Protector. Part 31

Dan turned around and carefully moved away from the air vent so Jane couldn't hear him. "Whatcha doin' there, honey?" Dan lifted Emily into the attic.

"I don't want Mom to know I'm up here," Emily said confidentially. "But since you like stars, I brought my Starlight Starbright for you to see. It's dark enough up here for it to work."

Dan continued to mark the sections of pipe as Emily opened the case. The pack of photographs of her parents fell out and onto the floor. "Dan?" Emily whispered. "Could you shine the flashlight over here?" Dan obliged and Emily retrieved the packet. "Thanks. I can't lose these."

"What is it?" Dan asked, returning to his work.

"Pictures . . ." Emily said, her voice trailing off, "of happy days." She flicked on the projector and the entire attic area was illuminated with a million pinpoint stars.

Dan looked around at the impressive spectacle. "Ain't that cool!"

Emily opened the packet of photographs and flipped through the pictures. Dan stole a glance back at Emily. "Happy days, huh?" Dan said sadly.

"You wanna see a picture of my best friend?"

"Sure."

Emily got up and handed Dan a photo of Emily and A.J. sitting cheek to cheek on a picnic blanket. "That's a good picture of you! You oughta put that one in a frame and keep it where you can see it every day."

"No. That would make me sad."

"How come?"

"I don't get to see A.J. anymore. She moved away and then we had to move away." The projected stars inched slowly around the room, covering Dan and Emily's bodies. The hypnotic strains of "Nessun Dorma" played softly in the semi-darkness. Emily turned to the next photograph. It was a picture of her father, looking glum and clutching a beer. The projector cast a pinpoint beam of light onto the photograph that instantly transfixed Emily.

Dan looked over and saw the photograph. "Who's that?"

"My dad," Emily said quietly, almost trancelike.

"He doesn't look too happy in that picture."

"He's not. He's angry. He's always angry." Emily slipped further into a daze.

"Why is he angry?" Dan said in a whisper.

"He drinks too much. He makes bad decisions. That's what Mom always says. That's why we went on that camping trip to Moab. And then they fight and it gets so loud that I hide in my closet and close the door and ask G.o.d to make them stop yelling." Emily fell deeper into the memory. "I hide in my closet with the big pillows . . . and it gets louder and louder . . . And then . . ." Emily looked up from the photo, her eyes far away. "There's a loud scream." Emily's eyes widened as the sound of a blood-curdling scream wailed through her head. The photo packet hit the floor. Dan gently touched Emily's shoulder. She jumped in fear, letting out a slight yelp. "Oh, no," she said, realizing she'd s.p.a.ced out.

"Patty?" Jane said, climbing the ladder.

Emily turned to the sound of Jane's voice with a panicked look on her face. "Oh, gosh. She didn't want me to say anything-" She quickly collected the photo packet.

"Patty?" Jane poked her head through the square opening and saw the projector's illumined display of constellations. "What's going on up here?"

Dan thought fast. "Patty was showin' me her projection toy."

"Okay," she said tentatively, squinting through the filtered darkness, "why don't you turn off the projector and let Dan finish his job." Emily quickly repacked the projector and, with her back turned to Jane, tossed the photo packet back into the case.

Ninety minutes later, Dan emerged from the attic and walked into the kitchen. Jane stood at the sink, washing dishes. "You all done?" she asked.

"Yes, Mrs. Calver," he answered, his tone almost solemn.

"Please, call me Anne."

Dan moved pensively to the sliding gla.s.s door that led out into the backyard. Outside, Emily lay on her back in the gra.s.s, obviously in deep thought. Dan stared at Emily, keeping his back to Jane as he spoke. "She's a real special little girl, Anne."

Jane turned to face Dan. Something felt out of place. "Excuse me?"

"Patty," Dan said, still with his back to Jane. "She's real special." Jane automatically drew her hand to her f.a.n.n.y pack and then realized she'd left it in the bedroom. Her body stiffened as she visually searched the kitchen for a weapon. Spying a large knife on the kitchen counter, she quietly moved toward it. "It must be very difficult for her to live a lie."

Jane cupped her palm around the knife handle. "What are you talking about?"

"I know your secret." Dan never turned away from the gla.s.s door.

Jane slipped the knife off the counter and held it close to her side. "What makes you think I have a secret?"

"It's several things. You're real nervous about Patty being out of your sight. And then, Patty basically spilled the beans about her dad and the drinking and the fighting and how she had to hide in her closet. She told me how she had to leave her house and her friends. But the thing that puts it all together is the fact that you've got a gun in your f.a.n.n.y pack and you're carrying around police reports . . ." Jane's head was spinning. Her first thought was Emily's safety. Her second thought was figuring out how she could duck and take cover when Dan turned on her. She would knife him in the belly and grab Emily. If this was the showdown, she was going to prove her mettle. "You've got air vents up in that attic and one of them is right above your bedroom," Dan continued. "I wasn't spying on you. I dropped my pen and looked down and that's when I saw the police report and your pistol. After what Patty told me, all the puzzle pieces fit." Dan turned to face Jane. The kitchen counter obscured his view of the knife. "There's no dead rodeo cowboy. Isn't that right?" Jane stood motionless, saying nothing as she stared at Dan. He took a step forward toward Jane. "Isn't that right?"

