Quo Vadis Part 4

But after a while a low and known voice was heard at the other side,--"A greeting, most beautiful of maidens on earth and of stars in heaven. A greeting to thee, divine Callina!"

Lygia, having recovered somewhat, looked up; at her side was Vinicius. He was without a toga, for convenience and custom had enjoined to cast aside the toga at feasts. His body was covered with only a sleeveless scarlet tunic embroidered in silver palms. His bare arms were ornamented in Eastern fashion with two broad golden bands fastened above the elbow; below they were carefully stripped of hair. They were smooth, but too muscular,--real arms of a soldier, they were made for the sword and the shield. On his head was a garland of roses. With brows joining above the nose, with splendid eyes and a dark complexion, he was the impersonation of youth and strength, as it were. To Lygia he seemed so beautiful that though her first amazement had pa.s.sed, she was barely able to answer,--"A greeting, Marcus."

"Happy," said he, "are my eyes, which see thee; happy my ears, which hear thy voice, dearer to me than the sound of lutes or citharas. Were it commanded me to choose who was to rest here by my side at this feast, thou, Lygia, or Venus, I would choose thee, divine one!"

And he looked at the maiden as if he wished to sate himself with the sight of her, to burn her eyes with his eyes. His glance slipped from her face to her neck and bare arms, fondled her shapely outlines, admired her, embraced her, devoured her; but besides desire, there was gleaming in him happiness, admiration, and ecstasy beyond limit.

"I knew that I should see thee in Caesar's house," continued he; "but still, when I saw thee, such delight shook my whole soul, as if a happiness entirely unexpected had met me."

Lygia, having recovered herself and feeling that in that throng and in that house he was the only being who was near to her, began to converse with him, and ask about everything which she did not understand and which filled her with fear. Whence did he know that he would find her in Caesar's house? Why is she there? Why did Caesar take her from Pomponia? She is full of fear where she is, and wishes to return to Pomponia. She would die from alarm and grief were it not for the hope that Petronius and he will intercede for her before Caesar.

Vinicius explained that he learned from Aulus himself that she had been taken. Why she is there, he knows not. Caesar gives account to no one of his orders and commands. But let her not fear. He, Vinicius, is near her and will stay near her. He would rather lose his eyes than not see her; he would rather lose his life than desert her. She is his soul, and hence he will guard her as his soul. In his house he will build to her, as to a divinity, an altar on which he will offer myrrh and aloes, and in spring saffron and apple-blossoms; and since she has a dread of Caesar's house, he promises that she shall not stay in it.

And though he spoke evasively and at times invented, truth was to be felt in his voice, because his feelings were real. Genuine pity possessed him, too, and her words went to his soul so thoroughly that when she began to thank him and a.s.sure him that Pomponia would love him for his goodness, and that she herself would be grateful to him all her life, he could not master his emotion, and it seemed to him that he would never be able in life to resist her prayer. The heart began to melt in him. Her beauty intoxicated his senses, and he desired her; but at the same time he felt that she was very dear to him, and that in truth he might do homage to her, as to a divinity; he felt also irresistible need of speaking of her beauty and of his own homage. As the noise at the feast increased, he drew nearer to her, whispered kind, sweet words flowing from the depth of his soul, words as resonant as music and intoxicating as wine.

And he intoxicated her. Amid those strange people he seemed to her ever nearer, ever dearer, altogether true, and devoted with his whole soul. He pacified her; he promised to rescue her from the house of Caesar; he promised not to desert her, and said that he would serve her. Besides, he had spoken before at Aulus's only in general about love and the happiness which it can give; but now he said directly that he loved her, and that she was dear and most precious to him. Lygia heard such words from a man's lips for the first time; and as she heard them it seemed to her that something was wakening in her as from a sleep, that some species of happiness was embracing her in which immense delight was mingled with immense alarm. Her cheeks began to burn, her heart to beat, her mouth opened as in wonder. She was seized with fear because she was listening to such things, still she did not wish for any cause on earth to lose one word. At moments she dropped her eyes; then again she raised her clear glance to Vinicius, timid and also inquiring, as if she wished to say to him, "Speak on!" The sound of the music, the odor of flowers and of Arabian perfumes, began to daze her. In Rome it was the custom to recline at banquets, but at home Lygia occupied a place between Pomponia and little Aulus. Now Vinicius was reclining near her, youthful, immense, in love, burning; and she, feeling the heat that issued from him, felt both delight and shame. A kind of sweet weakness, a kind of faintness and forgetfulness seized her; it was as if drowsiness tortured her.

