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PISTOL SHOOTING
From 1820 to 1830 pistol shooting was not much practised. One evening, in the Salon des Etrangers, I was introduced to General F--, a very great duellist, and the terror of every regiment he commanded; he was considered by Napoleon to be one of his best cavalry officers, but was never in favour, in consequence of his duelling propensities. It was currently reported that F--, in a duel with a very young officer lost his toss, and his antagonist fired first at him; when, finding he had not been touched, he deliberately walked close up to the young man, saying, "Je plains ta mere," and shot him dead. But there were some doubts of the truth of this story; and I trust, for the honour of humanity, that it was either an invention or a gross exaggeration.
The night I was introduced to F--, I was told to be on my guard, as he was a dangerous character. He was very fond of practising with pistols, and I frequently met him at Lapage's, the only place at that time where gentlemen used to shoot. F--, in the year 1822, was very corpulent, and wore an enormous cravat, in order, it was said, to hide two scars received in battle. He was a very slow shot.
The famous Junot, Governor-General of Paris, whom I never saw, was considered to be the best shot in France. My quick shooting surprised the habitues at Lapage's, where we fired at a spot chalked on the figure of a Cossack painted on a board, and by word of command, "One--two--three." F--, upon my firing and hitting the mark forty times in succession, at the distance of twenty paces, shrieked out, "Tonnerre de Dieu, c'est magnifique!" We were ever afterwards on good terms, and supped frequently together at the Salon. At Manton's, on one occasion, I hit the wafer nineteen times out of twenty. When my battalion was on duty at the Tower in 1819, it happened to be very cold, and much snow covered the parade and trees. For our amus.e.m.e.nt it was proposed to shoot at the sparrows in the trees from Lady Jane Grey's room; and it fell to my lot to bag eleven, without missing one: this, I may say, without flattering myself, was considered the best pistol-shooting ever heard of.
Manton a.s.signed as the reason why pistols had become the usual arms for duels, the story (now universally laughed at) of Sheridan and Captain Matthews fighting with swords on the ground, and mangling each other in a frightful way. These combatants narrated their own story; but its enormous exaggeration has been proved even on Sheridan's own evidence, and the blood that poured from him seems merely to have been the excellent claret of the previous night's debauch. The number of wounds said to have been inflicted on each other was something so incredible that nothing but the solemn a.s.severations of the parties could have gained belief; and in those days Sheridan had not obtained that reputation for rodomontade which he afterwards enjoyed by universal consent.
THE FAUBOURG ST. GERMAIN
The distinguishing characteristics of the residents of the "n.o.ble Faubourg," as it was called at the time I am speaking of, were indomitable pride and exclusiveness, with a narrow-minded ignorance of all beyond the circle in which its members moved. In our day of comparative equality and general civility, no one who has not arrived at my age, and lived in Paris, can form any idea of the insolence and hauteur of the higher cla.s.ses of society in 1815. The glance of unutterable disdain which the painted old d.u.c.h.esse of the Restoration cast upon the youthful belles of the Chausse d'Antin, or the handsome widows of Napoleon's army of heroes, defies description. Although often responded to by a sarcastic sneer at the antediluvian charms of the emigree, yet the look of contempt and disgust often sank deep into the victim's heart, leaving there germs which showed themselves fifteen years later in the revolution of 1830. In those days, this privileged cla.s.s was surrounded by a charmed circle, which no one could by any means break through. Neither personal attractions nor mental qualifications formed a pa.s.sport into that exclusive society; to enter which the small n.o.bility of the provinces, or the nouveau riche, sighed in vain. It would have been easier for a young Guardsman to make his way into the Convent des Oiseaux--the fashionable convent in Paris--than for any of these parvenus to force an entrance into the Faubourg St. Germain.
One of the first acts which followed the Restoration of the Bourbons was the grant of a pecuniary indemnity, amounting to a milliard, or forty millions sterling, to be distributed amongst the emigres who had lost fortunes or estates by their devotion to the royal family. They had now, therefore, the means of receiving their friends, political partisans, and foreigners, with more than usual splendour; and it must be admitted that those who were thought worthy to be received were treated like spoiled children, and petted and flattered to their heart's content. In their own houses they were really des grands seigneurs, and quite incapable of treating their invited guests with the insolence that became the fashion among the Jewish parvenus during the reign of the "citizen king." It is one thing to disdain those whom one does not think worthy of our acquaintance, and another to insult those whom one has thought proper to invite.