Jane felt her blood boil but she maintained composure. "What do you want?" she said in a staccato manner.

"I want to make sure that you and your daughter are safe."

Jane had to replay his words several times in her head. "My daughter?"

"She's obviously traumatized by what's happened. Who can blame her? You gotta be going through a lot yourself. Being on the run from an abusive husband has gotta turn you inside out. I know it was hard for you to leave like you did with whatever you could throw in a suitcase. But trust me, you did the right thing."

Jane loosened up a bit. She nonchalantly slid the knife onto a lower shelf. "Well, thank you, Dan. I appreciate your kind words and concern-"

"I'm not just spoutin' words. I mean it when I say I want to help you."

"Look, Dan, that's very kind of you, but we don't need your help-"

"What's gonna happen if your husband shows up? Maybe he'll be drunk or ragin' out of his mind. What are you gonna do then? Have you ever fired a gun? I don't mean to be disrespectful, ma'am, but your daughter has some real painful memories that she can hardly get out. She's holdin' a lot of fear inside. Whatever she witnessed between you and your husband has affected her deeply. I can only imagine what that SOB did to you. I didn't exactly miss the fact that the two of you showed up in town wearin' bandages. So don't try to tell me he didn't hurt you."

Jane shifted gears. "Okay, you're right. Patty and I have been through a bad time. We came to Peachville to decompress. But my husband is not going to find us-"

"Jane Perry is your real name." Jane froze in disbelief. "I saw it on that police report. The first rule when you're on the run from an abusive husband is to change your name so he can't track you down. I don't need to know your daughter's real name. It'd probably be less confusing for her if I didn't know. But, if your husband is the least bit intelligent-and most of these fellas are in a real sick way-he's gonna figure out where you and she are hidin'. I'm not takin' 'no' for an answer." Dan took several steps toward Jane. "I'm gonna protect you."

Jane couldn't believe what she was hearing. "Dan, I-"

"I'm gonna drive by during the day and if I see anything out of place, I'll check it out. I'll drive by on my way home and first thing in the morning. If things get dicey and you need anything, you call me on my cell and I'll be here in the blink of an eye."

Jane needed to put a stop to this. "Dan, please-"

"Don't worry about your situation gettin' around town. This is just between us. You know, I think we should have some sort of code-something that will alert me if you sense you're in danger. How about this: you could flick on the porch light and the light over the garage together. That'll be our 'trouble' signal-"

"Dan! Listen to me!" She decided to let down her guard part way. "You have to trust me when I say this. I cannot have you involved in my situation with Patty. It's extremely complicated. Thank you for keeping this whole mess quiet. But I simply can't risk getting you involved."

Dan hung his head, more in thought than rejection. "You've gotta cover yourself for your own safety. Talk to Sheriff George and let him know what's going on-"

"No! And don't you dare do that on my behalf!"

"Jane, he could help you!"

"Oh, Christ!" Jane's patience was wearing thin. "There are a lot of details that I can't go into with you! But, trust me, I cannot get anyone in law enforcement involved! Do you understand what I'm saying?"

Dan considered Jane's words. "Your husband's a cop, isn't he? That's why you don't want law enforcement involved. They could tip him off to your location."

Jane needed to think carefully before answering. "Yes. My husband's a cop."

"Oh, Lord," Dan said as if the weight of the world were resting on his shoulders. "You sure got a full plate of trouble."

"You have no idea," Jane replied honestly.

"Okay," Dan said after some thought. "We keep Sheriff George out of this. But I'm still gonna watch out for you and Patty." He grabbed his toolbox.

Jane realized it was useless to argue. "What do I owe you for fixing the pipe?"

"Nothin'. It's on me."

"Dan, I have money."

"I don't want your money-" Dan opened the sliding gla.s.s door and yelled out to Emily. "I'm leavin', sweetheart! I'll be checkin' up on you and your momma!"

Emily turned and waved. "See ya around, Dan!"

Jane headed to her wallet. "I'm serious. How much?"

"Two dances at the Peach Pit Days Carnival," Dan replied without missing a beat. "It's two weeks from this Sat.u.r.day in the park across the street. There's line dancin' and two-steppin'. It's a real fun time. Maybe it'll take your mind off your troubles for a little bit."

"Two dances, eh?" Jane said, not sure what to think. "Okay, it's a deal."

"I'll drive by on my way home tonight, just in case. You take care." Dan lugged his toolbox off the counter and started out the front door. He stopped and checked the lock on the doork.n.o.b. "You keep this door locked, you hear?" he hollered at Jane.

