Redshift Part 37

Finally she got out. She dried herself, let the towel drop, and went into the kitchen. Abruptly she was famished. She tore open cupboards and drawers until she found a half-full jar of lavender honey from Provence. She opened it, the top spinning off into the sink, and frantically spooned honey into her mouth with her fingers. When she was finished she grabbed a jar of lemon curd and ate most of that, until she felt as though she might be sick. She stuck her head into the sink, letting water run from the faucet into her mouth, and at last walked, surfeited, into the bedroom.

She dressed, feeling warm and drowsy, almost dreamlike; pulling on red-and-yellow-striped stockings, her nylon skirt, a tight red T-shirt. No bra, no panties. She put in her contacts, then examined herself in the mirror. Her hair had begun to grow back, a scant velvety stubble, bluish in the dim light. She drew a sweeping black line across each eyelid, on a whim took the liner and extended the curve of each antenna until they touched her temples. She painted her lips black as well and went to find her black vinyl raincoat.

It was early when she went out, far too early for any of the clubs to be open. The rain had stopped, but a thick greasy fog hung over everything, coating windshields and shop windows, making Janie's face feel as though it were encased in a clammy sh.e.l.l. For hours she wandered Camden Town, huge violet eyes turning to stare back at the men who watched her, dismissing each of them. Once she thought she saw David Bierce, coming out of Ruby in the Dust; but when she stopped to watch him cross the street saw it was not David at all but someone else.

Much younger, his long dark hair in a thick braid, his feet clad in knee-high boots. He crossed High Street, heading toward the tube station. Janie hesitated, then darted after him.

He went to the Electric Ballroom. Fifteen or so people stood out front, talking quietly. The man she'd followed joined the line, standing by himself. Janie waited across the street, until the door opened and the little crowd began to shuffle inside. After the long-haired young man had entered she counted to one hundred, crossed the street, paid her cover, and went inside.

The club had three levels; she finally tracked him down on the uppermost one. Even on a rainy Wednesday night it was crowded, the sound system blaring Idris Mohammed and Jimmy Cliff. He was standing alone near the bar, drinking bottled water.

"Hi!" she shouted, swaying up to him with her best First Day of School Smile. "Want to dance?"

He was older than she'd thought-thirtyish, still not as old as Bierce. He stared at her, puzzled, and then shrugged. "Sure."They danced, pa.s.sing the water bottle between them. "What's your name?" he shouted.

"Cleopatra Brimstone."

"You're kidding!" he yelled back. The song ended in a bleat of feedback, and they walked, panting, back to the bar.

"What, you know another Cleopatra?" Janie asked teasingly.

"No. It's just a crazy name, that's all." He smiled. He was handsomer than David Bierce, his features softer, more rounded, his eyes dark brown, his manner a bit reticent. "I'm Thomas Raybourne. Tom."

He bought another bottle of Pellegrino and one for Janie. She drank it quickly, trying to get his measure. When she finished she set the empty bottle on the floor and fanned herself with her hand.

"It's hot in here." Her throat hurt from shouting over the music. "I think I'm going to take a walk. Feel like coming?"

He hesitated, glancing around the club. "I was supposed to meet a friend here. ..." he began, frowning. "But-"

"Oh." Disappointment filled her, spiking into desperation. "Well, that's okay. I guess."

"Oh, what the h.e.l.l." He smiled: he had nice eyes, a more stolid, rea.s.suring gaze than Bierce.

"I can always come back."

Outside she turned right, in the direction of the ca.n.a.l. "I live pretty close by. Feel like coming in for a drink?"

He shrugged again. "I don't drink, actually."

"Something to eat then? It's not far-just along the ca.n.a.l path a few blocks past Camden Lock-"

"Yeah, sure."

They made desultory conversation. "You should be careful," he said as they crossed the bridge. "Did you read about those people who've gone missing in Camden Town?"

Janie nodded but said nothing. She felt anxious and clumsy-as though she'd drunk too much, although she'd had nothing alcoholic since the two gla.s.ses of wine with David Bierce. Her companion also seemed ill at ease; he kept glancing back, as though looking for someone on the ca.n.a.l path behind them.

"I should have tried to call," he explained ruefully. "But I forgot to recharge my mobile."