In their own houses, the inhabitants of the Faubourg St. Germain were scrupulously polite: even if some enterprising foreigner should have got in surrept.i.tiously, as long as he was under his host's roof he was treated with perfect courtesy; though ignominiously "cut" for the remainder of his days. All this was not very amiable; but the inhabitants of the "n.o.ble Faubourg" were never distinguished for their amiability. Their best characteristics were the undaunted courage with which they met death upon the scaffold, and the cheerfulness and resignation with which they ate the bitter bread of exile. In general, les grandes dames were not remarkable for their personal attractions, nor for the elegance of their appearance or dress. The galaxy of handsome women that formed the court of the Emperor had perhaps sent beauty somewhat out of fashion; for the high-born ladies who took their place were what we should call dowdy, and had nothing distinguished in their appearance. Many of those who belonged to the most ancient families were almost vulgar in outward form and feature: their manner had a peculiar off-hand, easy style; and they particularly excelled in setting down any unlucky person who had happened to offend them. Their main object, at this time, was to stand well at court, therefore they adapted themselves to circ.u.mstances, and could be devout with the Dauphine and sceptical with Louis the Eighteenth.
The men of the aristocracy of the Revolution were less clever and satirical than the women; but, on the other hand, they had far more of the distinguished bearing and graceful urbanity of the grands seigneurs of the olden time. The emigre n.o.bles would have gazed with unutterable horror at their degenerate descendants of the present day; but these young, booted, bearded, cigar-smoking scions of la jeune France would have run round their courteous, but, perhaps, rather slow ancestors, in all the details of daily life.
The princ.i.p.al houses of reception in those days were those of the Montmorencys, the Richelieus, Birons, Rohans, Goutaut Talleyrands, Beauffremonts, Luxemburgs, Crillons, Choiseuls, Chabots, Fitzjames, Grammonts, Latours de Pin, Coislins, and Maillys. Most of these mansions are now occupied as public offices, or Jesuitical schools, or by foreign Ministers. Those who are now supposed to be the great people of the Faubourg St. Germain are nothing more than actors, who put on a motley dress and appear before the public with the view of attracting that attention to which they are not ent.i.tled; it is, therefore, an error to suppose that the modern faubourg is anything like what it was during the days of the Bourbons. At the present moment the only practical aid the inhabitants of this locality can accord to the legitimist cause in Europe, is by getting up subscriptions for the Papacy, and such exiled Sovereigns as Francis II.; and, in order to do so, they generally address themselves to married women and widows: in fact, it is from the purses of susceptible females, many of whom are English, that donations are obtained for legitimacy and Popery in distress.
It is to be regretted that the most renowned and ancient families of France have, in society and politics, yielded their places to another cla.s.s. That refinement of perception, sensitiveness, and gentle bearing, which take three or four generations to produce, are no longer the characteristics of Parisian society. The gilded saloons of the Tuileries, and those magnificent hotels whose architects have not been geniuses of art, but the children of Mammon, are occupied by the Jew speculator, the political parasite, the clever schemer, and those who--whilst following the fortune of the great man who rules France--are nothing better than harpies. Most of these pretended devotees of imperialism have, speaking figuratively, their portmanteaus perpetually packed, ready for flight. The Emperor's good nature, as regards his entourage, has never allowed him to get rid of men who, perhaps, ought not to be seen so near the Imperial throne of France.
The weakest feature of Napoleon III.'s Government is the conspicuous presence of a few persons in high places, whose cupidity is so extravagant that, in order to gratify their l.u.s.t of wealth, they would not hesitate, indirectly at least, to risk a slur on the reputation of their master and benefactor, in order to gain their own ends.
THE SALON DES ETRANGERS IN PARIS
When the allies entered Paris, after the Battle of Waterloo, the English gentlemen sought, instinctively, something like a club. Paris, however, possessed nothing of the sort; but there was a much more dangerous establishment than the London clubs, namely, a rendezvous for confirmed gamblers. The Salon des Etrangers was most gorgeously furnished, provided with an excellent kitchen and wines, and was conducted by the celebrated Marquis de Livry, who received the guests and did the honours with a courtesy which made him famous throughout Europe. The Marquis presented an extraordinary likeness to the Prince Regent of England, who actually sent Lord Fife over to Paris to ascertain this momentous fact. The play which took place in these saloons was frequently of the most reckless character; large fortunes were often lost, the losers disappearing, never more to be heard of.
Amongst the English habitues were the Hon. George T--, the late Henry Baring, Lord Thanet, Tom Sowerby, Cuthbert, Mr. Steer, Henry Broadwood, and Bob Arnold.
