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Reginald Cruden Part 19

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The dutiful Sam, who appeared entirely to share his mother's jubilation at the arrival of these new visitors, obeyed the order with alacrity.

"Come on, young fellows," said he; "just in time for shouting proverbs.

You go and sit down by Miss Tomkins, Horace, her in the green frock; and you had better go next Jemima, Cruden. When I say 'three and away'

you've got to shout. Anything'll do, so long as you make a noise."

"No, they must shout their right word," said Miss Tomkins, a vivacious- looking young person of thirty.

"Come close," said she to Horace, "and I'll whisper what you've got to shout. Whisper, 'Dog,' that's your word."

Horace seated himself dreamily where he was told, and received the confidential communication of his partner with pathetic resignation. He only wished the signal to shout might soon arrive. As for Reginald, when he felt himself once more in the clutches of the captivating Jemima, and heard her whisper in his ear the mysterious monosyllable "love," his heart became as ice within him, and he sat like a statue in his chair, looking straight before him. Oh, how he hoped "Omega" would give him some occupation for his evenings that would save him from this sort of thing!

"Now call them in," said Sam.

A signal was accordingly given at the door, and in marched a young lady, really a pleasant, sensible-looking young person, accompanied by a magnificently-attired young gentleman, who, to Horace's amazement, proved to be no other than the melancholy Booms.

There was, however, no time just now for an exchange of greetings.

Mr Booms and his partner were placed standing in the middle of the floor, and the rest of the company were seated in a crescent round them.

There was a pause, and you might have heard a pin drop as Samuel slowly lifted his hand and said in a stage whisper,--

"Now then, mind what you're at. When I say 'away.' One, two, three, and a--"

At the last syllable there arose a sudden and terrific shout which sent Mrs Cruden nearly into a fit, and made the loosely-hung windows rattle as if an infernal machine had just exploded on the premises.

The shout was immediately followed by a loud chorus of laughter, and cries of,--

"Well, have you guessed it?"

"Yes, I know what it is," said the pleasant young lady. "Do you know, Mr Booms?"

"No," he said, sadly; "how could I guess? What is it, Miss Crisp?"

"Why, 'Love me, _love_ my dog,' isn't it?"

"Right. Well guessed!" cried every one; and amid the general felicitation that ensued the successful proverb-guessers were made room for in the magic circle, and Horace had a chance of exchanging "How d'ye do?" with Mr Booms.

"Who'd have thought of meeting you here?" said he, in a whisper.

"I didn't expect to meet you," said the melancholy one. "I say, Cruden, please don't mention--_her_."

"Her? Whom?" said Horace, bewildered.

Booms's reply was a mournful inclination of the head in the direction of Miss Crisp.

"Oh, I see. All right, old man. You're a lucky fellow, I think. She looks a jolly sort of girl."

"Lucky! Jolly! Oh, Cruden," e.j.a.c.u.l.a.t.ed his depressed friend.

"Why, what's wrong?" said Horace. "Don't you think she's nice?"

"She is; but Shuckleford, Cruden, is not."

"Hullo, you two," said the voice of the gentleman in question at this moment; "you seem jolly thick. Oh, of course, shopmates; I forgot; both in the news line. Eh? Now, who's for musical chairs? Don't all speak at once."

"I shall have to play the piano now, Mr Reginald," said Miss Jemima, making a last effort to get a word out of her silent companion. "I'm afraid you're not enjoying yourself a bit."

Reginald rose instinctively as she did, and offered her his arm. He was half dreaming as he did so, and fancying himself back at Garden Vale.

It was to his credit that when he discovered what he was doing he did not withdraw his arm, but conducted his partner gallantly to the piano, and said,--

"I'm afraid I'm a bad hand at games."

"Musical chairs is great fun," said Miss Jemima. "I wish I could play it and the piano both. You have to run round and round, and then, when the music stops, you flop down on the nearest chair, and there's always one left out, and the last one wins the game. Do try it."

Reginald gave a scared glance at the chairs being arranged back to back in a long line down the room, and said,--

"May I play the piano instead? and then you can join in the game."