"You could call from my place."

"No, that's all right."

She could tell from his tone that he was figuring how he could leave, gracefully, as soon as possible.

Inside the flat he settled on the couch, picked up a copy of Time Out and flipped through it, pretending to read. Janie went immediately into the kitchen and poured herself a gla.s.s of brandy. She downed it, poured a second one, and joined him on the couch.

"So." She kicked off her Doc Martens, drew her stockinged foot slowly up his leg, from calf to thigh. "Where you from?"

He was pa.s.sive, so pa.s.sive she wondered if he would get aroused at all. But after a while they were lying on the couch, both their shirts on the floor, his pants unzipped and his c.o.c.k stiff, pressing against her bare belly.

"Let's go in there," Janie whispered hoa.r.s.ely. She took his hand and led him into thebedroom.

She only bothered lighting a single candle before lying beside him on the bed. His eyes were half-closed, his breathing shallow. When she ran a fingernail around one nipple he made a small surprised sound, then quickly turned and pinned her to the bed.

"Wait! Slow down," Janie said, and wriggled from beneath him. For the last week she'd left the bonds attached to the bedposts, hiding them beneath the covers when not in use. Now she grabbed one of the wrist-cuffs and pulled it free. Before he could see what she was doing it was around his wrist.

"Hey!"

She dived for the foot of the bed, his leg narrowly missing her as it thrashed against the covers. It was more difficult to get this in place, but she made a great show of giggling and stroking his thigh, which seemed to calm him. The other leg was next, and finally she leapt from the bed and darted to the headboard, slipping from his grasp when he tried to grab her shoulder.

"This is not consensual," he said. She couldn't tell if he was serious or not.

"What about this, then?" she murmured, sliding down between his legs and cupping his erect p.e.n.i.s between her hands. "This seems to be enjoying itself."

He groaned softly, shutting his eyes. "Try to get away," she said. "Try to get away."

He tried to lunge upward, his body arcing so violently that she drew back in alarm. The bonds held; he arched again, and again, but now she remained beside him, her hands on his c.o.c.k, his breath coming faster and faster and her own breath keeping pace with it, her heart pounding and the tingling above her eyes almost unbearable.

"Try to get away," she gasped. "Try to get away-"

When he came he cried out, his voice harsh, as though in pain, and Janie cried out as well, squeezing her eyes shut as spasms shook her from head to groin. Quickly her head dipped to kiss his chest; then she shuddered and drew back, watching.

His voice rose again, ended suddenly in a shrill wail, as his limbs knotted and shriveled like burning rope. She had a final glimpse of him, a homunculus sprouting too many legs. Then on the bed before her a perfectly formed Papilio krishna swallowtail crawled across the rumpled duvet, its wings twitching to display glittering green scales amidst spectral washes of violet and crimson and gold.

"Oh, you're beautiful, beautiful," she whispered.

From across the room echoed a sound: soft, the rustle of her kimono falling from its hook as the door swung open. She s.n.a.t.c.hed her hand from the b.u.t.terfly and stared, through the door to the living room.

In her haste to get Thomas Raybourne inside she had forgotten to latch the front door. She scrambled to her feet, naked, staring wildly at the shadow looming in front of her, its features taking shape as it approached the candle, brown and black, light glinting across his face.

It was David Bierce. The scent of oak and bracken swelled, suffocating, fragrant, cut by the bitter odor of ethyl alcohol. He forced her gently onto the bed, heat piercing her breast and thighs, her antennae bursting out like quills from her brow and wings exploding everywhere around her as she struggled fruitlessly.

"Now. Try to get away," he said. I believe this is Peter Schneider's second professional fiction ap-pearance. (He's done nonfiction work and has written with frightening authority on collectible first editions-especially those of Stephen King.) I wish to h.e.l.l he would write more fiction, or at least funny essays; he has a twisted comic flair that he shouldn't be keeping from the rest of us. At this point I'd call him imaginative fiction's Ian Frazier, whose short, hilarious pieces (such as "Bob's Bob House") have graced the pages of The New Yorker.

Enjoy the following-and add your wishes to mine that Mr. Schneider will write more.

Burros Gone Bad.