The Hon. George T--, who used to arrive from London with a very considerable letter of credit expressly to try his luck at the Salon des Etrangers, at length contrived to lose his last shilling at rouge et noir. When he had lost everything he possessed in the world, he got up and exclaimed, in an excited manner, "If I had Canova's Venus and Adonis from Alton Towers, my uncle's country seat, it should be placed on the rouge, for black has won fourteen times running!"
The late Henry Baring was more fortunate at hazard than his countryman, but his love of gambling was the cause of his being excluded from the banking establishment. Col. Sowerby, of the Guards, was one of the most inveterate players in Paris; and, as is frequently the case with a fair player, a considerable loser. But, perhaps, the most incurable gamester amongst the English was Lord Thanet, whose income was not less than 50,000. a year, every farthing of which he lost at play.
Cuthbert dissipated the whole of his fortune in like manner. In fact, I do not remember any instance where those who spent their time in this den did not lose all they possessed.
The Marquis de L-- had a charming villa at Romainville, near Paris, to which, on Sundays, he invited not only those gentlemen who were the most prodigal patrons of his salon, but a number of ladies, who were dancers and singers conspicuous at the opera; forming a society of the strangest character, the male portion of which were bent on losing their money, whilst the ladies were determined to get rid of whatever virtue they might still have left. The dinners on these occasions were supplied by the chef of the Salon des Etrangers, and were such as few renommes of the kitchens of France could place upon the table.
Amongst the constant guests was Lord Fife, the intimate friend of George IV., with Mdlle. n.o.blet, a danseuse, who gave so much satisfaction to the habitues of the pit at the opera, both in Paris and London. His lordship spent a fortune upon her; his presents in jewels, furniture, articles of dress, and money, exceeded 40,000. In return for all this generosity, Lord Fife asked nothing more than the lady's flattery and professions of affection.
Hall Standish was always to be seen in this circle; and his own hotel in the Rue le Pelletier was often lighted up, and fetes given to the theatrical and demi-monde. Standish died in Spain, leaving his gallery of pictures to Louis Philippe.
Amonst others who visited the Salon des Etrangers were Sir Francis Vincent, Gooch, Green, Ball Hughes, and many others whose names I no longer remember. Of foreigners the most conspicuous were Blucher, General Ormano, father-in-law of Count Walewski, Pacto, and Clari, as well as most of the amba.s.sadors at the court of the Tuileries. As at Crockford's, a magnificent supper was provided every night for all who thought proper to avail themselves of it. The games princ.i.p.ally played were rouge et noir and hazard; the former producing an immense profit, for not only were the whole of the expenses of this costly establishment defrayed by the winnings of the bank, but a very large sum was paid annually to the munic.i.p.ality of Paris. I recollect a young Irishman, Mr. Gough, losing a large fortune at this tapis vert.
After returning home about two A.M., he sat down and wrote a letter, giving reasons as to why he was about to commit suicide: these, it is needless to say, were simply his gambling reverses. A pistol shot through the brain terminated his existence. Sir Francis Vincent--a man of old family and considerable fortune--was another victim of this French h.e.l.l, who contrived to get rid of his magnificent property, and then disappeared from society.
In calling up my recollections of the Salon des Etrangers, some forty years since, I see before me the n.o.ble form and face of the Hungarian Count Hunyady, the chief gambler of the day, who created considerable sensation in his time. He became tres a la mode: his horses, carriage, and house were considered perfect, while his good looks were the theme of universal admiration. There were ladies' cloaks "a la Huniade,"
whilst the ill.u.s.trious Borel, of the Rocher de Cancaile, named new dishes after the famous Hungarian. Hunyady's luck for a long time was prodigious: no bank could resist his attacks; and at one time he must have been a winner of nearly two millions of francs. His manners were particularly calm and gentlemanlike; he sat apparently unmoved, with his right hand in the breast of his coat, whilst thousands depended upon the turning of a card or the hazard of a die. His valet, however, confided to some indiscreet friend that his nerves were not of such iron temper as he would have made people believe, and that the count bore in the morning the b.l.o.o.d.y marks of his nails, which he had pressed into his chest in the agony of an unsuccessful turn of fortune. The streets of Paris were at that time not very safe; consequently the Count was usually attended to his residence by two gensdarmes, in order to prevent his being attacked by robbers. Hunyady was not wise enough (what gamblers are?) to leave Paris with his large winnings, but continued as usual to play day and night. A run of bad luck set in against him, and he lost not only the whole of the money he had won, but a very large portion of his own fortune. He actually borrowed 50.
of the well-known Tommy Garth--who was himself generally more in the borrowing than the lending line--to take him back to Hungary.
