Roadwork. Part 24

Drake said: "In that sleep of death, what dreams may come? Hamlet Hamlet, Mr. Dawes."

"Do you think the soul lives on? Is there survival?"

Drake's eyes grayed. "Yes," he said. "I think there is survival in some form. "

"And do you think suicide is a mortal sin that condemns the soul to h.e.l.l?"

Drake didn't speak for a long time. Then he said: "Suicide is wrong. I believe that with all my heart."

"That doesn't answer my question."

Drake stood up. "I have no intention of answering it. I don't deal in metaphysics anymore. I'm a civilian. Do you want to go back to the party?"

He thought of the noise and confusion, and shook his head.

"Home?"

"I couldn't drive. I'd be scared to drive."

"I'll drive you."

"Would you? How would you get back?"

"Call a cab from your house. New Year's Eve is a very good night for cabs."

"That would be good," he said gratefully. "I'd like to be alone, I think. I'd like to watch TV."

"Are you safe alone?" Drake asked somberly.

"n.o.body is," he replied with equal gravity, and they both laughed.

"Okay. Do you want to say good-bye to anyone?"

"No. Is there a back door?"

"I think we can find one."

He didn't talk much on the way home. Watching the streetlights go by was almost all the excitement he could stand. When they went by the roadwork, he asked Drake's opinion.

"They're building new roads for energy-sucking behemoths while kids in this city are starving," Drake said shortly. "What do I think? I think it's a b.l.o.o.d.y crime."

He started to tell Drake about the gasoline bombs, the burning crane, the burning office trailer, and then didn't. Drake might think it was a hallucination. Worse still, he might think it wasn't.

The rest of the evening was not very clear. He directed Drake to his house. Drake commented that everyone on the street must be out partying or to bed early. He didn't comment. Drake called a taxi. They watched TV for a while without talking-Guy Lombardo at the Waldorf-Astoria, making the sweetest music this side of heaven. Guy Lombardo, he thought, was looking decidedly froggy.

The taxi came at quarter to twelve. Drake asked him again if he would be all right.

"Yes, I think I'm coming down." He really was. The hallucinations were draining toward the back of his mind.

Drake opened the front door and pulled up his collar. "Stop thinking about suicide. It's chicken."

He smiled and nodded, but he neither accepted nor rejected Drake's advice. Like everything else these days, he simply took it under advis.e.m.e.nt. "Happy New Year," he said.

"Same to you, Mr. Dawes."

The taxi honked impatiently.

Drake went down the walk, and the taxi pulled away, yellow light glowing on the roof.

He went back into the living room and sat down in front of the TV. They had switched from Guy Lombardo to Times Square, where the glowing ball was poised atop the Allis-Chalmers Building, ready to start its descent into 1974. He felt weary, drained, finally sleepy. The ball would come down soon and he would enter the new year tripping his a.s.s off. Somewhere in the country a New Year's baby was pushing its squashed, placenta-covered head out of his mother's womb and into this best of all possible worlds. At Walter Hammer's party, people would be raising their gla.s.ses and counting down. New Year's resolutions were about to be tested. Most of them would prove as strong as wet paper towels. He made a resolution of his own on the spur of the moment, and got to his feet in spite of his tiredness. His body ached and his spine felt like gla.s.s-some kind of hangover. He went into the kitchen and got his hammer off the kitchen shelf. When he brought it back into the living room, the glowing ball was sinking down the pole. There was a split screen, showing the ball on the right, showing the merrymakers at the Waldorf on the left, chanting: "Eight seven six five " One fat society dame caught a glimpse of herself on a monitor, looked surprised, and then waved to the country.

The turn of the year, he thought. Absurdly, goose b.u.mps broke out on his arms.

The ball reached the bottom, and a sign lit up on the top of the Allis-Chalmers Building. The sign said: 1974.

At the same instant he swung the hammer and the TV screen exploded. Gla.s.s belched onto the carpet. There was a fizz of hot wires, but no fire. Just to be sure the TV would not roast him during the night in revenge, he kicked out the plug with his foot.

"Happy New Year," he said softly, and dropped the hammer to the carpet.

He lay on the couch and fell asleep almost immediately. He slept with the lights on and his sleep was dreamless.

