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"Found the meat that made their broth In England and in Scotland both,"
must have implanted in the Carnegies the instinct of the salmon for the sea. I should have been a sailor bold, and sailed the "sawt, sawt faeme," a pirate with a pirate's bride captured _vi et armis_, and all the rest of it.
I am up late again to-night, but, fortunately, there wasn't a soul on deck to hear me trying to sing
"Up, up with the flag; let it wave o'er the sea, I'm afloat, I'm afloat, and the Rover is free!"
The officer on the bridge halloaed to me once, and asked if I wanted any thing; but I forgave him. He could only hear my roaring at his distance; had I been nearer, the melody would no doubt have reached his ears, and he would have known I was singing a tune.
Still I thought it politic to affect not having heard him, and quietly stepped down to bed. I shall avoid friend Ryan in the morning, as it would be embarra.s.sing to be asked, especially before the young ladies, who or what I was howling at last night.
Some people have no tact, and he might be one of these and fail to comprehend. With the exception of the officers, our crew, sailors, stewards, and all, are Chinese, and in all and each of these capacities they excel. They stand the heat of the furnaces better than any other people, and as stewards are models.
SUNDAY, November 10.
Our third Sunday at sea. The past week has been unbroken sunshine, moonlight, and smooth seas. So far not a ship has been seen. I have read carefully eleven of Shakespeare's plays during the spare hours of the voyage, and have enjoyed those most with which I was least familiar, while some pa.s.sages in even the best known I wonder greatly at not having long ere this committed to memory, to live there with the rest, and come at my call to minister to me.
They are such gems. I have them now, and feel as if I have made new friends, whose angel visits will do me good in days and nights to come. Byron affected to disparage the master, but I note two other gems, beside many I knew of before, for which he stands indebted. The idea in his celebrated lines in "Mazeppa"--
"Methought that mist of dawning gray Would never dapple into day"--
is from _Two Gentlemen of Verona_, and the "Bright, particular star" from _All's Well that Ends Well_. But of course I do not intend any reflection upon Byron. Such was, and is, the all-pervading, transcendent nature of Shakespeare's genius; it was, and is, and shall be for ages yet to come, simply impossible for any writer to avoid drawing from that fountain, for every thing has its "environment," and Shakespeare is the environment of all English-speaking men.
WEDNESDAY, November 13.
Four hundred and fifty miles from land! To-day we have had the only taste of Neptune's power he has favored us with: it began to blow at midnight, and today we have a grand sea. I have just come from the deck after witnessing the Pacific in its fury, and no one would believe that one ocean could differ as much from another as this does from the Atlantic. The waves here move in immense ma.s.ses. It is an acre of water in motion, as one solid lump, instead of a few feet square dashed into foam. One says instinctively,
"What care these roarers for the name of king?"
I have noticed that even in the smallest waves cast aside by the ship formations are different from those of other seas. It is midnight, and we are only 125 miles from j.a.pan. Not a pa.s.senger except myself on deck, but I cannot sleep. Vandy would be with me, I know, poor fellow, were he able to crawl, but the storm has settled him for the present. How strange that none feel sufficient interest to stay awake and watch with me! They would be amply repaid. The phosph.o.r.escent sea shows forth its wonders now--not alone in the myriads of small stars of light, which please you in the Atlantic, but at every turn of the foam dashed from the bow and sides of the ship ma.s.ses of glittering phosph.o.r.escence as large as my travelling cap. What creatures these must be which can emit light in such cl.u.s.ters! I leave the deck with the cheery "All's well!" ringing in my ears as the ship dances before the wind which brings to a close our long flight across the Pacific.
How we have longed for this last night, and yet how often in after life are we to sigh for a return to the glorious nights we have lived at sea! Where we have
"Mingled with the universe to feel What we can ne'er express, Nor cannot all conceal."
Good-night, my band of dear, dear friends, now in the midst of your daily toil--for it is yet day with you--racking your brains that the holiday wanderer may revel as he is now doing. In the earnest hope that the day may not be far distant when to you may come similar enjoyment when he is the toiler, he goes at last to bed.
