Rossmoyne Part 2

Not a breath of air comes to disturb the languid grandeur of the huge elms that stand staring up to heaven just opposite the hall door. The crows swinging in their branches up above are all subdued; hardly have they energy enough to flap their great, broad wings.

Little stationary clouds lie like flecks of silver upon the pale-blue sky; far far away, in the woods of Coole, a cuckoo may be heard at long and yet longer intervals,--last remnant of a vanished spring; but all the other birds have succ.u.mbed to the power of the great G.o.d of light, and are wrapped in silence.

Certain stray little sunbeams, half wild with glee, rushing hither and thither through the roses, discover Miss Penelope Blake sitting in the drawing-room at Moyne. She is dressed in her very best lavender silk, that would stand alone, and be glad to do it if it was let, but unabashed by her splendor Apollo's saucy babies dance down upon her, and, seizing on her knitting-needles, play hide and seek among them, until the poor lady's eyes are fairly dazzled.

Fortunately, at this instant Miss Priscilla, entering the room, draws down the blind and restores order: after which she seats herself almost directly opposite her sister.

The Misses Blake are not pretty old ladies at all. I don't want to deceive you in this matter. They are, in fact, quite ugly old ladies.

Their noses are all wrong, their cheeks are as wrinkled as Timothy's forehead, and their mouths out of all drawing.

Miss Priscilla's eyes are brown,--a deep startling brown, that seems to look you through and through and compels the truth. Her hair is brown, too, and soft, and silky, and pretty, though thickly sprinkled with gray. She has a great deal of this hair, and is secretly very proud of it.

Miss Penelope's eyes are pale blue,--with very little blue,--and but for her long lashes (sole remnants of goodlier days) would be oppressive.

Her hair is pale, too, and sandy, and is braided back from her forehead in severe lines.

There is a pensive air about Miss Penelope that might suggest to the casual observer an early and disastrous love-affair. But all such imaginings on his part would be vain. No winged cupid ever hid in Miss Penelope's ear, or played bo-peep in her virgin bosom, or nestled in her sandy locks: she is free from all taint of such wild frivolisms.

"All is ready now," says Miss Priscilla,--who is the Martha at Moyne, while we may regard Miss Penelope as the Mary. "The rooms are prepared, nothing is wanting, and the flowers smell so sweet. I have sent the carriage to meet them, though I know the train cannot be here for quite an hour yet; but I think it wise always to be in time."

"There is nothing like it," says Miss Penelope, placidly.

"Now I shall rest here with you a little while," goes on the elder maiden, complacently, "and think of all that is likely to happen."

"Really," says Miss Penelope, lowering her work and glancing restlessly at her sister, "I feel more nervous than I can say, when I think of their coming. What on earth should we do, dear Priscilla, if they took a dislike to us?"

"I have thought of that myself," says Miss Priscilla, in an awe-struck tone. "We are not attractive, Penelope: beyond a few--a _very_ few--insignificant touches," with an inward glance at her fine hair, "we are absolutely outside the pale of beauty. I wonder if Monica will be like her mother, or if----"

Here something happens that puts a final stop to all conversation. The door is opened, quickly, impetuously; there is a sound as of many footsteps on the threshold without.

The old ladies start in their seats, and sit upright, trembling excessively. What can have happened? Has the sedate Ryan come to loggerheads with Mrs. Reilly the cook? (a state of things often threatened); and are they now standing on the mat meditating further bloodshed?

A moment surcharged with thrilling suspense goes by, and then, not Ryan or the cook, but a much more perplexing vision comes slowly into the room.

It is a very radiant vision, though it is clothed in mourning garments, full of grace and beauty. Very shy, with parted lips, and brilliant frightened eyes, but perfect as an opening flower.

Is it a child or a woman? is the first question that strikes Miss Penelope. As for Miss Priscilla, she is too surprised for thought of any kind, too lost in admiration of the little, gracious uncertain, figure, with its deep-blue eyes glancing up at her with a half-terrified yet trusting expression, to give way to speech of any kind.

She is slight, and slim as a hazel wand. Her hair is nut-brown, with a red gold tinge running through it. Her nose is adorable, if slightly tilted; her mouth is a red, red rose, sad but sweet, and full of purpose. Her eyes are large and expressive, but touched, like her lips, with a suspicion of melancholy that renders them only a degree more sweet and earnest.

There is a spirituality about her, a calm, a peace that shines out of these dark Irish eyes, and rests upon her perfect lips, as it were a lingering breath of the heaven from whence she came.

She stands now, hesitating a little, with her hands loosely clasped,--brown little hands, but beautifully shaped. Indeed, all her skin owes more of its coloring to Phoebus Apollo than nature intended.

