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The traveller who expects to find any sufficient traces of the city of Periander and of Timoleon, and, I may say, of St. Paul, will be grievously disappointed. In the middle of the wretched straggling modern village there stand up seven enormous rough stone pillars of the Doric Order, evidently of the oldest and heaviest type; and these are the only visible relic of the ancient city, looking altogether out of place, and almost as if they had come there by mistake. These pillars, though insufficient to admit of our reconstructing the temple, are in themselves profoundly interesting. Their shaft up to the capital is of one block, about twenty-one feet high and six feet in diameter. It is to be observed that over these gigantic monoliths the architrave, in which other Greek temples show the largest blocks, is not in one piece, but two, and made of beams laid together longitudinally.(149) The length of the shafts (up to the neck of the capital) measures about four times their diameter, on the photograph which I possess; I do not suppose that any other Doric pillar known to us is so stout and short. The material is said almost universally to be limestone, but if my eyes served me aright, it was a very porous and now rough sandstone, not the least like the bluish limestone in which the lions of the gate of Mycenae are carved. The pillars are said to have been covered with stucco, and were of course painted. Perhaps even the figures of the pediment were modelled in clay, as we are told was the case in the oldest Corinthian temples, when first the fashion came in of thus ornamenting an otherwise flat and unsightly surface. The great temple of Paestum-which is, probably, the next oldest, and certainly the finest extant specimen of the early Doric style-has no figures in the pediment, and seems never to have had them, unless, indeed, they were painted in fresco on the stucco, with which it was probably covered. Those who have seen the temple at Paestum are, perhaps, the only visitors who will be able to frame to themselves an image of the very similar structure at Corinth, which Turks and earthquakes have reduced to seven columns. There must have been in it the same simplicity, the same almost Egyptian ma.s.siveness, and yet the same unity of plan and purpose which excludes all idea of clumsiness or disproportion.
[Ill.u.s.tration: Temple of Corinth]
The longer one studies the Greek orders of architecture, the more the conviction grows that the Doric is of all the n.o.blest and the most natural. When lightened and perfected by the Athenians of Pericles's time, it becomes simply unapproachable; but even in older and ruder forms it seems to me vastly superior to either of the more florid orders. All the ma.s.sive temples of Roman times were built in the very ornate Corinthian, which may almost be called the Graeco-Roman, style; but, notwithstanding their majesty and beauty, they are not to be compared with the severer and more religious tone of the Doric remains. I may add that the t.i.tles by which the orders are distinguished seem ill-chosen and without meaning, except, perhaps, that the Ionic was most commonly used, and probably invented, in Asia Minor. The earliest specimens of the Corinthian Order are at Epidaurus, Olympia, and Phigalia;(150) the most perfect of the Doric is at Athens, while Ionic temples are found everywhere. But it is idle now to attempt to change such definite and well-sanctioned names.
[Ill.u.s.tration: Scene near Corinth, the Acro-Corinthus in the Distance]
Straight over the site of the town is the great rock known as the Acro-Corinthus. A winding path leads up on the south-west side to the Turkish drawbridge and gate, which are now deserted and open; nor is there a single guard or soldier to watch a spot once the coveted prize of contending empires. In the days of the Achaean League it was called one of the fetters of Greece, and indeed it requires no military experience to see the extraordinary importance of the place. Strabo speaks of the Peloponnesus as the Acropolis of Greece-Corinth may fairly be called the Acropolis of the Peloponnesus. It runs out boldly from the surging mountain-chains of the peninsula, like an outpost or sentry, guarding all approach from the north. In days when news was transmitted by fire signals, we can imagine how all the southern country must have depended on the watch upon the rock of Corinth. It is separated by a wide plain of land, ending in the isthmus, from the Geranean Mountains, which come from the north and belong to a different system.
Next to the view from the heights of Parna.s.sus, I suppose the view from this citadel is held the finest in Greece.(151) I speak here of the large and diverse views to be obtained from mountain heights. To me, personally, such a view as that from the promontory of Sunium, or, above all, from the harbor of Nauplia, exceeds in beauty and interest any bird's-eye prospect.