PART THREE.

January

If I don't get some shelter, Oh, I'm gonna fade away -Rolling Stones

January 5, 1974

The thing that happened in the Shop 'n' Save that day was the only thing that had happened to him in his whole life that actually seemed planned and sentient, not random. It was as if an invisible finger had written on a fellow human being, expressly for him to read.

He liked to go shopping. It was very soothing, very sane. He enjoyed doing sane things very much after his bout with the mescaline. He had not awakened on New Year's Day until afternoon, and he had spent the remainder of the day wandering disconnectedly around the house, feeling s.p.a.ced-out and strange. He had picked things up and looked at them, feeling like Iago examining Yorick's skull. To a lesser degree the feeling had carried over to the next day, and even the day after that. But in another way, the effect had been good. His mind felt dusted and clean, as if it had been turned upside down, scrubbed and polished by some maniacally brisk internal housekeeper. He didn't get drunk and thus did not cry. When Mary had called him, very cautiously, around 7:00 P.m. on the first, he had talked to her calmly and reasonably, and it seemed to him that their positions had not changed very much. They were playing a kind of social statues, each waiting for the other to move first. But she had twitched and mentioned divorce. Just the possibility, the eeriest wiggle of a finger, but movement for all that. No, the only thing that really disturbed him in the aftermath of the mescaline was the shattered lens of the Zenith color TV. He could not understand why he had done it. He had wanted such a TV for years, even though his favorite programs were the old ones that had been filmed in black and white. It wasn't even the act that distressed him as much as the lingering evidence of it-the broken gla.s.s, the exposed wiring. They seemed to reproach him, to say: Why did you go and do that? I served you faithfully and you broke me. I never harmed you and you smashed me. I was defenseless. did you go and do that? I served you faithfully and you broke me. I never harmed you and you smashed me. I was defenseless. And it was a terrible reminder of what they wanted to do to his house. At last he got an old quilt and covered the front of it. That made it both better and worse. Better because he couldn't see it, worse because it was like having a shrouded corpse in the house. He threw the hammer away like a murder weapon. And it was a terrible reminder of what they wanted to do to his house. At last he got an old quilt and covered the front of it. That made it both better and worse. Better because he couldn't see it, worse because it was like having a shrouded corpse in the house. He threw the hammer away like a murder weapon.

But going to the store was a good thing, like drinking coffee in Benjy's Grill or taking the LTD through the Clean Living Car Wash or stopping at Henny's newsstand downtown for a copy of Time. copy of Time. The Shop 'n' Save was very large, lighted with fluorescent bars set into the ceiling, and filled with ladies pushing carts and admonishing children and frowning at tomatoes wrapped in see-through plastic that would not allow a good squeeze. Muzak came down from discreet overhead speaker grilles, flowing evenly into your ears to be almost heard. The Shop 'n' Save was very large, lighted with fluorescent bars set into the ceiling, and filled with ladies pushing carts and admonishing children and frowning at tomatoes wrapped in see-through plastic that would not allow a good squeeze. Muzak came down from discreet overhead speaker grilles, flowing evenly into your ears to be almost heard.

On this day, Sat.u.r.day, the S&S was filled with weekend shoppers, and there were more men than usual, accompanying their wives and annoying them with soph.o.m.oric suggestions. He regarded the husbands, the wives, and the issue of their various partnerships with benign eyes. The day was bright and sunshine poured through the store's big front windows, splashing gaudy squares of light by the checkout registers, occasionally catching some woman's hair and turning it into a halo of light. Things did not seem so serious when it was like this, but things were always worse at night.

His cart was filled with the usual selection of a man thrown rudely into solitary housekeeping: spaghetti, meat sauce in a gla.s.s jar, fourteen TV dinners, a dozen eggs, b.u.t.ter, and a package of navel oranges to protect against scurvy.

He was on his way down a middle aisle toward the checkouts when G.o.d perhaps spoke to him. There was a woman in front of him, wearing powder-blue slacks and a blue cable-st.i.tched sweater of a navy color. She had very yellow hair. She was maybe thirty-five, good looking in an open, alert way. She made a funny gobbling, crowing noise in her throat and staggered. The squeeze bottle of mustard she had been holding in her hand fell to the floor and rolled, showing a red pennant and the word FRENCH'S over and over again.