FRIDAY, November 15.
Land ahoy! The islands of j.a.pan are in sight, and the entrance to the bay is reached at 4 P.M. The sail up this bay is never to be forgotten. The sun set as we entered, and then came such a sky as Italy cannot rival. I have seen it pictured as deluging Egypt with its glory, but this we have yet to see. Fusiyama itself shone forth under its rays, its very summit clear, more than 14,000 feet above us. The clouds in large ma.s.ses lay east and west of the peak, but cowering far below, as if not one speck dared to rise to its crown. It stood alone in solitary grandeur, by far the most impressive mountain I have yet seen; for mountains, as a rule, are disappointing, the height being generally attained by gradations.
It is only to Fusiyama, and such as it, that rise alone in one unbroken pyramid, that one can apply Schiller's grand line,
"Ye are the things which tower,"
Fusiyama _towers_ beyond any crag or peak I know of; and I do not wonder that in early days the j.a.panese made the home of their G.o.ds upon its crest.
It was nine o'clock when the anchor dropped, and in a few minutes after small boats crowded alongside to take us ash.o.r.e. Until you are rowed in a sampan in style, never flatter yourself you have known the grotesque in the way of transportation. Fancy a large, wide canoe, with a small cabin in the stern, the deck in front lower than the sides, and on this four creatures, resembling nothing on earth so much as the demons in the _Black Crook_, minus most of the covering. They stand two on each side, but not in a line, and each works a long oar scull-fashion, accompanying each stroke with shouts such as we never heard before; the last one steers as well as sculls with his oar, and thus we go propelled by these yelling devils, who apparently work themselves into a state of fearful excitement. We land finally, pa.s.s the Custom House without examination, and with sea-legs which are far from steady reach our hotel. A bite of supper--but what fearful creatures again to bow and wait on us! More demons. We laugh every minute at some funny performance, and wonder where we can be; but how surprisingly good every thing is which we eat or drink on land after twenty-two days at sea!
TUESDAY, November 19.
We have been three days in j.a.pan, and all we can tell you is that we are powerless to convey more than the faintest idea of that which meets us at every turn. Had we to return to-morrow, we should still feel that we had been fully compensated for our journey. Though we have seen most of the strange and novel which Europe has to show, a few hours' stroll in Yokohama or Tokio has revealed to us more of the unexpected than all we ever saw elsewhere. No country I have visited till now has proved as strange as I had imagined it; the contrary obtains here. All is so far beyond what I had pictured it that I am constantly regretting so few of my friends will probably ever visit j.a.pan to see and enjoy for themselves. Let me try to describe a walk. We are at the hotel door, having received the repeated bows, almost to the ground, of numerous demons. A dozen big fellows rush up, each between the shafts of his "ginrikshaw" like a cab-horse, and invite us to enter, just as cabmen do elsewhere. But look at their costume, or shall I rather say want of costume? No shoes, unless a mat of straw secured with straw strings twisted around and between the big toe and the next one may be called a shoe; legs and body bare, except a narrow strip of rag around the loins; and such a hat! it is either of some dark material, as big as the head of a barrel (I do not exaggerate), to shelter them from sun and rain, or a light straw flat of equal size. These are the Bettoes, who will run and draw you eighteen miles in three hours and a quarter, this being the distance and time by "ginrikshaw" to Tokio. We decline their proffers and walk on. What is this? A man on stilts!
