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Rachel Ray Part 36

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"And who should write it, Mr. Comfort?"

"Let Rachel write it herself. Let her tell him that she is not prepared to correspond with him as yet, any further that is, you understand, than the writing of that letter."

"And about,--about,--about what he says as to loving her, you know?

There has been a sort of promise between them, Mr. Comfort, and no young man could have spoken more honestly than he did."

"And he meant honestly, no doubt; but you see, Mrs. Ray, it is necessary to be so careful in these matters! It is quite evident his mother doesn't wish this marriage."

"And he shouldn't have called her a goose; should he?"

"I don't think much about that."

"Don't you, now?"

"It was all meant in good-humour. But she thinks it a bad marriage for him as regards money, and money considerations always go so far, you know. And then he's away, and you've got no hold upon him."

"That's quite true, Mr. Comfort."

"He has quarrelled with the people here. And upon my word I'm inclined to think he has not behaved very well to Mr. Tappitt."

"Hasn't he, now?"

"I'm afraid not, Mrs. Ray. They were talking about him last night in Baslehurst, and I'm afraid he has behaved badly at the brewery. There were words between him and Mr. Tappitt,--very serious words."

"Yes; I know that. He told Rachel as much as that. I think he said he was going to law with Mr. Tappitt."

"And if so, the chances are that he may never be seen here again.

It's ill coming to a place where one is quarrelling with people. And as to the lawsuit, it seems to me, from what I hear, that he would certainly lose it. No doubt he has a considerable property in the brewery; but he wants to be master of everything, and that can't be reasonable, you know. And then, Mrs. Ray, there's worse than that behind."

"Worse than that!" said Mrs. Ray, in whose heart every gleam of comfort was quickly being extinguished by darkening shadows.

"They tell me that he has gone away without paying his debts. If that is so, it shows that his means cannot be very good." Then why had Mr.

Comfort taken upon himself expressly to say that they were good at that interview before Mrs. Tappitt's party? That was the thought in the widow's mind at the present moment. Mr. Comfort, however, went on with his caution. "And then, when the happiness of such a girl as Rachel is concerned, it is impossible to be too careful. Where should we all be if we found that we had given her to a scamp?"

"Oh dear, oh dear! I don't think he can be a scamp;--he did take his tea so nicely."

"I don't say he is;--I don't judge him. But then we should be careful. Why didn't he pay his debts before he went away? A young man should always pay his debts."

"Perhaps he's sent it down in a money-order," said Mrs. Ray. "They are so very convenient,--that is if you've got the money."

"If he hasn't I hope he will, for I can a.s.sure you I don't want to think badly of him. Maybe he will turn out all right. And you may be sure of this, Mrs. Ray, that if he is really attached to Rachel he won't give her up, because she doesn't throw herself into his arms at his first word. There's nothing becomes a young woman like a little caution, or makes a young man think more of her. If Rachel fancies that she likes him let her hold back a while and find out what sort of stuff he's made of. If I were her I should just tell him that I thought it better to wait a little before I made any positive engagement."

"But, Mr. Comfort, how is she to begin it? You see he calls her Dearest Rachel."

"Let her say Dear Mr. Rowan. There can't be any harm in that."

"She mustn't call him Luke, I suppose."

"I think she'd better not. Young men think so much of those things."

"And she's not to say 'Yours affectionately' at the end?"

"She'll understand all that when she comes to write the letter better than we can tell her. Give her my love; and tell her from me I'm quite sure she's a dear, good girl, and that it must be a great comfort to you to know that you can trust her so thoroughly." Then, having spoken these last words, Mr. Comfort took himself away.

Rachel, sitting in the window of Mrs. Sturt's large front kitchen on the other side of the green, could see Mr. Comfort come forth from the cottage and get into his low four-wheeled carriage, which, with his boy in livery, had been standing at the garden gate during the interview. Mrs. Sturt was away among the milk-pans, scalding cream or preparing b.u.t.ter, and did not watch either Rachel or the visitor at the cottage. But she knew with tolerable accuracy what was going on, and with all her heart wished that her young friend might have luck with her lover. Rachel waited for a minute or two till the little carriage was out of sight, till the sound of the wheels could be no longer heard, and then she prepared to move. She slowly got herself up from her chair as though she were afraid to show herself upon the green, and paused still a few moments longer before she left the kitchen.

"So, thou's off," said Mrs. Sturt, coming in from the back regions of her territory, with the sleeves of her gown tucked up, enveloped in a large roundabout ap.r.o.n which covered almost all her dress. Mrs. Sturt would no more have thought of doing her work in the front kitchen than I should think of doing mine in the drawing-room. "So thou's off home again, my la.s.s," said Mrs. Sturt.

"Yes, Mrs. Sturt. Mr. Comfort has been with mamma,--about business; and as I didn't want to be in the way I just came over to you."

"Thou art welcome, as flowers in May, morning or evening; but thee knowest that, girl. As for Mr. Comfort,--it's cold comfort he is, I always say. It's little I think of what clergymen says, unless it be out of the pulpit or the like of that. What does they know about lads and la.s.ses?"

"He's a very old friend of mamma's."