THE d.u.c.h.eSS DE BERRI AT Ma.s.s AT THE CHAPELLE ROYALE
I had the honour of being invited to an evening party at the Tuileries in the winter of 1816, and was in conversation with the Countess de l'Espina.s.se, when the d.u.c.h.ess did me the honour to ask me if I intended going to St. Germain to hunt. I replied in the negative, not having received an invitation; upon which the d.u.c.h.ess graciously observed that if I would attend ma.s.s the following morning in the Royal Chapel, she would manage it. Accordingly I presented myself there dressed in a black coat and trousers and white neckcloth; but at the entrance, a huge Swiss told me I could not enter the chapel without knee-buckles.
At that moment Alexandre Gerardin, the grand veneur, came to my a.s.sistance; he spoke to the d.u.c.h.ess, who immediately gave instructions that Mr. Gronow was to be admitted "sans culottes." The card for the hunt came; but the time to get the uniform was so short, that I was prevented going to St. Germain. At that time the fascinating d.u.c.h.ess de Berri was the theme of admiration of everyone. All who could obtain admission to the chapelle were charmed with the grace with which, on pa.s.sing through the happy group who had been fortunate enough to gain the privilege, she cast her glance of recognition upon those who were honoured with her notice. When again I had the honour of being in the presence of the d.u.c.h.ess, she inquired whether the hunt amused me; and upon my telling her that I had been unable to go, in consequence of the want of the required uniform, the d.u.c.h.ess archly remarked "Ah! M. le Capitaine, parceque vous n'avez pas jamais des culottes."
LORD WESTMORELAND
When I was presented at the Court of Louis XVIII., Lord Westmoreland, the grandfather of the present lord, accompanied Sir Charles Stewart to the Tuileries. On our arrival in the room where the King was, we formed ourselves into a circle, when the King good-naturedly inquired after Lady Westmoreland, from whom his lordship was divorced, and whether she was in Paris. Upon this, the n.o.ble lord looked sullen, and refused to reply to the question put by the King. His Majesty, however, repeated it, when Lord Westmoreland hallooed out, in bad French, "Je ne sais pas, je ne sais pas, je ne sais pas." Louis, rising, said, "a.s.sez, milord; a.s.sez, milord."
On one occasion, Lord Westmoreland, who was Lord Privy Seal, being asked what office he held, replied, "Le Chancelier est le grand sceau (Sot); moi je suis le pet.i.t sceau d' Angleterre." On another occasion, he wished to say "I would if I could, but I can't," and rendered it, "Je voudrais si je coudrais, mais je ne cannais pas."
ALDERMAN WOOD
Among the many English who then visited Paris was Alderman Wood, who had previously filled the office of Lord Mayor of London. He ordered a hundred visiting cards, inscribing upon them, "Alderman Wood, feu Lord Maire de Londres," which he had largely distributed amongst people of rank--having translated the word "late" into "feu," which I need hardly state means "dead."
THE OPERA
A few years after the restoration of the Bourbons, the opera was the grand resort of all the fashionable world. Sostennes de la Rochefoucauld was Minister of the Household, and his office placed him at the head of all the theatres. M. de la Rochefoucauld was exceedingly polite to our countrymen, and gave permission to most of our dandies to go behind the scenes, where Bigottini, f.a.n.n.y Bias, Vestris, Anatole, Paul, Albert, and the other princ.i.p.al dancers, congregated. One of our countrymen, having been introduced by M. de la Rochefoucauld to Mademoiselle Bigottini, the beautiful and graceful dancer, in the course of conversation with this gentleman, asked him in what part of the theatre he was placed; upon which he replied, "Mademoiselle, dans un loge rotie," instead of "grillee." The lady could not understand what he meant, until his introducer explained the mistake, observing, "Les diables des Anglais pensent toujours a leur Rosbif."
f.a.n.n.y ELSSLER
In 1822 I saw this beautiful person for the first time. She was originally one of the figurantes at the opera at Vienna, and was at this time about fourteen years of age, and of delicate and graceful proportions. Her hair was auburn, her eyes blue and large, and her face wore an expression of great tenderness. Some years after the Duke of Reichstadt, the son of the great Napoleon, was captivated with her beauty; in a word, he became her acknowledged admirer, while her marvellous acting and dancing drew around her all the great men of the German court. The year following she went to Naples, where a brother of the King fell desperately in love with her. Mademoiselle Elssler went soon afterwards to Paris, where her wit electrified all the fashionable world, and her dancing and acting in the Diable Boiteux made the fortune of the entrepreneur. In London her success was not so striking; but her cachucha will long be remembered, as one of the most exquisite exhibitions of female grace and power ever seen at her Majesty's Theatre, and in expressiveness, her pantomimic powers were unrivalled.