She draws her breath somewhat quickly, and then, as though anxious to get through the troublous task a.s.signed her, says, nervously, in a low, sweet voice,--

"I am Monica."

As she says this, she glances entreatingly from one old lady to the other, with some trouble in her great eyes, and some tears. Then all at once her lips tremble to a smile, and a soft light breaks upon her face.

"_You_ are Aunt Priscilla," she says, turning to Miss Blake; "I know you by your dark eyes, and by your _pretty_ hair!"

At the sound of her voice the two old ladies wake from their abstraction.

"Yes, yes, it is your aunt Priscilla," says Miss Penelope, eagerly, with a sudden pleased smile. Had the compliment been made to herself she could not possibly have appeared more delighted, and certainly would not have betrayed her satisfaction so openly. "Her hair," she says, "was always beautiful."

As for Miss Priscilla, she is smiling too, but in a shamefaced fashion, and is blushing a warm pretty crimson, such as a girl of seventeen might be guilty of, listening to a first word of love.

She takes Monica's right hand in hers and pats it softly; and Miss Penelope takes her left; and then the two old ladies stoop forward, and, one after the other, kiss the pale, girlish cheek, and with the kiss take her at once and forever into their very hearts.

"But surely, dear child, you did not come alone?" says Miss Priscilla, presently, calling to remembrance the fact that there ought to be two other Beresfords somewhere.

"No; Terence and Katherine are with me."

"But where, my dear?"

"Well, I _think_ they are standing on the mat, just outside the door,"

says Monica, blushing and laughing; and then she says, rather louder, "Terry and Kit, you may come in now. It is all right."

As to what was evidently supposed not to be "all right" up to this, the Misses Blake have no time to decide upon before a fresh nephew and niece present themselves to their view. They come in quite gayly,--rea.s.sured, no doubt, by Monica's tone: Terence, a tall slim lad of about sixteen, and a little girl somewhat like Monica, but more restless in features, and even a degree more pallid.

"My dear children, why didn't you come in before?" said Miss Priscilla, aghast at the inhospitable thought that they had been shivering with needless nervousness in the hall for the last five minutes.

"They said they wouldn't come in until I paved the way for them," says Monica, with a slight shrug of her shoulders that is a trick of hers.

"They always put everything upon my shoulders: a little shabby of them _I_ call it."

"I am afraid you must have pictured us as ogres," says Miss Priscilla, which idea strikes the old ladies as such a delicious flight of fancy that they laugh outright, and look at each other with intense enjoyment of their little joke.

"Well, of course we couldn't tell what you would be like," says Monica, gravely. "You might have been people likely to impress one with awe; but, as _it is_----This is Terry," laying her hand upon her brother's arm; "and this is Kit. She is really Katherine, you know, but no one ever calls her by so long a name. She isn't worth it."

At this the three Beresfords laugh among themselves, as children will, at time-worn fun, knowing no fatigue; after which Katherine and Terence are embraced and made much of by their new-found relatives, and freely commented upon.

But ever and anon the eyes of both old ladies wander thoughtfully, admiringly, to where the lissome Monica stands, like a pale, pensive lily.

"But how have you managed to be here so soon?" asks Miss Priscilla, when the impromptu luncheon, improvised by the startled Timothy, has come to an end. The children were all hungry, and have eaten a great deal, and have talked more. Indeed, though Miss Priscilla has been dying to ask this question for a long time, it has been impossible for her to do so, as there has not been so much as a comma in the conversation for the last hour.

The Beresfords are like so many clocks wound up, and bound to go for a certain time whether they like it or not; and, apparently, they do like it. Now they have run down a little, Terence being exhausted after his last laughing attack, and Kit wrapped in contemplation of an old-fashioned hair brooch that is fastening an equally old-fashioned piece of priceless lace that adorns Miss Penelope's throat.

"Well, I can't think how they do it!" she says, lost in admiration of a little slim hair lady bending over a miniature hair urn in the most lachrymose att.i.tude conceivable. "But they have put her eye in wrongly: she looks as if she is dying with laughter."

Here Miss Priscilla edges in her question, as to how they have contrived to be at Moyne at so early an hour.

"We came by the wrong train," says Terry. "We generally do. Ever since we left the South of France--where we were staying with the Bohuns, you know, on our way here--we have been missing our trains right and left, and turning up at all sorts of unexpected places. Haven't we, Kit?"

"_You_ have," says Kit, with suspicious emphasis. "You have such a pretty trick of rushing into the first train you see, without ever asking any one where it is going. No wonder we always turned up at the wrong end."

"_You've_ a pretty trick of putting everything down on other people's shoulders," says Terence, with open disgust. "Whose fault was it we were always so late at the stations that we hadn't time to make inquiries, I'd like to know? Could you," with fine irony, "tell us?"