"Old friends is always best, I'll not deny that. But, look thee here, my girl; my man's an old friend too. He's know'd thee since he lifted thee in his arms to pull the plums off that bough yonder; and he's seen thee these ten years a deal oftener than Mr. Comfort. If they say anything wrong of thy joe there, tell me, and Sturt 'll find out whether it be true or no. Don't let ere a parson in Devonshire rob thee of thy sweetheart. It's pa.s.sing sweet, when true hearts meet.

But it breaks the heart, when true hearts part." With the salutary advice contained in these ancient local lines Mrs. Sturt put her arms round Rachel, and having kissed her, bade her go.

With slow step she made her way across the green, hardly daring to look to the door of the cottage. But there was no figure standing at the door; and let her have looked with all her eyes, there was nothing there to have told her anything. She walked very slowly, thinking as she went of Mrs. Sturt's words--"Don't let ere a parson in Devonshire rob thee of thy sweetheart." Was it not hard upon her that she should be subjected to the misery of such discussion, seeing that she had given no hope, either to her lover or to herself, till she had received full warranty for doing so? She would do what her mother should bid her, let it be what it might; but she would be wronged,--she felt that she would be wronged and injured, grievously injured, if her mother should now bid her think of Rowan as one thinks of those that are gone.

She entered the cottage slowly, and turning into the parlour, found her mother seated there on the old sofa, opposite to the fireplace.

She was seated there in stiff composure, waiting the work which she had to do. It was no customary place of hers, and she was a woman who, in the ordinary occupations of her life, never deserted her customary places. She had an old easy chair near the fireplace, and another smaller chair close to the window, and in one of these she might always be found, unless when, on special occasions like the present, some great thing had occurred to throw her out of the grooves of her life.

"Well, mamma?" said Rachel, coming in and standing before her mother.

Mrs. Ray, before she spoke, looked up into her child's face, and was afraid. "Well, mamma, what has Mr. Comfort said?"

Was it not hard for Mrs. Ray that at such a moment she should have had no sort of husband on whom to lean? Does the reader remember that in the opening words of this story Mrs. Ray was described as a woman who specially needed some standing-corner, some post, some strong prop to bear her weight,--some marital authority by which she might be guided? Such prop and such guiding she had never needed more sorely than she needed them now. She looked up into Rachel's face before she spoke, and was afraid. "He has been here, my dear," she said, "and has gone away."

"Yes, mamma, I knew that," said Rachel. "I saw his phaeton drive off; that's why I came over from Mrs. Sturt's."

Rachel's voice was hard, and there was no comfort in it. It was so hard that Mrs. Ray felt it to be unkind. No doubt Rachel suffered; but did not she suffer also? Would not she have given blood from her breast, like the maternal pelican, to have secured from that clerical counsellor a verdict that might have been comforting to her child?

Would she not have made any sacrifice of self for such a verdict, even though the effecting of it must have been that she herself would have been left alone and deserted in the world? Why, then, should Rachel be stern to her? If misery was to fall on both of them, it was not of her doing.

"I know you will think it's my fault, Rachel; but I cannot help it, even though you should say so. Of course I was obliged to ask some one; and who else was there that would be able to tell me so well as Mr. Comfort? You would not have liked it at all if I had gone to Dorothea; and as for Mr. p.r.o.ng--"

"Oh! mamma, mamma, don't! I haven't said anything. I haven't complained of Mr. Comfort. What has he said now? You forget that you have not told me."

"No, my dear, I don't forget; I wish I could. He says that Mr. Rowan has behaved badly to Mr. Tappitt, and that he hasn't paid his debts, and that the lawsuit will be sure to go against him, and that he will never show his face in Baslehurst again; and he says, too, that it would be very wrong for you to correspond with him,--very; because a young girl like you must be so careful about such things; and he says he'll be much more likely to respect you if you don't,--don't,--don't just throw yourself into his arms like. Those were his very words; and then he says that if he really cares for you, he'll be sure to come back again, and so you're to answer the letter, and you must call him Dear Mr. Rowan. Don't call him Luke, because young men think so much about those things. And you are to tell him that there isn't to be any engagement, or any letter-writing, or anything of that sort at all. But you can just say something friendly,--about hoping he's quite well, or something of that kind. And then when you come to the end, you had better sign yourself 'Yours truly.' It won't do to say anything about affection, because one never knows how it may turn out. And,--let me see; there was only one thing more. Mr. Comfort says that you are a good girl, and that he is sure you have done nothing wrong,--not even in a word or a thought; and I say so too.

You are my own beautiful child; and, Rachel,--I do so wish I could make it all right between you."

n.o.body can deny that Mrs. Ray had given, with very fair accuracy, an epitome of Mr. Comfort's words; but they did not leave upon Rachel's mind a very clear idea of what she was expected to do. "Go away in debt!" she said; "who says so?"

"Mr. Comfort told me so just now. But perhaps he'll send the money in a money-order, you know."

"I don't think he would go away in debt. And why should the lawsuit go against him if he's got right on his side? He does not wish to do any harm to Mr. Tappitt."

"I don't know about that, my dear; but at any rate they've quarrelled."

"But why shouldn't that be Mr. Tappitt's fault as much as his? And as for not showing his face in Baslehurst--! Oh, mamma! don't you know him well enough to be sure that he will never be ashamed of showing his face anywhere? He not show his face! Mamma, I don't believe a word of it all,--not a word."

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Rachel Ray Part 36 summary

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