Red Rose and Tiger Lily Part 13

Mrs. Lorrimer went into the morning room, where Hester and Annie were sitting together.

The moment she did so Annie jumped up and came to her.

"How is Nora?" she asked.

"She is much better, my dear; in fact, almost quite like her old self to-day. She cannot, of course, move without the greatest pain, but when she lies perfectly still she is tolerably easy."

"Then I may go to see her, may I not?" asked Annie.

"If you will promise to be very quiet. It would not do to excite her in any way."

"There never was such a good nurse as Annie," exclaimed Hester. "She has a soothing influence over sick people which is quite marvellous. Did I ever tell you how she saved Nan's life years ago at Lavender House?"

"Oh, that's an old story," said Annie, laughing and reddening. "Well, granted that I possess a sort of mesmerism, may I use it for Nora's benefit?"

"Certainly, my love," said Mrs. Lorrimer, smiling affectionately at Annie's bright face.

She ran off, singing as she went.

Nora was lying perfectly flat on the little bed which had been hastily improvised for her in the study. The room was now turned into a comfortable bedroom, but was also in part a sitting-room. A large screen effectually shut away the bedroom part of the furniture and partly screened Nora also.

Annie had not gone straight to the sick room. She had rushed first into the conservatory and made frantic mad havoc amongst the roses there. The choicest blooms, any quant.i.ty of unopened buds, were cut by her reckless fingers. She gathered a whole quant.i.ty of maidenhair to mix with the roses, and then, a tender colour on her own cheeks, her dark eyes bright as well as soft, she appeared like a radiant vision before the tired, sad eyes of the sick child.

Nora was just well enough to feel the monotony of her present position, to think longingly of the life of active movement which was hers at the Towers. Even lessons in the old schoolroom, even that hateful darning and mending to which she had to devote a portion of her time each day, seemed delightful in contrast to her present inertia. She was thinking of Friar's Wood and of Annie's bright face just when Annie herself, looking like a bit of the summer morning, appeared in view.

"Now, don't get excited," said Annie smiling at her. "You'll see such a lot of me during the next few weeks that you need not get into a state just because I've come into the room. I feel that in a certain fashion I am to blame for your accident, so I am going to take your amus.e.m.e.nts upon my shoulders; and if you just allow me to manage matters, I'll promise that you shan't have a dull time while you are getting well.

Have you a headache?"

"No, not a bit."

"That's all right; then you won't mind my talking. Are you fond of pretty things?"

"Yes, very fond."

"Well, I'll sit here, just where you can comfortably see the flowers and me. I expect we'll make a very pretty picture, but you need not say so.

I wonder where there's a looking-gla.s.s. Oh, yes, in that corner, decently covered with an antimaca.s.sar. Well, then, gla.s.s, you have got to uncover for my benefit. I wish to see whether I look pretty or not."

Annie danced up to the gla.s.s; Nora could watch her each movement.

Her steps were as light as a sylph's, nothing rattled in the sick-room as she moved about it. She took up a comb and re-arranged her dark, curling hair. She placed a rose in her belt, nodded to her own bright image, and then, seating herself before a small table, began to arrange the flowers. "Nora, you can't think what a ma.s.s of roses there are in the green-house this morning. Of course the garden is full, too, but I did not wait to go to the garden to get these for you. You can watch me just as long as you fancy and then shut your eyes. These half-open buds are to be placed on a table close to you, where you can smell them. The other flowers we'll put here and there about the room. It's a good thing you were brought into this pretty study, for from where you lie you can fancy you are in a sitting-room, and that you are just having a stretch on the sofa to rest yourself. Fancy goes a long way, doesn't it?"

"I don't know," replied Nora. "I'm afraid I can't fancy that."

Tears filled her eyes as she spoke.

"How cool you look," she said presently, "and--and active and happy."

"It wouldn't do for me to look unhappy when I am with you, would it?"

asked Annie. "Now tell me, do you like this dress?"

"Yes, it's very pretty. What stuff is it?"

"Only pink cambric, trimmed with pink embroidery. Would you like me to make you one?"

"What do you mean?"

Nora's eyes brightened perceptibly.

"What I say," replied Annie. "I made this dress for myself. I make all my dresses, for I am not at all well off; in short, I am poor, and Mrs.

Willis is so sweet and dear that she gives me a couple of hours every day to devote to needlework. In consequence I have got some pretty things, although they cost next to nothing. Now, I think you and I are something alike. We are both dark, and we have both got bright colour.

Oh, I don't mean that you have a bright colour just now, you poor little darling; but when you are well, you are sweet, like a wild rose. Suppose I make you a pink cambric frock, and a white one and a blue one? I have got a white and a blue. When you're well again you'll look quite lovely in them, Nora. What do you say?"

"I'd like it awfully," said Nora. "You are very good, very good; but I haven't got any money. I--I am even poorer than you."

"Are you? How delightful. I adore _poor lady_ girls, because they are always contriving, and that's so interesting. We'll make the dresses out of odds and ends, and they shan't cost you a penny."

"It's very good of you," said Nora. She was too weak to argue and protest, and the vision of her pretty little self in alternate dresses of pink and white and blue cambric was decidedly refreshing.

She lay and looked at Annie and acknowledged to herself that she made a pretty, a beautiful, picture, and the discontented lines round her mouth vanished, and the time did not seem long.

That evening Molly, excited and in high spirits, arrived on the scene.

Molly was absolutely trembling as she came into the room where Nora was lying; but although her love was ten times deeper, she had not Annie's marvellous tact, and soon contrived to tire poor Nora dreadfully. The nurse seeing this sent her away, and Molly came back to Hester with a very crestfallen expression of face.

"I can't make out how it is," she said; "but Nora does not seem a bit glad to see me."

"Oh, nonsense," said Hester; "what do you mean?"

Annie was sitting in a corner of the room busily engaged over Henry Kingsley's novel, "Geoffrey Hamlyn." She did not raise her eyes, but bent her curly head still lower over the fascinating pages. Nan had gone to spend a few days at the Towers, and the great house at the Grange seemed very quiet and still.

Molly sank down into a chair near Hester.

"I have been so excited about this meeting," she said. "Nora is almost my twin-sister, and I have suffered so terribly about her. I cannot tell you the relief and joy of being allowed to come here to look after her, but now I fear I shall be next to no good."

"Well, you'll be no end of good to me," said Hester; "and, of course, Nora will like to have you by-and-by, but she is still very weak and cannot bear the least excitement."

"But nurse tells me that you, Annie, spent some hours in her room to-day."

At these words Annie sprang to her feet, and "Geoffrey Hamlyn" fell with a bang to the floor.

"I did spend hours in her room," she said, "and I don't think I tired her; but, then, perhaps you kissed her a lot, Molly?"

"Kissed her?" exclaimed Molly; "I should think so, at least a hundred times."

"Oh, good gracious, how dreadfully fatiguing for a sick person. Well, you see, I didn't kiss her once, nor even touch her."

"But you aren't her sister," said Molly.