But her nearness to him began to act on Vinicius also. His nostrils dilated, like those of an Eastern steed. The beating of his heart with unusual throb was evident under his scarlet tunic; his breathing grew short, and the expressions that fell from his lips were broken. For the first time, too, he was so near her. His thoughts grew disturbed; he felt a flame in his veins which he tried in vain to quench with wine. Not wine, but her marvellous face, her bare arms, her maiden breast heaving under the golden tunic, and her form hidden in the white folds of the peplus, intoxicated him more and more. Finally, he seized her arm above the wrist, as he had done once at Aulus's, and drawing her toward him whispered, with trembling lips,--"I love thee, Callina,-- divine one."

"Let me go, Marcus," said Lygia.

But he continued, his eyes mist-covered, "Love me, my G.o.ddess!"

But at that moment was heard the voice of Acte, who was reclining on the other side of Lygia.

"Caesar is looking at you both."

Vinicius was carried away by sudden anger at Caesar and at Acte. Her words had broken the charm of his intoxication. To the young man even a friendly voice would have seemed repulsive at such a moment, but he judged that Acte wished purposely to interrupt his conversation with Lygia. So, raising his head and looking over the shoulder of Lygia at the young freedwoman, he said with malice: "The hour has pa.s.sed, Acte, when thou didst recline near Caesar's side at banquets, and they say that blindness is threatening thee; how then canst thou see him?"

But she answered as if in sadness: "Still I see him. He, too, has short sight, and is looking at thee through an emerald."

Everything that Nero did roused attention, even in those nearest him; hence Vinicius was alarmed. He regained self-control, and began imperceptibly to look toward Caesar. Lygia, who, embarra.s.sed at the beginning of the banquet, had seen Nero as in a mist, and afterward, occupied by the presence and conversation of Vinicius, had not looked at him at all, turned to him eyes at once curious and terrified.

Acte spoke truly. Caesar had bent over the table, half-closed one eye, and holding before the other a round polished emerald, which he used, was looking at them. For a moment his glance met Lygia's eyes, and the heart of the maiden was straitened with terror. When still a child on Aulus's Sicilian estate, an old Egyptian slave had told her of dragons which occupied dens in the mountains, and it seemed to her now that all at once the greenish eye of such a monster was gazing at her. She caught at Vinicius's hand as a frightened child would, and disconnected, quick impressions pressed into her head: Was not that he, the terrible, the all-powerful? She had not seen him hitherto, and she thought that he looked differently. She had imagined some kind of ghastly face, with malignity petrified in its features; now she saw a great head, fixed on a thick neck, terrible, it is true, but almost ridiculous, for from a distance it resembled the head of a child. A tunic of amethyst color, forbidden to ordinary mortals, cast a bluish tinge on his broad and short face. He had dark hair, dressed, in the fashion introduced by Otho, in four curls.

He had no beard, because he had sacrified it recently to Jove,--for which all Rome gave him thanks, though people whispered to each other that he had sacrificed it because his beard, like that of his whole family, was red. In his forehead, projecting strongly above his brows, there remained something Olympian. In his contracted brows the consciousness of supreme power was evident; but under that forehead of a demiG.o.d was the face of a monkey, a drunkard, and a comedian,--vain, full of changing desires, swollen with fat, notwithstanding his youth; besides, it was sickly and foul. To Lygia he seemed ominous, but above all repulsive.

After a while he laid down the emerald and ceased to look at her. Then she saw his prominent blue eyes, blinking before the excess of light, gla.s.sy, without thought, resembling the eyes of the dead.

"Is that the hostage with whom Vinicius is in love?" asked he, turning to Petronius.

"That is she," answered Petronius.

"What are her people called?"

"The Lygians."

"Does Vinicius think her beautiful?"