Any one who looks at the map of Greece will see how the Acro-Corinthus commands coasts, islands, and bays. The day was too hazy when we stood there to let us measure the real limits of the view, and I cannot say how far the eye may reach in a suitable atmosphere. But a host of islands, the southern coasts of Attica and Botia, the Acropolis of Athens, Salamis and aegina, Helicon and Parna.s.sus, and endless aetolian peaks were visible in one direction; while, as we turned round, all the waving reaches of Arcadia and Argolis, down to the approaches toward Mantinea and Karytena, lay stretched out before us. The plain of Argos, and the sea at that side, are hidden by the mountains.(152) But without going into detail, this much may be said, that if a man wants to realize the features of these coasts, which he has long studied on maps, half an hour's walk about the top of this rock will give him a geographical insight which months of reading could not attain.
The surface is very large, at least half a mile each way, and is covered inside the bounding wall with the remains of a considerable Turkish town, now in ruins and totally deserted, but evidently of no small importance in the days of the War of Liberation. The building of this town was a great misfortune to antiquarians, for every available remnant of old Greek work was used as material for the modern houses. At all parts of the walls may be seen white marble fragments of pillars and architraves, and I have no doubt that a careful dilapidation of the modern abandoned houses would amply repay the outlay. There are several pits for saving rain-water, and some shallow underground pa.s.sages of which we could not make out the purpose. The pits or tanks must have been merely intended to save trouble, for about the middle of the plateau, which sinks considerably toward the south, we were brought to a pa.s.sage into the ground, which led by a rapid descent to the famous well of Pirene, the water of which was so perfectly clear that we walked into it on going down the steps, as there was actually no water-line visible. It was twelve or fourteen feet deep, and perhaps twenty-five feet long, so far as we could make it out in the twilight underground. The structure of marble over the fountain is the only piece of old Greek work we could find on the rock. It consists of three supports, like pillars, made of several blocks, and over them a sort of architrave. Then there is a gap in the building, and from the large number of fragments of marble lying at the bottom of the well we concluded that the frieze and cornice had fallen out. The pediment, or rather its upper outline, is still in its place, clear of the architrave, and built into the rock so as to remain without its supporting cornice.
There are numerous inscriptions as you descend, which I did not copy, because I was informed they had already been published, though I have not since been able to find them; but they are, of course, to be found in some of the Greek archaeological newspapers. They appeared to me at the time to be either hopelessly illegible, or suspiciously clear. This great well, springing up near the top of a barren rock, is very curious, especially as we could see no outlet.(153) The water was deep under the surface, and there was no sign of welling up or of outflow anywhere; but to make sure of this would have required a long and careful ride round the whole ridge.
Our guide-book spoke of rushing streams and waterfalls tumbling down the rock, which we searched for in vain, and which may have been caused by a winter rainfall without any connection with the fountain.(154)
The Isthmus, which is really some three or four miles north of Corinth, was of old famous for the Isthmian games, as well as for the noted _diolkos_, or road for dragging ships across. The games were founded about 586 B. C., when a strong suspicion had arisen throughout Greece concerning the fairness of the Elean awards at Olympia, and for a long time Eleans were excluded. In later days the games became very famous, the Argives or Cleonaeans laying claim to celebrate them. It was at these games that Philip V. heard of the great defeat of the Romans by Hannibal, and resolved to enter into that colossal quarrel which brought the Romans into Macedonia. The site of the stadium, and of the temple of Isthmian Poseidon, and of the fortified sanctuary, were excavated and mapped out by M. Monceaux in 1883. A plan and details are to be found in the French _Guide Joanne_.(155) Close by I saw in 1889 the interrupted work of the ca.n.a.l which was at last to connect the eastern and western gulfs, and which when well-nigh completed found its funds dissipated by the terrible crash of the Credit Mobilier in Paris, and now awaits another enterprise.
The idea is old and often discussed, like that of the Isthmus of Suez. The Emperor Nero actually began the work, and the engineers of to-day resumed the cutting at the very spot where his workmen left off.