His shoes are composed of a flat wooden sole about a quarter of an inch thick, on which the foot rests, elevated upon two similar pieces of board, about four inches high, placed crosswise. about three inches apart. On the edges of these cross-pieces he struts along. A second has solid wooden pieces of equal height, a third has flat straw shoes, a fourth has none. Look out behind! What is this noise? "Hulda, hulda, hulda!" shouted in our ears. We look around, and four coolies, as naked as Adam, one at each corner of a four-wheel truck, pushing a load of iron and relieving themselves at every step by those unearthly groans. Never have we seen that indispensable commodity transported in that fashion before. But look there! A fishmonger comes with a basket swinging on each end of a bamboo pole carried over the shoulder--all single loads are so carried--and yonder goes a water-carrier, carrying his stoups in the same manner, while over his shoulders he has flung a coat that would make the reputation of a clown in the circus. The dress of the women is not so varied, but their painted lips and whitened necks, and, in the case of the married women, their blackened teeth, afford us much cause for staring, although I cannot bear to look upon these hideous-looking wretches when they smile; I have to turn my eyes away. How women can be induced to make such disgusting frights of themselves I cannot conceive, but Fashion--Fashion does anything. The appearance of the children is comical in the extreme. They are so thickly padded with dress upon dress as to give them the look of little fat Esquimaux. The women invariably carry them on their backs, Indian fashion. Here are two j.a.ps meeting in the middle of the street. They bow three times, each inclination lower and more profound than the preceding one, infinite care being taken to drop the proper number of inches befitting their respective ranks, and then shake their own hands in token of their joy. We soon reach the region of the shops.
These are small booths, and squat on the floor sit four or five men and women around a brazier, warming their hands while they smoke. All the shops are of wood, but a small part is constructed of mud, and is said to be fire-proof. In this the valuables are instantly thrown when one of the very frequent fires occurs. The floors are matted, and kept scrupulously clean. No one thinks of entering without first taking his shoes off. The shop floors are raised about eighteen inches above the street, and on the edges purchasers sit sidewise and make their bargains. The entire street is a pavement, as no horses are to be provided for. We visited the tea factories at Yokohama. j.a.pan has become of late years an exporter of tea to America, no less than five thousand tons being shipped last year. Tea when first gathered is tasteless, but after being exposed to the sun it ferments like hay. It is then curled, twisted, baked, and brought to the dealers, who again pick it over carefully and roll it into the form in which it reaches us. We saw many hundreds of women and girls in the establishment of Messrs.
Walsh, Hall & Co. rolling rapidly about with their hands a quant.i.ty of the leaves in large round pots under which a small charcoal fire was burning. And now, for the benefit of my lady friends, let me explain that the difference between black and green tea is simply this: the former is allowed to cure or ferment in the sun about fifty minutes longer than the latter, and during this extra fifty minutes certain elements pa.s.s off which are thought to affect the nervous system; hence green tea has a greater effect upon weak nerves than the black, but you see the same leaf makes either kind, as the owner elects. But here comes in a strange prejudice. Green tea of the natural color could not be sold in the American market. No, we insist upon having a "prettier green," and we are accommodated, of course. What can a dealer do but meet the imperious demands of his patrons? The required color is obtained by adulterating the pure tea with a mixture of indigo and gypsum, which the most conscientious dealers are compelled to do. But we saw used in one case Prussian blue, which is poisonous--this, however, was not in Messrs. Walsh, Hall & Co.'s--and I was told that ultramarine is sometimes resorted to.
These more pernicious substances produce even a "prettier green"
than the indigo and gypsum, and secure the preference of ignorant people. Moral--Stick to black tea and escape poison. For all of which information, and many kind attentions, I have to thank Mr.
Walsh, our banker.
One hears very often in j.a.pan during the night a long, plaintive kind of whistle, which, upon inquiry, I found proceeded from blind men or women, called shampooers, who are employed to rub or pinch those suffering from pain, and who cure restlessness by the same means. It is a favorite cure of the j.a.panese, and some foreigners tell us they have employed it with success. I suppose, this climate being productive of rheumatism and kindred pains, the people are p.r.o.ne to fly to anything that secures temporary relief; but it is a new idea, this, of being pinched to sleep.
We live well at the hotels here. j.a.pan abounds in fish and game in great variety. Woodc.o.c.k, snipe, hares, and venison are cheap, and all of excellent quality. The beef and mutton are also good, as are the vegetables. Turnips, radishes and carrots are enormous, owing, I suppose to the depth and fineness of the soil. Vandy measured some of each, and reports: "Radishes, eighteen inches, and beautifully white; carrots, twenty inches, and splendid."
WEDNESDAY, November 20.
