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Rembrandt Part 3

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Herrera, 1576-1656.

Zurbaran, 1598-1662.

Murillo, 1618-1682.

French:--

Simon Vouet, 1582-1641.

Charles Le Brun, 1619-1690.

Eustache Le Sueur, 1617-1655.

Italian:--

Carlo Dolci, 1616-1686.

Guido Reni, 1575-1642.

Domenichino, 1581-1641.

Francesco Albani, 1578-1660.

Guercino, 1591-1666.

Sa.s.soferrato, 1605-1685.

I

JACOB WRESTLING WITH THE ANGEL

The history of the Old Testament patriarch Jacob reads like a romance.

He was the younger of the two sons of Isaac, and was at a great disadvantage on this account. Among his people the eldest son always became the family heir and also received the choicest blessing from the father, a privilege coveted as much as wealth. In this case therefore the privileged son was Jacob's brother Esau. Jacob resented keenly the inequality of his lot; and his mother sympathized with him, as he was her favorite. A feeling of enmity grew up between the brothers, and in the end Jacob did Esau a great wrong.

One day Esau came in from hunting, nearly starved, and finding his younger brother cooking some lentils, begged a portion of it for himself. Jacob seized the chance to make a sharp bargain. He offered his brother the food--which is called in the quaint Bible language a "mess of pottage"--making him promise in return that he would let their father give his blessing to the younger instead of the older son. Esau was a careless fellow, too hungry to think what he was saying, and so readily yielded.

But though Esau might sell his birthright in this fashion, the father would not have been willing to give the blessing to the younger son, had it not been for a trick planned by the mother. The old man was nearly blind, and knew his sons apart by the touch of their skin, as Esau had a rough, hairy skin and Jacob a smooth one. The mother put skins of kids upon Jacob's hands and neck and bade him go to his father pretending to be Esau, and seek his blessing. The trick was successful, and when a little later Esau himself came to his father on the same errand, he found that he had been superseded. Naturally he was very angry, and vowed vengeance on his brother. Jacob, fearing for his life, fled into a place called Padanaram.

In this place he became a prosperous cattle farmer and grew very rich.

He married there also and had a large family of children. After fourteen years he bethought himself of his brother Esau and the great wrong he had done him. He resolved to remove his family to his old home, and to be reconciled with his brother. Hardly daring to expect to be favorably received, he sent in advance a large number of cattle in three droves as a gift to Esau. Then he awaited over night some news or message from his brother. In the night a strange adventure befell him. This is the way the story is told in the book of Genesis.[2]

[Footnote 2: Genesis, chapter x.x.xii. verses 24-31.]

[Ill.u.s.tration: JACOB WRESTLING WITH THE ANGEL _Berlin Gallery_]

"There wrestled a man with him until the breaking of the day. And when he saw that he prevailed not against him, he touched the hollow of his thigh; and the hollow of Jacob's thigh was out of joint, as he wrestled with him. And he said, 'Let me go, for the day breaketh.' And he said, 'I will not let thee go, except thou bless me,' And he said unto him, 'What is thy name?' And he said, 'Jacob,' And he said, 'Thy name shall be called no more Jacob, but Israel; for as a prince hast thou power with G.o.d and with men, and hast prevailed.'... And he blessed him there.

"And Jacob called the name of the place Peniel: for I have seen G.o.d face to face, and my life is preserved. And as he pa.s.sed over Penuel, the sun rose upon him and he halted upon his thigh;" that is, he walked halt, or lame.

The crisis in Jacob's life was pa.s.sed, for hardly had he set forth on this morning when he saw his brother whom he had wronged advancing with four hundred men to meet him. "And Esau ran to meet him, and embraced him, and fell on his neck and kissed him: and they wept."

So were the brothers reconciled.

The picture represents Jacob wrestling with his mysterious adversary.

We have seen from his history how determined he was to have his own way, and how he wrested worldly prosperity even from misfortunes. Now he is equally determined in this higher and more spiritual conflict.

It is a very real struggle, and Jacob has prevailed only by putting forth his utmost energy. It is the moment when the grand angel, pressing one knee into the hollow of Jacob's left thigh and laying his hand on his right side, looks into his face and grants the blessing demanded as a condition for release. Strong and tender is his gaze, and the gift he bestows is a new name, in token of the new character of brotherly love of which this victory is the beginning.

The story of St. Michael and the Dragon, which Raphael has painted, stands for the everlasting conflict between good and evil in the world. There is a like meaning in the story of Jacob's wrestling with the angel. The struggle is in the human heart between selfish impulses and higher ideals. The day when one can hold on to the good angel long enough to win a blessing, is the day which begins a new chapter in a man's life.