"Array a rotten olive trunk in the peplus of a woman, and Vinicius will declare it beautiful. But on thy countenance, incomparable judge, I read her sentence already. Thou hast no need to p.r.o.nounce it! The sentence is true: she is too dry, thin, a mere blossom on a slender stalk; and thou, O divine aesthete, esteemest the stalk in a woman. Thrice and four times art thou right! The face alone does not signify. I have learned much in thy company, but even now I have not a perfect cast of the eye. But I am ready to lay a wager with Tullius Senecio concerning his mistress, that, although at a feast, when all are reclining, it is difficult to judge the whole form, thou hast said in thy mind already, 'Too narrow in the hips.'"

"Too narrow in the hips," answered Nero, blinking.

On Petronius's lips appeared a scarcely perceptible smile; but Tullius Senecio, who till that moment was occupied in conversing with Vestinius, or rather in reviling dreams, while Vestinius believed in them, turned to Petronius, and though he had not the least idea touching that of which they were talking, he said,--"Thou art mistaken! I hold with Caesar."

"Very well," answered Petronius. "I have just maintained that thou hast a glimmer of understanding, but Caesar insists that thou art an a.s.s pure and simple."

"Habet!" said Caesar, laughing, and turning down the thumb, as was done in the Circus, in sign that the gladiator had received a blow and was to be finished.

But Vestinius, thinking that the question was of dreams, exclaimed,-- "But I believe in dreams, and Seneca told me on a time that he believes too."

"Last night I dreamt that I had become a vestal virgin," said Calvia Crispinilla, bending over the table.

At this Nero clapped his hands, other followed, and in a moment clapping of hands was heard all around,--for Crispinilla had been divorced a number of times, and was known throughout Rome for her fabulous debauchery.

But she, not disconcerted in the least, said,--"Well! They are all old and ugly. Rubria alone has a human semblance, and so there would be two of us, though Rubria gets freckles in summer."

"But admit, purest Calvia," said Petronius, "that thou couldst become a vestal only in dreams."

"But if Caesar commanded?"

"I should believe that even the most impossible dreams might come true."

"But they do come true," said Vestinius. "I understand those who do not believe in the G.o.ds, but how is it possible not to believe in dreams?"

"But predictions?" inquired Nero. "It was predicted once to me, that Rome would cease to exist, and that I should rule the whole Orient."

"Predictions and dreams are connected," said Vestinius. "Once a certain proconsul, a great disbeliever, sent a slave to the temple of Mopsus with a sealed letter which he would not let any one open; he did this to try if the G.o.d could answer the question contained in the letter. The slave slept a night in the temple to have a prophetic dream; he returned then and said: 'I saw a youth in my dreams; he was as bright as the sun, and spoke only one word, "Black."' The proconsul, when he heard this, grew pale, and turning to his guests, disbelievers like himself, said: 'Do ye know what was in the letter?'" Here Vestinius stopped, and, raising his goblet with wine, began to drink.

"What was in the letter?" asked Senecio.

"In the letter was the question: 'What is the color of the bull which I am to sacrifice: white or black?'"

But the interest roused by the narrative was interrupted by Vitelius, who, drunk when he came to the feast, burst forth on a sudden and without cause in senseless laughter.

"What is that keg of tallow laughing at?" asked Nero.

"Laughter distinguishes men from animals," said Petronius, "and he has no other proof that he is not a wild boar."

Vitelius stopped half-way in his laughter, and smacking his lips, shining from fat and sauces, looked at those present with as much astonishment as if he had never seen them before; then he raised his two hands, which were like cushions, and said in a hoa.r.s.e voice,--"The ring of a knight has fallen from my finger, and it was inherited from my father."

"Who was a tailor," added Nero.

But Vitelius burst forth again in unexpected laughter, and began to search for his ring in the peplus of Calvia Crispinilla.

Hereupon Vestinius fell to imitating the cries of a frightened woman. Nigidia, a friend of Calvia,--a young widow with the face of a child and the eyes of a wanton,--said aloud,--"He is seeking what he has not lost."

"And which will be useless to him if he finds it," finished the poet Lucan.

The feast grew more animated. Crowds of slaves bore around successive courses; from great vases filled with snow and garlanded with ivy, smaller vessels with various kinds of wine were brought forth unceasingly. All drank freely. On the guests, roses fell from the ceiling at intervals.