We started this morning from Yokohama for Tokio, the great city of the Empire, which contains 1,030,000 inhabitants, according to a census taken last year. Until within a few years past j.a.pan had two rulers--the Mikado, or spiritual, and the Tyc.o.o.n, or secular ruler, although, strictly speaking, the former was theoretically the supreme ruler, the latter obtaining his power through marriage with the family of the former. The seat of the Mikado was at Kioto, a fine city near the centre of the island, while the Tyc.o.o.n resided at Tokio, or Yeddo, as it was then called. The Mikado was invisible, being the veritable veiled prophet, none but a privileged few being ever permitted to gaze upon his divine person. A few years ago it was decided to combine the two powers, and make Yeddo the only capital. The Mikado was carried to Yeddo closely veiled, in triumphal procession, and the vast crowds, a.s.sembled at every point to see the cavalcade, prostrated themselves, and remained with eyes bent upon the ground as the sacred car approached. An eye-witness describing the entry into Tokio says that few dared to look up as the Presence pa.s.sed.
Lately, the same Mikado has made a royal progress through the country, meeting the princ.i.p.al men in each district, and travelling in view of the entire population, so rapidly have manners changed in j.a.pan. When the Mikado was elevated to supreme power, the feudal system, which had existed up to that time, was abolished, and we now see no more of the Samuri, or two-sworded men, or of the Daimios, the petty princes who formerly promenaded the streets in gorgeous dresses, accompanied by their military retainers. The soldiers, sailors, policemen, and all the official cla.s.ses are dressed in European style. It is the reigning fashion to be European, and even furniture after our patterns is coming into use. It is the same with food. The hotel where we are rejoices in a French cook, expressly imported, and every night we have parties of wealthy j.a.panese dining at this Tokio Delmonico's.
Last night we had a party of the most celebrated actors enjoying a dinner to commemorate the successful completion of a new piece which had enjoyed a great run. I amused myself trying to select the Montagu, Gilbert, Becket, and Booth of the party, and succeeded well, as I afterward heard. Actors are held in estimation in Tokio, and these attracted great attention as they dined. Matters are much as with us, I fancy. Our interpreter, in his broken English, told us in regard to the two young lovers, "Very high thought by much high ladies--oh, very high!" I do not think European dress improves the appearance of the j.a.panese gentlemen; they are very short, and--I regret to report it--generally quite crooked in the legs, and their own flowing costumes render them dignified and graceful. Indeed, after a residence in the East for a while one agrees with the opinion he hears often expressed there that our costume is the most unpicturesque dress in the world.
We were fortunate in having as shipmates Captain Totaki, of the navy, and a young lady, Mlle. Rio, who had been in America several years, and had acquired an English education. They were excessively kind to us during our entire stay, and much of the pleasure derived is due to them. The captain gave us one evening an entertainment at a fashionable tea-house, and introduced us to the celebrated singing and dancing girls of j.a.pan, of whom all have heard. We were shown into a large room, the floor of which was covered with bamboo matting laid upon some soft substance. Of course our shoes were laid aside at the door of the house. There were neither chairs nor furniture of any kind, but subsequently chairs were found for us. The salutations on the part of the numerous women servants were most profound, each prostrating herself to the floor, and touching the mat with her forehead every time she entered or left the apartment. Velvet mats were carried into the room by a servant and placed around a brazier of charcoal. In a few minutes servant after servant entered, prostrating herself to the ground, and placing before us some j.a.panese delicacy. One served soup in small lacquer bowls, another fish, a third cakes, a fourth tea in very tiny cups, and others various things, and finally saki, the wine of the country, was produced, served in small cups like the tea. Then came the girls.
Seven approached, each carrying a musical instrument of queer construction. They bowed profoundly, but I noticed did not touch the mat with their foreheads, their rank being much superior to that of the servants, and began to play and sing.