But if this very expensive work might have been of great service when sailing-ships feared to round the notorious Cape of Malea, and when there was great trade from the Adriatic to the ports of Thessaly and Macedonia, surely all these advantages are now superseded. Steamers coming from the Straits of Messina would pay nothing to take the route of the Isthmus in preference to rounding the Morea, and the main line of traffic is no longer to the Northern Levant, but to Alexandria. Even goods despatched from Trieste or Venice may now be landed at Patras, and sent on by rail to Athens; so that the ca.n.a.l will now only serve the smallest fraction of the Levantine trade; and even then, if the charges be at all adequate to the labor, will be avoided by circ.u.mnavigation. Amid the promotion of many useful schemes of traffic, this undertaking seems to me to stand out by its want of common sense. Indeed, had it been really important at any date, we may be sure that the h.e.l.lenistic Sovrans or Roman capitalists would have carried it out. But in cla.s.sical days their smaller ships seem to have been dragged across upon movable rollers by slaves without much difficulty.
But we had already delayed too long upon this citadel, where we would have willingly spent a day or two at greater leisure. Our guide urged us to start on our long ride, which was not to terminate till we reached the town of Argos, some thirty miles over the mountains.(156)
The country into which we pa.s.sed was very different from any we had yet seen, and still it was intensely Greek. All the hills and valleys showed a very white, chalky soil, which actually glittered like snow where it was not covered with verdure or trees. Road, as usual, there was none; but all these hills and ravines, chequered with snowy white, were clothed with shining arbutus trees, and shrubs resembling dwarf holly. The purple and the white cistus, which is so readily mistaken for a wild rose,(157) were already out of blow, and showed but a rare blossom. Here and there was a plain or valley with great fields of thyme about the arbutus, and there were herds of goats wandering through the shrubs, and innumerable bees gathering honey from the thyme. The scene was precisely such as Theocritus describes in the uplands of Sicily; but in all our rides through that delightful island(158) we had never found the thyme and arbutus, the goats and bees, in such truly Theocritean perfection. We listened in vain for the shepherd's pipe, and sought in vain for some Thyrsis beguiling his time with the oaten reed. It was almost noontide-noon, the hour of awe and mystery to the olden shepherd, when Pan slept his mid-day sleep,(159) and the wanton satyr was abroad, prowling for adventure through the silent woods; so that, in pagan days, we might have been afraid of the companionship of melody. But now the silence was not from dread of Pan's displeasure, but that the sun's fiercer heat had warned the shepherds to depart to the snowy heights of Cyllene, where they dwell all the summer in alpine huts, and feed their flocks on the upland pastures, which are covered with snow till late in the spring.
They had left behind them a single comrade, with his wife and little children, to protect the weak and the lame till their return. We found this family settled in their winter quarters, which consisted of a square enclosure of thorns _??????? ????d??_, built up with stones, round a very old spreading olive-tree. At the foot of the tree were pots and pans, and other household goods, with some skins and rude rugs lying on the ground.
There was no attempt at a roof or hut of any kind, though, of course, it might be set up in a moment, as we had seen in the defiles of Parna.s.sus, with skins hung over three sticks-two uprights, and the third joining their tops, so as to form a ridge.
To make the scene Homeric,(160) as well as Theocritean, two large and very savage dogs rushed out upon us at our approach, but the shepherd hurried out after them, and drove them off by pelting them vigorously with stones.
"Surely," he said, turning to us breathlessly from his exertions, "you had met, O strangers! with some mischief, if I had not been here." The dogs disappeared, in deep anger, into the thicket, and, though we stayed at the place for some time, never reappeared to threaten or to pursue us on our departure. We talked as best we could to the gentle shepherdess, one of whose children had a fearfully scalded hand, for which we suggested remedies to her occult and wonderful, though at home so trite as to be despised by the wise. She gave us in return great bowls of heated milk, which was being made into cheese, and into various kinds of curds, which are the very best produce of the country. They would take no money for their hospitality, but did not object to our giving the children coins to play with-to them, I am sure, a great curiosity.
Most of our journey was not, however, through pastures and plains, but up and down steep ravines, where riding was so difficult and dangerous that we were often content to dismount and lead our horses. Every hour or two brought us to a fountain springing from a rock, and over it generally a great spreading fig-tree, while the water was framed in on both sides with a perfect turf of maiden-hair fern. The only considerable valley which we saw was that of Cleonae, which we pa.s.sed some miles on our left, and about which there was a great deal of golden corn, and many shady plane-trees.