Petronius entreated Nero to dignify the feast with his song before the guests drank too deeply. A chorus of voices supported his words, but Nero refused at first. It was not a question of courage alone, he said, though that failed him always. The G.o.ds knew what efforts every success cost him. He did not avoid them, however, for it was needful to do something for art; and besides, if Apollo had gifted him with a certain voice, it was not proper to let divine gifts be wasted. He understood, even, that it was his duty to the State not to let them be wasted. But that day he was really hoa.r.s.e. In the night he had placed leaden weights on his chest, but that had not helped in any way. He was thinking even to go to Antium, to breathe the sea air.

Lucan implored him in the name of art and humanity. All knew that the divine poet and singer had composed a new hymn to Venus, compared with which Lucretius's hymn was as the howl of a yearling wolf. Let that feast be a genuine feast. So kind a ruler should not cause such tortures to his subjects. "Be not cruel, O Caesar!"

"Be not cruel!" repeated all who were sitting near.

Nero spread his hands in sign that he had to yield. All faces a.s.sumed then an expression of grat.i.tude, and all eyes were turned to him; but he gave command first to announce to Poppaea that he would sing; he informed those present that she had not come to the feast, because she did not feel in good health; but since no medicine gave her such relief as his singing, he would be sorry to deprive her of this opportunity.

In fact, Poppaea came soon. Hitherto she had ruled Nero as if he had been her subject, but she knew that when his vanity as a singer, a charioteer, or a poet was involved, there was danger in provoking it. She came in therefore, beautiful as a divinity, arrayed, like Nero, in robes of amethyst color, and wearing a necklace of immense pearls, stolen on a time from Ma.s.sinissa; she was golden-haired, sweet, and though divorced from two husbands she had the face and the look of a virgin.

She was greeted with shouts, and the appellation "Divine Augusta." Lygia had never seen any one so beautiful, and she could not believe her own eyes, for she knew that Poppaea Sabina was one of the vilest women on earth. She knew from Pomponia that she had brought Caesar to murder his mother and his wife; she knew her from accounts given by Aulus's guests and the servants; she had heard that statues to her had been thrown down at night in the city; she had heard of inscriptions, the writers of which had been condemned to severest punishment, but which still appeared on the city walls every morning. Yet at sight of the notorious Poppaea, considered by the confessors of Christ as crime and evil incarnate, it seemed to her that angels or spirits of heaven might look like her. She was unable simply to take her eyes from Poppaea; and from her lips was wrested involuntarily the question,--"Ah, Marcus, can it be possible?"

But he, roused by wine, and as it were impatient that so many things had scattered her attention, and taken her from him and his words, said,-- "Yes, she is beautiful, but thou art a hundred times more beautiful. Thou dost not know thyself, or thou wouldst be in love with thyself, as Narcissus was; she bathes in a.s.ses' milk, but Venus bathed thee in her own milk. Thou dost not know thyself, Ocelle mi! Look not at her. Turn thy eyes to me, Ocelle mi! Touch this goblet of wine with thy lips, and I will put mine on the same place."

And he pushed up nearer and nearer, and she began to withdraw toward Acte. But at that moment silence was enjoined because Caesar had risen. The singer Diodorus had given him a lute of the kind called delta; another singer named Terpnos, who had to accompany him in playing, approached with an instrument called the nablium. Nero, resting the delta on the table, raised his eyes; and for a moment silence reigned in the triclinium, broken only by a rustle, as roses fell from the ceiling.

Then he began to chant, or rather to declaim, singingly and rhythmically, to the accompaniment of the two lutes, his own hymn to Venus. Neither the voice, though somewhat injured, nor the verses were bad, so that reproaches of conscience took possession of Lygia again; for the hymn, though glorifying the impure pagan Venus, seemed to her more than beautiful, and Caesar himself, with a laurel crown on his head and uplifted eyes, n.o.bler, much less terrible, and less repulsive than at the beginning of the feast.

The guests answered with a thunder of applause. Cries of, "Oh, heavenly voice!" were heard round about; some of the women raised their hands, and held them thus, as a sign of delight, even after the end of the hymn; others wiped their tearful eyes; the whole hall was seething as in a beehive. Poppaea, bending her golden-haired head, raised Nero's hand to her lips, and held it long in silence. Pythagoras, a young Greek of marvellous beauty,--the same to whom later the half-insane Nero commanded the flamens to marry him, with the observance of all rites,-- knelt now at his feet.

