Regiment Of Women Part 6

On the morning in question she had watched them for some little while.

Before each girl lay her open exercise-book and school edition of Browning. They were deep in discussion of their work, very eager upon some question. By the empty chair at the head of the table sat Marion Hughes, blonde and placid, a rounded elbow on her neatly written theme, that her neighbour was trying to pull away, to compare with her own well-inked ma.n.u.script. This neighbour, one Agatha Middleton, was dark, gaunt, with restless eyes and restless tongue. She was old for her fifteen years, and had been original until she discovered that her originality appealed to Miss Hartill. Since then she had imitated her own mannerisms, and was rapidly degenerating into an eccentric. The law of opposites had decreed that the sedate Marion should be her bosom friend. They went up the school together, an incongruous, yet well-suited pair, for they were so unlike that there could be no rivalry. Marion was alternately amused and dazzled by the pyrotechnic Agatha. Agatha's respect for Marion's common sense was pleasantly tempered by a conviction of superior mental agility. Finally, they were united by their common devotion to their form-mistress. Whether it would have occurred to Marion, unprompted, to admire Miss Hartill, is uncertain. Her affections were domestic and calm. But adoration was in the air, and she had not sufficient originality to be unfashionable. She was caught, too, in Agatha's whirlwind emotions, and ended by worshipping Clare conscientiously and sincerely. Clare, on her side, respected her, as she told Alwynne, for her "painstaking and intelligent stupidity," and, recognising a nature too worthy for neglect, yet too lymphatic to be suitable for experiments, was uniformly kind to her.

Agatha, she had revelled in for six weeks, and had since more or less ignored as a bore. Below the pair sat a spectacled student, predestined to scholarships and a junior mistress-ship; opposite, between giggling twins, a vivid little Jewess, whose showy work was due to the same vanity that tied her curls with giant bows, and over-corsetted her matured figure. At the foot of the oval, directly opposite Clare's vacant chair, stood Louise, flushed and excited, chanting low-voicedly a s.n.a.t.c.h of verse.

During a lull in the hubbub Marion called to her down the table--

"How many pages?"

Louise flushed. She was still a little in awe of these elders whom she had outstripped. She rapidly counted the leaves of her essay, and held up both hands, smiling shyly.

Marion exclaimed.

"Ten? You marvel! I only got to seven. I simply didn't understand it.

Whatever did you find to say?"

Agatha fell upon the query.

"That's nothing! I've done twenty-two!" she cried triumphantly, and turned to face the shower of comments.

"Miss Hartill will bless you. She said last time that you thought ink and ideas were synonyms."

"Agatha only writes three words to a line anyway."

They liked her, but she was of the type whose imperiousness provokes snubs.

"Well, I thought I shouldn't get it done under forty--an essay on _The Dark Tower_. It's the beastliest yet. _The Ancient Mariner_ was nothing to it. I've made an awful hash--didn't you?"

"I understood all right when she read it, and explained. It's so absurd not to let one take notes. I've been years at it. Fortunately she said we needn't learn it--Louise and I--with all our extra work." An unimaginative hockey captain fluttered her pages distractedly.

"Oh, but I have!" Louise looked up quickly.

"Why?" The hockey captain opened her eyes and mouth.

"Oh, I rather wanted to."

The little Jewess giggled.

"'_Deja?_'" she murmured. She did not love Clare.

Marion returned to the subject with her usual perseverance.

"Did you understand it, kid?"

Louise stammered a little.

"When she reads it, and when I say it aloud, I think I do. It was impossible to write it down."

"Let's see what you have put." Agatha, by a quick movement, possessed herself of Louise's exercise-book. Louise, shy and desperate, strove silently with her neighbours, who, curious, held her back, while Agatha, holding the book at arm's length, recited from it in a high mocking voice.

"_Childe Roland to the Dark Tower came._ Description! Description!

Description! for three--five--seven pages! You've let yourself go, Louise! Ah, here we are--_The meaning of the poem_. Now we're getting to it. _Shakespeare and Browning may have known all the real history of Childe Roland; the reason of his quest, the secret of the horror of the Tower; but we are left in ignorance. That does not matter, for, as we read, the inner meaning of the terrible poem kills all curiosity.

Shuddering we close the book, and pray to G.o.d that Childe Roland's journey may never be ours; that for our adventurous souls, knight-erranting through this queer life, there may never come a choice of ways, a turning from the pleasant high-road, to go upon a hideous journey; till, crossing the Plains of Loneliness, Fear and Sorrow, we face the Hills of Madness, and enter the Dark Tower of that Despair which is our soul's death._ With capital letters galore! What a sentence! Here, shut up, you spit-fire!" Louise had wrenched herself free and flung herself upon Agatha, in a white heat of anger.

"Give it me! You've no right! You've no right!" she gasped. Her shyness had gone, she was blazing with indignation.

Agatha, the book held teasingly out of reach, affected to search for her place. Louise raised her clenched fist desperately.

A cool hand caught her wrist in a firm yet kindly grip. A hush fell on the voluble group and Agatha collapsed into an apologetic nonent.i.ty.

Clare, who had entered in her usual noiseless fashion, stood a moment between the combatants, watching the effect of her appearance. Her hand shifted to Louise's bony little shoulder; through the thin blouse she could feel the driven blood pulsing. She did not move till she felt the child regaining comparative calm, when, giving her a gentle push towards her place, she walked slowly to the head of the table and seated herself. The cla.s.s watched her furtively. It was quite aware that all rules of decorum had been transgressed--that pains and penalties would be in order with any other mistress. But with Miss Hartill there was always glorious uncertainty--and Miss Hartill did not look annoyed.

Little gestures began to break the tension and Agatha, relieved, smiled a shade too broadly. Instantly Clare closed with her.

She began blandly--

"Agatha, I thought you could read aloud better than that. You are not doing your work justice. Pa.s.s me your essay."

"It's Louise's," said Agatha helplessly.

"Ah, I see. And you kindly read it to us for her? It's a pity you didn't understand what you read--but an excuse, of course. Louise must not expect too much."

Agatha flung up her head angrily.

"Oh, I understood it all right. I thought it was silly."

"You did? Read me your own."

"Now?"

"Certainly."

Now Clare, as she corrected and commented upon the weekly essays, did occasionally, if the mood took her, read extracts, humorous chiefly, therefrom; but it had never been customary for a pupil to read her own work aloud. Agatha had the pioneer spirit--but she was no fool. She comprehended that, with Clare inimical, she could climb no higher than the pillory. She fell back upon the tradition of the school.

"Oh, Miss Hartill--I can't!"

"Why not?"

"No one ever does----"

Clare waited.

Agatha protested redly, her fear of ridicule outweighing her fear of Clare.

"Miss Hartill, I simply couldn't. Before everybody--all this tosh--I mean all this stuff I wrote. It's a written essay. I couldn't make it sound right aloud."

Clare waited.

"It's not good enough, Miss Hartill. Honestly! And we never have. You've never made us. I couldn't."

Clare waited.