Indeed, the corn was so plentiful that we saw a.s.ses grazing in it quite contentedly, without any interference from thrifty farmers. We had seen a very similar sight in Sicily, where the enormous deep-brown Sicilian oxen, with their forward-pointing horns, were stretching their huge forms in fields of half-ripe wheat, which covered all the plain without fence or division. There, too, it seemed as if this was the cheapest grazing, and as if it were unprofitable labor to drive the cattle to some untilled pasture. As for the treading-out of corn, I saw it done at Argos by a string of seven horses abreast, with two young foals at the outside, galloping round a small circular threshing-floor in the open field, upon which the ripe sheaves had been laid in radiating order. I have no doubt that a special observer of farming operations would find many interesting survivals both in Greece and the Two Sicilies.
Toward evening, after many hours of travel, we turned aside on our way down the plain of Argos, to see the famous ruins of Mycenae. But we will now pa.s.s them by, as the discoveries of Dr. Schliemann, and a second visit to the ruins after his excavations, have opened up so many questions, that a separate chapter must be devoted to them.
The fortress of Tiryns, which I have already mentioned, and which we visited next day, may fitly be commented on before approaching the younger, or at least more artistically finished, Mycenae. It stands several miles nearer to the sea, in the centre of the great plain of Argos, and upon the only hillock which there affords any natural scope for fortification. Instead of the square, or at least hewn, well-fitted blocks of Mycenae, we have here the older style of rude ma.s.ses piled together as best they would fit, the interstices being filled up with smaller fragments, and, as we now know, faced with mortar. This is essentially Cyclopean building.(161) There is a smaller castle of rectangular shape, on the southern and highest part of the oblong hillock, the whole of which is surrounded by a lower wall, which takes in both this and the northern longer part of the ridge. It looked, in fact, like a hill-fort, with a large enclosure for cattle around it.
Just below the north-east angle of the inner fort, and where the lower circuit is about to leave it, there is an entrance, with a ma.s.sive projection of huge stones, looking like a square tower, on its right side, so as to defend it from attack. The most remarkable feature in the walls are the covered galleries, constructed within them at the south-east angle. The whole thickness of the wall is often over twenty feet, and in the centre a rude arched way is made-or rather, I believe, two parallel ways; but the inner gallery has fallen in, and is almost untraceable-and this merely by piling together the great stones so as to leave an opening, which narrows at the top in the form of a Gothic arch. Within the pa.s.sage there are five niches in the outer side, made of rude arches, in the same way as the main pa.s.sage. The length of the gallery I measured, and found it twenty-five yards, at the end of which it is regularly walled up, so that it evidently did not run all the way round. The niches are now no longer open, but seem to have been once windows, or at least to have had some look-out points into the hill country.
[Ill.u.s.tration: Gallery at Tiryns]
It is remarkable that, although the walls are made of perfectly rude stones, the builders have managed to use so many smooth surfaces looking outward, that the face of the wall seems quite clean and well-built.(162) At the south-east corner of the higher and inner level we found a large block of red granite, quite different from the rough gray stone of the building, with its surface square and smooth, and all the four sides neatly bevelled, like the portal stones at the treasury of Atreus. I found two other similar blocks close by, which were likewise cut smooth on the surface, and afterward, in company with Dr. Schliemann, a large Doric capital. The intention of these stones we could not guess, but they show that some ornament, and some more finished work, must have once existed in or near the inner building. Though both the main entrances have ma.s.sive towers of stone raised on their right, there is a small postern at the opposite or west side, not more than four feet wide, which has no defences whatever, and is a mere hole in the wall.
The whole ruin was covered in summer with thistles, such as English people can hardly imagine. The needles at the points of the leaves are fully an inch long, extremely fine and strong, and sharper than any two-edged sword. No clothes except a leather dress can resist them. They pierce everywhere with the most stinging pain, and make antiquarian research in this famous spot a veritable martyrdom, which can only be supported by a very burning love for knowledge, or the sure hope of future fame. The rough ma.s.ses of stone are so loose that one's footing is insecure, and when the traveller loses his balance, and falls among the thistles, he will wish that he had gone to Jericho instead, or even fallen among thieves on the way.