Peter Schneider.

"I don't care what your guesses are, Grip. ... 1 just want to know who the h.e.l.l wrecked the communications room!"

Phillip's angry7 voice resounded through the ruins of the upper deck. The heavy smell of ozone from the cracked video tubes mixed with the cheap cologne worn by the commander.

"It's burros, sir," said Grip.

"What the Sam Hill are you talking about, man? Burros did this?" Phillips replied as he waved at the mess.

"All I can tell you, sir, is that Rim Control reported a group of approximately thirty burros racing from the scene only ten minutes ago. They've sent a squad out after them, but you know how fast those creatures can go."

Phillips looked down at the console, his left fist convulsively tightening around the remains of a remote lifter unit.

"Grip, I'm giving you an order, and I don't want to see your face until you get it done. I want you to get whoever did this, man or beast- I want you to get 'em and bring 'em to me, because when I get my hands on 'em ..." His voice faded away as Grip raced down the Outer Corridor toward the Lock.

Burt Grip was no stranger to the wiles of burros. There had been the incident at Rinse Pa.s.s only five months ago. Seven men dead and millions of dollars of equipment ruined. They had captured only one of the raiders-a runtish gray burro who refused to utter a word until his death the next day. And, of course, Grip had his suspicions about the debacle at Delphi the year before. No one was ever able to prove who had decimated the base and all of its five hundred-man complement-all they knew was that communications had suddenly ceased one day . . . and then the desolation when they sent the reconnaissance team. It had all the earmarks of a burro job, Grip thought, but he had never been able to convince his superiors.

"They'll soon see," he thought grimly to himself. "We're up against it now."

The clop of a hoof on the cabin door startled him out of his reverie.

Rudy Rucker and John Shirley are powerful enough as separate ent.i.ties-what would happen if you put the two of them together? A frightening thought-and that's what happened. Rucker, who has a degree in advanced mathematics from Rutgers and is also a computer programmer, is known for his exuberant style (as well as, though not in this instance, a comic flair comparable to John Sheckley); Shirley, who is the author of more than twenty books in sf and dark fantasy (including a recent collection, Really Really Really Really Weird Stories, the tales ofwhich actually do get weirder as the book progresses) has been known for his angry, intense, straight-ahead style.

What do you get when you put the two of them together? You get the following, which is fast-paced, cyberpunkish, thoughtful, weird-and wonderful.

Pockets.

Rudy Rucker & John Shirley.

When the woman from Endless Media called, Wendel was out on the fake balcony, looking across San Pablo Bay at the lights of the closed-down DeGroot Chemicals Plant. On an early summer evening, the lights marking out the columns of steel and the b.u.t.ton-shaped chemical tanks took on an unreal glamour; the plant became an otherworldly palace. He'd tried to model the plant with the industrial-strength Real2Graphix program his dad had brought home from RealTek before he got fired. But Wendel still didn't know the tricks for filling a virtual scene with the world's magic and menace, and his model looked like a cartoon toy. Someday he'd get his chops and make the palace come alive. You could set a killer-a.s.s game there if you knew how. After high school, maybe he could get into a good gaming university. He didn't want to "go" to an online university if he could help it; virtual teachers, parallel programmed or not, couldn't answer all your questions.

The phone rang just as he was wondering whether Dad could afford to pay tuition for someplace real. He waited for his dad to get the phone, and after three rings he realized with a chill that Dad had probably gone into a pocket, and he'd have to answer the phone himself.

The fake porch, created for window washers, and to create an impression of coziness the place had always lacked, creaked under his feet as he went to climb through the window. The narrow splintery wooden walkway outside their window was on the third floor of an old waterfront motel converted to studio apartments. Their tall strip of windows, designed to savor a view that was now unsavory, looked down a crumbling cliff at a mud beach, the limp gray waves sluggish in stretched squares of light from the buildings edging the bluff. Down the beach some guys with flashlights were moving around, looking for the little pocket-bubbles that floated in like dead jellyfish. Thanks to the accident that had closed down the DeGroot Research Center, beyond the still-functioning chemicals plant, San Pablo Bay was a good spot to scavenge for pocket-bubbles, which was why Wendel and his Dad had ended up living here.