No entertainment is complete without a troop of these Gahazi girls, and such entertainments form about the only social amus.e.m.e.nt of the j.a.panese. And now for the music. Please understand that the j.a.panese scale is not like ours, and nothing like melody to our ears can be produced by it. They have a full tone between each first and second note, and a semitone between each third and fourth, and yet the same feelings are awakened in them by their music as in us by ours, so that harmony itself is simply a matter of education after all, and the glorious Fifth Symphony itself, "Lohengrin," or "Scots wha hae," played or sung as I have heard them, would convey no more meaning to these people than so much rattling of cross-bones; but imagine the Fifth Symphony on any scale but ours! I cannot reconcile myself to the idea that we have not the only scale for such a theme; but one has to learn that there are different ways for every thing, and no one who knows much will a.s.sume that he has the best. Owing to the change of the scale, I suppose I missed the sentiment of every piece performed. When I thought they were giving us a wail for the dead it turned out to be a warm welcome, and an a.s.surance on the part of those pretty maidens of their happiness in being permitted the great honor of performing before such ill.u.s.trious visitors.
Our companion, Mile. Rio, took one of the instruments and played and sang a piece for us, but I was not more fortunate in my guess with her. It was a wedding chorus, which I was willing to wager was the j.a.panese "Miserere"; but this error may have its significance after all. To us, in short, the music was execrable.
A falsetto, and a grinding, singsong falsetto at that--the most disagreeable sound I ever heard in music--is very common, and highly esteemed. The instruments resemble banjos, and there is a harsh kind of drum accompaniment; but there is one larger string instrument, the j.a.panese piano, upon which much older women play, the younger girls not being sufficiently skilled to perform upon it.
After a few songs had been sung, several of the girls laid down their banjos, and after obeisance prepared to dance. Instead of being a sprightly performance to, lively music, "first ae caper syne anither," j.a.panese dancing is a very stately and measured performance, the body instead of the feet being most brought into requisition. With the aid of the indispensable fan the girls succeed in depicting many different emotions, and all with exquisite grace. It is the very poetry of motion. Each dance ill.u.s.trates a story, and is as well known by name as is the "Highland Fling" or the "Sailor's Hornpipe." Here there was no difficulty in following the story. Unlike music, acting is a universal language, and in its domain "one touch of nature makes the whole world kin." There are no different scales for the expression of feeling. Love, in some of its manifold forms, as was to have been expected, is the theme of most of these dances. I redeemed my reputation here as a guesser, I think. I could give a very fair report to Mlle. Rio of most that took place in the dances, and we enjoyed this portion of the entertainment highly.
To a j.a.panese, how stupid our people must appear whirling round a room until fatigued or dizzy, all for the fun of the thing!
The dresses of the girls were of the richest and most fashionable description, the quietness of the colors surprising us, and their manners those of high-born women. Indeed, they set the fashions, and are the best educated and most accomplished of their s.e.x.
These girls are sent for to furnish entertainment for an evening just as we would engage a band for a party. They are said to be highly respectable as a cla.s.s, invariably reside with their parents, who educate them at great expense, and often make, we were told, very favorable marriages. The contrast between them and their less accomplished sisters is so great as to strike even us, who have been here only a few days, and must be held ignorant of style.
The most wonderful sights of Tokio are the temples and the famous tombs of the Tyc.o.o.ns. There is much similarity in the latter, but that of the sixth Tyc.o.o.n, at Shibba, is by far the most magnificent. It has been rendered familiar by photographs and engravings, and at any rate no description would convey a just idea of it. It is gorgeous in color, and the extreme delicacy of the gold is surprising; upon it, too, are found the finest known specimens of the old lacquer. But these tombs totally failed to impress me with any feeling akin to reverence; indeed, nothing in j.a.pan seems calculated to do so--the odor of the toyshop pervades everything, even their temples. As for their religious belief, it is hard to tell what it is, or whether they have any. One thing is sure, the educated cla.s.ses have discarded the faith of the mult.i.tude, if they ever really entertained it, and no longer worship the G.o.ds of old. The ignorant cla.s.ses, however, are seen pouring into the temples with their modest offerings, and asking for prayers in their behalf. It is in j.a.pan as it was in Greece--one religion for the ma.s.ses, and another, or rather none in the ordinary sense, for the educated few.
As in Catholic countries, some shrines are esteemed more than others. The Temple of the Foxes is the most popular in the Empire.