Such was the aspect of Tiryns when I visited it in the years 1875 and in 1877. In 1884 I went there again with Dr. Schliemann, who was uncovering the palace on the height. The results of his discoveries are so important that I shall review them in another chapter.
We rode down from Mycenae to Argos late in the evening, along the broad and limpid stream of the river Inachus, which made us wonder at the old epic epithet, _very thirsty_, given to this celebrated plain.(163) Though the night was getting dark, we could see and smell great fields of wild rose-red oleander, blooming along the river banks, very like the rhododendrons of our demesnes. And, though not a bird was to be heard, the tettix, so dear to the old Greeks, and so often the theme of their poets, was making the land echo with its myriad chirping. Aristophanes speaks of it as crying out with mad love of the noonday sun.(164) We found it no less eager and busy in late twilight, and far into the night. I can quite understand how the old Greek, who hated silence, and hated solitude still more, loved this little creature, which kept him company even in the time of sleep, and gave him all the feelings of cheerfulness and homeliness which we northerns, in our wretched climate, must seek from the cricket at the fireside.
At ten o'clock we rode into the curious dark streets of Argos, and, after some difficulty, were shown to the residence of M. Papalexopoulos, who volunteered to be our host-a medical man of education and ability, who, in spite of a very recent family bereavement, opened his house to the stranger, and entertained us with what may well be called in that country real splendor. I may notice that he alone, of all the country residents whom we met, gave us wine not drenched with resin-a very choice and remarkable red wine, for which the plain of Argos is justly celebrated. In this comfortable house we slept, I may say, in solitary grandeur, and awoke in high spirits, without loss or damage, to visit the wonders of this old centre of legend and of history.
It is very easy to see why all the Greek myths have placed the earliest empires, the earliest arts, and the earliest conquests, in the plains of Argolis. They speak, too, of this particular plain having the benefit of foreign settlers and of foreign skill. If we imagine, as we must do, the older knowledge of the East coming up by way of Cyprus and Crete into Greek waters, there can be no doubt that the first exploring mariners, reaching the barren island of Cerigo, and the rocky sh.o.r.e of Laconia, would feel their way up this rugged and inhospitable coast, till they suddenly came in sight of the deep bay of Argolis, stretching far into the land, with a broad plain and alluvial soil beyond its deepest recess.
Here, first, they would find a suitable landing-place, and a country fit for tillage; and here, accordingly, we should expect to find, as we actually do, the oldest relics of habitation, beyond the huts of wandering shepherds or of savages. So the legend tells us that Cyclopes came from Lycia to King Prtus of Argos, or rather of the Argive plain, and built him the giant fort of Tiryns.(165)
This was evidently the oldest great settlement. Then, by some change of fortune, it seems that Mycenae grew in importance, not impossibly because of the unhealthy site of Tiryns, where the surroundings are now low and marshy, and were, probably, even more so in those days. But the epoch of Mycenae's greatness also pa.s.sed away in historical times; and the third city in this plain came forward as its ruler-Argos, built under the huge Larissa, or hill-fort, which springs out from the surrounding mountains, and stands like an outpost over the city.(166) Even now it is still an important town, and maintains, in the midst of its smiling and well-cultivated plain, a certain air of brightness and prosperity which is seldom to be seen elsewhere through the country.
We went first to visit the old theatre, certainly the most beautifully situated,(167) and one of the largest I had ever seen. It is far finer than even that of Syracuse, and whoever has seen this latter will know what such a statement implies. If the Greek theatre at Syracuse has a view of the great harbor and the coast around, this view can only have been made interesting by crowded shipping and flitting sails, for the whole incline of the country is very gradual, and not even the fort of Ortygia presents any bold or striking outline.
