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Rembrandt and His Works Part 17

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265. A young Man seated at a table, on which are some books. He has on a cap, and wears a robe lined with fur. Dated 1637.

266. Portrait of Mana.s.seh Ben Israel. He is distinguished by a pointed beard, and is seen in a front view, having on a broad-brimmed hat, and a large collar. Dated 1636.

*267. Portrait of Dr. Faustus. This person is represented in a profile view, having on a white cap and a robe, standing, with one hand on a table, and the other on his chair.

268. Portrait of Renier Hanslo. He is seen in a front view, seated at a table, on which is placed a large open book. Dated 1641.

269. Portrait of Clement de Jonge, a print dealer. He is seated in nearly a front view, wearing a slouched hat, a mantle, and a small collar; he wears gloves, and the right hand is placed in front. Dated 1642.

270. Portrait of Abraham France, an amateur of prints. He is seated in an arm-chair examining a print which he holds in his right hand.

*271. Portrait of the elder Haaring. He is represented in a front view, seated, resting both arms on the elbows of his chair, and the fingers of his right appear to hold a pinch of snuff.

*272. Portrait of young Haaring, son of the preceding Burgomaster. He is seen in a front view, apparently seated, with his right hand resting on the elbow of his chair. Dated 1655.

*273. Portrait of young Lutma, a celebrated goldsmith. He is seated, holding in his right hand a metal figure. Upon a table near him are a silver tazza, and other objects relative to his occupation. Dated 1656.

274. Portrait of Jean a.s.selyn, surnamed Crabatje. He is represented standing in a front view, having on a slouched hat; his body is enveloped in a mantle, and his right hand rests on a table, on which are a palette and several books.

*275. Portrait of Ephraim Bonus, a Jew doctor. He appears to be in the act of descending some stairs, and his right hand is placed on the bal.u.s.ter. His dress consists of a high-crowned hat, and a pendent frill.

Dated 1647.

276. Portrait of Utenbogardus, a Dutch minister. He is seen in a front view, seated, holding with his right hand a book, which lies open on a table. (_Oval._) Dated 1635.

*277. Portrait of Jean Silvius, a learned man and a minister. This print is enclosed in an oval, around which is written, _Spes mea Christus_, &c.

*278. Portrait of Utenbogaerd, known under the appellation of the "Gold Weigher." He is seated, holding a pen in his right hand, which rests on a large book lying open on a table. His attention is directed to a youth, to whom he is giving a bag of money. Dated 1639.

279. Portrait of Coppenol, a celebrated writing master, styled "The Little Coppenol." He is seated at a table, holding a pen in his right hand, which he rests on some paper, and the left is also placed on the same sheet; a boy stands behind him, with his hat in his hand.

*280. Portrait of Coppenol, called "The Great," to distinguish it from the preceding. He is also seated near a table, holding with both hands a sheet of paper, and between the fingers of the right is a pen.

*281. Portrait of Tolling, a Lawyer. He is seen in a front view, seated at a table, on which is a large book, resting both arms on the elbows of his chair, and holding his spectacles in his hand; he has on a slouched hat.

*282. Portrait of the Burgomaster, Jan Six, when twenty-nine years old.

He is represented full-length, standing near an open window, engaged in reading a book, which he holds with both hands. This precious work of Rembrandt is dated 1647.

Fancy Heads of Men.

283. A Head of an Asiatic, seen in a front view, having on a calotte.

The dress consists of a furred robe, adorned with a gold chain and a medal. Signed, Rembrandt, Venitiis fecit. Dated 1635.

284. A Head of a similar person, seen in a profile view, having on a turban, and a robe bordered with fur. Signed, Rembrandt, Venitiis fecit.

285. A third Head, Asiatic; he has a large beard, and is seen in a profile view, having on a turban, decked in front with a feather.

Signed, Rembrandt, Venitiis fecit, 1635.

286. The Bust of a Man, with long hair, and a short frizzled beard, seen in nearly a profile view, having on the usual shaped cap peculiar to the master.

287. The Bust of an old Man, with a long beard, seen in nearly a front view. He has on a fur cap, and wears a mantle, attached in front by clasps.

288. The Bust of an old Man, with a long beard, and a bald head in front; he is seen in a front view, bending a little forward, in such a manner as to throw a shadow over the face.

289. An old Man, seen in a profile view, having a short beard and a bald head. His dress consists of a robe bordered with fur. Dated 1630.

290. The Bust of an old Man without a beard, having a bald head, and seen in a profile view.

291. The Bust of an old Man, seen in a profile view, with a bald head, inclined a little forward. Dated 1630.

292. A small Bust of an old Man, with a bald head, which is bent considerably forward; the face is seen in a three-quarter view.

293. The Bust of an old Man, with a beard and frizzled hair, seen in a three-quarter view. Dated 1631.

294. The Bust of an old Man, with a bald head, which inclines forward, and is turned a little to the right; the mouth is considerably open.

Dated 1631.

295. A small Bust of an aged Man without a beard; the face is turned towards the right, and a large fur cap covers the head.

296. The Bust of an elderly Man, with a short frizzled beard. He is seen in a three-quarter view, having on a turned-up cap; the mouth is open, and he appears to be calling to some one.

297. A Head very similar to the preceding, but smaller in size, and extremely rare.

298. A small Bust, the head of which partakes of the character of a Turkish slave. He has on a large high cap, turned up. The body is slightly sketched out.

299. A very small Bust of a Man, similar in character to the preceding; seen in a profile view, having mustacheos. He has on a cap, the upper part of which hangs over, and a frill surrounds the neck.

300. The Bust of a Man, seen in a front view, having on a cap in the shape of a calotte, and a mantle bordered with carmine.

301. The Bust of a Man, with the head uncovered and seen in a front view; his hair is frizzled, and his mouth a little on one side.

302. The Head of an old Man, with a short beard and a bald crown; his neck is enveloped in fur. The shoulders are only slightly indicated.

303. The Bust of a Man, represented in a three-quarter view, with the head bending forward. He has on a fur cap, and a robe bordered with fur, which is open in front, and shows a vest under it. Dated 1631.

304. The Bust of a Man, seen in nearly a profile view, having a pouting mouth, resembling a negro, and a short frizzled beard. He has on a calotte, and a robe bordered with fur, attached in front with a single b.u.t.ton.

305. A Bust of an old Man, with a grey beard and bald in front, represented in a three-quarter view, with the head inclining. He has on a hairy coat with a collar. Dated 1630.

306. A Half-figure of a young Man, represented in a profile view, having short frizzled hair. He wears a large cravat enriched with lace, and a coat with large sleeves and girt with a belt. Dated 164-**; the last figure is omitted.

307. A Bust of a Man, seen in a three-quarter view, having mustacheos.

He has on a large hat with a broad brim, a coat b.u.t.toned in front, and a pendent frill. Dated 1630.

308. A Bust of an old Man with a large beard, seen in nearly a front view, with a fur cap on.

309. A Bust of an old Man, with a large square-shaped beard, seen in a three-quarter view. He has a cap of the usual shape, and a robe bordered with fur. Dated 1637.

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Rembrandt and His Works Part 17 summary

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