It is adorned with statues of Master Reynard in various postures.
His votaries are numerous, for the sagacity of the fox has pa.s.sed into a proverb, and these people hope by prayers and gifts to move the fox-G.o.d to bestow upon them the shrewdness of the symbol. The fox may be justly rated as the most successful preacher in j.a.pan: he draws better than any other, and his congregation is the largest; but he has a rival not without pretensions in the favorite G.o.ddess "Emma." We found her to be a large, very fat woman, sitting in j.a.panese style, and surrounded by images of children. Babies cl.u.s.ter like cherubs around the princ.i.p.al figure, while an attendant sells for a cent apiece ugly painted ones made out of clay, many of which have been placed by worshippers before the G.o.ddess. As we approached, a young woman--married, for her teeth were black, and respectably but not richly dressed--was on her knees before the G.o.ddess so earnestly engaged in prayer that she appeared wholly unconscious of our presence. There was no mistaking that this was sincere devotion--a lifting up of the soul to some power considered higher than itself. I became most anxious to know what sorrow could so move her, and our interpreter afterward told us that she asked but one gift from the G.o.ddess. It was the prayer of old that a man-child should be born to her; and, poor woman! when one knows what her life must be in this country should this prayer remain unanswered, it saddens one to think of it. A living death; another installed in her place; all that woman holds dear trembling in the balance. How I pitied her! I also saw men praying before other idols and working themselves into a state of frenzy. Indeed I saw so much in the temples to make me unhappy that I wished I had never visited any of them. It gives one such desponding hopes of our race, of its present and of its future, when so many are so bound down to the lowest form of superst.i.tion.
At one of the princ.i.p.al Shinto temples I saw the sacred dance with which that great G.o.d is propitiated. In a booth two stories high, in front of the temple, was a small stage upon which sat three old priests. One beat a drum, the second played a flute, while the third fingered a guitar. To this music a very pretty young daughter of a priest, gorgeously arrayed in sacred robes, postured with a fan, keeping time to the music. This was all. But, like the tom-tom beating of the Buddhist which we heard at the same moment from an opposite temple, the dance is thought to dispose the G.o.ds to receive favorably the gifts and prayers of the devotees. We saw at the same temple a large wooden figure which is reputed able to cure all manner of diseases. So much and so hard had this figure been rubbed by the poor sufferers that the nose is no longer there; the face is literally rubbed smooth. The ears are gone, and it is only a question of time when all traces of human form will have vanished. It reminded us of the toe of St. Peter, in the cathedral at Rome, which has been worn smooth by the osculations of devout Christians.
j.a.pan is rapidly adopting the manners and customs of European civilization. There is at present a cry for representative government, and one need not be surprised to hear by and by of the Parliament of j.a.pan. War-ships are building at the a.r.s.enal, which are not only constructed but designed by native genius. A standing army of about 50,000 men is maintained. Gas has been introduced in some places, and railroads and telegraphs are in operation; and, not to be behind their neighbors, a public debt and irredeemable currency (based upon the property of the nation, of course,) have been created. The currency is now at 22 per cent. discount as compared with gold, and further depreciation is apprehended. (It has since reached 50 per cent. discount.) It is modelled on our American paper money, and is actually printed in New York. Let us hope that j.a.pan may soon be able to follow the Republic farther by making it convertible--as good as gold. Notwithstanding its wide "base"--in short, our greenbackers' "base"--it doesn't seem to work here any better than at home.
Art in j.a.pan is utilitarian; in no other country are articles of common use so artistic. The furniture of a j.a.panese house is scanty. We see no walls hung with pictures with showy gilt frames, no portieres or curtains, none of the sofas, chairs, tables, brackets, chandeliers, etc., which give our rooms so crowded an appearance. The bareness of the rooms strikes one at once upon entering, but when one examines the utensils in daily use even by the poorer cla.s.ses he sees that they are of uncommon beauty.
Surely this is of more moment than to have art confined to the few, both as to articles and to persons. In j.a.pan, art may be said to be democratic; all cla.s.ses are brought under its sway.