The Argive theatre was built to hold an enormous audience. We counted sixty-six tiers of seats, in four divisions-thus differing from the description of Colonel Leake, which we had before us at the time. As he observes, there may be more seats still covered with rubbish at the bottom-indeed this, like all the rest of Argos, ought to yield a rich harvest to the antiquarian, being still almost virgin soil, and never yet ransacked with any care. From the higher seats of the theatre of Argos, which rise much steeper than those of Syracuse, there is a most enchanting prospect to the right, over a splendid rich plain, covered, when we first saw it, with the brilliant emerald-green of young vines and tobacco plants, varied with the darker hue of plane-trees and cypresses. After the wilderness through which we had pa.s.sed this prospect was intensely delightful. Straight before us, and to the left, was the deep blue bay of Argolis, with the white fortifications of Nauplia crowning its picturesque Acropolis. All around us, in every other direction, was a perfect amphitheatre of lofty mountains. This bay is, for its size, the most beautiful I ever saw, and the opinion which we then formed was strengthened by a sunset view of it from the other side-from Nauplia-which was, if possible, even finer, and combined all the elements which are conceivable in a perfect landscape. Near the theatre there is a remnant of Cyclopean building, apparently the angle of a wall, made of huge uncut blocks, like those at Tiryns. There are said to be some similar substructures on the Larissa, which is, however, itself a mediaeval ruin, and therefore, to us, of slight interest.
All the children about brought us coins, of every possible date and description, but were themselves more interesting than their coins. For here, in southern Greece, in a very hot climate, in a level plain, every second child is fair, with blue eyes, and looks like a transplanted northern, and not like the offspring of a southern race. After the deep brown Italian children, which strike the traveller by their southernness all the way from Venice to Reggio, nothing is more curious than these fairer children, under a sunnier and hotter sky; and it reminds the student at once how, even in Homer, yellow hair and a fair complexion is noted as belonging to the King of Sparta. This type seems to me common wherever there has not arisen a mixed population, such as that of Athens or Syra, and where the inhabitants appear to live as they have done for centuries. Fallmerayer's cleverness and undoubted learning persuaded many people, and led many more to suspect, that the old Greek race was completely gone, and that the present people were a mixture of Turks, Albanians, and Slavs. To this many answers suggest themselves,-to me, above all things, the strange and accurate resemblances in character between ancient and modern Greeks,-resemblances which permeate all their life and habits.
But this is a kind of evidence not easily stated in a brief form, and consists after all of a large number of minute details. The real refutation of Fallmerayer's theory consists in exposing the alleged evidence upon which it rests. He puts forth with great confidence citations from MS. authorities at Athens, which have not been verified; nay, he is even proved to have been the dupe of some clever forgeries. A careful examination of the scanty allusions to the state of Greece during the time of its supposed _Slavisation_, and the evidences obtained from the lives of the Greek saints who belong to this epoch, have proved to demonstration that the country was never wholly occupied by foreigners, or deserted by its old population. The researches of Ross, Ellissen, and lastly of Hopf,(168) have really set the matter at rest; but, unfortunately, English students will for some time to come be misled by the evident leaning of Finlay toward the Slav hypothesis. As has been fairly remarked by later critics, Finlay did not test the doc.u.ments cited by Fallmerayer; and until this was done, the case seemed conclusive enough for the total devastation of Greece during four hundred years, and its occupation by a new population. But all this is now relegated to the sphere of fable. There is, of course, a large admixture of Slavs and Albanians in the country; the constant invasions and partial conquests for several centuries could not but introduce it. Still, Greece has remained Greek in the main, and the foreigners have not been able to hold their own against the stronger nationality of the true h.e.l.lenes.
Another weighty argument seems to me to be from language.(169) There is really very little difference between the language of Plato and that of the present Greeks. There is, of course, development and decay, there are changes of idiom and corruptions of form, there are a good many Slav names, but the language is essentially the same. The present Greek will read the old cla.s.sics with the same trouble with which our peasants could read Chaucer. It is, in fact, most remarkable, a.s.suming that they are the same people, how their language has not changed more. Had the invaders during the Middle Ages really become the main body of the population, how is it that they abandoned their own tongue, and adopted that of the Greeks? Surely there must be at least a fusion of different tongues, if the population were considerably leavened. There are still Albanian districts in Greece. They are to be found even in Attica, and close to Athens. But these populations are still tolerably distinct from the Greeks; their language is quite different, and unintelligible to Greeks who have not learned it.