"Ma'am?" he ventured. "Are you okay?"

The woman fell backward and her left hand, which she had put up to steady herself, swept a score of coffee cans onto the floor. Each can said: MAXWELL HOUSE.

Good To The Very Last Drop It happened so fast that he wasn't really scared-not for himself, anyway-but he saw one thing that stuck with him later and came back to haunt his dreams. Her eyes had drifted out into walleyes, just as Charlie's had during his fits.

The woman fell on the floor. She cawed weakly. Her feet, clad in leather boots with a salt rime around the bottoms, drummed on the tiled floor. The woman directly behind him screamed weakly. A clerk who had been putting prices on soup cans ran up the aisle, dropping his stamper. Two of the checkout girls came to the foot of the aisle and stared, their eyes wide.

He heard himself say: "I think she's having an epileptic seizure."

But it wasn't an epileptic seizure. It was some sort of brain hemorrhage and a doctor who had been going around in the store with his wife p.r.o.nounced her dead. The young doctor looked scared, as if he had just realized that his profession would dog him to his grave, like some vengeful horror monster. By the time he finished his examination, a middling-sized crowd had formed around the young woman lying among the coffee cans which had been the last part of the world over which she had exercised her human perogative to rearrange. Now she had become part of that other world and would be rearranged by other humans. Her cart was halffilled with provisions for a week's living, and the sight of the cans and boxes and wrapped meats filled him with a sharp, agonized terror.

Looking into the dead woman's cart, he wondered what they would do with the groceries. Put them back on the shelves? Save them beside the manager's office until cash redeemed them, proof that the lady of the house had died in harness?

Someone had gotten a cop and he pushed his way through the knot of people on the checkout side. "Look out, here," the cop was saying self-importantly. "Give her air. " As if she could use it.

He turned and bulled his way out of the crowd, b.u.t.ting with his shoulder. His calm of the last five days was shattered, and probably for good. Had there ever been a clearer omen? Surely not. But what did it mean? What?

When he got home he shoved the TV dinners into the freezer and then made himself a strong drink. His heart was thudding in his chest. All the way home from the supermarket he had been trying to remember what they had done with Charlie's clothes.

They had given his toys to the Goodwill Shop in Norton, they had transferred his bank account of a thousand dollars (college money-half of everything Charlie had gotten from relatives at birthdays and Christmas went into that account, over his howls of protest) to their own joint account. They had burned his bedding on Mamma Jean's advice-he himself had been unable to understand that, but didn't have the heart to protest; everything had fallen apart and he was supposed to argue over saving a mattress and box springs? But the clothes, that was a different matter. What had they done with Charlie's clothes?

The question gnawed at him all afternoon, making him fretful, and once he almost went to the phone to call Mary and ask her. But that would be the final straw, wouldn't it? She wouldn't have to just guess about the state of his sanity after that.

Just before sunset he went up to the small half-attic, which was reached by crawling through a trapdoor in the ceiling of the master bedroom closet. He had to stand on a chair and shinny up in. He hadn't been in the attic for a long, long time, but the single bare 100-watt bulb still worked. It was coated with dust and cobwebs, but it still worked.

He opened a dusty box at random and discovered all his high school and college yearbooks, laid neatly away. Embossed on the cover of each high school yearbook were the words:

THE CENTURION.

Bay High School On the cover of each college yearbook (they were heavier, more richly bound) were these words:

THE PRISM.

Let Us Remember He opened the high school yearbooks first, flipping through the signed end pages ("Uptown, downtown, all around the town/I'm the gal who wrecked your yearbook/Writing upside down-A.F.A., Connie"), then the photographs of long-ago teachers, frozen behind their desks and beside their blackboards, smiling vaguely, then of cla.s.smates he barely remembered with their credits (FHA 1,2; Cla.s.s Council 2,3,4; Poe Society, 4) listed beneath, along with their nicknames and a little slogan. He knew the fates of some (Army, dead in a car crash, a.s.sistant bank manager), but most were gone, their futures hidden from him.