To get to the phone, he had to skirt the mercurylike bubble of Dad's pocket, presently a big flattened shape eight feet across and six high, rounded like a river stone. The pocket covered most of the available s.p.a.ce on the living room floor, and he disliked having to touch it. There was that sensation when you touched them-not quite a sting, not quite an electrical shock, not even intolerable. But you didn't want to prolong the feeling.

Wendel touched the speakerphone tab. "h.e.l.lo, Bell residence."

"Well, this doesn't sound like Rothman Bell." It was a woman's voice coming out of the speakerphone-humorous, ditzy, but with a heartening undercurrent of business.

"No, ma'am. I'm his son, Wendel.

"That's right, I remember he had a son. You'd be about fourteen now?"

"Sixteen."

"Sixteen! Whoa. Time jogs on. This is Manda Solomon. I knew your dad when he worked atMetaMeta. He really made his mark there. Is he home?"

He hesitated. There was no way to answer that question honestly without having to admit Dad was in a pocket, and pocket-slugs had a bad reputation. "No, ma'am. But. . ."

He looked toward the pocket. It was getting smaller now. If things went as usual, it would shrink to grapefruit size, then swell back up and burst-and Dad would be back. Occasionally a pocket might bounce through two or three or even a dozen shrink-and-grow cycles before releasing its inhabitant; but it never took terribly long, at least from the outside. Dad might be back before this woman hung up. She sounded like business, and that made Wendel's pulse race. It was a chance.

If he could just keep her talking. After a session in a pocket Dad wouldn't be in any shape to call anyone back, sometimes not for days- but if you caught him just coming out, and put the phone in his hand, he might keep it together long enough, still riding the pocket's high. Wendel just hoped this wasn't going to be the one pocket that would finally kill his father.

"Can I take a message, Ms., um, . . ." With his mind running so fast, he'd forgotten her name.

"Manda Solomon. Just tell him-"

"Can I tell him where you're calling from?" He grimaced at himself in the mirror by the front door. Dumba.s.s, don't interrupt her, you'll scare her off.

"From San Jose, I'm a project manager at Endless Media. Just show him-oh, have you got iTV?"

"Yeah. You want me to put it on?" Good, that'd take some more time. If Dad had kept up the payments.

He carried the phone over to the iTV screen hanging on the wall like a seascape; there was a fuzzy motel-decor photo of a sunset endlessly playing in it now, the kitschy orange clouds swirling in the same tape-looping pattern. He tapped the tab on the phone that would hook it to the iTV, and faced the screen so that the camera in the corner of the frame could pick him up but only on head-shot setting so she couldn't see the pocket, too. "You see me?"

"Yup. Here I come."

Her picture appeared in a window in an upper corner of the screen, a pleasant-looking redhead in early middle age, hoop earrings, frank smile. She held up an e-book, touched the page turner which instantly scrolled an image of a photograph that showed a three-dimensional array of people floating in s.p.a.ce, endless pairs of people s.p.a.ced out into the nodes of a warped jungle-gym lattice, a man and a woman at each node. Wendel recognized the couple as his dad and his mother. At first it looked as if all the nodes were the same, but when you looked closer, you could see that the people at some of the more distant nodes weren't Mom and Dad after all. In fact some of them didn't even look like people. This must be a photo taken inside a pocket with tunnels coming out of it. Wendel had never seen it before. "If you print out the picture, he'll know what it's all about," Manda was saying.

"Sure." Wendel saved the picture to the iTV's memory, hoping it would work. He didn't want Manda to know their printer was broken and wouldn't be repaired anytime soon.

"Well it's been a sweet link, but I gotta go-just tell him to call. Here's the number, ready to save? Got it? Okay, then. He'll remember me."

Wendel saw she wasn't wearing a wedding band. He got tired of taking care of Dad alone.

He tried to think of some way to keep her on the line. "He'll be right back-he's way overdue. Iexpect him . . ."

"Whoops, I really gotta jam." She reached toward her screen and then hesitated, her head c.o.c.ked as she looked at his image. "That's what it is: you look a lot like Jena, you know? Your mom."

"I guess."

"Jena was a zippa-trip. I hated it when she disappeared."

"I don't remember her much."