Ruth Fielding At College Part 3

"Huh?"

"This Maggie we just got out of the river. She has no job, she says, and she wants one. I believe she'll stay."

"Who's goin' to pay her wages?" demanded Uncle Jabez, getting back to "first principles" again.

"I'll pay the girl's wages, Uncle Jabez," Ruth said seriously. "But you must feed her. And she must be fed well, too. I can see that part of her trouble is malnutrition."

"Huh? Has she got some ketchin' disease?" Uncle Jabez demanded.

"It isn't contagious," Ruth replied drily. "But unless she is well fed she cannot be cured of it."

"Wal, there's plenty of milk and eggs," the miller said.

"But you must not hide the key of the meat-house, Uncle," and now Ruth laughed outright at him. "Four people at table means a depletion of your smoked meat and a dipping occasionally into the corned-beef barrel."

"Wal----"

"Now, if I pay the girl's wages, you must supply the food," his niece said, firmly, "Otherwise, Aunt Alvirah will go without help, and then she will break down, and _then_----"

"Huh!" grunted the miller. "I couldn't let her go back to the poorfarm, I s'pose?"

He actually made it a question; but Ruth could not see his face, for he had turned aside.

"No. She could not return to the poorhouse--after fifteen years!"

exclaimed the girl. "Do you know what _I_ should do?" and she asked the question warmly.

"Somethin' fullish, I allow."

"I should take her to Ardmore with me, and find a tiny cottage for her, and maybe she would keep house for Helen and me."

"That'd be jest like ye, Niece Ruth," he responded coolly. "You think you have all the money in the world. That's because ye didn't aim what ye got--it was give to ye."

The statement was in large part true, and for the moment Ruth's lips were closed. Tears stood in her eyes, too. She realized that she could not be independent of the old miller had not chance and kind-hearted and grateful Mrs. Rachel Parsons given her the bulk of the amount now deposited in her name in the bank.

Ruth Fielding's circ.u.mstances had been very different when she had first come to Cheslow and the Red Mill. Then she was a little, homeless, orphan girl who was "taken in out of charity" by Uncle Jabez. And very keenly and bitterly had she been made to feel during those first few months her dependence upon the crabbed old miller.

The introductory volume of this series, "Ruth Fielding of the Red Mill, or, Jacob Parloe's Secret," details in full the little girl's trials and triumphs under these unfortunate conditions--how she makes friends, smooths over difficulties, and in a measure wins old Uncle Jabez's approval. The miller was a very honest man and always paid his debts.

Because of something Ruth did for him he felt it to be his duty to pay her first year's tuition at boarding school, where she went with her new friend, Helen Cameron. In "Ruth Fielding at Briarwood Hall," the Red Mill girl really begins her school career, and begins, too, to satisfy that inbred longing for independence which was so strong a part of her character.

In succeeding volumes of the "Ruth Fielding Series," we follow Ruth's adventures in Snow Camp, a winter lodge in the Adirondack wilderness; at Lighthouse Point, the summer home of a girl friend on the Atlantic coast; at Silver Ranch, in Montana; at Cliff Island; at Sunrise Farm; with the Gypsies, which was a very important adventure, indeed, for Ruth Fielding. In this eighth story Ruth was able to recover for Mrs. Rachel Parsons, an aunt of one of her school friends, a very valuable pearl necklace, and as a reward of five thousand dollars had been offered for the recovery of the necklace, the entire sum came to Ruth. This money made Ruth financially independent of Uncle Jabez.

The ninth volume of the series, ent.i.tled, "Ruth Fielding in Moving Pictures; or, Helping the Dormitory Fund," shows Ruth and her chums engaged in film production. Ruth discovered that she could write a good scenario--a very good scenario, indeed. Mr. Hammond, president of the Alectrion Film Corporation, encouraged her to write others. When the West Dormitory of Briarwood Hall was burned and it was discovered that there had been no insurance on the building, the girls determined to do all in their power to rebuild the structure.

Ruth was inspired to write a scenario, a five-reel drama of schoolgirl life, and Mr. Hammond produced it, Ruth's share of the profits going toward the building fund. "The Heart of a Schoolgirl" was not only locally famous, but was shown all over the country and was even now, after six months, paying the final construction bills of the West Dormitory, at Briarwood.