In his senior high yearbook he came across a young George Barton Dawes, looking dreamily toward the future from a retouched photograph that had been taken at Cressey Studios. He was amazed by how little that boy knew of the future and by how much that boy looked like the son this man had come to search out traces of. The boy in the picture had not yet even manufactured the sperm that would become half the boy. Below the picture: BARTON G. DAWES.

"Whizzer"

(Outing Club, 1,2,3,4 Poe Society, 3,4) Bay High School Bart, the Kla.s.s Klown, helped to lighten our load!

He put the yearbooks back in their box helter-skelter and went on poking. He found drapes that Mary had taken down five years ago. An old easy chair with a broken arm. A clock radio that didn't work. A wedding photograph alb.u.m that he was scared to look through. Piles of magazines-ought to get those out, those out, he told himself. he told himself. They're a fire hazard in the summer. They're a fire hazard in the summer. A washing machine motor that he had once brought home from the laundry and tinkered with to no avail. And Charlie's clothes. A washing machine motor that he had once brought home from the laundry and tinkered with to no avail. And Charlie's clothes.

They were in three cardboard cartons, each crisp with the smell of mothb.a.l.l.s. Charlie's shirts and pants and sweaters, even Charlie's Hanes underwear. He took them out and looked at each item carefully, trying to imagine Charlie wearing these things, moving in them, rearranging minor parts of the world in them. At last it was the smell of the mothb.a.l.l.s that drove him out of the attic, shaking and grimacing, needing a drink. The smell of things that had lain quietly and uselessly over the years, things which had no purpose but to hurt. He thought about them for most of the evening, until the drink blotted out the ability to think.

January 7, 1974

The doorbell rang at quarter past ten and when he opened the front door, a man in a suit and a topcoat was standing there, sort of hipshot and slouched and friendly. He was neatly shaved and barbered, carrying a slim briefcase, and at first he thought the man was a salesman with a briefcase full of samples-Amway, or magazine subscriptions, or possibly even the larcenous Swipe-and he prepared to welcome the man in, to listen to his pitch carefully, to ask questions, and maybe even buy something. Except for Olivia, he was the first person who had come to the house since Mary left almost five weeks ago.

But the man wasn't a salesman. He was a lawyer. His name was Philip T. Fenner, and his client was the city council. These facts he announced with a shy grin and a hearty handshake.

"Come on in," he said, and sighed. He supposed that in a half-a.s.sed sort of way, this guy was a salesman. You might even say he was selling Swipe.

Fenner was talking away, a mile a minute.

"Beautiful house you have here. Just beautiful. Careful ownership always shows, that's what I say. I won't take up much of your time, Mr. Dawes, I know you're a busy man, but Jack Gordon thought I might as well swing out here since it was on my way and drop off this relocation form. I imagine you mailed for one, but the Christmas rush and all, things get lost. And I'd be glad to answer any questions you might have, of course."

"I have a question," he said, unsmiling.

The jolly exterior of his visitor slipped for a moment and he saw the real Fenner lurking behind it, as cold and mechanized as a Pulsar watch. "What would that be, Mr. Dawes?"

He smiled. "Would you like a cup of coffee?"

Back on with the smiling Fenner, cheerful runner or city council errands. "Gee, that'd be nice, if it's not too much trouble. A trifle nippy out there, only seventeen degrees. I think the winters have been getting colder, don't you?"

"They sure have." The water was still hot from his breakfast coffee. "Hope you don't mind instant. My wife's visiting her folks for a while, and I just sort of muddle along. "

Fenner laughed good-naturedly and he saw that Fenner knew exactly what the situation was between him and Mary, and probably what the situation was between him and any other given persons or inst.i.tutions: Steve Ordner, Vinnie Mason, the corporation, G.o.d.

"Not at all, instant's fine. I always drink instant. Can't tell the difference. Okay to put some papers on this table?"

"Go right ahead. Do you take cream?"

"No, just black. Black is fine." Fenner unb.u.t.toned his topcoat but didn't take it off. He swept it under him as he sat down, as a woman will sweep her skirt so she doesn't wrinkle the back. In a man, the gesture was almost jarringly fastidious. He opened his briefcase and took out a stapled form that looked like an income tax return. He poured Fenner a cup of coffee and gave it to him.

"Thanks. Thanks very much. Join me?"