon, and opening it, I saw her. She was holding a copy of the magazine in her hand. She was only fourteen, with curls of brown hair, and a red ribbon tied in a bow above her forehead.

'Are you Mr Bandini?' she said.

I could tell from her eyes she had read The Little Dog Laughed. I could tell instantly. 'You read my story, didn't you?' I said. 'How did you like it?'

She clutched it close to her chest and smiled. 'I think it's wonderful,' she said. 'Oh, so wonderful! Mrs Hargraves told me you wrote it. She told me you might give me a copy.' My heart fluttered in my throat.

'Come in!' I said. 'Welcome! Have a chair! What's your name? Of course you can have a copy. Of course! But please come in!'

I ran across the room and got the best chair. She sat down so delicately, the child's dress she wore even concealing her knees. 'Do you want a gla.s.s of water?' I said. 'It's a hot day. Maybe you're thirsty.'

But she wasn't. She was only nervous. I could see I frightened her. I tried to be nicer, for I didn't want to scare her away. It was in those early days when I still had a bit of money. 'Do you like ice cream?' I said. 'Would you like me to get you a milk nickel or something?'

'I can't stay,' she said. 'Mother will get angry.'

'Do you live here?' I said. 'Did your mother read the story 59.too? What's your name?' I smiled proudly. 'Of course you ; already know my name,' I said. 'I'm Arturo Bandini.'

'Oh, yes!' she breathed, and her eyes widened with such admiration I wanted to throw myself at her feet and weep.' I could feel it in my throat, the ticklish impulse to start sobbing.

'Are you sure you won't have some ice cream?'

She had such beautiful manners, sitting there with her pink chin tilted, her tiny hands clinging to the magazine. 'No thank you, Mr Bandini.'

'How about a c.o.ke?' I said.

'Thank you,' she smiled. 'No.'

'Root beer?'

'No, if you please. Thank you.'

'What's your name?' I said. 'Mine's-' but I stopped in time.

'Judy,' she said.

'Judy!' I said, over and over. 'Judy, Judy! It's wonderful!' I said. 'It's like the name of a star. It's the most beautiful name' I ever heard!'

'Thank you!' she said.

I opened the dresser drawer containing copies of my story. It was still well stocked, some fifteen remaining. 'I'm going to autograph it. Something nice, something extra special!'

Her face coloured with delight. This little girl was not joking; she was really thrilled, and her joy was like cool ] water running down my face. 'I'm going to give you two copies,' I said. 'And I'm going to autograph both of them!'

'You're such a nice man,' she said. She was studying me as I opened an ink bottle. 'I could tell by your story.'

'I'm not a man,' I said. 'I'm not much older than you, Judy.' I didn't want to be old before her. I wanted to 60.cut it down as much as possible. 'I'm only eighteen,' I lied.

'Is that all?' She was astonished.

'Be nineteen in a couple of months.'

I wrote something special in both the magazines. I don't remember the words but it was good, what I wrote, it came from my heart because I was so grateful. But I wanted more, to hear her voice that was so small and breathless, to keep her there in my room as long as I could.

'You would do me a great honour,' I said. 'You would make me terribly happy, Judy, if you'd read my story out loud to me. It's never happened, and I'd like to hear it.'

'I'd love to read it!' she said, and she sat erect, rigid with eagerness. I threw myself on the bed, buried my face in the pillow, and the little girl read my story with a soft sweet voice that had me weeping at the first hundred words. It was like a dream, the voice of an angel filling the room, and in a little while she was sobbing too, interrupting her reading now and then with gulps and chokes, and protesting. 'I can't read anymore,' she would say, 'I can't.' And I would turn over and beseech her: 'But you've got to, Judy. Oh, you got to!'