In this ninth volume of the series, Ruth and Helen and many of their chums graduated from Briarwood Hall. Immediately after the graduation the girl of the Red Mill and Helen Cameron were taken south by Nettie Parsons and her Aunt Rachel to visit the Merredith plantation in South Carolina. Their adventures were fully related in the story immediately preceding the present narrative, the tenth of the "Ruth Fielding Series," ent.i.tled, "Ruth Fielding Down in Dixie; or, Great Times in the Land of Cotton."

Home again, after that delightful journey, Ruth had spent most of the remaining weeks of her vacation quietly at the Red Mill. She was engaged upon another scenario for Mr. Hammond, in which the beautiful old mill on the Lumano would figure largely. She also had had many preparations to make for her freshman year at Ardmore.

Ruth and Helen were quite "young ladies" now, so Tom scoffingly said.

And going to college was quite another thing from looking forward to a term at a preparatory school. Nevertheless, Ruth had found plenty of time to help Aunt Alvirah during the past few weeks.

She had noted how much feebler the old woman was becoming. Therefore, she was determined to win Uncle Jabez to her plan of securing help in the Red Mill kitchen. The coming of the girl, Maggie, though a strange coincidence, Ruth looked upon as providential. She urged Uncle Jabez to agree to her proposal, and the very next morning she sounded Maggie upon the subject. The strange girl was sitting up, but Aunt Alvirah would not hear to her doing anything as yet. Ruth found Maggie in the sitting-room, engaged in looking at the Ardmore Year Book which Ruth had left upon the sitting-room table.

"Pretty landscapes about the college, aren't they?" Ruth suggested.

"Oh yes--Miss. Very pretty," agreed Maggie.

"That is where I am going to college," Ruth explained. "I enter as a freshman next week."

"Is that so--Miss?" hesitated Maggie. Her heretofore colorless face flushed warmly. "I've heard of that--that place," she added.

"Indeed, have you?"

Maggie was looking at the photograph of Lake Remona, with a part of Bliss Island at one side. She continued to stare at the picture while Ruth put before her the suggestion of work at the Red Mill.

"Oh, of course, Miss Fielding, I'd be glad of the work. And you're very liberal. But you don't know anything about me."

"No. And I shouldn't know much more about you if you brought a dozen recommendations," laughed Ruth.

"I suppose not--Miss." It seemed hard for the girl to get out that "Miss," and Ruth, who was keenly observant, wondered if she really had been accustomed to using it.

They talked it over and finally reached an agreement. Aunt Alvirah was sweetly grateful to Ruth, knowing full well that there must have been a "battle royal" between the miller and his niece before the former had agreed to the new arrangement.

Ruth was quite sure that Maggie was a nice girl, even if she was queer.

At least, she gave deference to the quaint little old housekeeper, and seemed to like Aunt Alvirah very much. And who would not love the woman, who was everybody's aunt but n.o.body's relative?

Once or twice Ruth found Maggie poring over the Year Book of Ardmore College, rather an odd interest for a girl of her cla.s.s. But Maggie was rather an odd girl anyway, and Ruth forgot the matter in her final preparations for departure.

CHAPTER III

EXPECTATIONS

"I expect she'll be a haughty, stuck-up thing," declared Edith Phelps, with vigor.

"'Just like _that_,'" drawled May MacGreggor. "We should worry about the famous auth.o.r.ess of canned drama! A budding lady hack writer, I fancy."

"Oh, dear me, no!" cried Edith. "Didn't you see 'The Heart of a Schoolgirl' she wrote? Why, it was a good photo-play, I a.s.sure you."

"And put out by the Alectrion Film Corporation," joined in another of the group of girls standing upon the wide porch of Dare Hall, one of the four large dormitories of Ardmore College.

The college buildings were set most artistically upon the slope of College Hill, each building facing sparkling Lake Remona. Save the boathouse and the bathing pavilions, Dare and Dorrance Halls at the east side of the grounds, and Hoskin and Hemmingway Halls at the west side, were the structures nearest to the lake.

Farther to the east an open grove intervened between the dormitories and the meadows along the Remona River where bog hay was cut, and which were sometimes flooded in the freshet season.