But Nero looked carefully at Petronius, whose praises were desired by him always before every other, and who said,--"If it is a question of music, Orpheus must at this moment be as yellow from envy as Lucan, who is here present; and as to the verses, I am sorry that they are not worse; if they were I might find proper words to praise them."

Lucan did not take the mention of envy evil of him; on the contrary, he looked at Petronius with grat.i.tude, and, affecting ill-humor, began to murmur,--"Cursed fate, which commanded me to live contemporary with such a poet. One might have a place in the memory of man, and on Parna.s.sus; but now one will quench, as a candle in sunlight."

Petronius, who had an amazing memory, began to repeat extracts from the hymn and cite single verses, exalt, and a.n.a.lyze the more beautiful expressions. Lucan, forgetting as it were his envy before the charm of the poetry, joined his ecstasy to Petronius's words. On Nero's face were reflected delight and fathomless vanity, not only nearing stupidity, but reaching it perfectly. He indicated to them verses which he considered the most beautiful; and finally he began to comfort Lucan, and tell him not to lose heart, for though whatever a man is born that he is, the honor which people give Jove does not exclude respect for other divinities.

Then he rose to conduct Poppaea, who, being really in ill health, wished to withdraw. But he commanded the guests who remained to occupy their places anew, and promised to return, In fact, he returned a little later, to stupefy himself with the smoke of incense, and gaze at further spectacles which he himself, Petronius, or Tigellinus had prepared for the feast.

Again verses were read or dialogues listened to in which extravagance took the place of wit. After that Paris, the celebrated mime, represented the adventures of Io, the daughter of Inachus. To the guests, and especially to Lygia, unaccustomed to such scenes, it seemed that they were gazing at miracles and enchantment. Paris, with motions of his hands and body, was able to express things apparently impossible in a dance. His hands dimmed the air, creating a cloud, bright, living, quivering, voluptuous, surrounding the half-fainting form of a maiden shaken by a spasm of delight. That was a picture, not a dance; an expressive picture, disclosing the secrets of love, bewitching and shameless; and when at the end of it Corybantes rushed in and began a bacchic dance with girls of Syria to the sounds of cithara, lutes, drums, and cymbals,--a dance filled with wild shouts and still wilder license,--it seemed to Lygia that living fire was burning her, and that a thunderbolt ought to strike that house, or the ceiling fall on the heads of those feasting there.

But from the golden net fastened to the ceiling only roses fell, and the now half-drunken Vinicius said to her,--"I saw thee in the house of Aulus, at the fountain. It was daylight, and thou didst think that no one saw thee; but I saw thee. And I see thee thus yet, though that peplus hides thee. Cast aside the peplus, like Crispinilla. See, G.o.ds and men seek love. There is nothing in the world but love. Lay thy head on my breast and close thy eyes."

The pulse beat oppressively in Lygia's hands and temples. A feeling seized her that she was flying into some abyss, and that Vinicius, who before had seemed so near and so trustworthy, instead of saving was drawing her toward it. And she felt sorry for him. She began again to dread the feast and him and herself. Some voice, like that of Pomponia, was calling yet in her soul, "O Lygia, save thyself!" But something told her also that it was too late; that the one whom such a flame had embraced as that which had embraced her, the one who had seen what was done at that feast and whose heart had beaten as hers had on hearing the words of Vinicius, the one through whom such a shiver had pa.s.sed as had pa.s.sed through her when he approached, was lost beyond recovery. She grew weak. It seemed at moments to her that she would faint, and then something terrible would happen. She knew that, under penalty of Caesar's anger, it was not permitted any one to rise till Caesar rose; but even were that not the case, she had not strength now to rise.

Meanwhile it was far to the end of the feast yet. Slaves brought new courses, and filled the goblets unceasingly with wine; before the table, on a platform open at one side, appeared two athletes to give the guests a spectacle of wrestling.

They began the struggle at once, and the powerful bodies, shining from olive oil, formed one ma.s.s; bones cracked in their iron arms, and from their set jaws came an ominous gritting of teeth. At moments was heard the quick, dull thump of their feet on the platform strewn with saffron; again they were motionless, silent, and it seemed to the spectators that they had before them a group chiselled out of stone. Roman eyes followed with delight the movement of tremendously exerted backs, thighs, and arms. But the struggle was not too prolonged; for Croton, a master, and the founder of a school of gladiators, did not pa.s.s in vain for the strongest man in the empire. His opponent began to breathe more and more quickly: next a rattle was heard in his throat; then his face grew blue; finally he threw blood from his mouth and fell.