Jane let out a long sigh. "I will!" she yelled back.

"And the garage and porch light on for trouble!" Dan no sooner closed the door behind him when Jane's beeper vibrated against her waist. Jumping to attention, she grabbed it and pushed the play b.u.t.ton. After a crack of static, she heard Weyler's voice.

"Jane. Call me as soon as you can get to a phone. We may have a problem."

Chapter 20.

Jane grabbed her car keys and f.a.n.n.y pack with pistol safely ensconced in it, beckoned Emily to come inside and together they took off in the Subaru in search of a public telephone. Emily reminded her of the one located outside The Apple Cart. But being conspicuously seen talking on the phone was not something Jane wanted right now. She wound around to the main, two-lane highway that looped around the west side of town and headed south. Jane recalled seeing a liquor store about one mile south of town along the mesa. There had to be a public phone there. Sure enough, The Pit Stop liquor store was just over the crest of the mesa. And, thankfully, outside the front doors was a public telephone. "Stay here," Jane ordered Emily. "I won't be long."

Jane crossed the small parking lot and grabbed the phone. Only then did she realize that her hands were slightly shaking. Nervously, she plunked in the quarters and dialed Weyler's private office number. It only rang once before Weyler picked up.

"Weyler here!"

"Boss! It's me," Jane's voice was slightly shaky. "I got your message. What's up?"

"Hold on a second," Weyler said, cupping his hand over the receiver. Even though it was muted, Jane could hear every word. "Look, we're gonna work this out. I'm on the case." Jane heard his office door closing as Weyler removed his hand from the receiver. Jane wondered why he cupped his hand over the receiver. Was he just being polite or was he trying to hide who was in the room? "Okay, Jane, here's the deal. I don't know if it's relavant to the case or just an odd coincidence, but your brother came over to drop off your mail and said that your neighbor, a woman named Hazel, told him that two nights ago she looked outside her bedroom window and saw a male yelled out the window at the perp and he immediately ducked out of her sight and took off."

Jane ran her fingers through her hair, trying to piece together the information. "What did he look like?"

"Apparently, Hazel said it was too dark to clearly identify him. He was wearing a heavy coat, looked to be older rather than some young punk and was carrying implements used for breaking into windows."

Jane's head spun with various angles. "I've never had a break-in. Why now?"

"It does seem suspicious," Weyler said carefully.

Jane wondered if Weyler was trying to lead her to say something. She wanted to trust him but she still didn't know if he was setting her up. The thought crossed her mind that there was no break-in at all and the call was simply a ruse to check in and get her talking. Since she was forbidden to contact Mike, there was no way to confirm Weyler's information. "Is Mike still there? Can I talk to him?"

"He's gone. I paged you right after he left."

Jane figured she would play it close to the vest. "Well, the perp sounds like a pro. I mean, there aren't a lot of older burglars out there who bring hardware to the scene."

"That's true."

"You're putting a 24-hour watch on my house, right?"

"I don't have the manpower for that. But I did ask patrol to concentrate more of their night watch around your block."

"Uh-huh," Jane said with a dubious tone. "Okay, so let's say just for the h.e.l.l of it, that this is not some sort of 'odd coincidence' as you put it. Let's say that there is some kind of motive behind the attempted break-in. I got to ask myself two questions: Why me and what's he looking for? As far as I was told, the media doesn't know I'm on this case. The DA's office doesn't know either. In fact, as far as anyone's concerned, the last case with my name on it was the Stover murder. The only people who could drop my name regarding the Lawrence case are you and Chris. That's saying that this burglar has got some tie-in with the Lawrence murder. But we're just flyin' blind through s.h.i.t, aren't we? So then I ask, what's this a.s.shole looking for? It's gotta be information. Right?" Jane thought she heard a distinct pop on the phone. "What was that?"

"What?"

An indignant flush came over her face. If Weyler was recording this conversation or having it monitored by someone, she was not going to dish out any more information nor was she going to let anyone think she was stupid. "I heard a pop on the phone. A pop?" Jane said in a leading tone.

"I didn't hear a pop."

"Yeah, well . . ." Jane felt as though someone hit her square in the jaw. She turned around and looked at Emily sitting in the car. Suddenly, a boiling rage curled along her spine. "G.o.dd.a.m.n, you f.u.c.kers!" Jane said under her breath.

"Jane? What is it?"

"Hey, I know!" Jane said sarcastically. "Maybe it's that elusive Texas mob we keep talking about. Maybe I've got the f.u.c.king mob on my a.s.s!"

"Jane, you're not making sense."

"Really? Well, s.h.i.t, I'm sorry. I've got people trying to break into my house and I can't do anything about it! How am I supposed to feel?"

"Look, I don't know that it's anything to worry about," Weyler said gently. "I just felt I should touch base and tell you what happened."

"Yeah. Thanks," Jane said brusquely.