II

ISRAEL BLESSING THE SONS OF JOSEPH

When Jacob wrestled with the angel he received a new name, Israel, or a prince, a champion of G.o.d.

Israel became the founder of the great Israelite nation, and from his twelve sons grew up the twelve tribes of Israel, among whom was distributed the country now called Palestine. Among these sons the father's favorite was Joseph, who was next to the youngest. This favoritism aroused the anger and jealousy of the older brothers, and they plotted to get rid of him. One day when they were all out with some flocks in a field quite distant from their home, they thought they were rid forever of the hated Joseph by selling him to a company of men who were journeying to Egypt. Then they dipped the lad's coat in goat's blood and carried it to Israel, who, supposing his son to have been devoured by a wild beast, mourned him as dead.

When Joseph had grown to manhood in Egypt, a singular chain of circ.u.mstances brought the brothers together again. There was a sore famine, and Egypt was the headquarters for the sale of corn. Joseph had shown himself so able and trustworthy that he was given charge of selling and distributing the stores of food. So when Israel's older sons came from their home to Egypt to buy corn they had to apply to Joseph, whom they little suspected of being the brother they had so cruelly wronged. There is a pretty story, too long to repeat here, of how Joseph disclosed himself to his astonished brethren, and forgave them their cruelty, how he sent for his father to come to Egypt to live near him, how there was a joyful reunion, and how "they all lived happily ever after."

When the time drew near for Israel to die, he desired to bestow his last blessing on his sons. And first of all his beloved son Joseph brought him his own two boys, Ephraim and Mana.s.seh.

Now according to the traditions of the patriarchs, it was the eldest son who should receive the choicest blessing from his father. Israel, however, had found among his own sons that it was a younger one, Joseph, who had proved himself the most worthy of love. This may have shaken his faith in the wisdom of the old custom. Perhaps, too, he remembered how his own boyhood had been made unhappy because he was the younger son, and how he had on that account been tempted to deceit.

Whatever the reason, he surprised Joseph at the last moment by showing a preference for the younger of the two grandsons, Ephraim, expressing this preference by laying the right hand, instead of the left, on his head. The blessing was spoken in these solemn words: "G.o.d, before whom my fathers Abraham and Isaac did walk, the G.o.d which fed me all my life long unto this day, the Angel which redeemed me from all evil, bless the lads."

[Ill.u.s.tration: ISRAEL BLESSING THE SONS OF JOSEPH _Ca.s.sel Gallery_]

The narrative relates[3] that "When Joseph saw that his father laid his right hand upon the head of Ephraim, it displeased him; and he held up his father's hand, to remove it from Ephraim's head unto Mana.s.seh's head. And Joseph said unto his father, 'Not so, my father: for this is the first-born; put thy right hand upon his head.' And his father refused, and said, 'I know it, my son, I know it: he also shall become a people, and he also shall be great; but truly his younger brother shall be greater than he, and his seed shall become a mult.i.tude of nations.' And he blessed them that day, saying, 'In thee shall Israel bless, saying, G.o.d make thee as Ephraim, and as Mana.s.seh;' and he set Ephraim before Mana.s.seh."

[Footnote 3: Genesis, chapter xlviii. verses 17-20.]

As we compare the picture with the story, it is easy to identify the figures. We are naturally interested in Joseph as the hero of so many romantic adventures. As a high Egyptian official, he makes a dignified appearance and wears a rich turban. His face is gentle and amiable, as we should expect of a loving son and forgiving brother.

In the old man we see the same Jacob who wrestled by night with the Angel and was redeemed from his life of selfishness. The same strong face is here, softened by sorrow and made tender by love. The years have cut deep lines of character in the forehead, and the flowing beard has become snowy white.

The dying patriarch has "strengthened himself," to sit up on the bed for his last duty, and his son Joseph supports him. The children kneel together by the bedside, the little Ephraim bending his fair head humbly to receive his grandfather's right hand, Mana.s.seh looking up alertly, almost resentfully, as he sees that hand pa.s.sing over his own head to his brother's. Joseph's wife Asenath, the children's mother, stands beyond, looking on musingly. We see that it is a moment of very solemn interest to all concerned. Though the patriarch's eyes are dim and his hand trembles, his old determined spirit makes itself manifest. Joseph is in perplexity between his filial respect and his solicitude for his first-born. He puts his fingers gently under his father's wrist, trying to lift the hand to the other head. The mother seems to smile as if well content. Perhaps she shares the grandfather's preference for little Ephraim.

The picture is a study in the three ages of man, childhood, manhood, and old age, brought together by the most tender and sacred ties of human life, in the circle of the family.

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Rembrandt Part 3 summary

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