A thunder of applause greeted the end of the struggle, and Croton, resting his foot on the breast of his opponent, crossed his gigantic arms on his breast, and cast the eyes of a victor around the hall.

Next appeared men who mimicked beasts and their voices, ball-players and buffoons. Only a few persons looked at them, however, since wine had darkened the eyes of the audience. The feast pa.s.sed by degrees into a drunken revel and a dissolute orgy. The Syrian damsels, who appeared at first in the bacchic dance, mingled now with the guests. The music changed into a disordered and wild outburst of citharas, lutes, Armenian cymbals, Egyptian sistra, trumpets, and horns. As some of the guests wished to talk, they shouted at the musicians to disappear. The air, filled with the odor of flowers and the perfume of oils with which beautiful boys had sprinkled the feet of the guests during the feast, permeated with saffron and the exhalations of people, became stifling; lamps burned with a dim flame; the wreaths dropped sidewise on the heads of guests; faces grew pale and were covered with sweat. Vitelius rolled under the table. Nigidia, stripping herself to the waist, dropped her drunken childlike head on the breast of Lucan, who, drunk in like degree, fell to blowing the golden powder from her hair, and raising his eyes with immense delight. Vestinius, with the stubbornness of intoxication, repeated for the tenth time the answer of Mopsus to the sealed letter of the proconsul. Tullius, who reviled the G.o.ds, said, with a drawling voice broken by hiccoughs,--"If the spheros of Xenophanes is round, then consider, such a G.o.d might be pushed along before one with the foot, like a barrel."

But Domitius Afer, a hardened criminal and informer, was indignant at the discourse, and through indignation spilled Falernian over his whole tunic. He had always believed in the G.o.ds. People say that Rome will perish, and there are some even who contend that it is perishing already. And surely! But if that should come, it is because the youth are without faith, and without faith there can be no virtue. People have abandoned also the strict habits of former days, and it never occurs to them that Epicureans will not stand against barbarians. As for him, he--As for him, he was sorry that he had lived to such times, and that he must seek in pleasures a refuge against griefs which, if not met, would soon kill him.

When he had said this, he drew toward him a Syrian dancer, and kissed her neck and shoulders with his toothless mouth. Seeing this, the consul Memmius Regulus laughed, and, raising his bald head with wreath awry, exclaimed,--"Who says that Rome is perishing? What folly! I, a consul, know better. Videant consules! Thirty legions are guarding our pax romana!"

Here he put his fists to his temples and shouted, in a voice heard throughout the triclinium,--"Thirty legions! thirty legions! from Britain to the Parthian boundaries!" But he stopped on a sudden, and, putting a finger to his forehead, said,--"As I live, I think there are thirty-two." He rolled under the table, and began soon to send forth flamingo tongues, roast and chilled mushrooms, locusts in honey, fish, meat, and everything which he had eaten or drunk.

But the number of the legions guarding Roman peace did not pacify Domitius.

No, no! Rome must perish; for faith in the G.o.ds was lost, and so were strict habits! Rome must perish; and it was a pity, for still life was pleasant there. Caesar was gracious, wine was good! Oh, what a pity!

And hiding his head on the arm of a Syrian baccha.n.a.l, he burst into tears. "What is a future life! Achilles was right,--better be a slave in the world beneath the sun than a king in Cimmerian regions. And still the question whether there are any G.o.ds--since it is unbelief--is destroying the youth."

Lucan meanwhile had blown all the gold powder from Nigidia's hair, and she being drunk had fallen asleep. Next he took wreaths of ivy from the vase before him, put them on the sleeping woman, and when he had finished looked at those present with a delighted and inquiring glance. He arrayed himself in ivy too, repeating, in a voice of deep conviction, "I am not a man at all, but a faun."