Again, the Greek language is not one which spread itself easily among foreigners, nor did it give rise to a number of daughter languages, like the Latin. In many h.e.l.lenic colonies, barbarians learned to speak Greek with the Greeks, and to adopt their language at the time; but in all these cases, when the Greek influence vanished the Greek language decayed, and finally made way for the old tongue which it had temporarily displaced.
Thus the evidence of history seems to suggest that no foreigners were ever really able to make that subtle tongue their own; and even now we can feel the force of what Aristotle says-that however well a stranger might speak, you could recognize him at once by his use of the particles.
These considerations seem to me conclusive that, whatever admixtures may have taken place, the main body of the people are what their language declares them to be, essentially Greeks. Any careful observer will not fail to see through the wilder parts of the Morea types and forms equal to those which inspired the old artists. There are still among the shepherd boys splendid lads who would adorn a Greek gymnasium, or excite the praise of all Greece at the Olympian games. There are still maidens fit to carry the sacred basket of Athene. Above all, there are still many old men fit to be chosen for their stalwart beauty to act as _thallophori_ in the Panathenaic procession.
These thoughts often struck us as we went through the narrow and crowded streets of Argos, in search of the peculiar produce of the place-raw silks, rich-colored carpets and rugs, and ornamental shoes in dull red "morocco" leather.
We were taken to see the little museum of the town-then a very small one, with a single inscription, and eight or ten pieces of sculpture. But the inscription, which is published, is exceedingly clear and legible, and the fragments of sculpture are all both peculiar and excellent. There is a female head of great beauty, about half life-size, and from the best, or certainly a very good, period of Greek art, which has the curious peculiarity of one eye being larger than the other. It is not merely the eyeball, but the whole setting of the eye, which is slightly enlarged, nor does it injure the general effect. The gentlemen who showed this head to me, and who were all very enthusiastic about it, had indeed not noticed this feature, but recognized it at once when pointed out to them. Beside this trunkless head is a headless trunk of equal beauty-a female figure without arms, and draped with exquisite grace, in a manner closely resembling the famous Venus of Melos. The figure has one foot slightly raised, and set upon a duck, as is quite plain from the general form of the bird, though the webbed feet are much worn away, and the head gone. M.
emile Burnouf told me that this attribute of a duck would determine it to be either Athene or Artemis. If so, the general style of the figure, which is very young and slight, speaks in favor of its being an Artemis. I trust photographs of this excellent statue may soon be made, and that it may become known to art students in Europe.
We also noticed a relief larger than life, on a square block of white marble, of the head of Medusa. The face is calm and expressionless, exactly the reverse of Lionardo da Vinci's matchless painting, but archaic in character, and of good and clear workmanship. The head-dress, which has been finished only on the right side, is very peculiar, and consists of large scales starting from the forehead, and separating into two plaits, which become serpents' bodies, and descend in curves as low as the chin, then turning upward and outward again, till they end in well-formed serpents' heads. The left serpent is carved out perfectly in relief, but not covered with scales.
I was unable to obtain any trustworthy account of the finding of these marbles, but they were all fresh discoveries, especially the Medusa head, which had been only lately brought to the museum, when we were first at Argos. Future visitors will find this valuable collection much increased; and here in this important town it is advisable that there should be a local museum.
If we look at Dorian art, as contrasted with Ionian, there can be no doubt that the earliest centre was Corinth in the Peloponnesus, to which various discoveries in art are specially ascribed. In architecture, there were many leading ideas, such as the setting up of clay figures in the tympanum of their temples, and the use of panels or soffits, as they were called, in ceilings, which came first from Corinth. But when we descend to better-known times, there are three other Dorian states which quite eclipse Corinth, I suppose because the trading instinct, as is sometimes the case, crushed out or weakened her enthusiasm for art. These states are aegina, Sikyon, and Argos. Sikyon rose to greatness under the gentle and enlightened despotism of Orthagoras and his family, of whom it was noticed that they retained their sovereignty longer than any other dynasty of despots in Greece. aegina seems to have disputed the lead with Corinth as a commercial mart, from the days of Pheidon, whose coinage of money was always said to have been first practised at aegina.(170) The prominence of aegina in Pindar's Epinikian Odes shows not only how eagerly men practised athletics, and loved renown there, but how well able they were to pay for expensive monuments of their fame. Their position in the Persian war, among the bravest of the Greeks, corroborates the former part of my statement; the request of an Ionian Greek lady, captured in the train of Mardonius, to be transported to aegina, adds evidence for the second, as it shows that, to a person of this description, aegina was the field for a rich harvest, and we wonder how its reputation can have been greater in this respect than that of Corinth.(171) But, a short time after, the rise of the Athenian naval power crushed the greatness of aegina, and it sank into insignificance, and was absorbed into the Attic power.