"What! do _you_ play the piano?" exclaimed the young lady, forgetting her dignity and clapping her hands. "Oh, my eye, what a novelty! Ma, Mr Reginald's going to play for musical chairs! Sam, do you hear? Mr Cruden plays the piano! Isn't it fun?"

Reginald flung himself with a sigh down on the cracked music-stool.

Music was his one pa.s.sion, and the last few months had been bitter to him for want of it. He would go out of his way even to hear a street piano, and the brightest moments of his Sundays were often those spent within sound of the roll of the organ.

It was like a s.n.a.t.c.h of the old life to find his fingers once more laid caressingly on the notes of a piano; and as he touched them and began to play, the Shucklefords, the _Rocket_, "Omega," all faded from his thoughts, and he was lost in his music.

What a piano it was! Tinny and cracked and out of tune. The music was in the boy's soul, and it mattered comparatively little. He began with Weber's "last waltz," and dreamed off from it into a gavotte of Corelli's, and from that into something else, calling up favourite after favourite to suit the pa.s.sing moods of his spirit, and feeling happier than he had felt for months.

But Weber's "last waltz" and Corelli's gavottes are not the music one would naturally select for musical chairs; and when the strains continue uninterrupted for five or ten-minutes, during the whole of which time the company is perambulating round and round an array of empty chairs, the effect is somewhat monotonous. Mrs Shuckleford's guests trotted round good-humouredly for some time, then they got a little tired, then a little impatient, and finally Samuel, as he pa.s.sed close behind the music-stool, gave the performer a dig in the back, which had the desired effect of stopping the music suddenly. Whereupon everybody flopped down on the seat nearest within reach. Some found vacancies at once, others had to scamper frantically round in search of them, and finally, as the chairs were one fewer in number than the company, one luckless player was left out to enjoy the fun of those who remained in.

"All right," said Samuel, when the first round was decided, and a chair withdrawn in antic.i.p.ation of the next; "I only nudged you to stop a bit sooner, Cruden. The game will last till midnight if you give us such long doses."

Doses! Reginald turned again to the piano and tried once more to lose himself in its comforting music. He played a short German air of only four lines, which ended in a plaintive, wailing cadence. Again the moment the music ceased he heard the scuffling and scampering and laughter behind him, and shouts of,--

"Polly's out! Polly's out!"

"I say," said Shuckleford, as they stood ready for the next round, "give us a jingle, Cruden; 'Pop goes the Weasel,' or something of that sort.

That last was like the tune the cow died of. And stop short in the middle of a line, anyhow."

Reginald rose from the piano with flushed cheeks, and said,--"I'm afraid I'm not used to this sort of music. Perhaps Miss Shuckleford--"

"Yes, Jim, you play. You know the way. You change places with Jim, Cruden, and come and run round."

But Reginald declined the invitation with thanks, and took up a comic paper, in which he attempted to bury himself, while Miss Shuckleford hammered out the latest polka on the piano, stopping abruptly and frequently enough to finish half a dozen rounds in the time it had taken him to dispose of two.

Fresh games followed, and to all except the Crudens the evening pa.s.sed merrily and happily. Even Horace felt the infection of the prevalent good-humour, and threw off the reserve he had at first been tempted to wear in an effort to make himself generally agreeable. Mrs Cruden, cooped up in a corner with her loquacious hostess, did her best too not to be a damper on the general festivity. But Reginald made no effort to be other than he felt himself. He could not have done it if he had tried. But as scarcely any one seemed afflicted on his account, even his unsociability failed to make Samuel Shuckleford's majority party anything but a brilliant success.

In due time supper appeared to crown the evening's delights. And after supper a gentleman got up and proposed a toast, which of course was the health of the hero of the occasion.

Samuel replied in a facetious County Court address, in which he expressed himself "jolly pleased to see so many friends around him, and hoping they'd all enjoyed their evening, and that if there were any of them still to come of age--(laughter)--they'd have as high an old time of it as he had had to-night. He was sure ma and Jim said ditto to all he said. And before he sat down he was very glad to see their new next- door neighbours. (Hear, hear.) They'd had their troubles, but they could reckon on friends in that room. The young fellows were bound to get on if they stuck to their shop, and he'd like to drink the health of them and their ma." (Cheers.)

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Reginald Cruden Part 19 summary

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