Petronius was not drunk; but Nero, who drank little at first, out of regard for his "heavenly" voice, emptied goblet after goblet toward the end, and was drunk. He wanted even to sing more of his verses,--this time in Greek,--but he had forgotten them, and by mistake sang an ode of Anacreon. Pythagoras, Diodorus, and Terpnos accompanied him; but failing to keep time, they stopped. Nero as a judge and an aesthete was enchanted with the beauty of Pythagoras, and fell to kissing his hands in ecstasy. "Such beautiful hands I have seen only once, and whose were they?" Then placing his palm on his moist forehead, he tried to remember. After a while terror was reflected on his face.

Ah! His mother's--Agrippina's!

And a gloomy vision seized him forthwith.

"They say," said he, "that she wanders by moonlight on the sea around Baiae and Bauli. She merely walks,--walks as if seeking for something. When she comes near a boat, she looks at it and goes away; but the fisherman on whom she has fixed her eye dies."

"Not a bad theme," said Petronius.

But Vestinius, stretching his neck like a stork, whispered mysteriously,--"I do not believe in the G.o.ds; but I believe in spirits --Oi!"

Nero paid no attention to their words, and continued,--"I celebrated the Lemuria, and have no wish to see her. This is the fifth year--I had to condemn her, for she sent a.s.sa.s.sins against me; and, had I not been quicker than she, ye would not be listening to-night to my song."

"Thanks be to Caesar, in the name of the city and the world!" cried Domitius Afer.

"Wine! and let them strike the tympans!"

The uproar began anew. Lucan, all in ivy, wishing to outshout him, rose and cried,--"I am not a man, but a faun; and I dwell in the forest. Eho-o-o-oo!" Caesar drank himself drunk at last; men were drunk, and women were drunk. Vinicius was not less drunk than others; and in addition there was roused in him, besides desire, a wish to quarrel, which happened always when he pa.s.sed the measure. His dark face became paler, and his tongue stuttered when he spoke, in a voice now loud and commanding,--"Give me thy lips! To-day, to-morrow, it is all one! Enough of this!

"Caesar took thee from Aulus to give thee to me, dost understand? To-morrow, about dusk, I will send for thee, dost understand? Caesar promised thee to me before he took thee. Thou must be mine! Give me thy lips! I will not wait for to-morrow,--give thy lips quickly."

And he moved to embrace her; but Acte began to defend her, and she defended herself with the remnant of her strength, for she felt that she was perishing. But in vain did she struggle with both hands to remove his hairless arm; in vain, with a voice in which terror and grief were quivering, did she implore him not to be what he was, and to have pity on her. Sated with wine, his breath blew around her nearer and nearer, and his face was there near her face. He was no longer the former kind Vinicius, almost dear to her soul; he was a drunken, wicked satyr, who filled her with repulsion and terror. But her strength deserted her more and more. In vain did she bend and turn away her face to escape his kisses. He rose to his feet, caught her in both arms, and drawing her head to his breast, began, panting, to press her pale lips with his.

But at this instant a tremendous power removed his arms from her neck with as much ease as if they had been the arms of a child, and pushed him aside, like a dried limb or a withered leaf. What had happened? Vinicius rubbed his astonished eyes, and saw before him the gigantic figure of the Lygian, called Ursus, whom he had seen at the house of Aulus.

Ursus stood calmly, but looked at Vinicius so strangely with his blue eyes that the blood stiffened in the veins of the young man; then the giant took his queen on his arm, and walked out of the triclinium with an even, quiet step.

Acte in that moment went after him.

Vinicius sat for the twinkle of an eye as if petrified; then he sprang up and ran toward the entrance crying,--"Lygia! Lygia!"

But desire, astonishment, rage, and wine cut the legs from under him. He staggered once and a second time, seized the naked arm of one of the baccha.n.a.ls, and began to inquire, with blinking eyes, what had happened. She, taking a goblet of wine, gave it to him with a smile in her mist-covered eyes.

"Drink!" said she.

Vinicius drank, and fell to the floor.

The greater number of the guests were lying under the table; others were walking with tottering tread through the triclinium, while others were sleeping on couches at the table, snoring, or giving forth the excess of wine. Meanwhile, from the golden network, roses were dropping and dropping on those drunken consuls and senators, on those drunken knights, philosophers, and poets, on those drunken dancing damsels and patrician ladies, on that society all dominant as yet but with the soul gone from it, on that society garlanded and ungirdled but perishing.

Dawn had begun out of doors.