Thus Sikyon and Argos remained, and it was precisely these two towns which produced a special school of art, of which Polycletus was the most distinguished representative. Dorian sculpture had originally started with figures of athletes, which were dedicated at the temples, and were a sort of collateral monument to the odes of poets-more durable, no doubt, in the minds of the offerers, but, as time has shown, perishable and gone, while the winged words of the poet have not lost even the first bloom of their freshness. However, in contrast to the flowing robes and delicately-chiselled features of the Ionic school, the Dorians reproduced the naked human figure with great accuracy; while in the face they adhered to a stiff simplicity, regardless of individual features, and still more regardless of any expression save that of a vacant smile. This type, found in its most perfect development in the aeginetan marbles, was what lay before Polycletus, when he rose to greatness. He was the contemporary and rival of Phidias, and is said to have defeated him in a compet.i.tion for the temple of Hera at Samos, where two or three of the greatest sculptors modelled a wounded Amazon, and Polycletus was adjudged the first place.
There is some probability that one of the Amazons now in the Vatican is a copy of this famous work; and, in spite of a clumsily-restored head and arms, we can see in this figure the great simplicity and truth of the artist in treating a rather ungrateful subject-that of a very powerful and muscular woman.
The Argive school, owing to its traditions, affected single figures much more than groups; and this, no doubt, was the main contrast between Polycletus and Phidias-that, however superior the Argive might be in a single figure, the genius of the Athenian was beyond all comparison in using sculpture for groups and processions as an adjunct to architecture.
But there was also in the sitting statue of Zeus, at Olympia, a certain majesty which seems not to have been equalled by any other known sculptor.
The Attic artist who appears, however, to have been much nearer to Polycletus in style was Myron, whose _Discobolus_ has reached us in some splendid copies, and who seems to have had all the Dorian taste for representing single athletic figures with more life and more daring action about them than was attempted by Polycletus.(172)
Herodotus notices somewhere that, at a certain period, the Argives were the most renowned in Greece for music. It is most unfortunate that our knowledge of this branch of Greek art is so fragmentary that we are wholly unable to tell in what the Argive proficiency consisted. We are never told that the Doric scale was there invented; but, very possibly, they may have taken the lead among their brethren in this direction also, for it is well known that the Spartans, though excellent judges, depended altogether upon foreigners to make music for them, and thought it not gentlemanly to do more than criticise.
The drive from Argos to Nauplia leads by Tiryns, then by a great marsh, which is most luxuriously covered with green and with various flowers, and then along a good road all the way into the important and stirring town of Nauplia. This place, which was one of the oldest settlements, as is proved by Pelasgic walls and tombs high up on the overhanging cliffs, was always through history known as the port of Argos, and is so still, though it rose under the Turks to the dignity of capital of the whole province of Greece. The citadel has at all times been considered almost impregnable.
The situation of the town is exceptionally beautiful, even for a Greek town; and the sunset behind the Arcadian mountains, seen from Nauplia, with the gulf in the foreground, is a view which no man can ever forget.
A coasting steamer, which goes right round all the Peloponnesus, took us up with a great company, which was hurrying to Athens for the elections, and carried us round the coast of Argolis, stopping at the several ports on the way. This method of seeing either Greece or Italy is highly to be commended, and it is a great pity that so many people adhere strictly to the quickest and most obvious route, so missing many of the really characteristic features in the country which they desire to study. Thus the Italian coasting steamers, which go up from Messina by Naples to Genoa, touch at many not insignificant places (such as Gaeta), which no ordinary tourist ever sees, and which are nevertheless among the most beautiful in all the country. The same may be said of the sail from Nauplia to Athens, which leads you to Spezza, Hydra, or Idra, as they now call it, to Poros and to aegina, all very curious and interesting places to visit.